Cover upgrades

Both me and Paul over at albumsthatshouldexist have been experimenting with AI that can enhance, and remove the blurriness, from photographs. I have a number of album covers that use rare, low resolution photos of obscure bands and artists, and the one that Paul is raving about, Krea AI, can do some amazing reconstructions by using guesswork to fill in the missing details, but some of the results were so extreme that they ended up looking a bit cartoonish. I therefore looked around for another programme that was a bit more subtle, and came upon Picwish. So now with two different programmes to choose between, I can add the finishing touches to my covers, and to give you an idea of what it can do, here is one that I always wished that I could have improved. This one used Krea AI, as the original picture was very blurry, and all I had to do was replace the enhanced neck, which came out like she had a rash. You can download it from this page if you want to replace the old copy in your folder, and I'll also replace it on Soulseek.

Old version

Enhanced version  

I'll try to think of any more that need improvement, and if you have any suggestions then let me know. 

pj

Various Artists - The Hitmakers Sing Nilsson (1971)

By 1958, Harry Nilsson was intrigued by emerging forms of popular music, especially rhythm and blues artists like Ray Charles, and he had made early attempts at performing by forming a vocal duo with his friend Jerry Smith and singing close harmonies in the style of the Everly Brothers. After learning to play the guitar and piano he started writing original songs, and after singing lessons courtesy of his uncle, along with his natural talent, he got a job singing demos for songwriter Scott Turner in 1962. After a couple of unsuccessful independent singles he started working with Phil Spector in 1964, writing three songs with him. In 1966 he signed to Tower Records, who released the first singles actually credited to him by name, as well as the debut album 'Spotlight On Nilsson', and although none of his Tower releases charted or gained much critical attention, his songs were being recorded by Glen Campbell, Fred Astaire, The Shangri-Las, The Yardbirds, and others. Later in 1966, he signed with RCA Victor and released the 'Pandemonium Shadow Show' album the following year, which was a critical success, with music industry insiders impressed both with the songwriting and with Nilsson's pure-toned, multi-octave vocals. 'Pandemonium Shadow Show' was followed in 1968 by 'Aerial Ballet', an album that included Nilsson's rendition of Fred Neil's song 'Everybody's Talkin'', which was a minor US hit at the time of release, but which became much more popular a year later when it was featured in the film 'Midnight Cowboy'. With the successes of 'Everybody's Talkin'' creating a demand for Nilsson recordings, a reissue of his first two RCA Victor albums, 'Pandemonium Shadow Show' and the out of print 'Aerial Ballet', was considered, but he thought that his early albums already sounded a bit dated by 1971, so he went back into the studio with the master tapes, and remixed, tweaked, and re-recorded vocals, and came up with a new consolidation that he titled 'Aerial Pandemonium Ballet'. This included four songs from 'Pandemonium Shadow Show' and eight songs from 'Aerial Ballet', and over the following years nearly all of these songs were picked up and covered by other artists. Because some of the tracks on 'Aerial Pandemonium Ballet' were his own covers of classics like 'River Deep, Mountain High' and 'Everybody's Talkin'', I've gone back to the original albums and added some of the tracks which were ignored in the re-issue, in order to make this post a reasonable length. Once again, it's a nice mix of famous and not so famous artists, all doing justice to some fine songs by Nilsson. 

Track listing

01 Introduction
02 1941 (Billy J. Kramer 1968)
03 Daddy's Song (The Casuals 1969)
04 Bath (Doris 1970) 
05 Sleep Late, My Lady Friend (Harry Belafonte 1968) 
06 Don't Leave Me (Hugo Montenegro 1969)
07 Without Her (Blood, Sweat & Tears 1968)
08 Together (Sandie Shaw 1968)
09 One (Three Dog Night 1969)
10 I Said Goodbye To Me (The Glass Menagerie 1968)
11 Little Cowboy (The Buffoons 1969)
12 Wailing Of The Willow (Friday Brown 1971)
13 Cuddly Toy (The Fruit Machine 1968)
14 It's Been So Long (Kenny Everett 1968)
15 Ten Little Indians (The Yardbirds 1967)
16 Closing

Friday Brown - The Problem (1970)

For the final post in this series of forgotten girl singers of the 60's we go right back to one of the very first posts, from Friday Brown, in which I mentioned that Brown had written and recorded an unreleased concept albumin the early 70's. Although all of the songs and poems for it were written by Brown, with 'Gossip Song' having been originally created for two female voices, it was never completed or released. The album was put together by Ray at whitefiles.org, having been compiled from rough tracks and some studio quarter-inch tape masters, as well as other copies which had to be used because of damage to some of the master recordings. The concept documents the trials and tribulations that women faced in the late 60's in their personal lives and relationships, and is written completely from a female perspective, which in itself was pretty ground-breaking in 1970, so enjoy this lost album from an unjustly overlooked talent. 

Track listing

01 I Do Love You I
02 Today
03 Housework
04 Gossip Song
05 The Bathroom
06 Early Morning
07 Together
08 The Problem
09 Put Me Together
10 Simple Song - You And I
11 His Friends
12 Love Songs
13 Oh Woman
14 I Female
15 I'm Bored
16 The Anniversary
17 I Do Love You II

Friday Brown - Girl Friday (1973)

Marian Stockley (aka Friday Brown) was born on 18 February 1947 in Manchester, the daughter of a headmaster in Little Hulton. At the age of 15 she was introduced to the Mike Taylor Combo group by one of its members, Wilf Lewis, a fellow student at Bolton College of Art, and she joined them for gigs at venues in Darwen and elsewhere in Lancashire, until they disbanded in 1965. She left college to be auditioned at a Preston club, and her first single was 'As He Once Was Mine', written by Wilf Lewis, which was released in 1964 under the name 'Marianne And Mike', with Mike Taylor. A second single followed with 'You're The Only One' later that year, but it was not until 1966 that she recorded again, this time as part of a group formed by Graham Gouldman (later of 10cc) and Harvey Lisberg, the creator of Herman's Hermits, which they named High Society. The band also included Peter Cowap, Christine Ebbrell and Keith Lawless, and they recorded the Gouldman-composed 'People Passing By', backed by Cowap's 'Star Of Eastern Street'. In January 1966 Marianne released her first single under the name of Friday Brown, with Gouldman's 'Getting Nowhere', backed with her own 'And (To Me He Meant Everything)' on the b-side, which was written with her sister Barbara Stockley. Her next single remains her most well-known, and '32nd Love Affair' soon became popular in the realms of Northern Soul. This song was also co-written with her sister, and Brown either wrote or co-wrote most of the b-sides of her singles. In 1966 she appeared several times on the Granada TV series 'Scene', and by 1970 she'd acquired her own television show 'A Girl Called Friday', directed by George Adams and shown on ITV Tyne Tees. She also appeared on 'The Golden Shot' and 'The Stanley Baxter Show', and it was said that she'd guested on just about every major television and radio show in Great Britain. Further TV appearances followed, with two shows for the BBC2 series 'One More Time', and a programme of her own called 'Reflections', with the guest group Fivepenny Piece, before being given her own six-week show 'Tuesday Night Is Friday Night' on BBC1. In July 1968 she took part in 10th European Song Cup contest at Knokke-le-Zoute, Belgium, along with other entrants including Marty Wilde and Wayne Fontana, and she was seen by over 85 million viewers via Eurovision winning the final. She finally released her sole eponymous album in 1971, which comprised covers of contemporary songs, alongside two of Brown's own compositions. It was well-received, but remains her only long-player, as her TV career and live gigs took a lot of her time, but she did release one final single in 1973, which was a cover of 'Groovy Kind of Love', backed with her own ballad, 'Salford'. There's never been a compilation of her 60's singles, which is a major oversight, as with many of the songs being self-penned they won't be heard anywhere else, so here it is, showcasing yet another under-rated and overlooked British girl singer of the 60's. 

Track listing

01 Getting Nowhere (Gouldman) (single 1966)
02 And (To Me He Meant Everything) (Stockley/Stockley) (b-side of 'Getting Nowhere') 
03 32nd Love Affair (Stockley/Stockley) (single 1966)
04 Born A Woman (Sharp) (b-side of '32nd Love Affair') 
05 Ask Any Woman (Stewart/Langley) (single 1967)
06 The Outdoor Seminar (Stockley/Stockley) (b-side of 'Ask Any Woman')
07 Take What You Want (Stockley) (demo)
08 Stand By Your Man (Sherrill/Wynette) (single 1969)
09 I Want To Rain (Stockley/Stockley) (b-side of 'Stand By Man') 
10 God Bless The Child (Holliday/Herzog Jr.) (single 1969)
11 I Sing An Open Letter (Turn Around) (Stockley) (demo)
12 The Only One To Love Me (Trent/Hatch) (single 1971)
13 The Promise (Brown) (b-side of 'The Only One To Love Me') 
14 Shake A Hand (Carmichael) (single 1972)
15 Everything's Alright (Lloyd-Webber/Rice) (b-side of 'Shake A Hand') 
16 Groovy Kind Of Love (Vine/Bayer) (single 1973)
17 Salford (Brown) (b-side of 'Groovy Kind Of Love') 

For more information on the career of Friday Brown, check out this great site, which also includes many photos, rare audio tapes, the Marianne And Mike and High Society singles, and a complete unreleased album.