Showing posts with label Graham Nash. Show all posts
Showing posts with label Graham Nash. Show all posts

Friday, February 4, 2022

Dave Mason - ...and on guitar (1984)

David Thomas Mason was born on 10 May 1946 in Worcester, and was a professional musician by his teens, making his recording debut with 'Opus To Spring' in 1963 with the instrumental group the Jaguars. It was with this band that he first encountered drummer Jim Capaldi, and the two became members of the Hellions, who played around the U.K. and in Hamburg, West Germany, as well as cutting a few singles in 1964 and 1965. Mason quit the Hellions in the spring of 1965 to study music formally, while also sitting in occasionally with another band featuring Capaldi, Deep Feeling. In early 1966 he took a job as road manager for the Spencer Davis Group, where he met Steve Winwood, and when Winwood left The Spencer Davis Group in March 1967, he took Mason with him to form Traffic with Capaldi and flautist Chris Wood. After their first single 'Paper Sun' was a UK hit, they followed it with Mason's 'Hole in My Shoe', which hit number two in the U.K. Mason stayed in the band long enough to record Traffic's debut album 'Mr. Fantasy', but left just as it was being released, recording a solo single 'Little Woman' in early 1968. He then rejoined Traffic, staying with them until the band broke up in late 1968. After that he moved to Los Angeles and joined Delaney & Bonnie & Friends in 1969, and then in 1970 he signed a solo contract with Blue Thumb Records and released his debut solo album 'Alone Together', which reached number 22 and went gold in the U.S. Despite this success, he continued to work in group contexts, serving temporarily as second guitarist in Eric Clapton's band Derek And The Dominos, recording with George Harrison on 'All Things Must Pass', and forming a duo with Cass Elliot, releasing their album 'Dave Mason & Cass Elliot' in February 1971. During this time he was a busy session guitarist, starting almost as soon as Traffic ceased to exist, and as he was a friend of Jimi Hendrix he was invited to play 12-string acoustic guitar on his recording of 'All Along The Watchtower', as well as singing and playing on 'Crosstown Traffic'. In 1969/1970 he toured with Delaney and Bonnie and Friends, and contributed a searing solo to their 'Comin' Home' single, as well as playing with Eric Clapton on Derek And The Dominos' single 'Tell The Truth'/'Roll It Over'. In the early 70's he was very much a part of the US West Coast singer/songwriter collective, not only with his own albums, but also featuring on records by Graham Nash, David Crosby, David Blue, Bobby Keys, and his old friend Jim Capaldi. In 1973 he was the guest guitarist on jazz pianist Dave Brubeck's 'Two Generations Of Brubeck' album, showing that he was as much at home with jazz as he was with rock. He also added his guitar to Wings' hit single 'Listen To What The Man Said', and helped out Stephen Stills, Ron Wood, and Donovan in the late 70's/early 80's. Although Mason is pretty much a household name for his work with Traffic and his solo career, I was surprised at just how much he'd spread himself around in the 70's, and so this is a fine celebration of his work from that period.  



Track listing

Disc One
01 Crosstown Traffic (from 'Electric Ladyland' by Jimi Hendrix Experience 1968)
02 Sing To Me, Woman (from 'Thinking Back' by Gordon Jackson 1969)
03 Hello Little Girl (from 'Word Of Mouth' by Merryweather 1969)
04 Comin' Home (single by Delaney & Bonnie & Friends 1969)
05 Freedom (from 'Bobby Lester' by Bobby Lester 1970) 
06 Plug Me In (from 'All Things Must Pass' by George Harrison 1970)
07 Roll It Over (b-side of 'Tell The Truth' by Derek And The Dominos 1970)
08 All Life Is One (from 'Warm Waters' by Charles Lloyd 1971)
09 Military Madness (from 'Songs For Beginners' by Graham Nash 1971)
10 Don't Be A Hero (from 'Oh How We Danced' by Jim Capaldi 1972)
11 Steal From A King (from 'Bobby Keys' by Bobby Keys 1972)

Disc Two
01 Immigration Man (from 'Graham Nash - David Crosby' by Crosby & Nash 1972)
02 Outlaw Man (from 'Nice Baby And The Angel' by David Blue 1973)
03 Blue Rondo A La Turk (from 'Two Generations Of Brubeck' by Dave Brubeck 1973)
04 No Show Tonight (from 'Phoebe Snow' by Phoebe Snow 1974)
05 Ain't That Loving You (out-take from '461 Ocean Boulevard' by Eric Clapton 1974) 
06 Listen To What The Man Said (from 'Venus And Mars' by Wings 1975)
07 Hideaway From Love (from 'Black And White' by Mike Finnigan 1978)
08 You Can't Dance Alone (from 'Thoroughfare Gap' by Stephen Stills 1978)
09 F.U.C. Her (from 'Gimme Some Neck' by Ron Wood 1979)
19 Boy For Every Girl (from 'Lady Of The Stars' by Donovan 1984)

Friday, January 8, 2021

Jerry Garcia - ...and on guitar (1974)

Jerry Garcia's musical career is inevitably closely intertwined with The Grateful Dead, but he also spent a lot of time in the recording studio helping out fellow musician friends in session work, often adding guitar, vocals, pedal steel, sometimes banjo and piano and even producing. Artists who sought his help included the likes of Jefferson Airplane (most notably 'Surrealistic Pillow', where he was listed as their 'spiritual advisor'), and where he also played uncredited guitar on 'Today', 'Plastic Fantastic Lover' and 'Comin' Back to Me'. He also added guitar to 'The Farm' from their 'Volunteers' album, as well as helping out Tom Fogerty, David Bromberg, Robert Hunter, Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Pete Sears, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan, It's a Beautiful Day, and many more. He played pedal steel guitar for fellow-San Francisco musicians New Riders Of The Purple Sage from their initial dates in 1969 through to October 1971, when increased commitments with the Dead forced him to opt out of the group, but he does appear as a band member on their debut album 'New Riders Of The Purple Sage', and produced 'Home, Home On The Road'. He contributed pedal steel guitar to the enduring hit 'Teach Your Children' by Crosby, Stills, Nash, & Young, and also played it on Brewer & Shipley's 1970 album 'Tarkio', and despite considering himself a novice on the pedal steel, he routinely ranked high in player polls. This album is just a snapshot of the many artists that he's appeared with, covering just the years 1969 to 1974, and yet it still had to be a double album. 



Track listing 

Disc One
01 The Farm (from 'Volunteers' by Jefferson Airplane 1969)
02 Oh Mommy (from 'Tarkio' by Brewer & Shipley 1970)
03 Teach Your Children (from 'Déjà vu' by Crosby, Stills, Nash & Young 1970)
04 Starship (from 'Blows Against The Empire' by Paul Kantner/Jefferson Starship 1970)
05 Soul Fever (from 'Papa John Creach' by Papa John Creach 1971)
06 What Are Their Names (from 'If I Could Only Remember My Name' by David Crosby 1971)
07 Man In The Mirror (from 'Songs For Beginners' by Graham Nash 1971)
08 Change Partners (from 'Stephen Stills 2' by Stephen Stills 1971)
09 When I Was A Boy I Watched The Wolves (from 'Sunfighter' by Kantner/Slick
 1971)
10 Hickory Day (from 'Rowan Brothers' by Rowan Brothers 1972)
11 Sick And Tired (from 'Excalibur' by Tom Fogerty 1972)
12 Southbound Train (from 'Graham Nash - David Crosby' by Crosby & Nash 1972)

Disc Two
01 Looks Like Rain (from 'Ace' by Bob Weir 1972)
02 Deep, Wide And Frequent (from 'Rolling Thunder' by Mickey Hart 1972)
03 Venutian Lady (from 'New Train' by Paul Pena 1973)
04 Expressway (To Your Heart) (from 'Fire Up' by Merl Saunders 1973)
05 Walkin' (from 'Baron von Tollbooth & The Chrome Nun' by Kantner/Slick/Freiberg 1973)
06 Down In The Willow Garden (from 'Angel Clare' by Art Garfunkel 1973)
07 Tuscon, Arizona (from 'Be What You Want To' by Link Wray 1973)
08 Someone Else's Blues (from 'Wanted Dead Or Alive' by David Bromberg 1974)
09 Standing At Your Door (from 'Tales Of The Great Rum Runners' by Robert Hunter 1974)


Sunday, December 27, 2020

Crosby, Stills, Nash & Young - Everybody's Alone (1969)

For a complete lowdown on unissued Crosby, Stills, Nash & Young songs then head over to Paul's site for CSN and CSNY, but I wanted to post this album as I've had this bootleg CD for many years and it's probably the unofficial album that I play the most. Crosby, Stills & Nash's first self-titled album was released in May 1969 and was an immediate hit, spawning two Top 40 hit singles and receiving key airplay on the new FM radio format. With the exception of drummer Dallas Taylor, Stills had handled the lion's share of the instrumental parts himself, and although it was a testament to his talent, it left the band in need of additional personnel to be able to tour, now a necessity given the debut album’s commercial success. Retaining Taylor, the band decided initially to hire a keyboard player, and Stills at one point approached Steve Winwood, who declined. Atlantic label head Ahmet Ertegün suggested Canadian singer/songwriter Neil Young as a fairly obvious choice, and despite initial reservations by Stills and Nash (Stills owing to his history with Young in Buffalo Springfield, and Nash due to his personal unfamiliarity with Young) the trio eventually expanded to a quartet with Young a full partner. With Young on board, the restructured group went on tour in the late summer of 1969 through the following January. Between tour dates the band convened at Wally Heider's Studio between June and November 1969, and laid down some tracks for a proposed second album, although as it turned out most of the songs remained unreleased until the box sets started to appear. The recordings are all in superb quality, and highlights include beautiful alternate recordings of 'Triad' and 'The Lee Shore', a gorgeous in-studio take of 'Blackbird', and a lovely rendition of the Fred Neil track 'Everybody’s Talkin’', which Harry Nilsson made popular on the 'Midnight Cowboy' soundtrack. I've made a few edits to some of the songs and trimmed the track listing, but I've kept the basic layout of the cover, and just upgraded it by replacing the black and white photos with colour ones. I've also re-titled it, as 'Studio Archives 1969' was a bit bland. Paul has spread these songs over a number of his albums, so you could treat this as a sampler, and if you like what you hear then there's loads more out there for you to enjoy. 



Track listing

01 How Have You Been (John Sebastian cover) Recording Date Unknown 
02 Everyday We Live (Stephen Stills) Recorded at Wally Heider's Studio 1969 
03 Everybody's Talkin' (Fred Neil cover) Recording Date Unknown 
04 Sea Of Madness (Studio Take) Recorded at Wally Heider's Studio 1969 
05 Triad (Acoustic Studio Take) Recording Date Unknown
06 The Lee Shore (Different vocal take) Recorded at Stephen Stills' Home Studio 1969 
07 I'll Be There (Stephen Stills) Recorded at Wally Heider's Studio 1969 
08 Blackbird (Beatles cover) Recorded at Wally Heider's Studio 1969 
09 Ivory Tower (Stephen Stills) Recorded at Wally Heider's Studio 1969 
10 Everybody's Alone (Neil Young) Recorded at Wally Heider's Studio 1969. 
11 You're Wrong Baby (Graham Nash) Recorded at Wally Heider's Studio 1969
12 30 Dollar Fine (Stephen Stills) Recorded at Wally Heider's Studio 1969


Crosby, Stills, Nash & Young - Ohio (1970)

On May 4th, 1970, the Ohio National Guard open fire on college students at Kent State University who were protesting the slaughter of innocent Cambodian civilians by the US military industrial complex. Neil Young wrote a song about it and CSNY rush released it as a single at the end of the month, with 'Find the Cost Of Freedom' as the b-side, and it turned out to be the last CSNY studio recording for 18 years. Despite being banned from many radio stations, it soon became the anthem to the protest movement, so here we'll expand the non-album single into a full-length LP using their solo albums recorded that year, with each track having to include at least two of the members. This is my third revision of the album, and this time I decided to add 'Southern Man' from Neil's solo album 'After the Gold Rush', as it was a regular part of CSNY's set list and includes Stills on background vocals. I removed Stills' 'We Are Not Helpless' which now seems a bit over the top on this otherwise rather somber and serious album, which was recorded during a year of political turmoil, personal heartbreak and Richard Nixon.
Side one opens with the promiscuity anthem 'Love the One You're With', recorded in London by Stills who then added Crosby and Nash's background vocals later on back home. Nash's heartbreaking 'Simple Man' is about his breakup with Joni Mitchell, providing a stark contrast to the upbeat opening number, and taking us deeper into the emotional caverns of the album. 'What Are Their Names?' comes next, providing a rather ominous segue into the title track featuring all four members, followed by the b-side that had actually been played at Woodstock the previous August, but not recorded until May of 1970. That would make a good end to an album side right there, but we'll fill up the remaining space with another heartbreaking Nash song featuring Jerry Garcia on pedal steel guitar and a gospel-infused Stills number.
Side two begins with 'Music is Love' with both Crosby and Young on vocals, followed by Crosby, Young and most of The Grateful Dead on 'Cowboy Movie'. and the album ends with 'Southern Man', which most likely contains Stills on background vocals, and fits nicely into the overall theme of domestic turmoil, both at the national and personal level. The cover is based on the US 'Ohio' single picture sleeve.



Track listing

01 Love the One You're With
02 Simple Man 
03 What Are Their Names
04 Ohio
05 Find the Cost of Freedom
06 I Used to Be a King
07 Sit Yourself Down 
08 Music is Love 
09 Cowboy Movie
10 Southern Man 

From The Album Fixer October 2016. All notes and opinions are his.


Crosby, Stills, Nash & Young - War Songs (1972)

With the sad demise of Album Fixer's site we've lost a massive library of great imagined and reconstructed albums. He always put a lot of work into the concepts and sequencing of his posts, and although he didn't include links to the albums, part of the fun was tracking down the songs and compiling them yourself. In doing this I've always found the Russian site http://musicmp3spb.org invaluable, as it has a database of literally millions of albums, and they are split out into album tracks, so that you can download a song at a time if that's all you need. It's great not to have to download a whole album just to get one song, and so this one was relatively easy to put together.
The story behind the album is that in May 1972 Neil Young called up Graham Nash and asked him to come over and sing on a new song he'd written called 'War Song', which was written to support George McGovern's anti-Vietnam War presidential campaign. It didn't help as McGovern lost in a landslide defeat, but the premise was - what if Young and Nash had called in Crosby and Stills to record some more protest/political songs for an album named after the single.
CSNY have always had a lot to say for themselves, so it's not beyond the realms of possibility that this could have happened, and this is what it could have sounded like.



 Track listing

01 Immigration Man 
02 Johnny's Garden 
03 War Song 
04 Games 
05 Military Madness 
06 Where Will I Be?
07 Change Partners 
08 Chicago/We Can Change The World 
09 Page 43 
10 Stranger's Room 
11 Soldier
12 Sugar Babe
13 Southbound Train 

In memory of Album Fixer I might post a few more of his reconstructions later, with links to my attempts to compile them. Bob Dylan's 'Down In The Flood' was one of his better efforts, and also one of mine in doing the cover, so I might do that one next.