Go-Go's - This Time (1988)

Go-Go's were formed in Los Angeles in 1978, consisting initially of Belinda Carlisle (vocals), Jane Wiedlin (guitar, background vocals), Margot Olavarria (bass), and Elissa Bello (drums), and they were originally a punk band, with their roots in the L.A. punk community. They began playing gigs at punk venues such as The Masque and the Whisky a Go Go in Los Angeles, and in 1978 Charlotte Caffey was added on lead guitar, keyboards, and background vocals. The next year Gina Schock replaced Bello on drums, and with these line-up changes, the group began moving towards their more-familiar power pop sound. During late 1979, they recorded a five-song demo at Gold Star Studios in Los Angeles, and in 1980, they supported the British ska revival groups Madness and The Specials in both Los Angeles and England. They subsequently spent half of 1980 touring England, earning a sizable following, and they released the demo version of 'We Got The Beat' on Stiff Records, which became a minor UK hit. In December 1980, original bassist Olavarria fell ill and was replaced by Kathy Valentine, who had played guitar in bands such as Girlschool and the Textones, but who had never previously played bass guitar. Go-Go's signed to I.R.S. Records in April 1981, and that year's debut album 'Beauty And The Beat' was a surprise hit, topping the U.S. charts for six weeks in 1982, and eventually receiving a double platinum certification. 

The follow-up album, 'Vacation', received mixed reviews and sold less than 'Beauty And The Beat', but was still certified gold in the U.S., and spawned another Top 10 U.S. hit with the title track. In 1984, the group returned with the Martin Rushent-produced 'Talk Show', and despite the album tracks 'Head Over Heels' and 'Turn To You' both being Top 40 hits in the U.S., the album sold less than the previous two, not reaching the U.S top 10 and not receiving any certification. Personality conflicts and creative differences within the group were also taking a toll, as were drug addiction problems for some band members, and Wiedlin announced her departure in October 1984. The band sought a replacement, selecting Paula Jean Brown (of Giant Sand) as their new bass guitarist, with Valentine moving to rhythm guitar. This line-up debuted at the 1985 Rock in Rio festival, playing two shows, but Carlisle and Caffey soon realized their hearts were no longer in the group and decided to disband Go-Go's in May 1985. After the split all of the members embarked on solo careers, with Carlisle's debut solo studio album 'Belinda' being released in 1986 on I.R.S. Records, including the hit singles 'Mad About You', a cover of Freda Payne's 'Band Of Gold', and the Charlotte Caffey-penned 'I Feel The Magic'. The musical style of 1987's 'Heaven On Earth' eschewed the 1960's-influenced pop of her debut studio effort in favour of slickly produced 1980's power pop, more in line with the music produced by her former band. 

As Weidlin was the first to leave the group, her debut solo album was was the first to gain a release, coming out in 1985, followed by 'Fur' in 1988, which included her Top Ten hit single 'Rush Hour'. Caffey remained friends with fellow band member Belinda Carlisle after the initial breakup of the Go-Go's, and wrote songs for Carlisle's solo albums, while from 1988 until 1992 she led her own band, The Graces, with Meredith Brooks and Gia Ciambotti, releasing the album 'Perfect View' in 1989. In 1987, Schock and Vance DeGeneres formed the band House of Schock, who released their eponymous debut album in 1988, but Valentine felt that her identity had become absorbed into being a Go-Go, and struggled to find a direction after the split. Returning to her rock roots, she formed the World's Cutest Killers, featuring former Girlschool guitarist Kelly Johnson, and although the group attracted the attention of producer Mike Chapman, and recorded some demos, they were eventually scrapped and the band split up. So we can see that by 1988/1989 four of the five members of the band had released albums of self-penned music, with Carlisle's including five songs written by Caffey, who also provided backing vocals, and so by taking the most Go-Go's sounding tracks from each of their records we can imagine what a fourth Go-Go's album could have sounded like if they'd stayed together just a few years longer.  

Track listing

01 Fear No Love (Caffey)
03 Should I Let You In? (Carlisle)
03 Just To Dream (Schock)
04 Lover's Night (Wiedlin)
05 Nobody Owns Me (Carlisle)
06 Lay Down Your Arms (Caffey)
07 Give! (Wiedlin)
08 We Can Change (Carlisle)
09 Walk In My Sleep (Schock)
10 Rush Hour (Wiedlin)
11 Love Never Dies (Carlisle)
12 This Time (Schock)
13 Out In The Fields (Caffey)

All four tracks from Belinda Carlisle's album were written by Charlotte Caffey, while The Graces' 'Out In The Fields' was co-written with Carlisle. 

Belinda Carlisle - Private Lives (1987)

Belinda Carlisle's first venture into music was in 1977 as drummer for the punk rock band The Germs, under the name Dottie Danger, after she was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Newbury Park High School. Her time in the band was short owing to her contracting mononucleosis, and she never recorded or performed live with the band, but according to Germs guitarist Pat Smear (who later played in Nirvana and Foo Fighters), when she quit she introduced her friend, Donna Rhia, who became her replacement. Soon after leaving The Germs, she co-founded The Misfits with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin, later changing their name to The Go-Gos. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. The band went on to become one of the most successful American groups of the 1980's, helping usher new wave music into popular American radio, and becoming the first and only all-female band that wrote their own music and played their own instruments to ever achieve a No. 1 album with their 'Beauty And The Beat', which featured the hits 'We Got The Beat' and 'Our Lips Are Sealed'. Two more albums followed on I.R.S. Records, including 1982's 'Vacation', which went gold, before they disbanded in 1985. Carlisle and Wiedlin both embarked on successful solo careers, and Carlisle's first solo album 'Belinda' was released in 1986, achieving Gold status in the United States and Platinum in Canada. Hit singles soon followed, with 'Mad About You' peaking at No. 3 in the United States, while Charoltte Caffey's Motown-influenced 'I Feel The Magic' and a cover of the Freda Payne classic 'Band Of Gold' also did well for her. The Lindsay Buckingham co-write 'Since You've Gone' was used only for promotion, while Susanna Hoffs co-wrote the single 'I Need A Disguise', on which she sang back-up vocals alongside Jane Wiedlin. During this time Carlisle also had songs featured on movie soundtracks, notably 'In My Wildest Dreams' from the movie 'Mannequin', 'Shot In The Dark' from the Anthony Michael Hall thriller 'Out Of Bounds', as well as 'Dancing In The City' from the Whoopi Goldberg movie 'Burglar'. In 1987 she began work on her follow-up album, and recorded demos of a number of new songs, some of which were later re-recorded for inclusion on the 'Heaven On Earth' album, while a number of them remain unreleased to this day. The album's first single, 'Heaven Is A Place On Earth', topped the single charts in the United States and the UK, and is perhaps her most famous song, while the Diane Warren-penned 'I Get Weak' peaked at No. 2 in the United States and No. 10 in the UK. The third single from the album was 'Circle In The Sand', another Top 10 hit in the United States, the UK, and Germany. Following the success of the album, Carlisle embarked on the Good Heavens world tour, which sold out Wembley Arena in London. As this was a pivotal point in her solo career, I've collected together those demo recordings, and also added in a couple of the songs from the movie soundtracks of the same period, to give an idea of how she polished these early versions of her songs to perfect what would become the album that broke her into the mainstream. The cover of Donovan's 'Wear Your Love Like Heaven' had a serious drop-out which I've managed to patch, so hopefully that isn't too noticable.   

Track listing

01 Private Lives
02 Some Hearts
03 Out Of My Hands
04 Circle In The Sand
05 Wear Your Love Like Heaven
06 Love Never Dies
07 In My Wildest Dream
08 World Without You
09 Waiting For A Star To Fall
10 Should I Let You In
11 Dancing In The City