Allan Holdsworth - ...and on guitar (2017) EXPANDED EDITION

The premise of this series is to showcase famous guitarist's guest appearances on other people's records, but Allan Holdsworth had such an individual career that for this post it will be slightly different. Holdsworth is a unique musician, who is held in high regard by both his fans and his peers, and yet his career is quite fragmented, in that he tended to join a band, record one album with them, and then leave to move on, in effect becoming the guest musician in his own life. This expanded edition takes his career beyond his short-lived membership of those bands of the 70's, and into a 30 year period of solo albums, collaborations, and what turned out to be a multitude of guest appearances.
Allan Holdsworth was born in Bradford on 6th August 1946, where he was raised by his maternal grandparents. His grandfather Sam Holdsworth was a jazz pianist who had previously moved to London to pursue a career in music, but he eventually returned to Bradford. Holdsworth was given his first guitar at the age of 17, receiving his initial music tuition from his grandfather, and his professional career began when he joined the Glen South Band, which performed on the Mecca club circuit across Northern England. His first recordings were in 1969 with the band 'Igginbottom on their lone release, ''Igginbottom's Wrench', on which he also sang and wrote most of the music. In 1971 he joined Sunship, an improvisational band featuring keyboardist Alan Gowen, future King Crimson percussionist Jamie Muir and bassist Laurie Baker, but although they played live, they never released any recorded material. The following year he teamed up with Nucleus leader Ian Carr, and played on Carr's solo album 'Belladonna', before moving on to join progressive rock band Tempest, contributing to their self-titled debut studio album in 1973. Leaving Tempest, he then joined Soft Machine, playing on their 'Bundles' album, then leaving them to join The New Tony Williams Lifetime while they were recording their 'Believe It' album. Another move in 1976 found him in Gong, and recording their progressive jazz/fusion album 'Gazeuse!', before joining Jean-Luc Ponty to play on his 'Enigmatic Ocean'. In 1978 he was off again to team up with Bill Bruford for his 'Feels Good To Me' record, before Bruford formed the progressive rock supergroup U.K. with John Wetton and Eddie Jobson, and invited Holdsworth to join them, where he played on their first album before leaving them. 

Whilst U.K. continued with different musicians, Bruford returned to the core line-up of his solo band ,now simply named Bruford, with Holdsworth retained as guitarist, and their second album 'One Of A Kind' was released in 1979. At this point Holdsworth was ready to pursue his own musical aspirations and soon left the group, teaming up first with Gordon Beck, and then Gary Husband, and by 1982 he'd released his first album as bandleader, with his group I.O.U.'s self-titled record. This was the start of along and illustrious career for him, releasing numerous critically acclaimed albums over a 30 year period. His 1986 album 'Atavachron' was a landmark release in that it was the first to feature Holdsworth's work with a brand new instrument named the SynthAxe. This unusually designed MIDI controller (different from a guitar synthesizer) would become a staple of Holdsworth's playing for the rest of his recording career, during which he would effectively become the public face of the instrument. The next year saw the release of a fourth album, 'Sand', which featured no vocals and showcased further SynthAxe experimentation. This was also the year which saw him back in the studio as a jobbing musician, as after releasing an album a year for five years he answered the call to provide his inimitable guitar-work to an album being recorded by Swiss hard-rockers Krokus. It was a departure from his usual style, but it must have provided the impetus to do more session work, as from 1988 onwards he was hardly ever out of the studio. Firstly there was a second collaboration with Gordon Beck, 'With A Heart In My Song', in 1988, followed by his contribution to a track on Stanley Clarke's 'If This Bass Could Only Talk' album, and also appearing on the title track of 'Radio Free Albemuth' by Stuart Hamm. 

A collaboration in 1990 with fusion guitarist Frank Gambale came about in the form of 'Truth In Shredding', an ambitious collaborative project put together by Mark Varney (brother of Shrapnel Records founder Mike Varney) through his Legato Records label. In December of that year, following the death of Level 42 guitarist Alan Murphy in 1989, Holdsworth was recruited by the band to play as a guest musician during a series of concerts at London's Hammersmith Odeon, and with former band-mate Gary Husband now being the drummer for Level 42, these circumstances all led to him contributing guitar work on five tracks for their 1991 album, 'Guaranteed'. The same year he played on Chad Wackerman's first studio album, 'Forty Reasons', returning a favour as Wackerman was Holdsworth's drummer for most of their 30 year career. The 2000's began positively with the release of 'The Sixteen Men Of Tain' in 2000, but it turned out to be the last album he recorded at his Brewery studios, as immediately afterwards he abruptly slowed down his solo output due to events within his personal life. He did, however, tour extensively around both North America and Europe, and played as a guest on albums by numerous artists, most notably on keyboardist Derek Sherinian's 2004 album 'Mythology', as well as with the latter's progressive metal supergroup Planet X, on their 2007 album 'Quantum', and on K²'s 'Book Of The Dead' from 2005. In 2006 he performed with Wackerman, keyboardist Alan Pasqua, and bassist Jimmy Haslip as part of a live tribute act in honour of the late Tony Williams, with whom Holdsworth and Pasqua had played in the mid-1970's. His final contribution to a record was probably his appearance on a couple of tracks from MSM Schmidt's 'Life' album, and his 'Endomorph' was sampled by Playboi Carti on his track 'Location', both in 2017, the year in which Holdsworth passed away at the age of 70, with his death being attributed to high blood pressure. 

Holdsworth's mercurial career has covered many bands, sometimes going back to play with them again years later, but the one thing they all have in common is that their music was enhanced by his inventive guitar playing. Holdsworth was known for his highly advanced knowledge of music theory, through which he incorporated a vast array of complex chord progressions, often using unusual chord shapes in an abstract way based on his understanding of 'chord scales', and intricate improvised solos, frequently across shifting tonal centres. He used a myriad of scale forms often derived from those such as the lydian, diminished, harmonic major, augmented, whole tone, chromatic and altered scales, among others, often resulting in an unpredictable and dissonant 'outside' sound. His unique legato soloing technique stemmed from his original desire to play the saxophone, but unable to afford one, he strove to use the guitar to create similarly smooth lines of notes. His guitar style really was unique, and he continues to be cited as an influence by other musicians to this day. 

Track listing

Disc I - 1969-1978
01 Golden Lakes (from ''Igginbottom's Wrench' by 'Igginbottom 1969)
02 Hector's House (from 'Belladonna' by Ian Carr 1972)
03 Up And On (from 'Tempest' by Tempest 1973)
04 Land Of The Bag Snake (from 'Bundles' by Soft Machine 1975)
05 Proto Cosmas (from 'Believe It' by The New Tony Williams Lifetime 1975)
06 Expresso (from 'Gazeuse!' by Gong 1976)
07 Enigmatic Ocean Part III (from 'Enigmatic Ocean' by Jean-Luc Ponty 1977)
08 If You Can't Stand The Heat...' (from 'Feels Good To Me' by Bruford 1978)
09 Nevermore (from 'U.K.' by U.K. 1978)

Disc II - 1986-1991
01 Long Way From Home (from 'Change Of Address' by Krokus 1986)
02 The Grand Pajandrum (from 'Soma' by Soma 1986)
03 Stories To Tell (from 'If This Bass Could Only Talk' by Stanley Clarke 1988)
04 Radio Free Albemuth (from 'Radio Free Albemuth' by Stuart Hamm 1988)
05 Obsession (from 'A Question Of Time' by Jack Bruce 1989)
06 Under Fire (from 'Attack Of The Neon Shark' by Alex Masi 1989)
07 Bathsheba (from 'Truth In Shredding' by The Mark Varney Project 1990)
08 You Came Along (from 'Forty Reasons' by Chad Wackerman 1991)

Disc III - 1991-2004
01 A Kinder Eye (from 'Guaranteed' by Level 42 1991)
02 You Have To Wait (from 'Oneness' by Andrea Marcelli 1992)
03 Forest Of Feeling (from 'Lone Ranger' by Jeff Watson 1992)
04 Allan Qui? (from 'Suffer' by Gongzilla 1995)
05 Wring It Out (from 'From Your Heart And Your Soul' by Steve Hunt 1997) 
06 Day Of The Dead (from 'Mythology' by Derek Sherinian 2004)
07 Long Voyage Home (from 'Sonic Undertow' by Riptyde 2004)

Disc IV - 2005-2017
01 Aten (Window Of Appearances) (from 'Book Of The Dead' by K² 2005)
02 Skippy (from 'Nebula' by David Hines 2005)
03 Tsunami (from 'The State Of Things' by David Garfield & Friends 2005)

04 El Gato Fandango (from 'Prowlin' by Dan Carlin 2007)
05 The Thinking Stone (from 'Quantum' by Planet X 2007)
06 Fred 2011 (from 'Dirty & Beautiful - Volume 2' by Gary Husband 2012)
07 Location (from 'Playboi Carti' by Playboi Carti 2017)
08 Vista (from 'Life' by MSM Schmidt 2017)

Bernie Marsden - ...and on guitar (2003)

Bernard John Marsden was born on 7 May 1951 in Buckingham, England, and was inspired to play the guitar as a teenager by such authentic blues players as Howling Wolf and Sonny Boy Williamson. He later picked up on such 60's white blues players as Peter Green, Eric Clapton, and Jeff Beck, and after playing with local Buckingham based groups, he formed Skinny Cat at the age of 17. After playing with them for a while, he got his first professional gig with UFO in 1972, but he left after recording some demos with Dave Edmunds at Rockfield Studios, as the rest of the group wanted German guitarist Michael Schenker in the band, who had actually been recommended by Marsden to the other members of UFO. He then joined Juicy Lucy, but once again was ejected before he could record an album with them, following which he played with Glenn Cornick's Wild Turkey in 1973, before he joined drummer Cozy Powell's band Cozy Powell's Hammer, playing on the band's hit single 'Na Na Na' in 1974. Babe Ruth were next in 1975, and he finally managed to record an album with one of his bands, playing on two releases for Capitol Records with 'Stealin' Home' in 1975, and 'Kid's Stuff' in 1976. During his time with Babe Ruth, Cozy Powell recommended him to Jon Lord who was forming a post Deep Purple outfit with Ian Paice and Tony Ashton called Paice Ashton Lord, and Marsden joined the band, along with bassist Paul Martinez, in time to record their 'Malice In Wonderland' album in 1976. While with Paice Ashton Lord he worked alongside saxophonist Howie Casey, who recommended him to Paul McCartney as a replacement for Henry McCulloch in Wings, but the offer never materialised, as after Paice Ashton Lord folded following the release of their sole album, Marsden formed a new band with former Deep Purple vocalist David Coverdale and guitarist Micky Moody. They started as David Coverdale's Whitesnake, which then became Whitesnake, and Marsden played on their debut EP, their first five studio albums and a live record between 1978 and 1980, co-writing many of the songs with Coverdale, and sometimes Moody. Following his departure from Whitesnake, he formed a short-lived band called Bernie Marsden's SOS, and then not long afterwards he put together Alaska, with Robert Hawthorne on vocals and Richard Bailey on keyboards, releasing two melodic rock albums, 'Heart Of The Storm' in 1984 and 'The Pack' in 1985, before splitting up. In 1986 he formed MGM with former Whitesnake members Neil Murray and his replacement guitarist in Whitesnake Mel Galley, with the band also briefly including former Toto vocalist Bobby Kimball, and while recordings were made they remain unreleased. In 1988 he wrote the song 'South Africa', which was recorded by Ian Gillan and released as a single, and in 1989 he reunited with Whitesnake guitarist Moody to form The Moody Marsden band, recording the acoustic live album 'Live In Hell' in Norway, and an electric live album in England titled 'Never Turn Our Back On The Blues', before releasing their one studio album 'Real Faith' in 1994. Marsden released two solo albums during his time in Whitesnake, and has continued to record and release albums right up to date, with his 'Kings' album coming out a few months ago, and with this post you can hear how he filled his spare time by appearing on a wide variety of albums from other artists throughout his early years.  

Track listing

01 Reality In Arrears (from 'You & Me' by Chick Churchill 1973)
02 Suzanne (from 'Journey's End' by Matthew Fisher 1973)
03 Oh My (Rockfield Studios demo for UFO 1973)
04 Na Na Na (single by Cozy Powell's Hammer 1974)
05 Some Kind Of Beautiful (from 'Jumble Queen' by Bridget St John 1974)
06 The City (from 'Why' by K2 1980)
07 Chance On A Feeling (from 'Before I Forget' by Jon Lord 1982)
08 Head The Ball (from 'Guitar Speak II' 1988)
09 South Africa (single by Gillan 1988)
10 In A Perfect World (from 'Forcefield IV: Let the Wild Run Free' by Forcefield 1991)
11 Check Me Out (from the soundtrack of the TV series 'Frankie' 1995)
12 A Woman Like That (from the soundtrack of the film 'Still Crazy' 1998)
13 Als God Geen Vrouw Is Mam (from 'Pop Model' by Mama's Jasje 2000)
14 On Common Ground (from 'I Eat Them For Breakfast' by Micky Moody 2002)
15 Lady Starlight (from 'Freak Out!' by Chris Catena 2003)