Various Artists - The Hitmakers Sing Paul Simon (2000)

Paul Simon met Art Garfunkel when they were both 10, when they performed in a production of Alice in Wonderland for their sixth-grade graduation, and they began singing together when they were 13, occasionally performing at school dances. It was around this time that Simon wrote his first song, 'The Girl For Me', for him and Garfunkel to sing, and in 1957, while still in their mid-teens, they recorded the song 'Hey, Schoolgirl' under the name 'Tom & Jerry', which reached number 49 on the pop charts. Between 1957 and 1964 Simon wrote, recorded and released more than 30 songs, occasionally reuniting with Garfunkel as Tom & Jerry for some singles, including 'Our Song' and 'That's My Story'. Most of the songs Simon recorded during that time were performed alone or with musicians other than Garfunkel, and they were released on minor record labels including Amy, Big, Hunt, King, Tribute and Madison under several pseudonyms, such as Jerry Landis, Paul Kane and True Taylor. In early 1964, Simon and Garfunkel auditioned for Columbia Records, whose executive Clive Davis signed them to produce an album. Columbia decided that the two would be called Simon & Garfunkel instead of Tom & Jerry, and their first album, 'Wednesday Morning, 3 A.M.', was released in October 1964. It contained five Simon compositions, but it was not successful, and so after its release Simon moved to England and performed in folk clubs. While in London he recorded 'The Paul Simon Songbook', which was a collection of his songs, a couple of which had already appeared on the first Simon & Garfunkel album.  The album was released along with the single 'I Am A Rock'/'Leaves That Are Green' in 1965, and as many of these songs were later re-recorded for Simon And Garfunkel albums, this is the perfect collection to offer to other artists to hear their takes on these early works. As often happens, these artists could see the quality of the songs from the start, and so most of these covers appeared between 1965 and 1967, and to round out what is rather a short album I've added two contemporary songs to the end.  

Track listing 

01 I Am A Rock (The Grass Roots 1966)
02 Leaves That Are Green (The Coterie 1969)   
03 A Church Is Burning (Cy, Maia & Robert 1965)
04 April Come She Will (Hamilton Camp 1969) 
05 The Sound Of Silence (The Ravers 1966)   
06 A Most Peculiar Man (The Cowsills 1967)
07 He Was My Brother (The Pilgrims 1964)
08 Kathy's Song (Eva Cassidy 2000)
09 The Side Of A Hill (The Paravrim 1972)
10 A Simple Desultory Philippic (Swamp Zombies 1988)
11 Flowers Never Bend With The Rainfall (The MacDonald Folk Group 1968)  
12 Patterns (Tir Ni Nog 1970) 
13 We've Got A Groovey Thing Going (The Racket Squad 1968)
14 Homeward Bound (The Quiet Five 1966)

David Spinozza - ...and on guitar (1976)

David Spinozza was born on 8 August 1949 in Port Chester, New York, and began his professional recording career as a teenager in the 1960’s, swiftly becoming a sought after New York studio musician and soon signing with A&M Records as a solo artist. He has become known for being a versatile musician, with credits that span every facet of the music and entertainment industries, and as well as adding guitar to numerous recordings over the past 50 years, he's also produced, arranged, orchestrated, conducted, co-written and played guitar for a Who's Who of acclaimed artists such as James Taylor, Carly Simon, Garland Jeffries, Aretha Franklin, Roberta Flack, Bonnie Raitt, Bette Midler, B.B. King, Judy Collins, Jim Croce, George Benson and three out of four Beatles. His guitar is heard on countless classic hits, most notably Don McLean’s 'American Pie', John Lennon’s 'Mind Games', Paul McCartney’s 'Another Day', Paul Simon’s 'Me And Julio Down By The Schoolyard' and his iconic solo on Dr. John’s 'Right Place Wrong Time'. One of his earliest gigs was playing with Paul McCartney during sessions for his 'Ram' album in 1971, and when the chance came to work with Lennon two years later, as Yoko Ono prepared her 'Feeling The Space' album and Lennon his 'Mind Games', Spinozza discovered that Lennon was not aware he had previously worked with McCartney, and was afraid he would be fired if Lennon found out, given their recent feuding in the media, but when Lennon did learn of it his only comment was that McCartney "knows how to pick good people". The relationship with Ono carried on after 'Feeling The Space', where he contributed to her 'A Story' album, recorded during 1974 but not released until 1998, served as her bandleader during a residency at Kenny's Castaways, and rehearsed her band to tour her native Japan, although they parted ways when the tour began. In 1978 he released his first solo album 'Spinozza' on A&M, which was a jazz-oriented album with some vocal tracks, and he has also made contributions to the soundtracks of the movies 'Dead Man Walking', 'Happiness', and 'Just The Ticket'. Spinozza has played on literally hundreds of albums in his career, and so for this post I've only selected tracks from 1970 to 1976 where he was a featured soloist, and to show his versatility in a variety of genres I've split this three disc set into one album of jazz, one of soul and one of pop music.   

Track listing

Some Jazz
01 Ahunk Ahunk  (from 'Consummation' by Thad Jones & Mel Lewis 1970)
02 Man's Hope (from 'Push Push' by Herbie Mann 1971)
03 Lover Man (from 'All The King's Horses' by Grover Washington, Jr. 1972) 
04 Monkey (from 'White Elephant' by White Elephant 1972)
05 Hanky's Panky (from 'Superstition' by Shirley Scott 1973)
06 A Sunday Afternoon Feeling (from 'Journey' by Arif Mardin 1974)
07 Draggin' The Line (from 'Until It's Time For You To Go' by Rusty Bryant 1974)
08 Chile Con Carmen (from 'Joy Of Cookin'' by Joe Thomas 1974)
09 Who Knows What Goes When The Doors Close (from 'Brother Where Are You' by 

                                                                                                             Oscar Brown Jr. 1974) 

Some Pop
01 Come To My Bedside, My Darling (from 'Donal Leace' by Donal Leace 1971)
02 Roller Derby Queen (from 'Life And Times' by Jim Croce 1973)
03 Something So Right (from 'There Goes Rhymin' Simon' by Paul Simon 1973)
04 Get On The Right Thing (from 'Red Rose Speedway' by Paul McCartney & Wings 1973)
05 A Man Can't Always Be (from 'Lifesong' by Cashman & West 1974)
06 Rainy Day Man (from 'Streetlights' by Bonnie Raitt 1974)
07 Genesis (from 'The Second Coming' by Jerry LaCroix 1974)
08 Think I'm Gonna Have A Baby (from 'Hotcakes' by Carly Simon 1974) 
09 Me And My Guitar (from 'Walking Man' by James Taylor 1974)
10 Great Big Man (from 'Homeless Brother' by Don McLean 1974)
11 The Closest Friends (from 'Lucy Simon' by Lucy Simon 1975)
12 Angel Spread Your Wings (from 'Judith' by Judy Collins 1975)
13 Let Me Just Follow Behind (from 'Songs For The New Depression' by Bette Midler 1976)
14 Say The Words (from 'This One's For You' by Barry Manilow 1976)
15 Early Evening Light (from 'Marriott' by Steve Marriott 1976) 

Some Soul
01 Too Many Days (from 'Labelle' by Labelle 1971)
02 You've Got A Friend (from 'Roberta Flack & Donny Hathaway' by 

                                                                                  Roberta Flack & Donny Hathaway 1972)
03 Cold Sweat (from 'Get On The Good Foot' by James Brown 1972)
04 The Get Out Of The Ghetto Blues (from 'Free Will' by Gil Scott-Heron 1972)
05 I'm Only A Woman (from 'Margie Joseph' by Margie Joseph 1973)
06 Right Place, Wrong Time (from 'In The Right Place' by Dr. John 1973)
07 Grind It Out (from 'The Soulful Crooner' by Nick Holmes 1973)
08 As Long As He Will Stay (from 'New Beginnings...' by Morgana King 1973)
09 I Know It's You (from 'Extension Of A Man' by Donny Hathaway 1973)
10 The Masquerade Is Over (from 'Let Me In Your Life' by Aretha Franklin 1974)
11 Somebody New Is Lovin' On You (from 'I'm In Need Of Love' by Lou Courtney 1974)
12 Early Ev'ry Midnight (from 'Feel Like Makin' Love' by Roberta Flack 1975)

Adrian Belew - ...and on guitar (1993)

Robert Steven (Adrian) Belew was born on 23 December 1949 in Covington, Kentucky, and in his early teens he played drums with the Ludlow High School marching band, and later with the high-school covers band The Denems. Inspired by Jimi Hendrix, he took up guitar when he was bedridden for several months with mononucleosis, and at age 17 he was further inspired by a club performance of blues-rock musician Lonnie Mack, who became a lifelong personal friend. He wasn't inclined to study music formally, but taught himself by listening to records, and rapidly became a high-school guitar hero. While maturing as a player and mastering various playing styles, he became increasingly preoccupied with ways to avoid sounding like everybody else, and eventually found his own sound and style by learning how to make his guitar mimic sound effects such as car horns, animal noises, or industrial sounds and then applying those sounds to relatively standard songs. In the mid-1970's, having formally changed his first name to his preferred choice of Adrian, Belew moved to Nashville, Tennessee, to pursue a full-time career as a professional musician, and by 1977 he was playing with the regionally-popular cover band Sweetheart. While playing at a Sweetheart gig at Fanny's Bar in Nashville, he was discovered by Frank Zappa, who had been tipped off regarding the band's talents by his chauffeur. Zappa approached Belew and discussed auditioning him for an upcoming tour, although Belew did not receive an official invitation to audition for nearly a year. During this time Sweetheart split up, and so once the formal invitation came, he flew out to Los Angeles and found himself auditioning alongside more formally trained musicians, and following a more intimate second audition Zappa was impressed enough to hire Belew on a handshake deal for a year. 

He toured with the Zappa band and appeared on Zappa's 1979 album 'Sheik Yerbouti', most notably performing a Bob Dylan impersonation on the song 'Flakes', and he also appeared in Zappa's 1979 concert film 'Baby Snakes'. Although he was mostly credited as rhythm guitarist, he also played lead, melody, or noise lines, as well as singing lead on two songs. After seeing Belew at a Zappa concert in Cologne, Brian Eno recommended that David Bowie offer to hire him once the Zappa tour was finished. Belew accepted the offer, and he played on Bowie's Isolar II Tour in 1978, as well as contributing to his next studio album, 'Lodger'. In 1980 Belew formed a new band, GaGa, for which he served as the singer, guitarist, drummer, and primary songwriter, and on one of his frequent visits to New York City, he became friends with the up-and-coming band Talking Heads, who invited him to join them onstage for performances of their signature song 'Psycho Killer', where he impressed them with his wild and unorthodox guitar soloing. It was also around this time that he met Robert Fripp at a Steve Reich concert, and in July of that year GaGa was invited to open several New York-area concerts for Fripp's band the League Of Gentlemen. Following his working with Brian Eno on Bowie's 'Lodger' album, he was invited to add guitar solos to several tracks on Eno's next production job, Talking Heads' 'Remain In Light' album, and his involvement with them extended to playing on the band's spin-off projects, such as Tom Tom Club, and David Byrne's and Jerry Harrison's solo albums. Unfortunately, Belew's experience with Tom Tom Club was less harmonious than his previous work with Talking Heads, and their recording engineer, Steven Stanley, was vocal about his dislike of distorted guitar, and erased the majority of Belew's solos during the mixing sessions. By now Belew's rising profile had gained him a solo record contract with Island Records, and in the down time at the Tom Tom Club sessions, members of GaGa joined him at Compass Point and backed him on a set of parallel recordings which would result in Belew's first solo album, 1982's 'Lone Rhino'. The album provided a home for various GaGa songs and blended various elements of Belew's work over the past decade, including snappy and noisy Zappa/Byrne-influenced songs, dabblings in world music, opportunities for animal/mechanical sounds on guitar, and sonic experiments reminiscent of Jimi Hendrix. 

In 1981 Belew was invited to join Robert Fripp's new band Discipline, with Bill Bruford and Tony Levin, and during initial touring the members discussed the possibility of renaming themselves King Crimson. This had not been the original intention for the band, but all members generally agreed that this would be both appropriate and useful, and so his time with King Crimson began in 1981 and he stayed with them until 2009, one of the longest tenures in the band by anyone other than founder Robert Fripp. As part of the agreement to his joining, he insisted that he would be allowed time to continue and develop his new solo career, to which Fripp agreed. The renamed band released the well-received 'Discipline' album in 1981, followed by the equally fine 'Beat' in 1982, and 'Three Of A Perfect Pair' in 1984. Following King Crimson's breakup and hiatus in 1984, Belew formed the pop band The Bears with fellow guitarist and singer Rob Fetters, drummer Chris Arduser, and bass guitarist Bob Nyswonger, releasing two albums on I.R.S. Records subsidiary Primitive Man Recording Company, with 1987's 'The Bears' and 1988's 'Rise And Shine'. After three years of constant recording, promotion, and touring, the band broke up in 1989 following the collapse of PMRC, although Belew has continued to tour and record, either solo or with new bands that he had formed. He was at his most busy as a session player during the 80's, and during this period he contributed to Ryuichi Sakamoto's 'Left-handed Dream', Joan Armatrading's 'The Key', Peter Wolf's 'Lights Out' and Jean Michel Jarre's 'Zoolook', as well as playing on Cyndi Lauper's 'True Colors' and Paul Simon's 'Graceland'. This collection of his session work includes songs from all those albums, plus many more tracks, and on every one you can hear his inimitable guitar tones, adding something a little bit special to the songs. 

Track listing

Disc One

01 Red Money (from 'Lodger' by David Bowie 1979)
02 Jones Crusher (from 'Sheik Yerbouti' by Frank Zappa 1979)
03 The Great Curve (from 'Remain In Light' by Talking Heads 1980)
04 Eggs In A Briar Patch (from 'The Catherine Wheel' by David Byrne 1981)
05 Things Fall Apart (from 'The Red And The Black' by Jerry Harrison 1981)  
06 The Twilight Clone (from 'Magic Windows' by Herbie Hancock 1981)  
07 L'Elphant (from 'Tom Tom Club' by Tom Tom Club 1981)
08 Relache (from 'Left-Handed Dream' by Ryuichi Sakamoto 1981) 

Disc Two

01 Sweet Little Woman (from 'Sheffield Steel' by Joe Cocker 1982)
02 (I Love It When You) Call Me Names (from 'The Key' by Joan Armatrading 1983)
03 Blah Blah Cafe (from 'Zoolook' by Jean Michel Jarre 1984)
04 Billy Bigtime (from 'Lights Out' by Peter Wolf 1984)
05 Sharkey's Day (from 'Mister Heartbreak' by Laurie Anderson 1984)
06 What's Going On (from 'True Colors' by Cyndi Lauper 1986)
07 Boy In The Bubble (from 'Graceland' by Paul Simon 1986)
08 God Shuffled His Feet (from 'God Shuffled His Feet' by Crash Test Dummies 1993)

Paul Simon & Art Garfunkel as Tom & Jerry - Two Teen-Agers (1967)

Paul Simon and Art Garfunkel grew up in the 1940's and 1950's in their predominantly Jewish neighborhood of Kew Gardens Hills in Queens, New York, three blocks away from one another. They attended the same schools, and were both fascinated by music, listening to the radio and being taken with rock and roll as it emerged, particularly the Everly Brothers. Simon first noticed Garfunkel singing in a fourth grade talent show, which Simon thought was a good way to attract girls. He hoped for a friendship, which started in 1953, when they appeared in a sixth grade adaptation of Alice in Wonderland, after which they formed The Peptones, a streetcorner doo-wop group with three friends, learning to harmonize along the way. In 1956 they wrote their first song, 'The Girl for Me', and then, while trying to remember the lyrics to the Everly Brothers song 'Hey Doll Baby', they wrote 'Hey Schoolgirl', which they recorded for $25 at Sanders Recording Studio in Manhattan. While recording, they were overheard by promoter Sid Prosen, who signed them to his independent label Big Records after speaking to the 15-year old's parents. Under Big Records, Simon and Garfunkel assumed the name Tom & Jerry - Garfunkel named himself Tom Graph, a reference to his interest in mathematics, and Simon chose Jerry Landis, after the surname of a girl he had dated. Their first single 'Hey Schoolgirl' was released with 'Dancin' Wild' on the b-side in 1957, and after Prosen bribed DJ Alan Freed $200 to play the single on his radio show, it attracted regular rotation on nationwide AM pop stations, leading it to sell over 100,000 copies and landing on Billboard's charts at number 49. Despite this early success, neither of their next two singles for Big Records got anywhere near the charts, and so after graduating from Forest Hills High School in 1958, the pair continued their education should a music career not unfold, with Simon studying English at Queens College, City University of New York, and Garfunkel studying architecture before switching to art history at Columbia College, Columbia University. 

While still with Big Records as a duo, Simon released a solo single 'True Or False' under the name True Taylor, which upset Garfunkel, who regarded it as a betrayal, and the emotional tension from the incident occasionally surfaced throughout their relationship. They continued recording as solo artists while together as Tom & Jerry, with Garfunkel's own 'Private World' and 'Beat Love' being released under the name of Artie Garr, while Simon recorded with the Mystics and Tico & The Triumphs, and wrote and recorded under the names Jerry Landis and Paul Kane. After graduating in 1963, Simon joined Garfunkel, who was still at Columbia University, to perform again as a duo, this time with a shared interest in folk music. By late 1963, billing themselves as Kane & Garr, they played at Gerde's Folk City, performing three new songs - 'Sparrow', 'He Was My Brother', and 'The Sound of Silence' — which attracted the attention of Columbia Records staffer Tom Wilson, and they were signed after auditioning 'The Sound Of Silence' for the label. Simon & Garfunkel's debut studio album 'Wednesday Morning, 3 A.M.' was recorded over three sessions in March 1964 and released in October, and with five compositions by Simon, it heralded a new sound on the folk circuit. Simon was adamant that they would no longer use stage names, so the record was issued under the name of Simon & Garfunkel, and Tom & Jerry were no more. In 1967 the UK label Allegro released an album of Tom & Jerry singles, but attributed them to Simon & Garfunkel, and put a contemporary photo on the cover, with this attempt to portray the record as a new Simon & Garfunkel album so incensing Simon that he took legal action to get the album withdrawn on both sides of the Atlantic. The one odd thing about the Allegro collection was the inclusion of two instrumental tracks, the mournful 'Tijuana Blues', and the jazzy 'Simon Says', which were previously unheard, but unlike any of their other recordings. This short-ish album collects all the duo's tracks recorded as Tom & Jerry, as well as the afore-mentioned 'Beat Love' by Artie Garr, and an otherwise unreleased song by Jerry Landis as a bonus. 

Track listing

01 Hey Schoolgirl (single November 1957)
02 Dancin' Wild (b-side of 'Hey Schoolgirl')
03 That's My Story (single May 1958)
04 (Pretty Baby) Don't Say Goodbye (b-side of 'That's My Story')
05 Our Song (single February 1958)
06 Two Teen-Agers (b-side of 'Our Song')
07 Baby Talk (single June 1958)
08 Lookin' At You (single May 1959)
09 I'm Lonesome (b-side of 'Lookin' At You')
10 Surrender, Please Surrender (single August 1962)
11 Fightin' Mad (b-side of 'Surrender, Please Surrender')
12 Tijuana Blues (single October 1967)
13 Simon Says (b-side of 'Tijuana Blues')
14 Flame (recorded by Jerry Landis 1961)
15 Beat Love (single by Artie Garr October 1959)

Al Di Meola - ...and on guitar (1993)

Al Laurence Dimeola (aka Al Di Meola) was born on 22 July 1954 in Jersey City, New Jersey, and grew up in Bergenfield, New Jersey, attending Bergenfield High School. In 1971 he enrolled in Berklee College of Music in Boston, Massachusetts, and in 1974 he joined Chick Corea's band, Return To Forever, playing with the band until a major lineup shift in 1976, which was the year that saw the release of their masterpiece album 'Romantic Warrior', featuring the classic line-up of Corea, Di Meola, Stanley Clark, and Lenny White. At the beginning of his career he was noted for his technical mastery and extremely fast, complex guitar solos and compositions, but even on his early albums he had begun to explore Mediterranean cultures and acoustic genres like flamenco, and he continued to explore Latin music within the jazz fusion genre on albums like 'Casino' and 'Splendido Hotel', as well as guesting on a number of albums by Greek musician George Dalares. He also exhibited a more subtle touch on acoustic numbers like 'Fantasia Suite For Two Guitars' from his 'Casino' album, and on the best-selling live album with John McLaughlin and Paco de Lucia, 'Friday Night In San Francisco'. With Scenario he explored the electronic side of jazz in a collaboration with Jan Hammer, and this led to him expanding his horizons further with the acoustic album 'Cielo e Terra'. Because of his technique on his early recordings, Di Meola became arguably the most important pioneer of shred guitar, leading to him being invited to sit in with Frank Zappa and The Mothers Of Invention at one of their gigs in 1981, which luckily was recorded. In addition to a prolific solo career, he has engaged in successful collaborations with bassist Stanley Clarke, keyboardist Jan Hammer, violinist Jean-Luc Ponty, and guitarists John McLaughlin and Paco de Lucía, as well as guesting on a select number of records from former band-mates and friends.

Track listing

01 Prince Of The Sea (from 'Venusian Summer' by Lenny White 1975)
02 Stellar (from 'Go' by Stomu Yamash'ta 1976)
03 Clownz On Velvet (from live concert with Frank Zappa November 1981)
04 Compadres (from 'Touchstone' by Chick Corea 1982)
05 Allergies (from 'Hearts And Bones' by Paul Simon 1983)
06 Perasmenes Mou Agapes (from 'Latin' by George Dalares 1988)
07 Tangos (from 'Jazzpana' by Vince Mendoza & Arif Mardin 1993)

For MAC users

Press command+shift+period (to show hidden files) and a grayed out folder '...and on guitar" will appear and the mp3s will be inside. Either drag those to another folder OR rename the folder without any periods at the beginning. Press command+shift+period to once again hide the hidden files.

Jerry Landis - The Lone Teen Ranger (1961)

Most fans of Simon & Garfunkel probably know that the duo recorded the 'Hey Schoolgirl' single in 1957, scoring a local hit in the process. What they might not know is that between 1957 and 1964, Paul Simon wrote, recorded, and released more than 30 songs, occasionally reuniting with Garfunkel as Tom & Jerry for some singles, including 'Our Song' and 'That's My Story'. Most of the songs Simon recorded during that time were performed alone or with musicians other than Garfunkel, and they were released on several minor record labels, such as Amy, Big, Hunt, King, Tribute, and Madison. He used several pseudonyms for these recordings, most usually Jerry Landis, but also Paul Kane and True Taylor. By 1962, working as Jerry Landis, he was a frequent writer/producer for several Amy Records artists, overseeing material released by Dotty Daniels, The Vels and Ritchie Cordell, and because of this the studio allowed him to release seven singles between 1959 and 1961, even though none of them equaled the success of 'Hey Schoolgirl'. This collection concentrates just on the Jerry Landis recordings and includes both sides of all seven singles, alongside a number of songs recorded between 1959 and 1961 which were never issued at the time. Obviously these tracks are very much of their time, and a track like 'The Lone Teen Ranger' is something of a novelty song, but by the time he recorded 'A Charmed Life' and 'That Forever Kind Of Love' you could start to hear the stirrings of a more mature songwriter.  

Track listing

01 Loneliness (single 1959)
02 Anna Belle (b-side of 'Loneliness')
03 The Lone Teen Ranger (single 1960)
04 Lisa (b-side of 'The Lone Teen Ranger')
05 I'd Like To Be (The Lipstick On Your Lips) (single 1960)
06 Shy (single 1960)
07 Just A Boy (b-side of 'I'd Like To Be (The Lipstick On Your Lips)' and 'Shy')
08 Play Me A Sad Song (single 1961)
09 It Means A Lot To Them (b-side of 'Play Me A Sad Song')
10 I'm Lonely (single 1961)
11 I Wish I Weren't In Love (b-side of 'I'm Lonely')
12 Just To Be With You (single recorded in 1959 and released in 1991)
13 Ask Me Why (b-side of 'Just To Be With You')
14 Dreams Can Come True (previously unreleased 1959)
15 Up And Down The Stairs (previously unreleased 1960)
16 Sleepy, Sleepy Baby (previously unreleased 1961)
17 A Charmed Life (previously unreleased 1961)
18 That Forever Kind Of Love (previously unreleased 1961)
19 Lighthouse Point (previously unreleased 1961)