Robbie Blunt - ...and on guitar (2013)

Robert William Blunt was born on 4 March 1951 in Worcestershire, growing up in Wolverley near Kidderminster, and was a fairly popular gun for hire in the 1970's. His first band were the Kidderminster-based Big Gees, and he then moved on to Southern Sound, who released one single in 1966, with 'Just The Same As You'/'I Don't Wanna Go'. Southern Sound were followed by Butch Clutch & The Excellerators, but his first band to really bring him any success was when he joined Bronco, fronted by the powerful singer Jess Roden. Their first album, 'Country Home', featured Clifford T. Ward guesting on vocals, and contained some superb rock with a country tinge, and Blunt contributed some outstanding solos. Their second album 'Ace Of Sunlight' was released in 1971, and was recorded with help from Trevor Lucas on vocals, Mick Ralphs on guitar, and Ian Hunter on keyboards. Around 1972, Bronco disintegrated when both Roden and Blunt left the band, with Blunt joining the Michael Des Barres-fronted Silverhead, replacing their original guitarist Stevie Forest. The band had already released their eponymous debut album by the time that Blunt joined, and so he played on their classic second album '16 And Savaged', co-writing five of the tracks on the 1973 release. The following year the group broke up, and in October Blunt joined the newly-formed Stan Webb Band, which Webb had put together after a short spell with Savoy Brown. Before long they had morphed into Stan Webb's Chicken Shack, and after recruiting Jim Kroeven in February 1975 as their new drummer they changed their name again to Broken Glass, although Bob Daisley and Jim Kroeven soon left, to be replaced by Rob Rawlinson on bass and Mac Poole on drums. This line-up released a self-titled album, with help from Miller Anderson, and produced by Tony Ashton, but in 1977 Webb decided to resurrect the Chicken Shack name, and so Broken Glass split up, with only Blunt staying with Webb for his new project. 

With the addition of Paul Martinez on bass and Ed Spevock on drums they recorded 'The Creeper', which was released on Ariola in 1978, following this the same year with 'That's The Way We Are', before Spevock left them in 1979, to be replaced by Louis Borenius. Later that year, all the members deserted Chicken Shack, leaving Webb as the sole owner of the name, and Blunt joined a band called Little Acre for a few months, before being recruited by Steve Gibbons for his group. The Steve Gibbons Band had a diverse line-up, with many of his friends dropping in to play when they were available, but the core of the band was Trevor Burton on bass and guitar, and Harry Rix on drums, alongside Blunt on guitar and Gibbons on vocals, with dual saxophones from Nick Pentelow and Bill Paul. This line-up recorded the 'Street Parade' album, which was released in 1980, and which featured a distinct reggae flavour to a number of the tracks. 'A-Z' was released as a single, with the non-album 'Blue Lagoon' on the flip, and this featured some of Blunt's best guitar-work with the group. In March 1981, Robert Plant started a low-key project called The Honeydrippers, in order to satisfy his long-time goal of having a rock band with a heavy rhythm and blues basis, and he asked his friend Robbie Blunt to join him. They eventually recruited Andy Silvester to help out on guitar, Jim Wickman on bass, Kevin O'Neil on drums and Ricky Cool on harmonica, and they gigged around the country for the next couple of years. However, when Plant began collaborating with Blunt on original material, he deemed it more suited to his goals as a solo artist, and so he formed a hard rock backing unit, putting the Honeydrippers on the back burner. 

The first album from the solo Plant was the outstanding 'Pictures At Eleven', released in 1982, and featuring guest appearances from Cozy Powell and Phil Collins on drums, as well as Raf Ravenscroft on sax. 'The Principle Of Moments' followed in 1983, and was recorded with help from both Phil Collins and Barriemore Barlow on drums, after which Plant revived the Honeydrippers, this time with an impressive roster of studio guests, including guitarists Jimmy Page, Jeff Beck, and Nile Rodgers, keyboardist Paul Shaffer, bassist Wayne Pedziwiatr, and drummer Dave Weckl. Together they recorded the five-song EP 'The Honeydrippers: Volume One', which was released in 1984, and which featured Plant's takes on '50s and '60s R&B numbers. After a couple of singles and a tour in 1985, which featured guest appearances from The Stray Cats' Brian Seltzer, Plant resumed his solo career and released the 'Shaken 'N' Stirred' album, but no sooner had that come out than all his musicians left him in October 1985. Blunt teamed up with Stan Webb again in a new incarnation of Chicken Shack in 1986, and the next few years also saw him going back to his session musician days, adding his guitar to recordings by Clannad, Edie Brickell And The Bohemians, The Jeff Healey Band, John Kilzer and Murray Attaway. In 1998 he joined Julian Lennon to record his 'Photograph Smile' album, and he was also featured on the 'I Don't Wanna Know' single taken from it. Since then he's appeared with Deborah Bonham on a couple of records, and in 2013 he recorded an obscure single with Gwyn Ashton, but whoever he was playing with you can be sure that his work enhanced their records, as this collection undoubtedly shows.   

Track listing

Disc One
01 Just The Same As You (single by Southern Sound 1966)
02 My Ship, My Star (from 'Thinking Back' by Gordon Jackson 1969)
03 Misfit On Your Stair (from 'Country Home' by Bronco 1970)
04 Cartoon Princess (from '16 And Savaged' by Silverhead 1973)
05 Crying Smiling (from 'Broken Glass' by Broken Glass 1975)
06 Dr. Brown (from 'The Creeper' by Stan Webb's Chicken Shack 1978)
07 Blue Lagoon (b-side of 'A-Z' single by Steve Gibbons Band 1980)
08 Just Can't Be Satisfied (The Honeydrippers live 1981)
09 Worse Than Detroit (from 'Pictures At Eleven' by Robert Plant 1982) 
10 Live And Learn (from 'Sirius' by Clannad 1987)

Disc Two
01 What I Am (from 'Shooting Rubberbands At The Stars' by Edie Brickell & New Bohemians 1988)
02 Nice Problem To Have (from 'See The Light' by The Jeff Healey Band 1988)
03 Voices (from 'Hard Roads' by The Jazz Devils 1990)
04 The Flacon (from 'Busman's Holiday' by John Kilzer 1991)
05 Fall So Far (from 'In Thrall' by Murray Attaway 1993)
06 L'amore Mio (from 'Il Cielo Capovolto' by Roberto Vecchioni 1995)
07 I Don't Wanna Know (from 'Photograph Smile' by Julian Lennon 1998)
08 Black Coffee (from 'The Old Hyde' by Deborah Bonham 2004)
09 Fortunate Kind (single by Gwyn Ashton 2013)

Miller Anderson - ...and on guitar (1994)

Miller Anderson was born on 12 April 1945 in Houston, Renfrewshire in Scotland, and started his career in the group The Royal Crests in Scotland around 1964, and after moving down to London in March 1965 they renamed themselves Karl Stuart And The Profiles. Under this name they released two singles in 1965, 'Love Of My Eyes'/'Not A Girl In A Million' and  and 'Haven't They Got Better Things'/'Touch Of Your Hand', before dropping the Karl Stuart part and becoming The Profiles. Two more singles followed in the same year, before Anderson left the band and joined The Voice. This time the group only managed one single, 'Train To Disaster'/'Truth', before he departed, although he was there long enough to play with Mick Ronson when they were both members at the same time. Anderson then formed a duo with Dave Dufort in the mid-60's, but with the addition of future Mott The Hoople leader Ian Hunter on bass and Dante Smith on keyboards they became The Scenery, and after Dofort left the band and was replaced by John Vernon Smith, yet another single emerged in 'To Make A Man Cry'/'Thread Of Time'. In March 1968 he joined the strangely-named At Last the 1958 Rock And Roll Show, bumping into Hunter again, and with Freddie Fingers Lee on keyboards and Pete Phillips on drums, they released one single, with the Jimmi Duncan-produced 'I Can't Drive'/'Working On The Railroad' appearing on the CBS label in 1968. 

In October 1968 the band changed their name to Charlie Woolfe, with the same line-up, and they were soon back in the studio to record another single, this time for NEMS in UK (also released by CBS in Holland), with 'Dance Dance Dance'/'Home', with the b-side being a Freddie Fingers Lee, Miller Anderson and Ian Hunter co-write. Soon afterwards, Anderson and Hunter decided to abandon Charlie Woolfe, so they resurrected The Scenery, and although this edition of the band did not record, they did back singer David McWilliams for a British tour. In November 1968 Anderson finally got the call that he'd been waiting for, with an offer to join the Keef Hartley Band as vocalist and lead guitarist, and he ended up composing most of their original material. They released the excellent 'Halfbreed' album, recorded in just three days, and which opened with 'Sacked', a recording of an answerphone message from John Mayall telling Hartley that he was out of The Bluesbreakers. On this album Miller only contributed vocals, with guitar courtesy of Spit James, but once James left the band, Anderson took over the guitar role completely, and this line-up played in Woodstock Festival on its second day, although unfortunately they don't appear on the movie or soundtrack. With the addition of Mick Weaver, the Keef Hartley Band released their second album, 'The Battle Of North West Six', with guitar by Spit James, who was still in the band when it was recorded, and with one track featuring Mick Taylor guesting on guitar. 

'Overdog' followed in 1971 , and the group converted into a big band, in order to record a live album in the legendary Marquee in London, called 'Little Big Band', and they toured with a line-up of up to 20 members. After the live recording, the band returned to their usual quintet, and after recording some tracks for BBC in March 1971, Anderson started to think of pursuing a solo career. leaving the band in 1971. His first solo album 'Bright City', was released on Dream later that year, and he assembled a band to play some concerts, although he didn't actually tour. Around January 1973 he  formed a new band with keyboardist Mick Weaver, with Hemlock having more of a folk feel than the blues that he was associated with. They released a self-titled album, 'Hemlock', which was originally conceived as Anderson's second solo album, with help from Pete Willsher on steel guitar and Chris Mercer on sax. They toured supporting Procol Harum in England in March 1973, followed by another tour supporting Savoy Brown and Uriah Heep. On that tour, the chemistry between Savoy Brown's Kim Simmonds and Anderson finished with the offer of them forming a band together, so with the addition of Hemlock's rhythm section the formed The Boogie Brothers, which eventually led to him joining Savoy Brown themselves in January 1974, giving a three-guitar line-up of Simmonds, Anderson, and ex-Chicken Shack leader Stan Webb. 

They released the 'Boogie Brothers' album in 1974, but with too many leaders in the band, they only stayed together until December. In 1975, Anderson teamed up with his old boss Keef Hartley, and formed the short-lived Dog Soldier. After releasing their self-titled album, 'Dog Soldier', Hartley and bassist Paul Bliss left the band, and although they carried on with replacements Jim Leverton and Eric Dillon, they soon parted ways after touring with Back Street Crawler. Around August 1976, Marc Bolan refreshed the line-up of T Rex completely, keeping only Dino Dines, who recruited his old mate Anderson to play on Bolan's next album 'Dandy In The Underworld', and after that he joined Donovan for a tour, but before he could re-join T Rex, Bolan was killed in a car accident in 1977. The following year Anderson put together another band with keyboardist Ronnie Leahy, and after adding Colin Allen on drums, and recruiting guitarist Jimmy McCulloch, The Dukes recorded their only album in 1979, and then toured with Wishbone Ash. They had a minor success with the single 'Hearts In Trouble', but soon after that, tragedy struck again and Jimmy McCulloch sadly died. They replaced him with Mick Grabham, but the band folder shortly afterwards. In 1982 Anderson was asked to join Stan Webb in his new band Stan Webb´s Speedway, but he was only in the group for a short while, and didn't record with them. 

His next gig evolved from a collaboration between Ian Hunter and Corky Laing, who was the drummer in Mountain, who wrote several songs together, and then Hunter called Anderson to come over and sing and play guitar on the recordings. After Leslie West was invited to contribute to the project, it was suddenly a full-blown Mountain reunion, and in 1982 they started recording an album, 'Go For Your life', but Anderson has been forced to switch to bass after West joined, and so when he realized his part was to be too small, he left the band, although he can be heard on 'Makin' It In Your Car' from the record. In 1988 he joined The Spencer Davis Group, alongside vocalist Chris Farlowe, bassist Colin Hodgkinson, Zoot Money on keyboards, Pete York on drums, and Davis himself on vocals and guitar. They released a live album, 'Extremely Live At Birmingham Town Hall' in 1988, with Anderson in great form on 'Feet's Too Big' and 'Stormy Monday'. In November and December 1988 the toured Germany under the name of Pete York's R&B Revue, and in 1991 they recorded a live album under their alternative name of Pete York & Superblues, released in 1994, and featuring renditions of the Billie Holliday classic 'Lover Man', Chris Farlowe's early hit 'Out Of Time', and Anderson's showcases on 'Dimples' and 'Resurrection Shuffle'. Anderson is still working, and in the spring of 2016, he returned to the studio, releasing his new album 'Through The Mill' in the July, and this collection of tracks from throughout his long and varied career will go some way to show how he got to that point.  

Track listing

Disc One
01 Love Of My Eyes (single by Karl Stuart And The Profiles 1965)
02 Got To Find A Way (single by The Profile 1966)
03 The Train To Disaster (single by The Voice 1966)
04 Thread Of Time (b-side of 'To Make A Man Cry' by The Scenery 1967)
05 I Can't Drive (single by At Last The 1958 Rock And Roll Show 1968)
06 Dance Dance Dance (single by Charlie Woolfe 1968)
07 You Can Choose (from 'Overdog' by The Keef Hartley Band 1971)
08 The Actor (from 'Two Weeks Last Summer' by Dave Cousins 1972)
09 Ship To Nowhere (from 'Hemlock' by Hemlock 1973)
10 You Don't Love Me (from 'Boogie Brothers' by Savoy Brown 1974)

Disc Two
01 Broken Glass (from 'Broken Glass' by Broken Glass' 1975)
02 You Are My Spark (from 'Dog Soldier' by Dog Soldier 1975)
03 Jason B. Sad (from 'Dandy In The Underworld' by T. Rex 1977)
04 We Can Make It Together (from 'Heartbreak Hill' by The Strawbs 1978)
05 Time On Your Side (from 'The Dukes' by The Dukes 1979)
06 We Are One (from 'Neutronica' by Donovan 1980)
07 Makin' It In Your Car (from 'Go For Your Life' by Mountain 1985)
08 The Thrill Is Gone (from 'Extremely Live At Birmingham Town Hall' by The Spencer Davis Group 1988)
09 Dimples (from 'Superblues' by Pete York 1994)