Jesse Ed Davis - ...and on guitar (1975)

Jesse Edwin Davis was born on 21 September 1944 in Norman, Oklahoma. His parents were both Native Americans, with his father, Jesse Ed Davis II, being Comanche, and his mother's side was Kiowa. His father was an accomplished painter in the "flat-style" tradition of Southern Plains painting, with his works being exhibited in the state capitol in Oklahoma City. Davis began his musical career in the late 50's in Oklahoma City and surrounding areas, with John Ware (later a drummer for Emmylou Harris), John Selk (later a bass player for Donovan), Jerry Fisher (later a vocalist with Blood, Sweat & Tears), Mike Boyle, Chris Frederickson, and drummer Bill Maxwell, amongst others. He graduated from the University Of Oklahoma with a degree in English Literature, but by the mid-60's he was touring with Conway Twitty. He eventually moved to California, living there for 8 years, and through his friendship with Levon Helm, he met Leon Russell, who introduced him to paying session work. As well as playing on sessions, he also joined Taj Mahal's band, playing guitar and piano on Mahal's first three albums. After Mahal's 1969 album 'Giant Step', Davis concentrated on the session work for artists such as Roger Tillison and Leon Russell's band The Asylum Choir, and in 1971 he recorded his first solo album after Atco Records signed a contract with him to record two records with the label. The first was '¡Jesse Davis!', where he called in favours from Gram Parsons, Leon Russell and Eric Clapton to contribute to the recording. He was also close friends with Gene Clark, and in 1971 he played on and produced Clark's second solo album 'White Light', as well as guesting with Russell on Bob Dylan's 1971 single 'Watching The River Flow'. This led to him working with George Harrison, performing at the ex-Beatle's 1971 Concert For Bangladesh at Madison Square Garden, along with Ringo Starr, Billy Preston, Leon Russell, Jim Keltner, Eric Clapton and many others. 

Two more solo albums followed, with 'Ululu' coming out in 1972 and 'Keep Me Comin'' in 1973, but he still slotted in the odd sessions here and there, culminating in him playing lead guitar on John Lennon's 'Walls And Bridges' and 'Rock 'n' Roll' albums, and almost completing the full set, he also played on Harrison's 'Extra Texture' and Starr's 'Goodnight Vienna'. In late 1975 he performed with the Faces as second guitarist throughout their final US tour, unfortunately becoming addicted to drugs during this time, and after the tour he continued to work as a session player on albums by Eric Clapton, Rod Stewart, Keith Moon, Steve Miller, Guthrie Thomas, Harry Nilsson, Ry Cooder, Neil Diamond, Rick Danko, Van Dyke Parks, Cher, and many others. In 1977 he moved to Hawaii, but was back in Los Angeles by 1981, broke and ravaged by drug and alcohol addiction, and was in and out of clinics throughout much of the 80's dealing with his addictions. In the ten years he was with Patti Daley, they never married, but after they split up he married twice, and in 1985, with his second wife, he formed and played in The Graffiti Band, which coupled his music with the poetry of the Native American activist John Trudell. In June 1988 he collapsed in the laundry room of an apartment building following a suspected drugs overdose, and died shortly afterwards. He was 43 years old. In his short life he made his mark on the music of many of his peers, with his contributions on Marc Benno's album in particular being outstanding. This two-disc set is just a brief example of his work, as he also played with many blues legends, such as B.B. King, Albert Collins, John Lee Hooker, and Albert King, but I've omitted those as they were all legendary blues guitarists in their own right, and so Davis would only be heard as a backing musician, whereas I wanted to showcase his own exemplary playing on these other recordings from the 70's, when he was at the peak of his powers. 

Track listing

Disc One
01 Funny Honey  (from 'Booker T. & Priscilla' by Booker T. & Priscilla 1971)
02 Poor Girl (from' Feel Your Groove' by Ben Sidran 1971)
03 Sweet Home Chicago (from 'Asylum Choir II' by Asylum Choir 1971)
04 Baby I Love You (from 'Minnows' by Marc Benno 1971)
05 Let 'Em Roll Johnny (from 'Roger Tillison's Album' by Roger Tillison 1971)
06 Rusty Toy (from 'Warm Waters' by Charles Lloyd 1971) 
07 Rollin' Mill Man (from 'She Used To Wanna Be A Ballerina' by Buffy Saint-Marie 1971)
08 Watching the River Flow (single by Bob Dylan 1971)
09 One In A Hundred (from 'White Light' by Gene Clark 1971)
10 Reno Street Incident (from 'Out The Window' by Jim Pulte 1972)
11 Heal Your Heart (from 'Recall the Beginning ... ' by Steve Miller Band 1972) 

Disc Two
01 Doctor My Eyes (from 'Jackson Browne' by Jackson Browne  1972)
02 Crossroads Of The World (from 'Rod Taylor' by Rod Taylor 1973)
03 Gypsy Davy (from 'Last Of The Brooklyn Cowboys' by Arlo Guthrie 1973)
04 Black Magic Gun (from 'Home At Last' by Wayne Berry 1974) 
05 Fair Play (from 'ST-11261' by Brewer & Shipley 1974) 
06 Grinning In Your Face (from 'That's A Plenty' by The Pointer Sisters 1974)
07 Subterranean Homesick Blues (from 'Pussy Cats' by Harry Nilsson 1974)
08 Open Up The Watergate (from 'L.A. Turnaround' by Bert Jansch 1974) 
09 Whatever Gets You Thru the Night (from 'Walls And Bridges' by John Lennon 1974) 
10 Only You (And You Alone) (from 'Goodnight Vienna' by Ringo Starr 1974) 
11 (What A) Wonderful World (from 'Midnight On The Water' by David Bromberg Band 1975) 
12 The Hits Just Keep On Coming (from 'Burnin' Thing' by Mac Davis 1975)

Suggested by Maybe The Devil, Maybe The Lord

For MAC users

Press command+shift+period (to show hidden files) and a grayed out folder '...and on guitar" will appear and the mp3s will be inside. Either drag those to another folder OR rename the folder without any periods at the beginning. Press command+shift+period to once again hide the hidden files.

Gary Boyle - ...and on guitar (1973)

Gary Boyle is best known for his work with the outstanding jazz-rock band Isotope, but like so many musicians before him, he'd paid his dues in a number of lesser-known bands and with session work before he was recognised for the superb guitarist that he is. Gary Winston Boyle was born in 1941 in Patna, India, moving to the UK when he was eight, and attended the Leeds College of Music in the early 1960's. By 1965 he was backing acts such as Millie Small (of 'My Boy Lollipop' fame), and Lulu and The Luvvers, before joining The Echoes in 1966. Later that year he left The Echoes to join a new incarnation of Steampacket, the famed 'supergroup', whose line-up included Long John Baldrey, Rod Stewart, Julie Driscoll, Brian Auger, and Mickey Waller. When Steampacket folded shortly afterwards, Brian Auger and Julie Driscoll formed The Trinity with guitarist Vic Briggs, who was replaced in 1967 by Boyle, where he stayed until November, when he left to go to music college. On leaving college in 1969 he joined folk-rock band Eclection, but left in June to re-join Brian Auger in the re-named Brian Auger Trinity. By 1971 he was playing with bands like Caparius and Cirrus, and backing The Eddie Harris Group for a season at Ronnie Scott's Jazz Club, before joining The Mike Westbrook Band, and playing on the classic 'Metropolis' album in 1971. 
After assembling a progressive rock band for Paul Jones, including Roy Babbington, Dave McRae, Pip Pyle, and Dave Wintour, he formed Isotope in 1972, which was to take up most of his time for the next four years, before he disbanded them to form The Gary Boyle Band with the same members. In 1973, while still with Isotope, he guested on recording sessions for a dazzling variety of artists, including jazz-fusion pioneer Stomu Yamash'ta, pop singers B.J. Arnau and Lynsey De Paul, comic trio The Goodies, and folkies Bert Jansch and Doggerel Bank. In 1972 he was added to Australian band Python Lee Jackson's line-up to record some more songs which could be added to the three that had been taped with Rod Stewart as vocalist in 1969, and the 'In A Broken Dream' album was released that year to some success, following the re-release of the title track as a single, which earned the band a top 3 UK chart placing. The same year he guested on jazz singer Norma Winstone's 'Edge Of Time' album, adding his guitar to 'Erebus (Son Of Chaos)', although I've omitted that from this album, along with his appearance on Mike Westbrook's 'Metropolis' (where his only solo is very short and hardly audible) as they are both examples of extreme free jazz, and didn't really fit in with the rest of the tracks. However, I have included them as a bonus in the file in case you want to check them out yourself.    

Track listing
  
01 Isola Natale (from 'Open' by Julie Driscoll, Brian Auger & The Trinity 1967)
02 Black Horse (from 'Dedicated To You, But You Weren't Listening' by Keith Tippett 1971) 
03 Sweet Consolation (from 'In A Broken Dream' by Python Lee Jackson 1972)
04 Swing Song (from 'A Little Taste' by Ann Odell 1973)
05 Taking You Back (from 'Sing Songs From The Goodies' by The Goodies 1973)
06 Mama Do (from 'Surprise' by Lynsey De Paul 1973)
07 Jubilation (from 'B.J. Arnau' by B.J. Arnau 1973)
08 Rolling Nuns (from 'Freedom Is Frightening' by Stomu Yamash'ta's East Wind 1973)
09 Lullabye (from 'Silver Faces' by Doggerel Bank 1973)
10 Oh My Father (from 'Moonshine' by Bert Jansch 1973)