Dave Mason - ...and on guitar (1984)

David Thomas Mason was born on 10 May 1946 in Worcester, and was a professional musician by his teens, making his recording debut with 'Opus To Spring' in 1963 with the instrumental group the Jaguars. It was with this band that he first encountered drummer Jim Capaldi, and the two became members of the Hellions, who played around the U.K. and in Hamburg, West Germany, as well as cutting a few singles in 1964 and 1965. Mason quit the Hellions in the spring of 1965 to study music formally, while also sitting in occasionally with another band featuring Capaldi, Deep Feeling. In early 1966 he took a job as road manager for the Spencer Davis Group, where he met Steve Winwood, and when Winwood left The Spencer Davis Group in March 1967, he took Mason with him to form Traffic with Capaldi and flautist Chris Wood. After their first single 'Paper Sun' was a UK hit, they followed it with Mason's 'Hole in My Shoe', which hit number two in the U.K. Mason stayed in the band long enough to record Traffic's debut album 'Mr. Fantasy', but left just as it was being released, recording a solo single 'Little Woman' in early 1968. He then rejoined Traffic, staying with them until the band broke up in late 1968. After that he moved to Los Angeles and joined Delaney & Bonnie & Friends in 1969, and then in 1970 he signed a solo contract with Blue Thumb Records and released his debut solo album 'Alone Together', which reached number 22 and went gold in the U.S. Despite this success, he continued to work in group contexts, serving temporarily as second guitarist in Eric Clapton's band Derek And The Dominos, recording with George Harrison on 'All Things Must Pass', and forming a duo with Cass Elliot, releasing their album 'Dave Mason & Cass Elliot' in February 1971. During this time he was a busy session guitarist, starting almost as soon as Traffic ceased to exist, and as he was a friend of Jimi Hendrix he was invited to play 12-string acoustic guitar on his recording of 'All Along The Watchtower', as well as singing and playing on 'Crosstown Traffic'. In 1969/1970 he toured with Delaney and Bonnie and Friends, and contributed a searing solo to their 'Comin' Home' single, as well as playing with Eric Clapton on Derek And The Dominos' single 'Tell The Truth'/'Roll It Over'. In the early 70's he was very much a part of the US West Coast singer/songwriter collective, not only with his own albums, but also featuring on records by Graham Nash, David Crosby, David Blue, Bobby Keys, and his old friend Jim Capaldi. In 1973 he was the guest guitarist on jazz pianist Dave Brubeck's 'Two Generations Of Brubeck' album, showing that he was as much at home with jazz as he was with rock. He also added his guitar to Wings' hit single 'Listen To What The Man Said', and helped out Stephen Stills, Ron Wood, and Donovan in the late 70's/early 80's. Although Mason is pretty much a household name for his work with Traffic and his solo career, I was surprised at just how much he'd spread himself around in the 70's, and so this is a fine celebration of his work from that period.  

Track listing

Disc One
01 Crosstown Traffic (from 'Electric Ladyland' by Jimi Hendrix Experience 1968)
02 Sing To Me, Woman (from 'Thinking Back' by Gordon Jackson 1969)
03 Hello Little Girl (from 'Word Of Mouth' by Merryweather 1969)
04 Comin' Home (single by Delaney & Bonnie & Friends 1969)
05 Freedom (from 'Bobby Lester' by Bobby Lester 1970) 
06 Plug Me In (from 'All Things Must Pass' by George Harrison 1970)
07 Roll It Over (b-side of 'Tell The Truth' by Derek And The Dominos 1970)
08 All Life Is One (from 'Warm Waters' by Charles Lloyd 1971)
09 Military Madness (from 'Songs For Beginners' by Graham Nash 1971)
10 Don't Be A Hero (from 'Oh How We Danced' by Jim Capaldi 1972)
11 Steal From A King (from 'Bobby Keys' by Bobby Keys 1972)

Disc Two
01 Immigration Man (from 'Graham Nash - David Crosby' by Crosby & Nash 1972)
02 Outlaw Man (from 'Nice Baby And The Angel' by David Blue 1973)
03 Blue Rondo A La Turk (from 'Two Generations Of Brubeck' by Dave Brubeck 1973)
04 No Show Tonight (from 'Phoebe Snow' by Phoebe Snow 1974)
05 Ain't That Loving You (out-take from '461 Ocean Boulevard' by Eric Clapton 1974) 
06 Listen To What The Man Said (from 'Venus And Mars' by Wings 1975)
07 Hideaway From Love (from 'Black And White' by Mike Finnigan 1978)
08 You Can't Dance Alone (from 'Thoroughfare Gap' by Stephen Stills 1978)
09 F.U.C. Her (from 'Gimme Some Neck' by Ron Wood 1979)
19 Boy For Every Girl (from 'Lady Of The Stars' by Donovan 1984)

The Jimi Hendrix Experience - Electric Church (1968)

The Jimi Hendrix Experience began working on their fourth album during the last two weeks of October 1968, at an old rundown studio called TTG in Hollywood, where Jimi was also producing an album by Irish band Eire Apparent. Despite the party atmosphere and a host of groupies and musicians stopping by to jam, they did somehow manage to complete some recording. The tapes were then sent to the Record Plant in New York where they just gathered dust. and so here is an album made up of those somewhat chaotic sessions. If these tracks had been polished in the studio this could have formed the basis for a fourth Experience album, being made only six weeks after they finished working on 'Electric Ladyland'. It starts with a song that Jimi tried numerous times to get right in the studio but never captured to his satisfaction, 'Here He Comes', otherwise known as 'Lover Man'. The title track is next, and is actually a version of 'Red House', featuring Mitch Mitchell on drums and Buddy Miles on percussion. The explosive version of Van Morrison's 'Gloria' is a highlight, and remained unheard for over a decade until it was released as a bonus 7" single with 'The Essential Jimi Hendrix Vol. 2' in 1979. Another elusive track is 'Look Over Yonder', also called 'Mr. Bad Luck', as despite having already recorded a decent version back in May of '67, Jimi wanted to try again, possibly an indication that he was running out of new ideas. 'New Rising Sun' is a nice guitar piece that Jimi was working on, and which to my ears sounds very much like an extended take on the introduction to 'Angel', while 'Hear My Freedom' is another unstructured blues jam, and we conclude with the heavy and somewhat ridiculous 'Calling All the Devil's Children', one of the few songs that were actually completed at TTG.. This could very well have been the band's fourth album if they'd managed to get their act together and kept on at the Record Plant to do something with the raw tapes, but they didn't, and so only now can we hear what it might have sounded like.

Track listing

01 Here He Comes (Lover Man) 
02 Electric Church Red House
03 Gloria
04 Look Over Yonder 
05 New Rising Sun 
06 Hear My Freedom
07 Calling All the Devil's Children 

From The Album Fixer September 2015.