Various Artists - The Hitmakers Sing Elton John's 'Tumbleweed Connection' (2002)

As a result of the reasonable success of the 'Elton John' album, John recruited former Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, and flew to America for his first US concert at the Troubadour in Los Angeles on 25 August 1970. It was a such a success that the next day he received a telegram from Bill Graham, America’s most important promoter, offering him $5,000 to play at the Fillmore East in New York. Two months later, in October 1970, the concept album 'Tumbleweed Connection' was released, reaching number two in the UK and number five in the US. Co-writer Bernie Taupin has confirmed that despite people thinking that he was influenced in his lyrics by Americana and by seeing America first hand, the album had been written and recorded before they'd even been to the United States, and it was more influenced by The Band's album, 'Music From Big Pink', and Robbie Robertson's songs. Basic tracks for three of the album's titles, 'Come Down In Time', 'Country Comfort' and 'Burn Down The Mission', had been recorded at Trident during the sessions for the previous LP, 'Elton John', and Dee Murray and Nigel Olsson appeared for the first time together on this album as the rhythm section on 'Amoreena'. No singles were released from the record in the US, but 'Country Comfort'/'Love Song' (the latter a Lesley Duncan composition) was released as a single in Australia, New Zealand and Brazil. Once again, other artists clamoured to record these songs, and this time the big names included Al Kooper, Rod Stewart, Spooky Tooth and Sergio Mendes and Brasil '77, and new artists were still looking to 'Tumbleweed Connection' for inspiration in the 1980's and 2000's, with this album closing with a rousing version of 'Burn Down The Mission' by Toto from 2002. 

Track listing

01 Ballad Of A Well Known Gun (Kate Taylor 1971)
02 Come Down In Time (Al Kooper 1971)
03 Country Comfort (Rod Stewart 1970)
04 Son Of Your Father (Spooky Tooth 1969)
05 My Father's Gun (Miranda Lambert 2018)
06 Where To Now St. Peter (Sergio Mendes & Brasil '77 1976)
07 Amoreena (Panhandle 1972)
08 Talking Old Soldiers (Michael Callen 1988)
09 Burn Down The Mission (Toto 2002)

Various Artists - The Hitmakers Sing Carole King (1973)

In the late 1950's Carole King attended Queens College, where she met Gerry Goffin, who was later to become her song-writing partner. When she was 17, they married in a Jewish ceremony on Long Island in August 1959, after King became pregnant with her first daughter, Louise. After they quit college they took day jobs, with Goffin working as an assistant chemist and King as a secretary, writing songs together in the evening, and after writing the Shirelles' Billboard Hot 100 number 1 hit 'Will You Love Me Tomorrow', they gave up their daytime jobs to concentrate on the song-writing. In the 1960's, with King composing the music and Goffin writing the lyrics, the two wrote a string of classic songs for a variety of artists, including 'Chains' (later recorded by the Beatles), 'The Loco-Motion' and 'Keep Your Hands Off My Baby' (both for their babysitter Little Eva), and 'It Might As Well Rain Until September', which King recorded herself in 1962, charting at number 22 in the US and number 3 in the UK. Other songs from her early period, up to 1967, included 'Half Way To Paradise' for Billy Fury, 'Take Good Care Of My Baby' for Bobby Vee, 'Up On The Roof' for the Drifters, 'I'm Into Something Good' for Earl-Jean (later recorded by Herman's Hermits), 'One Fine Day' for the Chiffons, and 'Pleasant Valley Sunday' for the Monkees. By 1968, Goffin and King were divorced and were starting to lose contact, and King moved to Laurel Canyon in Los Angeles with her two daughters. There she reactivated her recording career by forming 'The City', a music trio consisting of Charles Larkey, her future husband, on bass, Danny Kortchmar on guitar and vocals, and King on piano and vocals. The group produced one album, 'Now That Everything's Been Said', in 1968, but King's reluctance to perform live meant sales were slow, and the group disbanded in 1969. While in Laurel Canyon, she met James Taylor and Joni Mitchell, as well as Toni Stern, with whom she collaborated on songs, and when  King made her first solo album, 'Writer', in 1970, Taylor played acoustic guitar and provided backing vocals. It peaked at number 84 in the Billboard Top 200, and was followed the next year by 'Tapestry', which featured new compositions as well as reinterpretations of 'Will You Love Me Tomorrow' and '(You Make Me Feel Like) A Natural Woman'. 'Tapestry' was an instant success, with numerous hit singles, including a Billboard No.1 with 'It's Too Late', and every song on it has since become a classic. It's therefore no surprise that they have all been covered by a huge variety of artists, and so here are the best of them, reinterpreting this classic album of the 70's.

Track listing

01 I Feel The Earth Move (Design 1973)
02 So Far Away (Marlena Shaw 1972)
03 It's Too Late (The Sandpipers 1971)
04 Home Again (Kate Taylor 1971)
05 Beautiful (Petula Clark 1971)
06 Way Over Yonder (Cornelia 1972)
07 You've Got A Friend (James Taylor 1971)
08 Where You Lead (Barbara Streisand 1971)
09 Will You Love Me Tomorrow? (Roberta Flack 1971)
10 Smackwater Jack (Quincy Jones 1971)
11 Tapestry (Alice Babs 1973)
12 (You Make Me Feel Like) A Natural Woman (Aretha Franklin 1967)