Eric Johnson - ...and on guitar (1994)

Eric Johnson was born on 17 August 1954 into a musical family, studying piano with his three sisters at an early age, while his father was a whistling enthusiast. He started learning the guitar at age 11 and rapidly progressed while listening to the musicians that would heavily influence his future style, including Mike Bloomfield, Chet Atkins, Eric Clapton, Jimi Hendrix, and Django Reinhardt, among others. At the age of 15, he joined his first professional band, the psychedelic rock band Mariani, and in 1970 they recorded a demo, which saw an extremely limited release, and which became a prized collector's item some years later. I've had a copy of this since around the late 80's, but never knew Johnson appeared on it, so I must dig that out again. After graduating from high school, he briefly attended the University of Texas at Austin, and later traveled with his family to Africa, returning to Austin in 1974, and joining a local fusion group called Electromagnets. They toured and recorded regionally but didn't attract attention from major record labels, and so disbanded in 1977, but the strength of Johnson's playing had attracted a small cult following to the group's early recordings and, decades later, their two albums were given wide release on CD. Following the Electromagnets' demise, Johnson formed a touring trio, the Eric Johnson Group, with drummer Bill Maddox and bassist Kyle Brock, and between 1976 and 1978 they recorded the 'Seven Worlds' album, but due to contract disputes it was not released until 1998. Unable to secure a new management contract, Johnson began working as a session guitarist for some well-known acts, including Cat Stevens, Carole King, and Christopher Cross, and it was Cross's producer David Tickle who recommended Johnson to Warner Bros. Records, who signed him to their label. In 1986 he released his actual debut album 'Tones', with a cover story in Guitar Player helping to promote the release, but although 'Zap' was nominated for the 1987 Grammy Award for Best Rock Instrumental Performance, the album did not sell well, and Warner Bros. let Johnson's contract expire. 

Signing with indie label Cinema Records, distributed by Capitol Records, he released 'Ah Via Musicom' in 1990, and not only was he winning awards for his musicianship in the guitar press, but 'Cliffs Of Dover' won the 1991 Grammy Award for Best Rock Instrumental Performance. The session work took a back seat while Johnson recorded his next album, but being an admitted perfectionist, he recorded, mastered and then scrapped several completed tracks for the new album, which delayed its release for three years, on top of the three years he had spent touring, and 'Venus Isle' eventually appeared in 1996. Despite demonstrating Johnson's growth as a guitarist, songwriter, producer, musical arranger, and vocalist, it received mixed reviews and did not match the success of its predecessor, and as a result he was dropped from Capitol Records. While recording 'Venus Isle' Johnson formed a side project called Alien Love Child with vocalist Malford Milligan, and played sporadic shows around Austin, and positive fan feedback from the shows made Alien Love Child a permanent gig. Johnson eventually returned to the recording studio, releasing 'Souvenir' in January 2002 on his own Vortexan Records label, followed by 'Bloom' in 2005, on Steve Vai's Favored Nations label, and then releasing a new record every few years since then. This collection starts with one of his earliest gigs with jazz organist Jack McDuff, then takes in those late 70's guest spots with Cat Stevens and Christopher Cross, and quite a bit of work from the mid 80's to the mid 90's. I have to admit that I wasn't that familiar with Johnson's work, so this has been as much as a revelation to me as it might be to you. 

Track listing

Disc One
01 Rolling Stone (from 'The Fourth Dimension' by Jack McDuff 1974)
02 Circle Song (from 'Once Upon A Rock' by American Peddlers 1977)
03 Dancin' With Tears In My Eyes (from 'Pearls' by Carole King 1980)
04 Bad Brakes (from 'Back To Earth' by Cat Stevens 1978)
05 Minstrel Gigolo (from 'Christopher Cross' by Christopher Cross 1979)
06 Rise Up (from 'Long Time Friends' by Alessi 1982)
07 SA Stroll (from 'Tomás Ramírez' by Tomas Ramirez 1983)
08 Save A Little Time (from 'Pressure' by Pressure 1983)

Disc Two
01 Recover Gracefully (from 'Marc Anthony Thompson' by Marc Anthony Thompson 1984)
02 Distant Star (from 'Stand Up' by Steve Morse Band 1985)
03 Ballad Of Fast Eddie (from 'Street Language' by Rodney Crowell 1986)
04 Western Flyer (from 'Guitar Speak' by Various Artists 1988)
05 Ronda (from 'Inside Out' by Jay Aaron 1990)
06 Our Dreams (from 'The Urge' by Stuart Hamm 1991)
07 Keep Coming Back (from 'Rush Street' by Richard Marx 1992)
08 Lights Of Louisiana (from 'The Hunter' by Jennifer Warnes 1992)
09 Somebody Loves Me Now (from 'Read My Licks' by Chet Atkins 1994)

Thank to Don for the suggestion.

Mark Knopfler - ...and on guitar (1985)

Mark Freuder Knopfler was born on 12 August 1949 in Glasgow, the middle child of three, with an older sister Ruth, and a younger brother David, who is also a musician. During the 60's he formed and joined several bands and listened to singers like Elvis Presley and guitarists Chet Atkins, Scotty Moore, B.B King, and Hank Marvin, and at sixteen years of age he made a local television appearance as part of a harmony duo, with his classmate Sue Hercombe. In 1968, after studying journalism for a year at Harlow College, Knopfler was hired as a junior reporter for the Yorkshire Evening Post, and during this time he made the acquaintance of local furniture restorer, country blues enthusiast and part-time performer Steve Phillips, from whose record collection and guitar style Knopfler acquired a good knowledge of early blues artists. The pair subsequently formed a duo called The Duolian String Pickers, and performed in local folk and acoustic blues venues, but two years later he decided to further his education, later graduating with a degree in English at the University of Leeds. In April 1970 he recorded a demo of an original song he'd written called 'Summer's Coming My Way'. enlisting Steve Phillips to help out on second guitar, along with Dave Johnson on bass, and Paul Granger on percussion. In 1973, Knopfler moved to London and joined a band based in High Wycombe called Brewers Droop, appearing on their 'The Booze Brothers' album, after which he took a job as a lecturer at Loughton College in Essex, and stayed there for three years while continuing to perform with local pub bands, including the Café Racers. 
By the mid-70's his brother David had moved to London, where he shared a flat with bass guitarist John Illsley, and in 1977, Mark moved in with David and John and all three began playing music together, forming a new band called Dire Straits. The group's first demos were recorded in three sessions in 1977, with David Knopfler as rhythm guitarist, John Illsley as bass guitarist, and Pick Withers as drummer. After signing to Vertigo Records, their debut album was released in 1977 to little fanfare in the UK, but when 'Sultans Of Swing' was released as a single, it became a chart hit in the Netherlands and album sales took off – first across Europe, and then in the United States and Canada, and finally in the UK. The group's second album 'Communiqué' was produced by Jerry Wexler and Barry Beckett and was issued in 1979, reaching number one in France, and 'Making Movies' quickly followed the next year. This album moved towards more complex arrangements and production, which continued for the remainder of the group's career, resulting in my favourite of their albums, 1982's 'Love Over Gold'. By the time 'Brothers In Arms' came out in 1985, the band were a world-wide phenomenon, with Knopfler also making a name for himself composing film music scores, and writing songs for other artists, including 'Private Dancer' for Tina Turner's comeback album of the same name. 
After his guitar style became noticed following the 'Sultans Of Swing' single, he was often asked to play on other artist's records, including such global superstars as Bob Dylan, Van Morrison, and Steely Dan. He played on Phil Lynott's first solo album 'Solo In Soho' in 1980, and was invited back to help out on the follow-up 'The Philip Lynott Album' two years later. After helping out on Kate & Anna McGarrigle's first album in 1983, he joined family and friends by appearing on albums by his bother David and former band-mate John Illsley. In 1985 he got to play with one of his earliest heroes Chet Atkins, contributing some superb guitar to 'Cosmic Square Dance'. Although this album ends in 1985, Knopfler continued to play on records from artists such as Sting, Randy Newman, Joan Armatrading, Jeff Healey and Hank Marvin up to 1997, adding his instantly recognisable guitar-playing to over 40 releases during that time. For this album, though, enjoy his earliest appearances on some classic albums of the 80's.    

Track listing

01 Gotta Serve Somebody (from 'Slow Train Coming' by Bob Dylan 1979)
02 Loving You (from 'Oh! What A Feeling' by Mavis Staples 1979)
03 Time Out Of Mind (from 'Gaucho' by Steely Dan 1980)
04 Ode To Liberty (The Protest Song) (from 'The Philip Lynott Album' by Phil Lynott 1982)
05 Cleaning Windows (from 'Beautiful Vision' by Van Morrison 1982)
06 Love Over And Over (from 'Love Over And Over' by Kate & Anna McGarrigle 1982)
07 Blanket Roll Blues (from 'Climate Of Hunter' by Scott Walker 1983)
08 Madonna's Daughter (from 'Release' by David Knopfler 1983)
09 Never Told A Soul (from 'Never Told A Soul' by John Illsley 1984)
10 Cosmic Square Dance (from 'Stay Tuned' by Chet Atkins 1985)