Showing posts with label Iain Matthews. Show all posts
Showing posts with label Iain Matthews. Show all posts

Sunday, December 27, 2020

Richard Thompson - ...and on guitar (1971)

Most of the posts in this series cover an artists contributions as guest guitarist over a period of five to ten years, but Richard Thompson was so prolific in his guest slots that this album covers just 1969 to 1971, and this was while he was still a member of Fairport Convention, and also a part of Ashley Hutchins' Morris On project, and The Bunch, who were a group of English folk-rock musicians (including Sandy Denny, Linda Peters and members of Fairport Convention) who recorded a selection of classic rock and roll tunes. He has said that when he left Fairport Convention in 1971 he did a lot of session work as a way of avoiding any serious ideas about a career, but by 1972 he'd released his first solo album 'Henry The Human Fly', and that was the start of a very long and extremely well-respected solo career, which still carries on today.
His first guest spot was to provide guitar on Al Stewart's 'Love Chronicles' album, most notably the lovely solo at the end of 'Life And Life Only', and he also played on Nick Drake's 'Five Leaves Left' and 'Bryter Later' albums, from which I've picked the classic 'Time Has Told Me'. Marc Ellington is a Scottish folksinger and multi-instrumentalist who has guested with Fairport Convention, starting with providing some vocal support on the 'Unhalfbricking' album in 1969, and he also worked with Matthews Southern Comfort on their self-titled album in 1969, and when Ellington recorded his debut album that same year, he asked Thompson to help out guitar, and The Matthews Southern Comfort link carries on with Thompson's contribution to that self-titled album, for which he wrote and played on 'A Commercial Proposition'. By 1970 Gary Farr had left Gary Farr And The T-Bones to embark on a solo career, and Thompson was invited to play guitar on a few tracks from his second album 'Strange Fruit'. The following year he was on hand to assist John Martyn with his 'Bless The Weather' album, and in what was a very busy year for him, his guitar could also be heard on albums by Sandy Denny, Mike Heron, Iain Matthews, Stefan Grossman, Shirley Collins, and the undeservedly overlooked Shelagh McDonald. The one linking factor for most of these artists is that they operate in the genre of British folk music, which is undoubtedly Thompson's great love, and the fact that so many of our respected folk musicians wanted him on their records just shows the high regard in which he was, and still is, held by his peers. 



Track listing

01 Life And Life Only (from 'Love Chronicles' by Al Stewart 1969)
02 Time Has Told Me (from 'Five Leaves Left' by Nick Drake 1969)  
03 Four In The Morning (from 'Marc Ellington' by Marc Ellington 1969)
04 A Commercial Proposition (from 'Matthews Southern Comfort' by Matthews Southern 
                                                                                                                           Comfort 1970)
05 Old Man Moses (from 'Strange Fruit' by Gary Farr 1970) 
06 Sugar Lump (from 'Bless The Weather' by John Martyn 1971)
07 The Sea Captain (from 'The North Star Grassman And The Ravens' by Sandy Denny 1971)
08 Flowers Of The Forest (from 'Smiling Men With Bad Reputations' by Mike Heron 1971)
09 Odyssey (from 'Stargazer' by Shelagh McDonald 1971)
10 Desert Inn (from 'If You Saw Through My Eyes' by Iain Matthews 1971)
11 Blues Jump The Rabbit (from 'Those Pleasant Days' by Stefan Grossman 1971)
12 Poor Murdered Woman (from 'No Roses' by Shirley Collins 1971)


Iain Matthews - Later On (1973)

Iain Matthews (born Ian Matthews MacDonald, but changing his name to avoid confusion with Ian McDonald of King Crimson) is an English musician and singer-songwriter, and was an original member of Fairport Convention. He left in 1969 to form his own band, Matthews Southern Comfort, which had a UK number one in 1970 with a cover version of Joni Mitchell's 'Woodstock'. He was influenced by both rock and roll and folk music, and has performed as both a solo artist, and as a member of various bands, including Fairport Convention during their early period, when they were heavily influenced by American folk rock. He initially embarked on a solo career, and his first album was called 'Matthew's Southern Comfort', and was rooted in American country music and rockabilly. It included Matthew's original songs alongside choice covers from Neil Young and Ian & Sylvia, and he then kept the band together, naming them after the debut album (dropping the apostrophe), and recorded two more albums with them in 1970. In 1971, Matthews recorded two solo albums ('If You Saw Thro' My Eyes' & 'Tigers Will Survive'), and the following year he formed Plainsong with Andy Roberts, previously of The Liverpool Scene, and released the classic 'In Search Of Amelia Earheart' album. There were a few songs recorded during the sessions for their first album which wouldn't fit on the record, and they've recently surfaced on compilations, so I've taken them and added some 1970 radio sessions from the band, a demo for Matthews' 'Journeys From Gospel Oak' album, and a few Plainsong radio sessions, including their take on the title track of his 1972 solo album, for this retrospective of Iain Matthews' early career.



Track listing

01 Touch Her If You Can (Matthews Southern Comfort out-take 1969)
02 Yankee Lady (Matthews Southern Comfort out-take 1969)
03 Belle (Matthews Southern Comfort out-take 1969)
04 Later On (Matthews Southern Comfort out-take 1969)
05 I Believe In You (Matthews Southern Comfort out-take 1969)
06 Not Much At All (Matthews Southern Comfort radio session 1970)
07 Baby Ruth (Matthews Southern Comfort radio session 1970)
08 Hearts (Matthews Southern Comfort radio session 1970)
09 Christine's Tune (Iain Matthews demo 1972)
10 Seeds And Stems (Plainsong radio session 1973)
11 Spanish Guitar (Plainsong radio session 1973)
12 Tigers Will Survive (Plainsong radio session 1973)