In the mid-60's P. F. Sloan joined the group of L.A. session musicians known as The Wrecking Crew as a guitarist, working with such well-known backing musicians as drummer Hal Blaine, guitarist Tommy Tedesco, bassist Joe Osborn, and bassist/keyboardist Larry Knechtel. While working with Barry McGuire, Sloan created and played a guitar introduction as a hook to a new song by John Phillips entitled 'California Dreamin'', and the same backing track was used for the hit version by Phillips' group The Mamas & the Papas, which led to Sloan being a regular in their recording sessions. Sloan and Steve Barri also were performers while on Dunhill, and released a collection of surf instrumentals as the Rincon Surfside Band, while Sloan's successful folk-influenced songwriting prompted Dunhill to offer to record two solo albums by him. His single 'Sins Of A Family' reached the Billboard top 100 in late 1965, in the wake of the huge success of 'Eve Of Destruction'. During this time, Sloan & Barri continued to do session work with Jan Berry of Jan & Dean, until Berry's near-fatal car wreck in April 1966, which basically ended Jan & Dean's career. They also produced a number of other acts, including Ann-Margret, The Robbs, Terry Black and Patrician-Anne McKinnon, but the the main Sloan/Barri recording efforts for Dunhill were done as The Grass Roots, where they wrote and recorded their material under that name. However, after The Grass Roots enjoyed a Billboard Top 30 single with 'Where Were You When I Needed You', Dunhill forced the pair to recruit a real band to perform as The Grass Roots to promote their album, with Sloan and Barri continuing as producers for the band. However, despite having an accomplished songwriter on board, the new Grass Roots wanted to write their own material, and this, plus the fact that Sloan still wanted to have his own recording career, alienated him from both Barri and Dunhill management. During this period, Sloan's growing experience and reputation also attracted the attention of other young and aspiring musical artists, seeking both musical and business advice, and as a favor to a friend, he first met the relatively unknown Jimmy Webb at his home in 1968. Webb played him his songs 'Wichita Lineman', 'Up, Up And Away', an early version of 'MacArthur Park, and lastly 'By the Time I Get To Phoenix"', and Sloan has said that it changed his view of the 'singer/songwriter' forever.
According to Barri, Sloan changed after the success of 'Eve Of Destruction', following McGuire to England and coming back a different person. Sloan himself described a change at this time: "I wanted to be loved. I wanted to be Elvis. . . . But P.F. Sloan? He wanted honesty and truth." During the Summer of Love, Sloan played as a solo artist on the final day of the Fantasy Fair and Magic Mountain Music Festival in 1967, being a precursor to the more famous Monterey Pop Festival held the following weekend. Sloan's final Dunhill release was a solo single, 'I Can't Help But Wonder, Elizabeth' b/w 'Karma (A Study of Divinations)', released under the name Philip Sloan in 1967, before he moved to ATCO Records for further releases. After the falling out with Barri, Sloan wrote on his own, but the songs didn't seem to have the same hit potential are their collaborations, although they were still recorded by a variety of successful artists. After leaving Dunhill, Sloan recorded an album in 1968 titled 'Measure Of Pleasure', but in 1969 he left the music scene due to numerous business and legal problems, repeatedly reporting that Dunhill made threatening advances to force him to sign away the rights to his valuable compositions, and also blaming his absence from the music scene on an illness. It was not until the new millennium that he finally found relief from his long illness, with help from Indian guru Sathya Sai Baba. In 2005, Sloan made a series of recordings with producer Jon Tiven in Nashville, Tennessee, and the resulting album 'Sailover' was released in August 2006, followed by his final recording 'My Beethoven' in 2014. Sloan died of pancreatic cancer on November 15, 2015 at his home in Los Angeles, aged 70. After Dunhill was acquired by ABC Records, Barri stayed on in the 1970's as head of Artists & Repertoire (A&R) where he focused on signing and producing new artists. He collaborated with songwriters Dennis Lambert and Brian Potter on three albums for the Four Tops, which included the million-selling single 'Ain't No Woman (Like The One I've Got)', and after ABC Records reorganized in 1975, Barri departed to become A&R chief at Warner Brothers Records, leaving in 1986. This second post of the duo's songs includes many of my very favourite 60's singles, from The Turtles, The Mamas And The Papas, and The Grass Roots, and is a fitting tribute to two of the best songwriters of the 60's.
Track listing
02 I Don't Wanna Say Goodnight (Sloan, Barri) Gary Lewis And The Playboys 1966
03 Let Me Be (Sloan, Barri) The Turtles 1966
04 Hold On (Sloan) Herman's Hermits 1966
05 What Am I Doin' Here with You (Sloan, Barri) Twinkle 1966
06 The Man Behind The Red Balloon (Sloan) Noel Harrison 1966
07 Can I Get To Know You Better (Sloan, Barri) The Turtles 1966
08 Autumn (Sloan, Barri) Gary Lewis And The Playboys 1966
09 You Baby (Sloan, Barri) The Mamas And The Papas 1966
10 I Know You'll Be There (Sloan, Barri) The Turtles 1966
11 See Ya 'Round On The Rebound (Sloan) Sandy Posey 1966
12 Things I Should Have Said (Sloan, Barri) The Grass Roots 1967
13 This Precious Time (Sloan, Barri) Terry Knight And The Pack 1967
14 My First Day Alone (Sloan, Barri) Peter And Gordon 1967
15 Another Day, Another Heartache (Sloan, Barri) The 5th Dimension 1967
16 Cling To Me (Sloan) Johnny Tillotson 1967
17 On A Quiet Night (Sloan, Barri) The Association 1967
