Showing posts with label John Entwistle. Show all posts
Showing posts with label John Entwistle. Show all posts

Sunday, December 27, 2020

Peter Frampton - ...and on guitar (1975)

Peter Kenneth Frampton was born on 22 April 1950, and first became interested in music when he was seven years old, having discovered his grandmother's banjolele in the attic, and teaching himself to play it, going on to later teach himself guitar and piano as well. His early influences were Cliff Richard & the Shadows, especially guitarist Hank Marvin, and American rockers Buddy Holly and Eddie Cochran. By the age of 12 he was playing in The Little Ravens, while both he and David Bowie, who was three years older, were pupils at Bromley Technical School, where his father Owen Frampton was Bowie's art instructor. By the age of 14 he was playing with The Trubeats, followed by The Preachers, who were produced and managed by Bill Wyman of the Rolling Stones. In 1966 he became a member of the Herd, where he was the lead guitarist and singer, and the band scored several British hit singles, at the same time as Frampton was named 'The Face of 1968' by teen magazine Rave. In 1969, while still only 18 years old, he joined with recently departed Small Faces guitarist Steve Marriott to form Humble Pie, going on to record one live and four studio albums with them, and while playing with Humble Pie he also did session recordings with other artists, including Harry Nilsson (and his alter ego Buck Earl for the 'I Guess The Lord Must Be In New York City' single), John Entwistle, Andy Bown, Lon & Derrek Van Eaton and Suzi Quatro. Frampton left Humble Pie in 1971 and embarked on a solo career, with his debut album 'Wind Of Change' coming out in 1972, and featuring guest artists Ringo Starr and Billy Preston. This was followed by 'Frampton's Camel' in 1973, which featured Frampton working within a group project, then 'Something's Happening' in 1974, and 'Frampton' in 1975.
He had little commercial success with his early albums, but this all changed when he released his live album 'Frampton Comes Alive' in 1976, from which the hit singles 'Baby, I Love Your Way' and 'Show Me The Way' were extracted, and the album was on the Billboard 200 for 97 weeks, of which 55 were in the top 40, and 10 were at the top, becoming the best selling album of 1976. His following-up 'I'm In You' contained the hit title single and went platinum, but fell well short of expectations compared to its predecessor, with all subsequent releases being unfavourably compared to that high-point. Frampton suffered a near-fatal car accident in the Bahamas in 1978 which marked the end of this prolific period of his career, returning to the studio in 1979 to record the album 'Where I Should Be', and releasing records fairly regularly since then. Although his albums generally met with little commercial success, he achieved a brief, moderate comeback of sorts in 1986 with the release of his 'Premonition' album, and the single 'Lying' was a big hit on the mainstream rock charts. His heyday, though, was undoubtedly the early to mid 70's, not only with his own albums, but also with guest appearances on records by fellow artists. The Johnny Halliday track has an interesting story, as by the end of 1968 the original Small Faces were in the middle of breaking up, with Steve Marriott going on to form Humble Pie, and the rest of the band morphing into The Faces. In late December the group were asked to collaborate with French pop legend Johnny Halliday on an album that was to showcase his attempt at hard-rock, and Marriott dragged his chum Frampton along to the recording sessions. Marriott and Lane donated three songs to the project, two of which were later recorded by Humble Pie under different titles, so this track is something of a curiosity to start this showcase of Peter Frampton's guest appearances in the first half of the 1970's.
  


Track listing

01 Regarde Pour Moi (from 'Riviere Ouvre Ton Lit' by Johnny Halliday 1969)
02 Girl From Denver (from 'Don't Freak Me Out' by Jimmy Stevens 1972)
03 The Blues In England (from 'Feel Your Groove' by Ben Sidran 1971)
04 Open Your Eyes (from' Gone To My Head' by Andy Bown 1972)
05 Sweet Music (single by Lon & Derrek Van Eaton 1972)
06 Rolling Stone (single by Suzi Quatro 1972)
07 I Guess The Lord Must Be Tn New York City (single by Buck Earl 1972)
08 Perfection (from 'Painted Head' by Tim Hardin 1973)
09 Ten Little Friends (from 'Whistle Rymes' by John Entwistle 1972)
10 Life Goes On (from 'Essence To Essence' by Donovan 1973)
11 Celebration (from 'First Of The Big Bands' by Tony Ashton & Jon Lord 1974)
12 The Serf (from 'Everything Changes' by Leslie Duncan 1974)
13 Daybreak (from 'Son Of Dracula' by Harry Nilsson 1974)
14 Slow Down (from 'Get Off Of My Cloud' by Alexis Korner 1975)


John Entwistle - Ox Tales (1971)

While Pete Townsend wrote most of the songs recorded by The Who during their long and illustrious career, there was another songwriter working away in the background, supplying the odd b-side and off-beat album track, and that was John Entwistle. Well-known for his quirky humour and stoic disposition, as well as his strong constitution which earned him the nick-name of The Ox, he produced some fine comic characters in 'Boris The Spider' and 'Silas Stingy', as well as more though-provoking songs such as 'Heaven And Hell' and 'Whiskey Man'. When Townsend was writing 'The Who Sell Out' he offered Entwistle the opportunity to write the jingles that he wanted to intersperse with his songs, and a couple of those are included here. Townsend obviously recognised Entwistle's talent for dark humour, as while writing 'Tommy' he asked him to pen the two songs about child abuse, as he felt unable to do so himself as he'd suffered this in his own childhood. Entwistle duly came up with 'Cousin Kevin' and 'Fiddle About', which helped in no small way to propel 'Tommy' to become the masterpiece that's it's recognised as today. For this collection I've gathered together the songs that Entwistle wrote for The Who between 1965 and 1971 - their classic period - and they fit nicely onto an album that shows he wasn't just one of the best bass-players (and rock french horn players!) ever, but could pen a mean tune as well. 



Track listing

01 Whiskey Man
02 Doctor, Doctor
03 The Ox
04 Boris The Spider
05 Medac
06 Silas Stingy
07 Heaven And Hell
08 When I Was A Boy
09 Cousin Kevin
10 In The City
11 Heinz Baked Beans
12 Fiddle About
13 My Wife
14 Dr Jekyll And Mr Hyde
15 Someone's Coming
16 I've Been Away
17 Postcard

I wanted to compile this as a stereo album, but a couple of the songs, such as 'The Ox' and 'Heaven And Hell', are only available in mono, so it ended up as a mixture of the two.