Kenny Everett - On BBC Radio Bristol (1971)

Kenny Everett was arguably the most creative, most innovative, most technically gifted radio presenter the UK has produced. He was a pioneer, first with the offshore pirates in 1964, then as part of the launch team for BBC Radio 1 in 1967 – and later a key figure when licensed commercial radio began with Capital Radio in 1973. He spent hours in the studio stitching together truly original shows, filled with his exquisitely produced personal jingles, crazy sounds effects, and zany comedy moments delivered in a frenetic, inventive style that no-one could match. He was close friends with the Beatles, regularly playing their latest tracks before anyone else. While employed on BBC Radio One the BBC banned him from talking to the press after repeatedly complaining about the station's output, and things came to a head in July 1970 after he responded to a news bulletin about the wife of Transport Minister John Peyton passing her advance driving test, joking that she "probably crammed a fiver into the examiner's hand". As a result, his weekend show was cancelled, a fate he'd previously suffered at Radio Luxembourg, Radio London, and later at Radio 2. He was just 25, and apart from a few stints on continental stations, there was nowhere else to go. The BBC still had a UK radio monopoly, and his top-flight radio career looked to be over. He went from being one of the most popular DJ's on the radio to scrimping and saving to pay for the refurbishment of the house that he'd just bought while he was still employed. 

A saviour arrived a year later at one of the BBC's fledgling local stations, when the year-old Radio Bristol's manager David Waine needed holiday cover. Feeling Kenny had been badly treated, Waine phoned to offer four programmes at a rate of just £12.50 a week! Desperate, Everett agreed – sparking an internal row for Waine, who was rebuked by BBC Radio's MD Ian Trethowan for not consulting him, warning that he'd be in trouble if things went wrong. To minimise any potential disaster, David wisely asked Kenny to pre-record his shows at home in Sussex, and he then posted the tapes for checking by a producer before broadcast. On 12 June 1971 the wireless wizard was back on-air, but it was an occasion largely overlooked, as few people heard it, and those who did were only from the Bristol area. At the time BBC Local Radio only broadcast on VHF (now FM) when most listeners only had medium-wave sets, and broadcast hours were limited, with few staff and tight music restrictions. You may wonder why Everett regularly mentions the record labels of songs played, and this was because at the time, BBC Local Radio could only play one hour of commercial music a day under strict "needle time" restrictions negotiated with the Musicians’ Union, and one way to get around this was to play new releases, giving the record label, and (in theory at least) its number. The Radio Bristol shows opened the door at other BBC Locals including Radios Merseyside, Solent, Nottingham, Brighton (now Radio Sussex) and Medway (now Radio Kent), and he also appeared on 'Start The Week' on Radio 4 over Christmas 1971, becoming a regular on a spin-off series 'If It's Wednesday … It Must Be' over the next 18 months. As 1971 is one of my favourite years for music, and along with John Peel, Everett was my favourite DJ, then these shows were a godsend when broadcast over the Christmas period, and hopefully you'll find something to enjoy in them as well.

Track listing

01 BBC Radio Bristol 12 June 1971

includes tracks from The Move, Nilsson, Peter Noone, Paul McCartney, Tom Jones, Stavely Makepeace, The Beatles, The Fantastics, Cat Stevens, White Plains, Twiggy, Mungo Jerry, Dusty Springfield, the Supremes and The Four Tops. 
02 BBC Radio Bristol 03 July 1971

includes the final episode of his comedy series 'Dick Dale – Special Doctor', first broadcast on Radio 1, along with music by Paul McCartney, Hurricane Smith, Smokey Robinson, The Idle Race, Fifth Dimension, Dawn, Cat Stevens, Simon and Garfunkel, Butterscotch, The Yamasukis, Freda Payne and Bread.
03 BBC Radio Bristol 26 December 1971

includes music by the Beach Boys, Mama Cass, Peter Noone, Colin Blunstone, John Barry, Martha Reeves and The Vandellas, The Jimmie Haskell Orchestra, Gilbert O’Sullivan, The Faces, Cat Stevens, Tony Christie, Mike Vickers, Matt Munro, Rich Fever and Rossini.

Various Artists - The Hitmakers Sing Nilsson (1971)

By 1958, Harry Nilsson was intrigued by emerging forms of popular music, especially rhythm and blues artists like Ray Charles, and he had made early attempts at performing by forming a vocal duo with his friend Jerry Smith and singing close harmonies in the style of the Everly Brothers. After learning to play the guitar and piano he started writing original songs, and after singing lessons courtesy of his uncle, along with his natural talent, he got a job singing demos for songwriter Scott Turner in 1962. After a couple of unsuccessful independent singles he started working with Phil Spector in 1964, writing three songs with him. In 1966 he signed to Tower Records, who released the first singles actually credited to him by name, as well as the debut album 'Spotlight On Nilsson', and although none of his Tower releases charted or gained much critical attention, his songs were being recorded by Glen Campbell, Fred Astaire, The Shangri-Las, The Yardbirds, and others. Later in 1966, he signed with RCA Victor and released the 'Pandemonium Shadow Show' album the following year, which was a critical success, with music industry insiders impressed both with the songwriting and with Nilsson's pure-toned, multi-octave vocals. 'Pandemonium Shadow Show' was followed in 1968 by 'Aerial Ballet', an album that included Nilsson's rendition of Fred Neil's song 'Everybody's Talkin'', which was a minor US hit at the time of release, but which became much more popular a year later when it was featured in the film 'Midnight Cowboy'. With the successes of 'Everybody's Talkin'' creating a demand for Nilsson recordings, a reissue of his first two RCA Victor albums, 'Pandemonium Shadow Show' and the out of print 'Aerial Ballet', was considered, but he thought that his early albums already sounded a bit dated by 1971, so he went back into the studio with the master tapes, and remixed, tweaked, and re-recorded vocals, and came up with a new consolidation that he titled 'Aerial Pandemonium Ballet'. This included four songs from 'Pandemonium Shadow Show' and eight songs from 'Aerial Ballet', and over the following years nearly all of these songs were picked up and covered by other artists. Because some of the tracks on 'Aerial Pandemonium Ballet' were his own covers of classics like 'River Deep, Mountain High' and 'Everybody's Talkin'', I've gone back to the original albums and added some of the tracks which were ignored in the re-issue, in order to make this post a reasonable length. Once again, it's a nice mix of famous and not so famous artists, all doing justice to some fine songs by Nilsson. 

Track listing

01 Introduction
02 1941 (Billy J. Kramer 1968)
03 Daddy's Song (The Casuals 1969)
04 Bath (Doris 1970) 
05 Sleep Late, My Lady Friend (Harry Belafonte 1968) 
06 Don't Leave Me (Hugo Montenegro 1969)
07 Without Her (Blood, Sweat & Tears 1968)
08 Together (Sandie Shaw 1968)
09 One (Three Dog Night 1969)
10 I Said Goodbye To Me (The Glass Menagerie 1968)
11 Little Cowboy (The Buffoons 1969)
12 Wailing Of The Willow (Friday Brown 1971)
13 Cuddly Toy (The Fruit Machine 1968)
14 It's Been So Long (Kenny Everett 1968)
15 Ten Little Indians (The Yardbirds 1967)
16 Closing