Showing posts with label Elton John. Show all posts
Showing posts with label Elton John. Show all posts

Friday, March 1, 2024

Various Artists - The Hitmakers Sing Nick Drake (2018)

Nicholas Rodney Drake was born on 19 June 1948 in Burma, with the family, including his older sister the successful actress Gabrielle, moving back to England to live in Warwickshire in 1951. At school he played piano and learned clarinet and saxophone, and formed a band, the Perfumed Gardeners, with four schoolmates in 1964 or 1965. Drake contributed piano and occasional alto sax and vocals, and when Chris de Burgh asked to join the group, he was rejected as his taste was "too poppy". In 1966 Drake enrolled at a tutorial college in Five Ways, Birmingham, where he won a scholarship to study at Fitzwilliam College, Cambridge, but in his gap year before starting the course he travelled with friends to Morocco, returning to England in 1967 and moving into his sister's flat in Hampstead, London. That October, he enrolled at Cambridge to begin his studies in English literature, and in January 1968 he met Robert Kirby, a music student who went on to write many of the string and woodwind arrangements for Drake's first two albums. By this time, Drake had discovered the British and American folk music scenes, and was influenced by performers such as Bob Dylan, Donovan, Van Morrison, Josh White and Phil Ochs, and he performed in local clubs and coffee houses around London. After spotting him in one of these clubs, Fairport Convention bassist Ashley Hutchings introduced him to the 25-year-old American producer Joe Boyd, owner of the production and management company Witchseason Productions.  
Boyd was a respected figure in the UK folk scene, and he and Drake formed an immediate bond, with Boyd acting as a mentor to Drake throughout his career. Impressed by a four-track demo recorded in Drake's college room in early 1968, Boyd offered Drake a management, publishing, and production contract, and Drake recorded his debut album 'Five Leaves Left' later in 1968, with Boyd as producer. He sought to include a string arrangement similar to John Simon's on Leonard Cohen's debut, and to provide backing he enlisted contacts from the London folk rock scene, including Fairport Convention guitarist Richard Thompson and Pentangle bassist Danny Thompson. Ultimately, both Drake and Boyd were unhappy with arranger Richard Anthony Hewson's contribution, and so Drake suggested his college friend Robert Kirby as a replacement, and he provided most of the arrangements for the album, including its centrepiece 'River Man'. Post-production difficulties delayed the release by several months, and the album was poorly marketed and supported, receiving little radio play outside of shows by more progressive BBC DJs such as John Peel and Bob Harris. Despite this low-key reception at the time, 'Five Leaves Left' has since become regarded as a classic album of the folk scene, and despite a push by Boyd in 1970 to get Drake's songs more well-known, by arranging a session by Elton John and Linda Peters (later Linda Thompson) to record some of them to be sent out to publishers, most of the best covers have appeared since the turn of the last century. These ten versions of the songs from Drake's debut album all capture the delicacy of the music while still allowing the performers to add their own personality to their interpretation of the songs. 


  
Track listing

01 Time Has Told Me (Elton John 1968)
02 River Man (Norma Waterson 1999)
03 Three Hours (Keith James 2003)
04 Day Is Done (Charlie Hunter Quartet featuring Norah Jones 2001)
05 Way To Blue (In Gowan Ring 2007)
06 'Cello Song (The Books featuring Jose Gonzales 2009)
07 The Thoughts Of Mary Jane (Vashti Bunyan and Gareth Dickson 2018)
08 Man In A Shed (Beatrice Mason featuring Leoni 2018)
09 Fruit Tree (Green Gartside 2013) 
10 Saturday Sun (Alexis Korner 1971)

Friday, November 17, 2023

Various Artists - The Hitmakers Sing Elton John's 'Tumbleweed Connection' (2002)

As a result of the reasonable success of the 'Elton John' album, John recruited former Spencer Davis Group drummer Nigel Olsson and bassist Dee Murray, and flew to America for his first US concert at the Troubadour in Los Angeles on 25 August 1970. It was a such a success that the next day he received a telegram from Bill Graham, America’s most important promoter, offering him $5,000 to play at the Fillmore East in New York. Two months later, in October 1970, the concept album 'Tumbleweed Connection' was released, reaching number two in the UK and number five in the US. Co-writer Bernie Taupin has confirmed that despite people thinking that he was influenced in his lyrics by Americana and by seeing America first hand, the album had been written and recorded before they'd even been to the United States, and it was more influenced by The Band's album, 'Music From Big Pink', and Robbie Robertson's songs. Basic tracks for three of the album's titles, 'Come Down In Time', 'Country Comfort' and 'Burn Down The Mission', had been recorded at Trident during the sessions for the previous LP, 'Elton John', and Dee Murray and Nigel Olsson appeared for the first time together on this album as the rhythm section on 'Amoreena'. No singles were released from the record in the US, but 'Country Comfort'/'Love Song' (the latter a Lesley Duncan composition) was released as a single in Australia, New Zealand and Brazil. Once again, other artists clamoured to record these songs, and this time the big names included Al Kooper, Rod Stewart, Spooky Tooth and Sergio Mendes and Brasil '77, and new artists were still looking to 'Tumbleweed Connection' for inspiration in the 1980's and 2000's, with this album closing with a rousing version of 'Burn Down The Mission' by Toto from 2002. 



Track listing

01 Ballad Of A Well Known Gun (Kate Taylor 1971)
02 Come Down In Time (Al Kooper 1971)
03 Country Comfort (Rod Stewart 1970)
04 Son Of Your Father (Spooky Tooth 1969)
05 My Father's Gun (Miranda Lambert 2018)
06 Where To Now St. Peter (Sergio Mendes & Brasil '77 1976)
07 Amoreena (Panhandle 1972)
08 Talking Old Soldiers (Michael Callen 1988)
09 Burn Down The Mission (Toto 2002)

Friday, October 27, 2023

Various Artists - The Hitmakers Sing Elton John (2018)

In 1967 Reginald Dwight (as he then was) answered an advertisement in the British music paper New Musical Express, placed by the A&R manager for Liberty Records Ray Williams, looking for prospective song-writers. At their first meeting, Williams gave him an unopened envelope of lyrics written by Bernie Taupin, who had answered the same ad, and so he wrote music for the lyrics and then sent them to Taupin, beginning a partnership that still continues. When the two first met in 1967, they recorded the first John/Taupin song, 'Scarecrow', and six months later, Dwight began going by the name Elton John, in homage to two members of his old band Bluesology: saxophonist Elton Dean and vocalist Long John Baldry. The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers, and their early output included a song for Lulu's entry for the UK in the Eurovision Song Contest 1969, called 'I Can't Go On (Living Without You)', but it came sixth of the six songs up for consideration. 
On the advice of music publisher Steve Brown, John and Taupin began writing more complex songs for John to record for DJM, with the first being the single 'I've Been Loving You', produced by Caleb Quaye, Bluesology's former guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, 'Lady Samantha', and his debut album, 'Empty Sky'. For their follow-up album, 'Elton John', John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger, and the record was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the US. It established the formula for subsequent albums: gospel-chorded rockers and poignant ballads, and the album's first single, 'Border Song', peaked at 92 on the Billboard Hot 100. The second, 'Your Song', reached the top ten in both the UK and US, becoming John's first hit single as a singer, while the album soon became his first long-playing success, reaching number four on the US Billboard 200 and number five on the UK Albums Chart. With the success of the singles and album, it wasn't long before other artists began to take notice of this new talent, and wanted to cover his songs, with big names like Three Dog Night, The Lettermen and The 5th Dimension giving us their versions. Before long nearly every track on the album had a cover version out there, even rare singles and obscure b-sides, and so here are the best of those artists re-interpreting Elton John's classic 1970 album, with just The Band Perry post-1975, covering the flip to Elton's 1970 stand-alone single 'Rock And Roll Madonna'.   



Track listing

01 Your Song (Three Dog Night 1970)
02 I Need You To Turn To (Euson 1971)
03 Take Me To The Pilot (The Orange Bicycle 1970)
04 Mijn Eerste Kiefde (First Episode At Hienton) (Connie Vandenbos 1975)
05 Sixty Years On (Hayden Wood 1970)
06 Border Song (The 5th Dimension 1972)
07 The Greatest Discovery (The Lettermen 1971)
08 The Cage (Brainchild 1970)
09 Bad Side Of The Moon (Toe Fat 1970)
10 Friends (The Square Set 1972)
11 Grey Seal (The Band Perry 2014)

Tuesday, October 10, 2023

Caleb Quaye - ...and on guitar (1974)

Caleb Quaye was born 9 October 1948, and is the older half-brother of singer Finley Quaye. His musical career began when he was a member of local band The SoundCasters (or The Sound Castles) while at school. In the early sixties, he joined the band Bluesology, featuring Reginald Dwight on keyboards, later to morph into Elton John, and they were Long John Baldry's backing band for a while, releasing three singles with him from 1965 to 1967. After the breakup of Bluesology, Quaye released a single in 1967 under the name Caleb, with 'Baby Your Phrasing Is Bad'/'Woman Of Distinction' now being rated as one of the finest psychedelic records of the era. In 1968, Elton John started playing concerts under his new name, enlisting Quaye as his guitarist, and in 1969 this group recorded a private album under the name The Bread And Beer Band, just for their own amusement, with only two tracks ever appearing officially on disc, with the 'Dick Barton Theme'/'Breakdown Blues' single being released in 1969 on Decca Records. 
In 1969 he served as guitarist for the one-off "flower power" pop band Argosy (which also included Dwight, Roger Hodgson, and Nigel Olsson) on their single, 'Mr. Boyd'/'Imagine', and he also issued 'The Way Of The Musician' as a single under the name of Hookfoot. As Elton John knew Quaye from his Bluesology days, he used three quarters of Hookfoot as his backing band when he recorded some sessions for the BBC in July 1969. Around April 1970, Quaye reinvented Hookfoot as a proper band, with Ian Duck on harmonica and vocals, Dave Glover on bass and Roger Pope on drums, and once again they backed Elton John when he was invited back to the BBC in April 1970. They also backed Steve Ellis on two solo singles in 1970 and 1971, before they released their eponymous debut album in 1971. It was well-received, and included songs by Quaye, as well as covers of tracks by Stephen Stills and Neil Young, and with the addition of Bob Kulick as a second guitarist, the band released their second album 'Good Times a-Comin'' in 1972, which was a more straight-ahead rock record. While Hookfoot was active during 1971 and 1972, Quaye was much in demand as a session player, and appeared on a number of recordings by the likes of Al Kooper, Phillip Goodhand-Tait, Ralph McTell, John Baldry, Nilsson, and Cochise. Following a few more line-up changes, and two more albums in 1972 and 1973, Hookfoot eventually split up in 1974, and Quaye went to the USA to work as a session musician. 
While a member of Hookfoot, Quaye had played on most of Elton John's records up to 1971's  'Madman Across The Water', when John recruited Nigel Olssen, Dee Murray, Davey Johnstone and Ray Cooper as his permanent backing group, but in April 1975, long time bandmates Murray and Olsson were asked to leave the group. They were replaced by old friend Roger Pope and Kenny Passarelli, and it was at this time that Quaye was also asked to re-join, ready to start tour rehearsals in June 1975. This line-up released the 'Rock Of The Westies' album later that year, and he stayed with them for a couple of years, also appearing on 1976's 'Blue Moves'. After this his guest appearances slowed down, with only a couple in 1977, then nothing after 1980, as in 1982 his life changed completely, when he became a musician/evangelist. He is currently serving as the Chairman of the National Worship Committee, and he was officially appointed as National Foursquare Music Minister in the Spring of 1995. So that's where we'll end this look back at the early career of an extremely talented, but undeservedly neglected guitarist, and if you want to learn more about his life, then you can read his excellent autobiography 'A Voice Louder Than Rock & Roll'.



Track listing

Disc I
01 Ticket To Ride (from 'Hold Up!' by The Moonshiners 1967)
02 Baby Your Phrasing Is Bad (single by Caleb 1967)
03 Breakdown Blues (b-side of 'Dick Barton Theme' single by The Bread And Beer Band 1969)
04 Empty Sky (from 'Empty Sky' by Elton John 1969)
05 Mr. Boyd (single by Argosy 1969)
06 The Way Of The Musician (single by Hookfoot 1969)
07 Jingle Jangle Jasmine (b-side of 'Take Your Love' single by Steve Ellis 1971)
08 Eric Is Calling (from 'Chumley's Laughing Gear' by Claggers 1971)
09 Loudwater Zoo (from 'Loudwater House' by Tony Hazzard 1971)
10 Going Quietly Mad (from 'New York City (You're A Woman)' by Al Kooper 1971)
11 Old Brown Dog (from 'You Well-Meaning Brought Me Here' by Ralph McTell 1971)

Disc II
01 Sunshine Looks Like Rain (from 'Drum Orchestra And Chorus' by Nigel Olsson 1971)
02 Oh Rosanna (from 'I Think I'll Write A Song' by Phillip Goodhand-Tait 1971)
03 Take Off My Shoes (from 'Shalom' by Shalom Chanoch 1971)
04 Another Day (from 'Swallow Tales' by Cochise 1971)
05 Like Summer Tempests (from 'Taupin' by Bernie Taupin 1971)
06 Let's Burn Down The Cornfield (from 'It Ain't Easy' by John Baldry 1971)
07 Coconut (from 'Nilsson Schmilsson' by Nilsson 1971)
08 Same Old Thing (from 'A Story Ended' by Dick Heckstall-Smith 1972)
09 Keep Dreaming (from 'Bill Quateman' by Bill Quateman 1972)
10 Everything Comes And Goes (from 'Somewhere' by Mike Hugg 1972)
11 Kid's Stuff (from 'David Elliott' by David Elliott 1972)
12 Jubilee Cloud (from 'Kongos' by John Kongos 1972)

Disc III
01 The End (from 'Queues' by Vigrass & Osborne 1972)
02 I Can't Stand It (from 'Lou Reed' by Lou Reed 1972)
03 Sweet America (from 'Meanwhile... Back At The World' by Roger Cook 1972)
04 Forever's No Time At All (from 'Who Came First' by Pete Townshend 1972)
05 Parisien Plight II (from 'Faces' by Shawn Phillips 1972)
06 Non-Commercial Blues (from 'A Little Taste' by Ann Odell 1973)
07 Albuquerque Rainbow (from 'Chris Darrow' by Chris Darrow 1973)
08 Get Yourself Together (from 'In London' by Teresa Brewer with Oily Rag 1973)
09 Overnight Train (from 'Love Songs' by Billy Nicholls 1974)
10 I Got You Covered (from 'Mo' by Mo McGuire 1974)

Thanks to progcollector for supplying the Claggers track. 

Friday, July 30, 2021

The Bread And Beer Band - The Bread And Beer Band (1969)

The Bread And Beer Band was a group of England's best studio musicians, formed by Tony King (a record producer and assistant at Apple Records), and the band included Tony King, Bernie Calvert of the Hollies, Roger Pope and Caleb Quaye of Hookfoot (and Elton John's late 70's band), Jamaican percussionists Lennox Jackson and Rolfo, and Reg Dwight (aka Elton John) on piano and harpsichord. King envisioned them as a studio band along the lines of the great Motown musicians of the past, but rather than a touring, full-time outfit, it was to be a recording group and studio back-up unit that could be revised and shifted to fit the needs of each individual project that was undertaken. This instrumental album was recorded during sessions in 1968 and 1969 and included Chris Thomas as a producer, but only two tracks from the sessions were ever released, with 'Dick Barton Theme (The Devil's Gallop)' / 'Breakdown Blues' appearing as a single in 1969, featuring an original group composition on the b-side. The single received quite positive reviews, and so the band were sufficiently motivated to try to get an album released, which would have comprised reworked arrangements of popular songs of the day, with a few standards tossed in. Among the songs tampered with were Sam The Sham's 'Wooly Bully', Donovan's 'Mellow Yellow', Tim Hardin's 'If I Were A Carpenter' featuring Elton on harpsichord, and even a humorous arrangement of the 'Zorba The Greek' movie theme. As so often happened, the album was shelved, with Tony King eventually giving the master tapes to Elton as a 1976 birthday gift.



Track listing

01 Woolly Bully  
02 Mellow Yellow  
03 If I Were A Carpenter  
04 Zorba The Greek  
05 The Letter  
06 Dick Barton Theme (The Devil's Gallop)
07 Quick Joey Small  
08 Needles And Pins  
09 Billy's Bang
10 Breakdown Blues
11 God Knows (A Bit Of Freedom)  
12 Last Night  

The Band:
Tony King - producer
Bernie Calvert - guitar
Roger Pope - drums
Caleb Quaye - guitar, bass
Lennox Jackson - percussion        
Rolfo - percussion
Reg Dwight (aka Elton John) - keyboards

Thursday, June 17, 2021

Question for Soulseek-ers

I've noticed a spike in the downloads of the Elton John album 'The World Of Regimental Sgt. Zippo', and as hardly anyone seems to leave comments on the site any more, I'm curious as to what brought that particular album to so many people's attention at the same time. Anyone?

Friday, April 2, 2021

Dave Gilmour - ..and on guitar Vol. 2 (2004) **UPDATE**

The plan was to finish the '...and on guitar' series on a high with a double disc offering from Dave Gilmour, which follows on very nicely from the first volume. There was one track that I couldn't fit on there as it was too long, and so Supertramp's 'Brother Where You Bound' opens this volume, and is then followed by Gilmour's absolutely stunning contribution to Berlin's 'Pink And Velvet', which I'd never heard before, but must count as one of the very best pieces of work that he's ever done. Add in his contributions to pop songs by Sam Brown, Pete Cetera, Paul McCartney, Elton John and Ringo Starr, as well as more progressive tracks from Phil Manzanera, Rabbit, and Robert Wyatt, and you have a superb collection to round off the series. But as it turns out it's not the end, as a passing suggestion from Maybe The Devil, Maybe The Lord has encouraged me to put together one more collection, and this could well be how it will be in future. Any suggestions will be welcomed for possible additions, but to keep in the spirit of the series it would ideally be a guitarist who has released two or three albums on his own, or with a band, and who has also played guest guitar on other artist's albums. Session guitarists who have never released an album of their own would be outside the scope of what I was aiming for, so let's see if I've missed any that I really should have included.   
A comment by AEC has prompted me to update this post, as they suggested that I could have included Rod Stewart's remake of his 'In A Broken Dream' with Dave Gilmour and John Paul Jones. Although it wasn't actually released until 2009, as part of 'The Rod Stewart Sessions', the recording date of 1992 would slot quite nicely into the second disc on this set, and to be honest it does deserve to be there, as it contains some spellbinding guitar-work from Gilmour. If you've already got this one then just download the last four tracks again to replace in the folder, and the tags will then all be updated.    
01 Brother Where You Bound (from 'Brother Where You Bound' by Supertramp 1985)
02 Bound To Be (from 'The Dream Academy' by The Dream Academy' 1985)
03 Pink And Velvet (from 'Count Three And Pray' by Berlin 1986)
04 Persona (from 'Persona' by Liona Boyd 1986)
05 Immaculate Eyes (from 'She' by Dalbello 1987)
06 This Feeling (from 'Stop!' by Sam Brown 1988)
07 Conquest (from 'Dream Jungle' by Rabbit 1988)

Disc Two
01 You Never Listen To Me (from 'One More Story' by Peter Cetera 1988)
02 Run Straight Down (from 'Transverse City' by Warren Zevon 1989)
03 We Got Married (from 'Flowers in the Dirt' by Paul McCartney 1989)
04 Como El Agua (from 'Roé' by Roé 1990)
05 Waiting For The Sunshine (from 'Growing Up In Public' by Jimmy Nail 1992)
06 Understanding Women (from 'The One' by Elton John 1992)
07 In A Broken Dream (from 'The Rod Stewart Sessions 1971-1998', recorded 1992)
08 I Think Therefore I Rock 'n' Roll (from 'Ringo Rama' by Ringo Starr 2003)
09 Forest (from 'Cuckooland' by Robert Wyatt 2003)
10 Sacred Days (from '6PM' by Phil Manzanera 2004)

For MAC users
Press command+shift+period (to show hidden files) and a grayed out folder '...and on guitar" will appear and the mp3s will be inside. Either drag those to another folder OR rename the folder without any periods at the beginning. Press command+shift+period to once again hide the hidden files.

Sunday, February 21, 2021

Post updates

I've been playing some of the older albums that I put together over the last year (what else was there to do for the past 12 months?), and I've noticed that a few of them had little things wrong with them that detracted from a complete listening experience, so I've fixed them and the corrected files can now be downloaded to upgrade the original post.


Country Mike - Country Mike's Greatest Hits
Firstly, I've finally managed to source a stereo vinyl rip of 'Country Mike's Greatest Hits', which was the cause of some controversy when I first posted it. As every copy that I found online was a mono one, I was convinced that the album must have been issued like that, but after some heated discussions in the comments, I was assured that a stereo version must exist, and it's taken this long to find it. 

Other fixes are not as drastic as that, so if you have the following albums and want an upgraded version then you can download them now. 

Amy Winehouse - Procrastination - Long Day
Elton John - Young Man's Blues - Rock Me When He's Gone

I can't actually remember what was wrong with these two, possibly dodgy fadeouts or over-long/no gaps between the tracks, but they are now fixed.

Deep Purple - Coronarias Redig

Extra track added that was somehow missed from the original post.

Cerrone - Supernatural Paradise Of Love
I wasn't happy with a couple of the edits, so have redone the whole piece.

Misty In Roots - Salvation
Dub section of 'Rich Man' volume corrected to be the same as the vocal part.

Soulseek update

I know that there are a few people who can't seem to get Soulseek to work, but hopefully most of you are now using it regularly, and finding that it works pretty well. I've had a couple of days where my searches didn't seem to bring up any of my results, so I had to reboot and that seems to have fixed it. 
If you find that your searches don't bring up any results then do bear in mind that if no-one is downloading something when I go to bed then I do turn off the laptop, so try try again in six to seven hours and see if the searches work then. If not then leave a message and I'll try the reboot to see if that fixes it.  
I have to thank Paul over at Albums That Should Exist for turning me onto Soulseek, as not only has it been an ideal solution to sharing my music without leaving links, and risking the blog being deleted again, but I've also used it to find albums that I'd been after for a while that I hadn't been able to find online. I hope that everyone who started using it when I reinstated the blog is also using it to find other music that they want to hear from other uploaders.
If you find that you have absolutely no luck in getting Soulseek to work then leave a message in the comments with your email address and I'll send direct Yandex links, and then delete the comment to keep your email private. When I've sent the first link you will have my email address for future requests. 

Friday, February 19, 2021

Chris Spedding - ...and on guitar (1972)

Christopher John Spedding was born Peter Robinson on 17 June 1944 in Staveley, Derbyshire, and was adopted by Muriel and Jack Spedding after his father was killed in the war, and they renamed him Christopher John Spedding. In a career spanning more than 50 years, he is best known for his studio session work, although he has also had a fairly successful solo career, releasing a number of well-received albums. He started listening to rock'n'roll in the 50's, starting with Bill Haley, Buddy Holly, Elvis, Gene Vincent and Eddie Cochran, and as he'd been learning the violin since the age of 9, he started strumming it like a guitar, until he got his first real instrument when he was 13. At this time Spedding went back to Sheffield and attended Abbeydale Grammar School, where he formed a band called the Vulcans, and in 1961 he left school and moved to London, where he got a job in a music shop. At the same time he was also gigging in a C&W band around the American Air Force bases, which is where he met Frank Ricotti, with whom he started a weekly jazz club in an Islington pub. Spedding mostly played in jazz bands in the early to mid 60's, and when the British blues boom emerged in the late 60's, he disliked playing in that style so much that he only played bass until he found a guitar sound that he felt comfortable with. 
In 1967 he joined Pete Brown And His Battered Ornaments, and wrote 'Sunshades' for their 1969 'Mantle-Piece' album, as well as co-authoring a couple of other songs, and at the same time he also joined the Frank Ricotti Quartet, co-writing 'Late Into The Night' with Pete Brown for their sole 1969 album. Around this time he was much in demand as a session guitarist, with quite a few of his gigs being with jazz or jazz-based musicians, like Jack Bruce, Michael Gibbs, and Bob Downes, and in 1970 he joined Nucleus, who recorded their first album early that year, with 'Elastic Rock' including three Spedding co-writes. His renown as a jazz guitarist was such that he was voted second in the Best Jazz Guitarist category in the Melody Maker poll of 1970, and to capitalise on that he recorded his first solo album, a jazz record titled 'Songs Without Words' later that year, although it was only released in Japan at the time, and was not made more widely available until an edited version sanctioned by Spedding was released in 2015. While a member of Nuclues he continued with his session work, contributing to tracks by Julie Driscoll and Linda Hoyle, as well as jazz saxophonist extraordinaire Dick Heckstall-Smith. However, although jazz was his first love, Spedding could turn his hand to almost any style of guitar-playing, and so early 70's sessions also found him appearing on recordings by Mike d'Abo, Lesley Duncan, Harry Nilsson, Roger Cook, Elton John, and Sixto Rodriguez, who was later the subject of the 2012 documentary 'Searching For Sugar Man'. 
To show just how versatile he was, I've split this double disc set into one of his jazz recordings and one of his pop/rock recordings, and although this post finishes at 1972, his career still had much further to go, forming Sharks that year with ex-Free bassist Andy Fraser and recording two albums with them, before touring and recording with John Cale, and playing with Roy Harper's occasional backing band Trigger, notably on 1975's 'HQ' album. Between 1972 and 1976 he played in Mike Batt's novelty band The Wombles, and confirmed on the Marc Riley show on BBC Radio 6 Music that he once performed on television in a Womble suit, and in 1975 he had his first Top 20 solo hit in the UK with 'Motor Bikin'', which he promoted with television appearances on Top Of The Pops and Supersonic, dressed in leather motorcycling gear, and with greased hair. On his 1976 single 'Pogo Dancing' he was backed by UK punk band The Vibrators, but when further hits failed to materialise, he concentrated on his career as a session guitarist, appearing and recording with Bryan Ferry, Roxy Music, Elton John, Brian Eno, Jack Bruce, Nick Mason, Art Garfunkel, Typically Tropical, Katie Melua, and Ginger Baker, amongst many, many others. In 1976 he even produced three demo tracks by The Sex Pistols, and there are persistent rumours that he played guitar and bass on their debut album 'Never Mind The Bollocks, Here's The Sex Pistols', although guitarist Steve Jones emphatically denies this. Spedding's career has continued right up to the present day, releasing a live album just last year, but this is where it all started for him, adding his skill and versatility to dozens of recordings in the early 70's. 

Disc One
01 Sunshades (from 'Mantle-Piece' by The Battered Ornaments 1969)
02 Late Into The Night (from 'Our Point Of View' by Frank Ricotti Quartet 1969)
03 Tickets To Waterfalls (from 'Songs For A Tailor' by Jack Bruce 1969)
04 Got No Home (from 'Deep Down Heavy' by Bob Downes 1970)
05 Persephone's Jive (from 'Greek Variations & Other Aegean Exercises' by Neil Ardley 1970)
06 Throb (from 'Michael Gibbs' by Michael Gibbs 1970)
07 A New Awakening (from '1969' by Julie Driscoll 1971)
08 Twisted Track (from 'Elastic Rock' by Nucleus 1970)
09 The Pirate's Dream (from 'A Story Ended' by Dick Heckstall-Smith 1972)
10 Pieces Of Me (from 'Pieces Of Me' by Linda Hoyle 1971)
11 Technology (from 'Solid Gold Cadillac' by Solid Gold Cadillac 1972)

Disc Two
01 Woman In My Life (from 'd'Abo' by Mike d'Abo 1970)
02 Philwit's Fantasies (from 'Philwit & Pegasus' by Philwit & Pegasus 1970)
03 Daffodils (from 'Loudwater House' by Tony Hazzard 1971)
04 Mr. Rubin (from 'Sing Children Sing' by Lesley Duncan 1971)
05 Hampstead Way (from 'Say No More...' by Linda Lewis 1971)
06 Climb Up On My Music (from 'Coming From Reality' by Rodriguez 1971)
07 Down (from 'Nilsson Schmilsson' by Nilsson 1971)
08 Madman Across The Water (from 'Madman Across The Water' by Elton John 1971)
09 Avalon (from 'Matthew Ellis' by Matthew Ellis 1972)
10 Penthouse Pauper (from 'Panhandle' by Panhandle 1972)
11 Virginia (from 'Queues' by Vigrass & Osborne 1972)
12 One More Time Around (from 'Vaughan Thomas' by Vaughan Thomas 1972)
13 Oh Babe (from 'Meanwhile... Back At The World' by Roger Cook 1972)
14 Bonus Track 

For a full history of the life of Chris Spedding, and a complete list of all his session work, then check out http://chrisspedding.com/session/ssn.htm

Sunday, December 27, 2020

Elton John - Top Of The Pops (1970)

I would think that most Elton John fans will know that during 1969 and 1970 he supplemented his income by recording sessions for cheapo various artists albums such as 'Top Of The Pops', 'Hot Hits', and 'Chartbusters'. Even when he had his own hit single in the charts in 1970 with 'Your Song', he still did the sessions, as he's said that he had a ball doing them. There have been a number of compilations of these recordings over the years, but they tended to concentrate on more overtly 'pop' songs, whereas he did also record a number of prog and classic rock tracks which seem to have been ignored. For this collection I've tried to compile a more musically rewarding album, so I've removed the bubblegum pop of 'In The Summertime', 'Neanderthal Man', and 'Snake In The Grass', as well as the embarrassing attempts at reggae, as on Nicky Thomas' 'Love Of The Common People', and replaced them with songs by The Moody Blues, Simon and Garfunkel and The Bee Gees. The most surprising thing about listening to this album is that now that you know it's Elton singing, you ask yourself how you didn't recognise his vocals back in the 70's, as he often made no attempt to try to sound like the original artist. Now we know who was involved, it makes for a nice little collection of 70's pop hits as sung by an emerging superstar, but listening to them now I'm amazed that I was ever fooled into thinking that they sounded anything like the original recordings!



Track listing

01 Natural Sinner (Fairweather)
02 Come And Get It (Badfinger)
03 Let's Work Together (Canned Heat)
04 Bridge Over Troubled Water (Simon & Garfunkel)
05 Question (The Moody Blues)
06 August October (Robin Gibb)
07 Travellin' Band (Creedence Clearwater Revival)
08 Lady D'Arbanville (Cat Stevens)
09 Spirit In The Sky (Norman Greenbaum)
10 I Can't Tell The Bottom From The Top (The Hollies)
11 Up Around The Bend (Creedence Clearwater Revival)
12 It's All In The Game (The Four Tops)
13 Don't Forget To Remember (The Bee Gees)
14 United We Stand (Brotherhood Of Man)


Elton John - The World Of Regimental Sgt. Zippo (1968)

Back in April 2018 I posted an album that I'd reconstructed after reading an article about the proposed psychedelic debut album that was being prepared for release by Elton John in 1968. The album was mixed and sequenced, and cut to an acetate, but then it was shelved, and the following year 'Empty Sky' became his official debut release. For my original post I managed to track down 10 of the 12 songs, but two of them eluded me and so I replaced them with contemporaneous recordings from the same time-frame. The big news now is that Elton has issued the retrospective box set 'Jewel', which includes 60 previously unreleased songs, including those two that I couldn't find in 2018. It's also come to light that the album was to have been named after one of the tracks, 'Regimental Sgt. Zippo', so I've completely updated the post so that it now includes all 12 songs which were originally intended for it, it has the correct title, and I've given it some new, suitably psychedelic artwork. I'll leave the old post up, as it does include three extra tracks that are no longer on this one.    



Track listing

01 When I Was Tealby Abbey
02 And The Clocks Go Round
03 Sitting Doing Nothing
04 Turn To Me
05 The Angel Tree
06 Regimental Sgt. Zippo
07 A Dandelion Dies In The Wind
08 You'll Be Sorry To See Me Go
09 You're My Woman
10 Tartan Coloured Lady
11 Hour Glass
12 Watching The Planes Go By

I see that Paul over at albumsthatshouldexist.blogspot.co.uk has just beat me to this by taking all the demos from the 'Jewel' box set and adding in the missing tracks from bootlegs, but I was quite surprised to hear that a lot of the tracks from 'Jewel' are only piano demos, with just a couple of songs being the full band versions. I've therefore mostly kept the versions from my original post, and cleaned them up to match the missing songs from 'Jewel'. Despite the 'Jewel' version of the title track being a band version, I have kept my original post of that, as it is actually a different mix, with some suitably psychedelic effects added to it.     


Elton John & Linda Peters - The Warlock Demos (1970)

In 1969 Joe Boyd's Warlock Records had signed a formidable array of singer/songwriters who were all relatively unknown at the time, and so in order to get their songs out into the market, Boyd hired a couple of jobbing session musicians to record them so that they could be pressed up onto an album and distributed around the other record companies. The musicians chosen were Elton John and Linda Peters, and they were to sing songs written by Nick Drake, John Martyn, his wife Beverley Martin, Ed Carter, and Mike Heron. Linda Peters would go on to marry Richard Thompson and become better known as Linda Thompson, recording a number of successful albums with him, but not sure whatever became of this Elton John chap. The sound quality here isn't the best, as it was transferred directly from one of the six surviving copies of the original 1970 pressing of 100 LP's, but it's historically interesting to hear both John and Peters before they became better known. The original CD issue came housed in a black and white cover, and was incorrectly dated as 1968, but I've managed to locate the original photo to give it a bit of an upgrade.



Track listing

01 Saturday Sun (Nick Drake)
02 Sweet Honesty (Beverley Martin)
03 You Get Brighter (Mike Heron)
04 Stormbringer (John Martyn)
05 Way To Blue (Nick Drake)
06 This Moment (Mike Heron)
07 Go Out And Get It (Mike Heron)
08 The Day Is Done (Nick Drake)
09 I Don't Mind (Mike Heron)
10 Time Has Told Me (Nick Drake)
11 Pied Piper (Ed Carter)


Mick Ronson - ...and on guitar (1979)

Mick Ronson initially wanted to be a cellist, but moved to guitar upon discovering the music of Duane Eddy, whose sound on the bass notes of his guitar sounded to Ronson similar to that of the cello. He played with a number of small bands in the 60's including The Mariners, The Crestas, The Voice,  The Wanted, and then Hull's top local band, The Rats. In 1967 The Rats recorded the one-off psychedelic track, 'The Rise and Fall of Bernie Gripplestone' at Fairview Studios in Willerby, Yorkshire, which can be heard on the 2008 release 'Front Room Masters – Fairview Studios 1966–1973'. When John Cambridge left The Rats to join his former Hullaballoos bandmate Mick Wayne in Junior's Eyes, he was replaced by Mick 'Woody' Woodmansey, and in early 1970, Cambridge came back to Hull in search of Ronson, intent upon recruiting him for David Bowie's new backing band The Hype, along with drummer Woodmansey. He found Ronson marking out a rugby pitch, one of his duties as a Parks Department gardener for Hull City Council, and although initially reluctant, he eventually agreed to accompany Cambridge to a meeting with Bowie. Two days later, on 5 February, Ronson made his debut with Bowie on John Peel's national BBC Radio 1 show, and from that point on his future was assured. 
Within a few years his reputation had grown so much that he was often asked to contribute to other artist's albums, and later even to produce them. His first post-Bowie guest spot was actually on the recommendation of his employer, who was producing Lou Reed's 'Transformer' album, and he invited Ronson to play guitar on it. The same year he was asked to contribute to The Pure Prairie League's second album 'Bustin' Out', and I've included his superlative work on 'Angel No. 9' as an example of his contribution to the record, and Ronson was so taken with this song that he included a cover of it on his second solo album 'Play Don't Worry'. In 1974 Mott The Hoople were recording their last single before Ian Hunter left and the rest of the group reformed as simply Mott. During the recording of 'The Saturday Gigs' guitarist Ariel Bender was replaced by Ronson, marking his only official appearance on a Mott the Hoople release, and Ronson's image was used in the middle of the band's line-up on the single's cover. After Ian Hunter left Mott The Hoople he embarked on a long and successful solo career, starting which what I still consider his best album 'Ian Hunter', and 'Once Bitten, Twice Shy' shows Ronson at his very best. 
In 1976 Ronson contributed guitar to the title track of David Cassidy's 'Getting It In The Street' album, giving the former bubblegum pop star a bit of street cred. The same year he was a surprise addition to Bob Dylan's Rolling Thunder Review tour, and concert recordings were eventually released as the 'Hard Rain' album, from which I've included the rocking 'Maggie's Farm'. Roger Daltrey employed Ronson's guitar on his 1977 solo release 'One Of The Boys', for which Paul McCartney wrote a new song 'Giddy', and Ronson was joined by Hank Marvin, Eric Clapton and Alvin Lee on a great fun recording. Also that year Ronson and Ian Hunter produced and played on Ellen Foley's debut album 'Nightout', with Ronson suggesting that she record two songs by Phil Rambow, one of which is included here. The most surprising track on this album, though, is a 1970 recording for Elton John's 'Tumbleweed Connection' album, where Ronson played guitar on the track 'Madman Across the Water'. This version of the song was not included in the original release of the album of the same name two years later, although it was eventually included on deluxe re-issues, and you wonder how this outstanding near-nine minute take could ever have been dropped from the record. Ronson collaborated with many more artists throughout the rest of his career, but I think this collection of his work from the 70's shows him at his best, and also the variety of artists who held him in high enough esteem to want him added to their records.   



Track listing

01 Vicious (from 'Transformer' by Lou Reed 1972)
02 Madman Across The Water (original version with Elton John 1970)
03 Angel No. 9 (from 'Bustin' Out' by The Pure Prairie League 1972)
04 The Saturday Gigs (single by Mott The Hoople 1974)
05 Once Bitten, Twice Shy (from 'Ian Hunter' by Ian Hunter 1975)
06 Gettin' It In The Streets (from 'Gettin' It In The Streets' by David Cassidy 1976)
07 Maggie's Farm (from 'Hard Rain' by Bob Dylan 1976)
08 Giddy (from 'One Of The Boys' by Roger Daltrey 1977)
09 Night Out (from 'Nightout' by Ellen Foley 1979)

Elton John - Flintstone Boy (1979)

Following his decision to add previously unreleased songs to the b-sides of his singles around 1973, Elton seemed to take to the idea and continued to do so throughout the years from 1974 to 1979, even going so far as to release the 'Ego' single in 1978, where even the A-side wasn't from the then current album. He had done this a couple of other times previously, with 'Philadelphia Freedom' and 'Lucy In The Sky With Diamonds', but 'Ego' always seems to be overlooked on the 'Best Of...' compilations, so I'm including it here, along with its b-side, as I think it's a great little song. In 1974 the two songs from the 'Don't Let The Sun Go Down On Me' and 'The Bitch Is Back' singles were coupled together for a French 7" release, and in 1977 he recorded the limited edition charity single 'The Goaldiggers Song', which was to raise money to provide playing fields in under-privileged areas. This single never charted anywhere, as only 500 copies were pressed, approximately half of which were signed by Elton, and it was available by mail-order only. The song was composed and performed solely by Elton, featuring only piano and multi-tracked vocals, and the b-side was a conversation between  Elton and a number of other British celebrities, including Jimmy Hill and Eric Morecombe. Once the single was pressed the tapes were destroyed, so no other official copies of the recording exist. By adding in a couple more late 70's b-sides, plus the unreleased 'Planes' from 1975, this makes up a nice 40 minute album of rare Elton songs from the half decade from 1974 onward. 



Track listing

01 Sick City (b-side of 'Don't Let The Sun Go Down On Me' 1974)
02 Cold Highway (b-side of 'The Bitch Is Back' 1974)
03 Sugar On The Floor (b-side of 'Island Girl' 1975)
04 House Of Cards (b-side of 'Someone Save My Life Last Night' 1975)
05 Planes (previously unreleased 1975)
06 The Goaldiggers Song (charity single 1977)  
07 I Cry At Night (b-side of 'Part Time Love' 1978)
08 Ego (single 1978)
09 Flintstone Boy (b-side of 'Ego')
10 Lovesick (b-side of 'Song For Guy' 1978)
11 Strangers (b-side of 'Victim Of Love' 1979)


Elton John - Young Man's Blues (1974)

I bought quite a few singles by Elton John back in the 70's, and I don't recall any of them having a b-side that wasn't already available on an album, so was quite surprised to discover that he wasn't as mean with his songs as I'd always suspected. Some of those early singles did have exclusive songs on the flip, and most of them are not just throwaway filler either. In fact, one of the first of these was on the b-side of his breakthrough single 'Your Song', although it took a further three years before he did it again, this time treating us to two tracks on the b-side of 'Rocket Man'. 'Grey Seal' was originally recorded in 1970 as the b-side to 'Rock 'n' Roll Madonna', before it was revisited three years later to be included on the 'Goodbye Yellow Brick Road' album, with the differences in the recordings being quite significant, and the flip to the single release of the title track of that album had to be renamed 'Young Man's Blues' for the US market, in order to spare their delicate ears. I've added a couple of demos from 1970 of unreleased songs which should really have made it to a record, as well as a solo demo of 'Let Me Be Your Car', which he gifted to Rod Stewart for his 1974 'Smiler' album, and which Elton never officially recorded himself. A little bit of trivia for you - the fake applause on 'Rock 'n' Roll Madonna' was taken from a Jimi Hendrix concert, although the real question has to be - why?



Track listing

01 The Old Man's Shoes (b-side of 'Your Song' 1970)
02 Sisters Of The Cross (previously unreleased demo 1970) 
03 Bad Side Of The Moon (previously unreleased 1970)
04 Rock 'n' Roll Madonna (single 1970)
05 Grey Seal (original recording as b-side of 'Rock 'n' Roll Madonna')
06 Rock Me When He's Gone (previously unreleased 1971)
07 Whenever You're Ready (We'll Go Steady Again) (b-side of 'Rocket Man' 1973)
08 Jack Rabbit (b-side of 'Rocket Man' 1973)
09 Let Me Be Your Car (previously unreleased demo 1973)
10 One Day (At A Time) (b-side of 'Lucy In The Sky With Diamonds' 1974)
11 Screw You (Young Man's Blues) (b-side of 'Goodbye Yellow Brick Road' 1973)



Elton John - Lestat (Songs From The Broadway Musical) (2005)

I thought I knew almost everything Elton John had done, but this one surprised me. 'Lestat' was a Broadway musical inspired by Anne Rice's The Vampire Chronicles, with a score by Elton John and Bernie Taupin. It started with a reading in November 2003 under the title 'The Vampire Lestat', with a cast including James Barbour as Lestat, and after rehearsals it premiered at the Curran Theatre, San Francisco, California on 17 December 2005 for a six week run. This was followed by an eight week run on Broadway at the Palace Theater from 25 March to 28 May 2006, for 33 previews and 39 performances, with the title role of Lestat being played by Hugh Panaro, and Carolee Carmello playing Gabrielle. Things didn't always go smoothly, with The CurtainUp reviewer noting: 'Press reports from out-of-town about songs, characters, scenes and performers being dropped and/or replaced indicated that there was plenty of work to do on this particular incarnation.' The pre-Broadway version of 'Lestat' was very different from the Broadway version, and even though it was the highest-earning pre-Broadway play in San Francisco history (beating out 'Wicked' and 'Cats'), the company had to drastically revise the play, with the San Francisco version having far more elaborate stage effects and production values. By the time it reached Broadway it was more interpretive and used fewer projections, and it also cut quite a few plot elements, with some scenes and their attendant songs being scrapped completely. Reviews of the Broadway production were uniformly negative. The New York Post's verdict was 'bloody awful', and the Newark Star-Ledger opined that it was 'just deadly.' Lamenting the show's soporific nature, Ben Brantley of The New York Times wrote: 'Joining the ranks of Ambien, Lunesta, Sonata and other prescription lullaby drugs is 'Lestat', the musical sleeping pill...Dare to look upon 'Lestat' and keep your eyelids from growing heavier and heavier and heavier.' The Washington Post critic Peter Marks mused that 'Lestat's contribution to art and equality is demonstrating that a gay vampire with a two-octave range can be just as dull as a straight one.'
The Original Broadway Cast Recording was recorded by Mercury Records on 22 May 2006 and was produced by Guy Babylon and Matt Still, but after the show's closing Elton John's management announced that there were no plans to release the recording. However, tapes of Elton's original demo recordings have leaked out, and so those of us who missed the stage show can now at least hear the songs as sung by Elton himself. They are not your standard demos of just piano and vocal, but fully orchestrated versions of the songs, and are very much in the classic 'musical' style. Most of them stand up pretty well, so perhaps it was more the staging and the plot that caused it to fail rather then the music, and even though this was one of Elton's rare flops, it's worth a listen to judge for yourself if the harsh criticism was justified.  



Track listing

01 From the Dead
02 Nothing Here
03 In Paris
04 Main Theme
05 The Thirst
06 Right Before My Eyes
07 Make Me As You Are
08 Among The Dead / To Live Like This
09 The Origin Of The Species
10 The Crimson Kiss
11 Entr'acte
12 Welcome to the New World
13 Embrace It
14 I Want More
15 I'll Never Have That Chance
16 Sail Me Away
17 To Kill Your Kind
18 After All This Time
19 Finale (From The Dead) 


Elton John - The 1968 Debut Album

Record Collector has once again prompted me to trawl the net following one of their articles, and this time it is the news that Elton John had recorded a number of songs in 1968 for a proposed psychedelic debut album. It was mixed and given a running order, but then shelved, possibly because by the time of its proposed release psychedelia had become a bit passe. Some of these tracks have since surfaced on bootleg CDs of Dick James demos, but not all of them have yet appeared on the net, so my searches have only managed to find ten of the 12 tracks. To make up the running time I've bolstered the album with a few other demos from the same period which I felt fitted the running order, including a killer instrumental '71-75 New Oxford Street'. 



Track Listing

01 When I Was Tealby Abbey
02 And The Clocks Go Round
03 Sitting Doing Nothing
04 Turn To Me
05 The Angel Tree
06 Regimental Sgt. Zippo
07 A Dandelion Dies In The Wind
08 You'll Be Sorry To See Me Go
09 71-75 New Oxford Street
10 Tartan Coloured Ladies
11 Hour Glass
12 Taking The Sun From My Eyes
13 Sing Me No Sad Songs

The missing songs are track number 9 'You're My Woman' and track number 12 'Watching The Planes Go By', but I hope the ones I have replaced them with fit with the rest of the album.

To be honest, the most psychedelic thing about these songs are some of the titles, but they do show that Elton and Bernie Taupin had something together even back then, with just 'Sitting Doing Nothing' being a co-write with Caleb Quaye, and 'Hour Glass' coming from outside writers. Elton is in fine voice, and a couple of the ballads do point to what was to come a few years down the line, while 'Turn To Me' is my current fave.