UPDATES 2

When I went on holiday I took a number of my old posts with me, and listening to them by the pool on headphones, I noticed a few things which I'd missed when listening through my speakers. I've therefore corrected the various imperfections, and as there was only one track per album that needed to be fixed I've put them all in one folder on Mega, and Soulseekers can just take the upgraded tracks that you need from the updated folders. The full albums have also been corrected, if you want to try them for the first time. The tracks that have been upgraded are:

UB40 - The Earth Dies Screaming (1982)

The transition from the vocal part of 'My Way Of Thinking' to the dub part was not a smooth as it could have been, so that's now been fixed.

Kossoff - Tuesday Evening (1973)

Listening to this again made me realise that a couple of the edits were very noticeable, and so I've re-done the whole thing to try to make them a bit more seamless. I think one works much better, and although the other is better then it was, it's still not perfect, but is probably the best that I can do. 

Steeleye Span - Bonny Moorhen (1984)

The sound on 'Stookey' sounded a bit thin compared to the other tracks, so I've boosted the bass to bring it more in line with the rest of the album. 

Hot Chocolate - I Want To Be Free (1973)

The first track 'Love Is Life' was not the best quality, so I've sourced a new, better version.

Bryan Ferry - Alphaville (1995)

There was a brief gap around 1'41 of 'Love War', which I hadn't noticed before, so I've sourced a complete version of the song. 

George Michael - Trojan Souls (1993)

The original recording of 'You Slipped Away From Me' only had one verse and then a very long instrumental passage. I felt that the instrumental part was way too long, and there was not enough vocal, so I've repeated the verse and faded down the ending to make a more concise version which now sounds more like a finished song. 

And finally, massive thanks to Barry Ryan and Sparks fan Helmut, who has provided me with a completely remastered version of Barry Ryan's 'Give Me A Sign' album, with upgraded versions of the songs that I could only find in poor quality. Not only that, but he has also let me have a new recording of the Sparks album that they made in 1968 as Halfnelson, which is now finally available at the correct speed.  

Both of these albums have been replaced in full on Soulseek and Mega, so help yourself to the upgraded version of these two, and marvel at the difference in them. 

pj 

Phil Manzanera - ...and on guitar (1992)

IT'S BACK!

Phillip Geoffrey Targett-Adams, a.k.a. Phil Manzanera, was born on 31 January 1951 in London to a Colombian mother (nee Manzanera) and an English father, who worked for BOAC. He spent most of his childhood in different parts of the Americas, including Hawaii, Venezuela, Colombia, and Cuba, and it was in Havana that the six-year old Manzanera encountered his first guitar, a Spanish guitar owned by his mother. His earliest musical accomplishments were Cuban folk songs inspired by the Cuban Revolution, but by the age of eight he started experimenting with the sounds of the electric guitar, and during his teenage years he was absorbing the twin influences of 1960's rock and roll and Latin American rhythms. In his late teens he formed a series of school bands with his friends Bill MacCormick, later a member of Matching Mole and Random Hold, MacCormick's brother Ian (better known as music writer Ian MacDonald) and drummer Charles Hayward, later of This Heat and Camberwell Now. The final incarnation of one of Manzanera's College bands was a psychedelic outfit dubbed Pooh & The Ostrich Feathers, who later evolved into the progressive rock quartet Quiet Sun, with the addition of keyboard player Dave Jarrett. They wrote a number of original songs and instrumental pieces, none of which were recorded until years later, and the band broke up when McCormick joined Matching Mole. 

During the making of his first solo album 'Diamond Head' in 1975, Manzanera briefly revived the group in order to record a full album of their original music, with 'Mainstream' being released later that year. Manzanera was determined to join a professional band, and in October 1971 he was one of about twenty players who auditioned as lead guitarist for the recently formed art rock band Roxy Music. He displayed a wide-ranging interest in music, influenced by his childhood sojourns in Latin America, and in 1972 he was invited to join Roxy Music, alongside Bryan Ferry, Brian Eno, Paul Thompson, Andy Mackay, and Graham Simpson. Roxy Music's rise was meteoric, with the band being hailed as a major stylistic influence of the early 1970's, and during the next 12 years they released a series of internationally best-selling albums. In parallel with Roxy Music, Manzanera has always pursued solo projects, both recording his own albums and producing for others, with his first major credit as producer being for the New Zealand group Split Enz in 1976, with their second LP 'Second Thoughts'. He also played guitar on three tracks on the first Brian Eno album 'Here Come the Warm Jets', as well as working with many of the luminaries of modern music, such as Steve Winwood, David Gilmour, John Cale, Godley & Creme, Nico and John Wetton, and he co-wrote songs with some of them, including Pink Floyd's single 'One Slip' from their 1987 'A Momentary Lapse Of Reason' album. 

In 1976 he assembled a band christened 801, and their 1976 London show was recorded for a live album, featuring contributions from Manzanera on guitar, Eno on vocals, synth and treatments, Quiet Sun bassist Bill MacCormick, Curved Air keyboardist Francis Monkman, 19-year-old drumming prodigy Simon Phillips, and slide guitarist Lloyd Watson, who had previously performed as a solo support act for Roxy Music. The success of the live album led to the creation of a more permanent incarnation of 801, without Lloyd Watson, while Manzanera's old schoolmate Simon Ainley took over from Eno as lead vocalist, but after recording the follow-up album 'Listen Now' and a short UK tour, they disbanded. In 1982 Ian Little, better known for his production of Duran Duran's third album '7 & The Ragged Tiger', started putting together his own album, and co-opted his old gaffer at Manzanera's Gallery Studio so contribute guitar to the tracks. From the mid-80's Manzanera added his guitar expertise to a number of albums by French artists, including Alain Bashung, Éric Charden and Carla Bissi, recording as Alice, and was also asked to gift a solo piece to the 'Guitar Speak' series of compilation albums, so enjoy this collection of some of his best collaborations with some well-known and some not so well-known artists from the first 20 years of his career. 

Track listing

01 You Won't See Me (from 'These Foolish Things' by Bryan Ferry 1973)
02 Cindy Tells Me (from 'Here Come The Warm Jets' by Eno 1974)
03 Momamma Scuba (from 'Fear' by John Cale 1974)
04 The End (from 'The End...' by Nico 1974)
05 The Inexorable Sequence (from 'Resolving Contradictions' by Andy Mackay 1978)
06 Clues (from 'Freeze Frame' by Godley & Creme 1979)
07 Caught In The Crossfire (from 'Caught In The Crossfire' by John Wetton 1980)
08 Extra-Ordinary (from 'Neuromantic' by Yukihiro Takahashi 1981)
09 Balance (from 'Gates' by New Asia 1982)
10 Breath Of Life (from 'Explorers' by The Explorers 1985)
11 Citta Chiusa (from 'Park Hotel' by Alice 1986)
12 Sphinx (from 'Guitar Speak' by Various Artists 1988)
13 Legere Eclaircie (from 'Novice' by Alain Bashung 1989)
14 Spellbound (from 'Abracadabra' by ABC 1991)
15 L'Amour Sourdine (from 'Je rocke ma vie' by Éric Charden 1992)

For MAC users

Press command+shift+period (to show hidden files) and a grayed out folder '...and on guitar" will appear and the mp3s will be inside. Either drag those to another folder OR rename the folder without any periods at the beginning. Press command+shift+period to once again hide the hidden files.

Bryan Ferry - Alphaville (1995)

 In 1995 Bryan Ferry went into the studio with Eurythmics Dave Stewart to record some songs for his next album. The sessions went well enough to tape twelve songs, but for whatever reason Ferry didn't feel happy enough with them to release them, and so the album was shelved. Instead, like the last time that sessions were abandoned, Ferry released his covers album 'As Time Goes By', although that didn't actually come out until 1999. It wasn't until 2002 that his next record of original material emerged, with 'Frantic' including re-arranged and re-recorded versions of 'Cruel', 'Nobody Loves Me', 'San Simeon' and 'Fool For Love'. Another long gap followed before 'Olympia' appeared in 2010, and once again the 'Alphaville' sessions were raided to provide alternate versions of 'You Can Dance' and the title track, and so as about half the songs have now appeared on his records it's unlikely that this album will ever see the light of day. As Ferry employed the services of Kate Moss for the covers of the 'Olympia' album and singles, I've kept that theme for the sleeve of this one. 

Track listing

01 Love War
02 Cruel
03 Alphaville
04 Nobody Loves Me
05 I Don't Want To
06 Sonnet #18
07 You Can Dance
08 One Way Love
09 Hiroshima
10 This Love
11 San Simeon
12 Fool For Love 

Bryan Ferry - Horoscope (1991)

In 1991 Bryan Ferry started recording songs for his first album of original material for four years, and the sessions yielded enough material for the 'Horoscope' album to be released. However, Ferry did not feel that the songs were good enough, as he'd become self-conscious about bringing out a new album, feeling that he had to write his masterpiece, and as the technology got more sophisticated, his opportunities expanded and the possibilities became endless. Initially he was upbeat about the prospect of releasing it quite quickly after the relative failure of 'Bete Noire', but by 1992 he found himself without either a manager or a producer, and with no one there to call a halt to his increasingly grandiose designs, the recording sessions just went on and on. The situation only stabilized when he hooked up again with his original manager, David Enthoven, who had come out of a ten-year retirement. Listening to the tracks intended for 'Horoscope,' Ferry, Enthoven, and the record company decided that even after all the years of work, they were still not ready, and while some reports claim that Virgin Records simply rejected the album out of hand, this is rigorously denied by Ferry himself, although he does admit that Warner Brothers in America didn’t like it as much. The consensus of opinion was that the main problem was the lack of anything commercial enough to be released as a single, and so the solution was to simply put the album on hold and try something else, releasing a covers album instead, in the form of 1992's 'Taxi'. Two years passed and a new album of original material was once again on the cards, so some of the songs from 'Horoscope' were revisited, with 'N.Y.C.', 'The 39 Steps', 'Gemini Moon', and 'The Only Face' being exhumed and included on 1994's 'Mamouna'. The rest of the songs have remained locked away, and apart from a much shorter version of 'Midnight Train' appearing on 'Avonmore' in 2014, they have not subsequently turned up on later albums, so this is definitely worth hearing as an idea of Ferry's vision in the early 90's. 

Track listing

01 The 39 Steps
02 The Only Face
03 N.Y.C
04 Midnight Train
05 Your Love Has Died
06 Gemini Moon
07 Blinded By The Life I'm Living
08 Mother Of Pearl 

Following a comment by Geof McM I've speed-corrected the album to slow it down by 5% and it does now match the available re-recordings, so I've replaced the original album in the folder. 

Dave Gilmour - ...and on guitar (1985)

Dave Gilmour joined Pink Floyd in 1967, and has been an integral part of the band ever since, appearing on all of their classic albums throughout their long and spectacularly successful career. In between recording and touring with Floyd, he has found time to add his distinctive guitar-work to songs by a number of friends and acquaintances, some that you expect, and some which are something of a surprise. 
In 1973 Unicorn were playing at the wedding reception of Ricky Hopper, who was a friend from Transatlantic days, and Gilmour was also a guest at the wedding. At the end of the evening he got up to Jam with Unicorn, and afterwards expressed an affection for country rock, which came as a considerable surprise to the band. A week later Gilmour invited them to try out his new home studio, and they recorded three songs there, with Gilmour adding guitar to them. He then offered to put up the money to record an album with them, which was recorded at Olympic Studios in London with Gilmour producing and playing electric and slide guitar. This was the beginning of a friendship with the band, which bore fruit later that year when he was given a demo tape of a very young Kathy Bush by Ricky Hopper (from the wedding), and he offered to let her record some of her songs at his studio. He called in Unicorn to act as the backing band, and one of the songs later turned up on the b-side to her 1980 single 'Army Dreamers'. In 1975 he added his guitar to Leo Sayer's friend and collaborator David Courtney's only record 'David Courtney's First Day', and also played pedal steel guitar on Scottish folkies The Sutherland Brothers & Quiver's 'Ain't Too Proud' single. 1976 was a quiet year for Gilmour, but when he offered his services in 1977 it was to the extremely obscure French artist Rachid Bahri, playing on one song on his 'Il Sirvivra' album, alongside Nick Mason on drums. Considering that I had never heard of Bahri before, and the album is impossible to track down, it was astounding to find that it also featured Tim Renwick, Rick Wills, Kenney Jones, Gaspar Lawal, and Stevie Winwood. 
Another two years passed and he was invited to contribute to Paul McCartney's new record, adding guitar to songs destined for the 'Back To The Egg' album, and the following year he appeared on Roy Harper's 'The Unknown Soldier'. Gilmour had known Harper since 1968, and Harper famously sang 'Have A Cigar' on Floyd's 'Wish You Were Here' in 1975, and in return Gilmour played on three of Harper's 1970's album, co-writing five songs on 1975's 'HQ'. In 1983 Atomic Rooster were on their third line-up, and for their 'Headline News' album they managed to persuade Gilmour to play on four of the songs, and while it's not really that great an album, 'Hold Your Fire' is an excellent track. Paul McCartney called on Gilmour again in 1984 to add his guitar to a re-recording of the hit single 'No More Lonely Nights', done in a ballad style, which was eventually added to the expanded re-issue of 'Give My Regards To Broad Street', and the following year he appeared on Bryan Ferry's 'Boys And Girls' album, alongside other guests Mark Knopfler and Nile Rodgers. To close the album we have a track from the Duran Duran spin-off band Arcadia, with Gilmour and Sting both featuring on one song, 'The Promise', from their sole album 'So Red The Rose'. Like many of his contemporaries who have guested on others artist's album, Gilmour has never stuck to one style of music, covering country rock, pop, heavy rock, folk, and ballads, and it's a testament to his skill as a guitarist that he can pull them all off effortlessly.       

Track listing

01 The Farmer (from 'Blue Pine Trees' by Unicorn 1974)
02 When Your Life Is Your Own (from 'David Courtney's First Day' by David Courtney 1975)
03 Ain't Too Proud (from 'Reach For The Sky' by The Sutherland Brothers & Quiver 1975)
04 Il Survivra (from 'Il Sirvivra' by Rachid Bahri 1977)
05 So Glad To See You Here (from 'Back To The Egg' by Wings 1979)
06 True Story (from 'The Unknown Soldier' by Roy Harper 1980)
07 Passing Through Air (b-side of 'Army Dreamers' single by Kate Bush 1980)
08 Hold Your Fire (from 'Headline News' by Atomic Rooster 1983)
09 No More Lonely Nights (Ballad) (from 'Give My Regards To Broad Street' by Paul
                                                                                                                      McCartney 1984)
10 Boys And Girls (from 'Boys And Girls' by Bryan Ferry 1985)
11 The Promise (from 'So Red The Rose' by  Arcadia 1985)

Robert Fripp - ...and on guitar (1980)

Robert Fripp was born in Wimborne Minster, Dorset, the second child of a working class family, and at age ten he received a guitar for Christmas from his parents. After taking guitar lessons, by age 11 he was playing rock, moving on to traditional jazz at 13 and modern jazz at 15. In 1961, the fifteen-year-old Fripp joined his first band, The Ravens, which also included Gordon Haskell on bass. After they split the following year, Fripp considered a job at his father's estate agency, but at seventeen, he decided to become a professional musician. He became the guitarist in the jazz outfit The Douglas Ward Trio, followed by a stint in the rock and roll band The League of Gentlemen, which included two former Ravens members. In 1965, Fripp left the group to attend Bournemouth College, which was where he met future musical collaborators John Wetton, Richard Palmer-James, and Greg Lake. In 1967, Fripp responded to an advertisement placed by Bournemouth-born brothers Peter and Michael Giles, who wanted to work with a singing organist. Though Fripp was not what they wanted, his audition with them was a success and the trio relocated to London and became Giles, Giles And Fripp, with their sole studio album 'The Cheerful Insanity Of Giles, Giles And Fripp' being released in 1968. Despite the recruitment of two further members, singer Judy Dyble (formerly with Fairport Convention and later of Trader Horne) and multi-instrumentalist Ian McDonald, Fripp felt that he was outgrowing the eccentric pop approach favoured by Peter Giles, preferring the more ambitious compositions being written by McDonald, and so the band broke up in 1968. Almost immediately, Fripp, McDonald and Michael Giles formed the first lineup of King Crimson in mid-1968, recruiting Fripp's old Bournemouth College friend Greg Lake as lead singer and bass player, and McDonald's writing partner Peter Sinfield as lyricist, light show designer and general creative consultant. King Crimson's debut album 'In The Court Of The Crimson King' was released in late 1969 to great success, and Fripp's long and illustrious career was off to a great start. 
During King Crimson's less active periods Fripp collaborated with other artists, such as Keith Tippett, on projects far from rock music, playing with and producing jazz-progressive rock big band Centipede's 'Septober Energy' album in 1971 and 'Ovary Lodge' in 1973. During this period he also worked with Van der Graaf Generator, playing on the 1970 album 'H To He, Who Am The Only One', and in 1971 on 'Pawn Hearts'. In 1972 he produced Matching Mole's 'Matching Mole's Little Red Record', and then later that year teamed up with Brian Eno to record the classic electronic album 'No Pussyfooting', reconvening two years later for 1974's 'Evening Star'. In 1973 Fripp performed the guitar solo on Brian Eno's 'Baby's On Fire', from his first solo album 'Here Come The Warm Jets', and later contributed to his 'Another Green World' album in 1975. After a one year sabbatical he returned to musical work as a studio guitarist in 1976, working on Peter Gabriel's first self-titled album, which was released the following year, and he also toured with Gabriel to support the album, but remained out of sight (either in the wings or behind a curtain) and used the pseudonym 'Dusty Rhodes'. He assisted Gabriel again in 1978 on his second album, producing and playing on it, adding solos to 'On The Air' and 'White Shadow', and musically enhancing 'Exposure'. In 1977 Fripp reconnected with Daryl Hall, who he'd first met in 1974, when Hall asked him to produce his debut solo album, on which he also provided guitar and co-wrote two of the songs. The recording was completed in 1977, but the record company didn't feel that it would be a commercial success and so refused to release it for three years, with it finally seeing the light of day in 1980. Also in 1977 he added his distinctive guitar sound to the b-side of Bryan Ferry's 'This Is Tomorrow' single, and while living in New York in 1978 Fripp contributed to albums and live performances by Blondie, most noticeably to 'Fade Away And Radiate' from their 'Parallel Lines' album. The same year he worked with Talking Heads on their 'Fear of Music' record, and he also produced The Roches' first and third albums, which featured several of his characteristic guitar solos. A second set of creative sessions with David Bowie in 1980 produced distinctive guitar parts on songs from 'Scary Monsters (And Super Creeps)', and he also appeared on Peter Gabriel's third solo album the same year. To be honest I'd never really thought of Robert Fripp as the sort of artist to guest on other people's records, although obviously I knew that he was on Bowie's 'Scary Monsters (And Super Creeps)', but I was amazed to find that he played on a Blondie record, or collaborated with Daryl Hall. Unfortunately the Van Der Graaf Generator tracks that he played on were too long to include here, and you couldn't really hear him on them anyway, but I have included a track from Peter Hamill's solo album 'Fool's Mate' as an example of his work a member of VDGG. We all know that Fripp is an outstanding guitarist from his work with King Crimson, but I hope that this album shows another side to him that people might not have known about.  

Track listing

01 Sunshine (from 'Fool's Mate' by Peter Hammill 1971) 
02 St Elmo's Fire (from 'Another Green World' by Brian Eno 1975)
03 As The World Turns (b-side of 'This Is Tomorrow' single by Bryan Ferry 1977)
04 Fade Away And Radiate (from 'Parallel Lines' by Blondie 1978)
05 Babs And Babs (from 'Sacred Songs' by Daryl Hall recorded 1977)
06 Exposure (from 'Peter Gabriel II' by Peter Gabriel 1978)
07 I Zimbra (from 'Fear Of Music' by Talking Heads 1979)
08 Teenage Wildlife (from 'Scary Monsters (And Super Creeps)' by David Bowie 1980)
09 Hammond Song (from 'The Roches' by The Roches 1979)
10 No Self Control (from 'Peter Gabriel III' by Peter Gabriel 1980)