Various Artists - The Hitmakers Sing Gordon Lightfoot's 'Summer Side Of Life' (2021)

In May 1971 Gordon Lightfoot released his sixth studio album 'Summer Side Of Life' on the Reprise Records label. The album marked a departure from the sound Lightfoot had established on 'Sit Down Young Stranger' in its use of drums and electric instrumentation, to which he would later return in the second half of the decade, and a song like 'Redwood Hill' even contains elements of bluegrass music. The title track was released as a single and peaked at number 98 on the pop singles chart while 'Talking In Your Sleep' reached number 64, while in his homeland of Canada they were both top 30 hits. Anne Murray took her cover of 'Cotton Jenny' into the top 20 on the U.S. country singles chart, while 'Love And Maple Syrup' was covered by Taylor Mitchell in 2009. Nanci Griffith tackled '10 Degrees And Getting Colder' on her 1993 album, 'Other Voices, Other Rooms', after the song had previously been recorded by J. D. Crowe & The New South on their eponymous album in 1975. As with other albums by Lightfoot in this series, the quality of the song-writing was immediately apparent to other artists, and the majority of the songs from this record had been covered by the following year, and so here is another fine collection of Lightfoot's songs as interpreted by other artists.

Track listing

01 10 Degrees & Getting Colder (Jeffrey Shurtleff 1972)
02 Miguel (Jim Donaldson 2011)
03 Go My Way (Val Doonican 1971) 
04 Summer Side Of Life (Blackie And The Rodeo Kings 2003)
05 Cotton Jenny (Anne Murray 1971)
06 Talking In Your Sleep (Caroline Wiles 2021) 
07 Nous Vivons Ensemble (Martin Peltier 1972)
08 Same Old Loverman (Percy Sledge 1971)  
09 Redwood Hill (The Country Gentlemen 1972) 
10 Love & Maple Syrup (Jack Hudson 1972)  
11 Cabaret (John McLachlan 2021) 

Various Artists - The Hitmakers Sing Gordon Lightfoot's 'Did She Mention My Name?' (2023)

Gordon Lightfoot's second album 'The Way I Feel' was released in 1967, and to kick off Canada's Centennial year, the CBC commissioned Lightfoot to write the 'Canadian Railroad Trilogy' for a special broadcast on January 1, 1967. This was the centre-piece of his new album, which was generally well-received, if perceived as slightly inferior to its predecessor, and 'Did She Mention My Name?' followed in 1968, being his first to feature orchestration, and it included 'Black Day In July', about the 1967 Detroit riot. Weeks later, following the assassination of Martin Luther King Jr. on April 4, radio stations in 30 states pulled the song for "fanning the flames", even though it was actually a plea for racial harmony. Lightfoot's reputation as a songwriter of note was still in evidence, confirmed by the fact that nearly every track on the album had been attempted by other artists by 1970, and so here are some of the best versions of the songs from Gordon Lightfoot's third studio album from 1968, with two songs from the same era added to the end to make up for 'May I' and 'Boss Man' not having available cover versions.    

Track listing

01 The Wherefore And The Why (The Johnstons 1968)
02 The Last Time I Saw Her (Glen Campbell 1971)
03 Black Day In July (The Tragically Hip 2003)
04 Magnificent Outpouring (The Triban 1969)  
05 Does Your Mother Know (The Sandalwood Candle 1970)
06 The Mountain And Maryann (Kenny Rankin 1969)
07 Pussywillows, Cat-tails (Pat Hervey 1970) 
08 I Want To Hear It From You (Lou Rawls 1968)
09 Something Very Special (Dylan Bell 2023)
10 Did She Mention My Name (George Hamilton IV 1968) 
11 Bitter Green (The Idle Race 1971)
12 The Gypsy (Petula Clark 1974)

Various Artists - The Hitmakers Sing Gordon Lightfoot (1977)

Gordon Meredith Lightfoot Jr. was born on 17 November 1938 in Orillia, Ontario, and after his mother recognized his musical talent early on she schooled him to become a successful child performer. He first performed publicly in grade four, singing the Irish-American lullaby 'Too Ra Loo Ra Loo Ral', which was broadcast over his school's public address system during a parents' day event, and as a youth he sang in the choir of Orillia's St. Paul's United Church under the direction of choirmaster Ray Williams. As a teenager he learned piano and taught himself to play drums and percussion, holding concerts in Muskoka, a resort area north of Orillia, and performing extensively throughout high school, teaching himself to play folk guitar along the way. In 1958 he moved to Los Angeles to study jazz composition and orchestration for two years at Westlake College of Music, and to support himself while in California he sang on demonstration records and wrote, arranged, and produced commercial jingles. After his return to Canada he performed with the Singin' Swingin' Eight, a group featured on CBC TV's Country Hoedown, and also with the Gino Silvi Singers, and in 1961 he released two singles, both recorded at RCA in Nashville and produced by Chet Atkins, that were local hits in Toronto. In 1963 he travelled in Europe, and for a year in the UK he hosted BBC TV's Country and Western Show, returning to Canada in 1964. 

Around this time he began to develop a reputation as a songwriter, with Ian and Sylvia Tyson recording his 'Early Mornin' Rain' and 'For Lovin' Me', and a year later both songs were recorded by Peter, Paul and Mary. With this validation of his song-writing skill, artists such as Marty Robbins ('Ribbon Of Darkness'), Judy Collins ('Early Morning Rain'), Richie Havens and Spyder Turner ('I Can't Make It Anymore'), and the Kingston Trio ('Early Morning Rain') all achieved some chart success with Lightfoot's material. In 1965 he signed a management contract with Albert Grossman, and a recording contract with United Artists, who released his version of 'I'm Not Sayin'' as a single. 1966 marked the release of his debut album 'Lightfoot!', which brought him greater exposure as both a singer and a songwriter, and the record featured many now-famous songs, including 'For Lovin' Me', 'Early Mornin' Rain', 'Steel Rail Blues', and 'Ribbon Of Darkness'. On the strength of the 'Lightfoot!' album, he became one of the first Canadian singers to achieve definitive home-grown stardom without having moved permanently to the United States to develop it. The variety of artists featured on this collection just proves what a versatile songwriter Lightfoot was, with pop groups, folk bands, and R&B singers all covering his songs, and folk-rock legends Fotheringay rated him highly enough to include one of his songs on their debut album, despite having a number of renowned songwriters in the band. 'Lightfoot!' did include three covers, and so in a slight departure from the usual format of these albums I've included the original versions of those, so that all of the songs from the album are featured in versions other than Lightfoot's. 

Track listing

01 Rich Man's Spiritual (Ronnie Hawkins 1968)

02 Long River (Knoxville Grass 1977)

03 The Way I Feel (Fotheringay 1970)

04 For Lovin' Me (Chad & Jeremy 1965)

05 The First Time (Ewan MacColl & Peggy Seeger 1970)

06 Changes (Phil Ochs 1966)

07 Early Morning Rain (Peter, Paul And Mary 1965)

08 Steel Rail Blues (George Hamilton IV 1966)

09 Sixteen Miles (Bonnie Dobson 1972)

10 I'm Not Sayin' (The Ian Campbell Folk Group 1968)

11 Pride Of Man (Hamilton Camp 1964)

12 Ribbon Of Darkness (The Pozo Seco Singers 1967)

13 Oh' Linda (The Pacers featuring Bobby Crawford 1967)

14 Peaceful Waters (Ed Ames 1969)

Have A Folky Christmas 2023

It won't be long before Christmas is upon us once again, so here is a fine selection of folk-inspired Christmas tunes, without a folkified carol in sight. 

Track listing

01 The Bells Of Dublin/Christmas Eve (The Chieftans 1991)
02 On A Quiet Christmas Morn (Mary Chapin Carpenter 2008)
03 Christmas For Cowboys (John Denver 1975)
04 The Coventry Carol (The Young Tradition with Shirley & Dolly Collins 1969)
05 Christmas Passing Through (The Roches 1990)
06 Gaudete (Steeleye Span 1973)
07 Song For A Winter's Night (Gordon Lightfoot 1967)
08 Upon A Winter's Night (Cara Dillon 2016) 
09 Christ Is Born On Christmas Day (John Fahey 1991)
10 River (Joni Mitchell 1971)
11 Silent Night All Day Long (John Prine 1993)
12 In Dulci Jubilo (Maddy Prior & The Carnival Band 2005)
13 Goodbye England (Covered In Snow) (Laura Marling 2009)
14 Sing We Noel (The Kingston Trio 1960)
15 Candlemas Eve (Kate Rusby 2008)
16 I Heard The Bells On Christmas Day (Burl Ives 1965)
17 Coventry Carol (Joan Baez 1966)
18 On Christmas Night All Christians Sing (The Christmas Albion Band 2003)
19 The Seven Rejoices Of Mary (Loreena McKennitt 2008)
20 Christmas Carolling (The Irish Rovers 1999)

Search 'christmas aiwe' for all my Christmas albums.

Gordon Lightfoot - Day Before Yesterday (1967)

Gordon Meredith Lightfoot Jr. was born on November 17, 1938 in Orillia, Ontario, and his musical talent was recognised by his mother at an early age, and she schooled him into a successful child performer. His first public performance was 'Too Ra Loo Ra Loo Ral' (an Irish lullaby) in grade four, which was broadcast over his school's public address system on a parents' day event, and as a youth he sang under the direction of choirmaster Ray Williams in the choir of Orillia's St. Paul's United Church, which he had credited with teaching him how to sing with emotion, and to have confidence in his voice. Lightfoot was a boy soprano, and at the age of twelve, after winning a competition for boys whose voices had not yet broken, he made his first appearance at Massey Hall in Toronto. He performed extensively throughout high school, and taught himself to play folk guitar, with a formative influence on his music at this time being 19th-century master American songwriter Stephen Foster. In 1958 he moved to California to study jazz composition and orchestration for two years at Hollywood's Westlake College of Music, which had many Canadian students, and to support himself while there he sang on demonstration records and wrote, arranged, and produced commercial jingles. He returned to Toronto in 1960, as he was missing home, and has lived in Canada ever since, although he has done much work in the United States. After his return to Canada, Lightfoot performed with The Singin’ Swingin' Eight, and with the Gino Silvi Singers, and he soon became known at Toronto folk music oriented coffee houses. In 1962 he released two singles, both recorded at RCA in Nashville and produced by Chet Atkins, that were local hits in Toronto and received some airplay elsewhere in Canada, with '(Remember Me) I'm the One' reaching No. 3 on CHUM radio in Toronto in July 1962. 

In 1963 he traveled around Europe and the United Kingdom, and for one year he hosted BBC TV's Country and Western Show, returning to Canada in 1964, where he began to develop a reputation as a songwriter. Ian and Sylvia Tyson recorded 'Early Mornin' Rain' and 'For Lovin' Me', and a year later both songs were recorded by Peter, Paul and Mary, while other performers who recorded his songs included Elvis Presley, Chad & Jeremy, George Hamilton IV, The Clancy Brothers, Marty Robbins, Judy Collins, and The Kingston Trio. In 1965 Lightfoot signed a management contract with Albert Grossman, who also represented many prominent American folk performers, and after signing to United Artists he released his version of 'I'm Not Sayin'' as a single, and appearances at the Newport Folk Festival and on The Tonight Show Starring Johnny Carson increased his following and bolstered his reputation. His debut album 'Lightfoot!' was released in 1966, bringing him greater exposure as both a singer and a songwriter, and it featured many now-famous songs, including 'For Lovin' Me', 'Early Mornin' Rain', 'Steel Rail Blues', and 'Ribbon of Darkness'. He consistently placed singles in the Canadian top 40, including 'Go-Go Round', 'Spin, Spin', and 'The Way I Feel', but his biggest hit of the era was a rendition of Bob Dylan's 'Just Like Tom Thumb's Blues', which peaked at No. 3 on the Canadian charts in December 1965, and to kick off Canada's Centennial year, the CBC commissioned him to write the 'Canadian Railroad Trilogy' for a special broadcast on January 1, 1967. Between 1966 and 1969 Lightfoot recorded four more albums for United Artists, and established himself as one of the best singer/songwriters of his generation, but this album concentrates on his rise to that success, collecting all his early singles from 1962 to 1966, plus the 'Canadian Railroad Trilogy' EP from 1967. It also includes one previously unreleased song which eventually turned up on the 'Early Lightfoot' album in 1969, and the version of 'Spin, Spin' on here is the original 45 recording and not the later remake which appears on most compilations.  

Track listing

01 (Remember Me) I'm The One (single 1961)
02 Daisy-Doo (b-side of '(Remember Me) I'm The One')
03 Negotiations (single 1962) 
04 It's Too Late, He Wins (b-side of 'Negotiations')
05 Adios Adios (single 1962)
06 Is My Baby Blue Tonight (b-side of 'Adios Adios')
07 Day Before Yesterday (single 1963)
08 Take Care Of Yourself (b-side of 'Day Before Yesterday') 
09 I'm Not Sayin' (single 1965)
10 For Lovin' Me (b-side of 'I'm Not Sayin')
11 Just Like Tom Thumb's Blues (single 1965) 
12 Ribbon Of Darkness (b-side of 'Just Like Tom's Thumbs Blues')
13 Early Morning Rain (single 1966)
14 Spin, Spin (single 1966) 
15 Long Haired Woman (previously unreleased, only available on 'Early Lightfoot' 1969) 
16 Movin' (from the 'CN Freight Film' EP with Jean-Pierre Ferland 1967)
17 Talkin' Freight (from the 'CN Freight Film' EP with Jean-Pierre Ferland 1967)

Ry Cooder - ...and on guitar (1971)

Ryland Peter Cooder was born on 15 March 1947 in Los Angeles, California, growing up in Santa Monica, California, and graduating from Santa Monica High School in 1964. He began playing the guitar when he was three years old, and a year later he accidentally stuck a knife in his left eye and has had to wear a glass eye ever since. As a youngster he performed as part of a pickup trio with Bill Monroe and Doc Watson, in which he played banjo, but although the band was not a success, it did inspire him to apply banjo tunings and the three-finger roll to guitar instead. He first attracted attention playing with Captain Beefheart and his Magic Band, notably on the 1967 album 'Safe As Milk', after previously having worked with Taj Mahal and Ed Cassidy in the Rising Sons. At a warm-up gig shortly before the Monterey Pop Festival in 1967, Don Van Vliet froze, straightened his tie, then walked off the 10 ft stage and landed on manager Bob Krasnow, later claiming he had seen a girl in the audience turn into a fish, with bubbles coming from her mouth. Cooder decided that this unprofessionalism was the final straw in an already strained relationship, and that he could no longer work with Van Vliet, effectively starting his career as a session musician. In 1968 he played with Randy Newman on his '12 Songs' album, as well recording sessions with The Rolling Stones in 1968 and 1969, with his contribution on mandolin appearing on 'Let It Bleed' and his slide guitar on 'Sticky Fingers', and later teaming up with Mick Jagger, Charlie Watts, Bill Wyman, and longtime Rolling Stones sideman Nicky Hopkins to record the 'Jamming with Edward!' album. Cooder also played bottleneck guitar on the original version of Little Feat's 'Willin'', and contributed slide and bottleneck guitar to a vast array of US singer/songwriters in the early 70's, including Marc Benno, Arlo Guthrie, Scott McKenzie, Ron Elliott, Mark LeVine and Gordon Lightfoot, and in particular on the truly stunning version of the Dionne Warwick/Cilla Black classic 'Anyone Who Had A Heart' by Eve. Throughout the 70's, Cooder released a series of albums that showcased his guitar work, starting with his eponymous debut in 1970, and releasing an album every year until the late 80's. These records explored bygone musical genres and found old-time recordings which he then personalized and updated, and on his breakthrough album 'Into The Purple Valley' he chose unusual instrumentations and arrangements of blues, gospel, calypso, and country songs. During the 80's he moved into film soundtracks, and his contribution to Wim Wnders' 'Paris, Texas' is regarded as some of his best work, but for this collection we're just looking at his session-work on albums from other artists in the early 70's. As Cooder is recognised as one of the foremost exponents of the slide and bottleneck guitar, I've chosen just tracks which feature those instruments, and have still managed to fill two volumes from just four years of recordings..

Track listing

Disc One
01 Sure 'Nuff 'N' Yes I Do (from 'Safe As Milk' by Captain Beefheart & His Magic Band 1967)
02 Richard Lee (from 'Pilgrim's Progress' by Mark LeVine 1968)
03 Heavy On My Mind (from 'LA, Memphis & Tyler, Texas' by Dale Hawkins 1968)
04 Don't Talk Now (from 'Longbranch/Pennywhistle' by Longbranch/Pennywhistle 1968)
05 Smokey Joe's Cafe (from 'The Anders & Poncia Album' by Anders & Poncia 1968)
06 Struttin' Down Main Street (from 'Border Town' by Fusion 1969) 
07 Something Better (single by Marianne Faithfull 1969)
08 Soft Soundin' Music (from 'Harpers Bizarre 4' by Harpers Bizarre 1969)
09 Teach It To The Children (from 'Marc Benno' by Marc Benno 1970)
10 Natural Magic (from the soundtrack of the film 'Performance' 1970)
11 Look In The Mirror (from 'Stained Glass Morning' by Scott McKenzie 1970)
12 Deep River Runs Blue (from 'The Candlestickmaker' by Ron Elliott 1970)
13 Go Back Upstairs (from 'Salty' by Alex Richman 1970)

Disc Two
01 Let's Burn Down The Cornfield (from '12 Songs' by Randy Newman 1970)
02 Me And Bobby McGee (from 'If You Could Read My Mind' by Gordon Lightfoot 1970)
03 Anyone Who Had A Heart (from 'Take It And Smile' by Eve 1970)
04 Willin' (from 'Little Feat' by Little Feat 1970)
05 Fence Post Blues (from 'Washington County' by Arlo Guthrie 1970
06 Don't Drink The Water (from 'Don Everly' by Don Everly 1970)
07 Song For Judith (from 'Living' by Judy Collins 1971)
08 The Blues (All Night Long) (from 'Stories' by David Blue 1971)
09 Mr. Money (from 'Possum' by Possum 1971)
10 Born Under A Bad Sign (from 'Rita Coolidge' by Rita Coolidge 1971)

11 Sister Morphine (from 'Sticky Fingers' by The Rolling Stones 1971)
12 Dirty, Dirty (from 'Crazy Horse' by Crazy Horse 1971)

Thanks to whoever it as who suggested Ry Cooder (sorry I can't find your name) but it's a great addition to the series. 

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For MAC users

Press command+shift+period (to show hidden files) and a grayed out folder '...and on guitar" will appear and the mp3s will be inside. Either drag those to another folder OR rename the folder without any periods at the beginning. Press command+shift+period to once again hide the hidden files.