Vivian Stanshall - Return Of The Ginger Geezer (1994)

After leaving the Bonzos in 1970, Vivian Stanshall enjoyed a wide-ranging and varied career. He released a few solo singles in the early 70's (see his last post), and his first big break came in 1971 when he was asked to fill in on the John Peel radio show while the DJ took a month off in the August. He recorded four two-hour shows which he called 'Radio Flashes', comprising sketches and music, and they've gained a reputation over the years from fans as being some of his best work, even though the BBC in their wisdom have apparently wiped the first show from their archive. I've included a couple of the sketches as interludes, and you can hear the remaining three shows in full here. 
Following the success of his short-lived radio career, other artists started asking him to guest on their recordings, the first and most famous of which was Mike Oldfield. They collaborated on Oldfield's 'Sailor's Hornpipe' single, with Stanshall writing and narrating some nonsense over Oldfield's interpretation of the traditional tune, and this led to Viv contributing his reknowned master of ceremonies piece for part three of Oldfield's 'Tubular Bells', introducing the instruments as they made their appearance. It wouldn't have been the same had it been anybody else but him. In 1974 Robert Calvert asked him to write and narrate some sketches to slot between the songs on his 'Captain Lockheed And The Starfighters' album, and I've included three of the best of them here. Also in 1974 he co-wrote 'Dream Gerrard' with Steve Winwood and Jim Capaldi for Traffic's last studio album 'When The Eagle Flies', and it turned out to be one of the highlights on what was already one of their best albums. Winwood was obviously impressed with what Stanshall brought to the table, and they collaborated further on songs from Winwood's solo albums 'Steve Winwood', 'Arc Of A Diver', and 'Back In The High Life', including a song they co-composed for the '...High Life' album which never made the final cut, even though it was good enough to have been included. 
He was also asked to contribute his fruity vocals to songs by The Damned and Marden Hill, and in between that he still found time to play around in the studio with mates like Keith Moon, recording a humourous take of 'We'll Meet Again', which later appeared on a bootleg album in 1978. All of this is in addition to recording and releasing a number of fine solo albums, including the classic 'Sir Henry At Rawlinson End', which also spawned a 1980 film starring Trevor Howard, and a sequel album in 1984 with 'Sir Henry At N'didi's Kraal'. As I said in the last post, Vivian Stanshall really was one of a kind, and the world is a poorer place without him, so enjoy listening to this collection of his many talents, as surrealist comedian, radio broadcaster, songwriter, singer, and owner of the poshest voice in rock history.       

Track listing

01 Bruce Reason & The Reason Mobile (Radio Flashes 1971)
02 Sailor's Hornpipe (Mike Oldfield - co-write/narration 1973)
03 Aircraft Salesman (A Door In The Foot) (Robert Calvert - writer/narration 1974)
04 Ground Crew (Last Minute Reassembly Before Take Off) (Robert Calvert - writer/narration 1974)
05 Ground Control To Pilot (Robert Calvert - writer/narration 1974)
06 Dream Gerrard (Traffic - co-write with Steve Winwood & Jim Capladi 1974)
07 Announcement (Radio Flashes 1971)
08 Holiday Home (from 'The Roughler Presents The Warwick Sessions (Volume 1)' 1987)
09 Vacant Chair (co-write with Steve Winwood 1977)
10 Arc Of A Diver (co-write with Steve Winwood 1980)
11 Cohen's Colon Cream (Radio Flashes 1971)
12 My Love's Leaving (co-write with Steve Winwood 1986)
13 If That Gun's For Real (previously unreleased co-write with Steve Winwood 1986)
14 Thompson's Tiger Tongue Toiletry Paper (Radio Flashes 1971)
15 Lovely Money (The Damned - narration 1982)
16 Bombed On Heavy (Marden Hill- narration 1994)
17 We'll Meet Again (from the 'Harold Hare...And Other Droppings' bootleg with Keith Moon 1978)

Mike Oldfield - Mike Oldfield's Singles (1980)

Although Mike Oldfield is best know for his lengthy side-long compositions such as 'Tubular Bells', 'Hergest Ridge', and 'Ommadawn', he's also released quite a few shorter pieces on 7" singles throughout career. They vary from the truly awful ('Froggy Went A-Courting', 'Don Alphonso') to actual top ten hits ('In Dulce Jubilo', 'Portsmouth') and covers which shouldn't work but somehow do ('Blue Peter', 'William Tell Overture'). This is a collection of all his singles between 1975 and 1979 which weren't taken from albums, along with non-album b-sides from these and other singles. It's an eclectic mixture of original compositions and his arrangements of traditional songs, and includes one track which still remains a firm favourite of mine to this day, in 'Guilty'. The album got its title simply because one of Mike's first 7" singles was literally called 'Mike Oldfield's Single'.

Track listing

01 Mike Oldfield's Single (single 1974)
02 Froggy Went A-Courting (single 1974)
03 In Dulce Jubilo (For Maureen) (single 1975)
04 Don Alphonso (single 1975)
05 Portsmouth (single 1976)
06 Argiers (b-side of 'Portsmouth')
07 William Tell Overture (single 1977)
08 Cuckoo Song (single 1977)
09 Pipe Tune (b-side of 'Cuckoo Song' 1977)
10 Wreckorder Wrondo (from 'Take 4' EP 1978)
11 Sailor's Hornpipe (from 'Take 4' EP 1978)
12 Guilty (12" single 1979)
13 Blue Peter (single 1979)