Showing posts with label Alexis Korner. Show all posts
Showing posts with label Alexis Korner. Show all posts

Friday, March 1, 2024

Various Artists - The Hitmakers Sing Nick Drake (2018)

Nicholas Rodney Drake was born on 19 June 1948 in Burma, with the family, including his older sister the successful actress Gabrielle, moving back to England to live in Warwickshire in 1951. At school he played piano and learned clarinet and saxophone, and formed a band, the Perfumed Gardeners, with four schoolmates in 1964 or 1965. Drake contributed piano and occasional alto sax and vocals, and when Chris de Burgh asked to join the group, he was rejected as his taste was "too poppy". In 1966 Drake enrolled at a tutorial college in Five Ways, Birmingham, where he won a scholarship to study at Fitzwilliam College, Cambridge, but in his gap year before starting the course he travelled with friends to Morocco, returning to England in 1967 and moving into his sister's flat in Hampstead, London. That October, he enrolled at Cambridge to begin his studies in English literature, and in January 1968 he met Robert Kirby, a music student who went on to write many of the string and woodwind arrangements for Drake's first two albums. By this time, Drake had discovered the British and American folk music scenes, and was influenced by performers such as Bob Dylan, Donovan, Van Morrison, Josh White and Phil Ochs, and he performed in local clubs and coffee houses around London. After spotting him in one of these clubs, Fairport Convention bassist Ashley Hutchings introduced him to the 25-year-old American producer Joe Boyd, owner of the production and management company Witchseason Productions.  
Boyd was a respected figure in the UK folk scene, and he and Drake formed an immediate bond, with Boyd acting as a mentor to Drake throughout his career. Impressed by a four-track demo recorded in Drake's college room in early 1968, Boyd offered Drake a management, publishing, and production contract, and Drake recorded his debut album 'Five Leaves Left' later in 1968, with Boyd as producer. He sought to include a string arrangement similar to John Simon's on Leonard Cohen's debut, and to provide backing he enlisted contacts from the London folk rock scene, including Fairport Convention guitarist Richard Thompson and Pentangle bassist Danny Thompson. Ultimately, both Drake and Boyd were unhappy with arranger Richard Anthony Hewson's contribution, and so Drake suggested his college friend Robert Kirby as a replacement, and he provided most of the arrangements for the album, including its centrepiece 'River Man'. Post-production difficulties delayed the release by several months, and the album was poorly marketed and supported, receiving little radio play outside of shows by more progressive BBC DJs such as John Peel and Bob Harris. Despite this low-key reception at the time, 'Five Leaves Left' has since become regarded as a classic album of the folk scene, and despite a push by Boyd in 1970 to get Drake's songs more well-known, by arranging a session by Elton John and Linda Peters (later Linda Thompson) to record some of them to be sent out to publishers, most of the best covers have appeared since the turn of the last century. These ten versions of the songs from Drake's debut album all capture the delicacy of the music while still allowing the performers to add their own personality to their interpretation of the songs. 


  
Track listing

01 Time Has Told Me (Elton John 1968)
02 River Man (Norma Waterson 1999)
03 Three Hours (Keith James 2003)
04 Day Is Done (Charlie Hunter Quartet featuring Norah Jones 2001)
05 Way To Blue (In Gowan Ring 2007)
06 'Cello Song (The Books featuring Jose Gonzales 2009)
07 The Thoughts Of Mary Jane (Vashti Bunyan and Gareth Dickson 2018)
08 Man In A Shed (Beatrice Mason featuring Leoni 2018)
09 Fruit Tree (Green Gartside 2013) 
10 Saturday Sun (Alexis Korner 1971)

Sunday, December 27, 2020

Peter Frampton - ...and on guitar (1975)

Peter Kenneth Frampton was born on 22 April 1950, and first became interested in music when he was seven years old, having discovered his grandmother's banjolele in the attic, and teaching himself to play it, going on to later teach himself guitar and piano as well. His early influences were Cliff Richard & the Shadows, especially guitarist Hank Marvin, and American rockers Buddy Holly and Eddie Cochran. By the age of 12 he was playing in The Little Ravens, while both he and David Bowie, who was three years older, were pupils at Bromley Technical School, where his father Owen Frampton was Bowie's art instructor. By the age of 14 he was playing with The Trubeats, followed by The Preachers, who were produced and managed by Bill Wyman of the Rolling Stones. In 1966 he became a member of the Herd, where he was the lead guitarist and singer, and the band scored several British hit singles, at the same time as Frampton was named 'The Face of 1968' by teen magazine Rave. In 1969, while still only 18 years old, he joined with recently departed Small Faces guitarist Steve Marriott to form Humble Pie, going on to record one live and four studio albums with them, and while playing with Humble Pie he also did session recordings with other artists, including Harry Nilsson (and his alter ego Buck Earl for the 'I Guess The Lord Must Be In New York City' single), John Entwistle, Andy Bown, Lon & Derrek Van Eaton and Suzi Quatro. Frampton left Humble Pie in 1971 and embarked on a solo career, with his debut album 'Wind Of Change' coming out in 1972, and featuring guest artists Ringo Starr and Billy Preston. This was followed by 'Frampton's Camel' in 1973, which featured Frampton working within a group project, then 'Something's Happening' in 1974, and 'Frampton' in 1975.
He had little commercial success with his early albums, but this all changed when he released his live album 'Frampton Comes Alive' in 1976, from which the hit singles 'Baby, I Love Your Way' and 'Show Me The Way' were extracted, and the album was on the Billboard 200 for 97 weeks, of which 55 were in the top 40, and 10 were at the top, becoming the best selling album of 1976. His following-up 'I'm In You' contained the hit title single and went platinum, but fell well short of expectations compared to its predecessor, with all subsequent releases being unfavourably compared to that high-point. Frampton suffered a near-fatal car accident in the Bahamas in 1978 which marked the end of this prolific period of his career, returning to the studio in 1979 to record the album 'Where I Should Be', and releasing records fairly regularly since then. Although his albums generally met with little commercial success, he achieved a brief, moderate comeback of sorts in 1986 with the release of his 'Premonition' album, and the single 'Lying' was a big hit on the mainstream rock charts. His heyday, though, was undoubtedly the early to mid 70's, not only with his own albums, but also with guest appearances on records by fellow artists. The Johnny Halliday track has an interesting story, as by the end of 1968 the original Small Faces were in the middle of breaking up, with Steve Marriott going on to form Humble Pie, and the rest of the band morphing into The Faces. In late December the group were asked to collaborate with French pop legend Johnny Halliday on an album that was to showcase his attempt at hard-rock, and Marriott dragged his chum Frampton along to the recording sessions. Marriott and Lane donated three songs to the project, two of which were later recorded by Humble Pie under different titles, so this track is something of a curiosity to start this showcase of Peter Frampton's guest appearances in the first half of the 1970's.
  


Track listing

01 Regarde Pour Moi (from 'Riviere Ouvre Ton Lit' by Johnny Halliday 1969)
02 Girl From Denver (from 'Don't Freak Me Out' by Jimmy Stevens 1972)
03 The Blues In England (from 'Feel Your Groove' by Ben Sidran 1971)
04 Open Your Eyes (from' Gone To My Head' by Andy Bown 1972)
05 Sweet Music (single by Lon & Derrek Van Eaton 1972)
06 Rolling Stone (single by Suzi Quatro 1972)
07 I Guess The Lord Must Be Tn New York City (single by Buck Earl 1972)
08 Perfection (from 'Painted Head' by Tim Hardin 1973)
09 Ten Little Friends (from 'Whistle Rymes' by John Entwistle 1972)
10 Life Goes On (from 'Essence To Essence' by Donovan 1973)
11 Celebration (from 'First Of The Big Bands' by Tony Ashton & Jon Lord 1974)
12 The Serf (from 'Everything Changes' by Leslie Duncan 1974)
13 Daybreak (from 'Son Of Dracula' by Harry Nilsson 1974)
14 Slow Down (from 'Get Off Of My Cloud' by Alexis Korner 1975)


Keith Richards - ...and on guitar (1987)

Keith Richards didn't really have a huge amount of spare time in the 60's to play on other artist's records, as being the guitarist and songwriter in the Rolling Stones was a full-time job, but he did manage to sneak off to appear on the TV broadcast of The Beatles' 'All You Need Is Love' in 1967, and to provide bass guitar with The Dirty Mac - the all-star band who played on the 'The Rolling Stones' Rock & Roll Circus' film. While he had his bass guitar handy he helped out Billy Preston on his 'That's The Way God Planned It' album in 1969, but the first time he actually added his guitar to someone else's record was in 1974, when he was heavily involved in Ron Wood's 'I've Got My Own Album To Do', providing guitar and backing vocals on a number of songs, and even co-writing two of them with Wood. Around this time he recorded with Alexis Korner, adding guitar to his own 'Get Off My Cloud', which would eventually appear on a Korner anthology in 2003, and also in 1974 he was invited to appear at the final concert of the Faces tour of that year, adding guitar to three tracks which would later appear on a recording of the show in 2000. Between 1976 and 1977 he recorded some tracks with John Phillips, alongside band-mates Jagger, Wood and Taylor, and he also co-produced what would become the 'Pay Pack And Follow' and 'Pussycat' albums. If you've heard my Rolling Stones reggae compilation you'll know that the Stones always had a fondness for reggae, and that was mostly down to Richards, so it's no real surprise to find him adding his guitar to albums by Peter Tosh and Max Romeo. In 1979 Richards and Wood contributed guitar and backing vocals to Ian McLagan's 'Troublemaker' album, on another reggae-inspired song 'Truly', and he also played guitar on Screamin' Jay Hawkins' remake of his classic 'I Put A Spell On You' for an anthology of the famed 50's rocker. In 1985 he added guitar and backing vocals to Tom Waits' 'Rain Dogs' album, and that was the beginning of a lengthy working relationship between them, with Richards also contributing to Waits' albums 'Bone Machine' in 1992 and 'Bad As Me' in 2011. In 1987 he was one of an impressive list of guitarists who played on songs from The Neville Brothers' 'Uptown' album, and although Richards career has spanned an impressive sixty years, this collection just covers a decade of guest appearances from the mid 70's to the mid 80's, which gave him the opportunity to play on songs which he wouldn't have been able to do in his day job. From 1988 to date he's guested on another 40 or so albums from friends and colleagues, but this is where it all started.  



Track listing

01 Get Off My Cloud (from 'Musically Rich...and Famous: Anthology' by Alexis Korner 2003)
02 Act Together (from 'I've Got My Own Album To Do' by Ron Wood 1974) 
03 I'd Rather Go Blind (from 'The Faces' Final Concert' recorded 1974, released 2000)
04 Pussycat (from 'Pay Pack & Follow' by John Phillips recorded 1976–77, released 2001)
05 Stand Firm (from 'Bush Doctor' by Peter Tosh 1978)
06 Truly (from 'Troublemaker' by Ian McLagan 1979) 
07 I Put A Spell On You (from 'Portrait Of A Man: A History Of Screamin' Jay Hawkins' 1979) 
08 Bell The Cat (from 'Holding Out My Love For You' by Max Romeo 1981)
09 Big Black Mariah (from 'Rain Dogs' by Tom Waits 1985) 
10 Midnight Key (from 'Uptown' by The Neville Brothers 1987)