Various Artists - The Hitmakers Sing James Taylor (2020)

James Taylor's interest in music started at an early age, taking cello lessons as a child, before learning the guitar at the age of 12. Spending summer holidays with his family on Martha's Vineyard, he met Danny Kortchmar, an aspiring teenage guitarist from Larchmont, New York, and the two of them began listening to and playing blues and folk music together. Taylor wrote his first song on guitar at 14, and he continued to learn the instrument effortlessly, so that by the summer of 1963, he and Kortchmar were playing coffeehouses around the Vineyard, billed as "Jamie & Kootch". In 1965 they moved to New York City to form a band, recruiting Joel O'Brien, formerly of Kortchmar's old band King Bees, to play drums, and Taylor's childhood friend Zachary Wiesner to play bass, calling themselves The Flying Machine. They played songs that Taylor had written, and by the summer of 1966 they were performing regularly at the high-visibility Night Owl Cafe in Greenwich Village, alongside acts such as the Turtles and Lothar And The Hand People. At this time Taylor associated with a motley group of people and began using heroin, much to Kortchmar's dismay, but in late 1966 they did record a single for Jay Gee Records, comprising two Taylor compositions, 'Night Owl' and 'Brighten Your Night With My Day', and it did receive some radio airplay in the Northeast, but only charted at No. 102 nationally. During the final throes of The Flying Machine, Taylor's drug use had developed into full-blown heroin addiction, and after being taken back to North Carolina by his father, he spent six months getting treatment and making a tentative recovery. He then decided to try being a solo act with a change of scenery, and so in late 1967, funded by a small family inheritance, he moved to London. 

His friend Kortchmar gave him his next big break, introducing him to Peter Asher, who was A&R head for the Beatles' newly formed label Apple Records, and later became his manager. After Paul McCartney and George Harrison heard his demo tape they signed him to Apple, and he recorded what would become his first album from July to October 1968 at Trident Studios. During the recording sessions, Taylor fell back into his drug habit by using heroin and methedrine, and returned to New York for treatment at the Austen Riggs Center in Stockbridge, Massachusetts, while back in the UK Apple released his debut album, 'James Taylor', in December 1968. Critical reception was generally positive, including a complimentary review in Rolling Stone, but it suffered commercially due to Taylor's inability to promote it because of his hospitalization, and so it sold poorly. In late 1969 Taylor broke both hands and both feet in a motorcycle accident on Martha's Vineyard and was forced to stop playing for several months, although he continued to write songs while recovering, and in October 1969 he signed a new deal with Warner Bros. Records. Once he'd recovered from his accident he moved to California, keeping Asher as his manager and record producer, and in December 1969 he held recording sessions for his second album, 'Sweet Baby James', which was released in February 1970. This record was Taylor's critical and popular breakthrough, buoyed by the single 'Fire And Rain', with both the album and the single reaching No. 3 on the Billboard charts. 'Sweet Baby James' went on to be listed at No. 103 on Rolling Stone's 500 Greatest Albums of All Time in 2003, with 'Fire And Rain' listed as No. 227 on Rolling Stone's 500 Greatest Songs of All Time in 2004. This song is one of Taylor's most covered tracks, but other songs from the record soon began attracting other artists to give their take on them, from Merry Clayton's bluesy version of 'Steamroller', to 'Country Road' by UK folk-rockers Unicorn and 'Lo And Behold' by blues-rockers Mother Earth, featuring Tracy Nelson. Every track from the album has now been covered (omitting 'Oh, Susannah', which he didn't write, and to make up for that I've added another song from the same period), and so enjoy this alternate look at the album which added James Taylor to the list of classic US singer/songwriters of the 70's.     

Track listing

01 Sweet Baby James (The Seldom Scene 1972)               
02 Lo And Behold (Mother Earth 1971)
03 Sunny Skies (Tico de Moraes 2019)
04 Steamroller (Merry Clayton 1971)
05 Country Road (Unicorn 1971)
06 Fire And Rain (McKendree Spring 1970)
07 Blossom (Christine Smith 1971)
08 Anywhere Like Heaven (Warren Marley 1971)
09 Oh Baby, Don't You Loose Your Lip On Me (Gregg Cagno 2020)
10 Suite For 20G (The Meters 1976)

11 Riding On A Railroad (Tom Rush 1970)

Unicorn - Volcano (1977)

Chiefly remembered now through their association with Pink Floyd‘s David Gilmour, who produced their second and third albums, Unicorn should have been much bigger then they were in the 70's. Based around the songwriting of Ken Baker, Unicorn’s songs drew from both rock and country, with a sound comparable to another under-appreciated band, Brinsley Schwarz. After years of effort under other names such as The Late Edition as far back as 1968, and touring as backing band to Billy J Kramer, the group released their debut album 'Uphill All The Way' in 1971, paying homage to some of the best songwriters of the era, such as Jimmy Webb, Joe Cocker, Neil Young and Gerry Rafferty. Trevor Mee left the band to move to Guernsey and was replaced by Kevin Smith, and the band toured Europe, playing in Italy, Sweden and the Netherlands. In 1973 Dave Gilmour began taking an interest in a young singer/songwriter called Kate Bush, and after hearing her self-recorded demo tapes he booked a recording session at his farm studio, inviting drummer Peter Perrier and bassist Pat Martin from Unicorn to provide backing, with Gilmour himself on electric guitar. The band's second album, 1974's 'Blue Pine Trees', revealed that they were in thrall to the keening, glittering textures of the Clarence White-era Byrds with 'Sleep Song' and the title track, the stoical melancholia of Fairport Convention in 'Autumn Wine', and the communal warmth of Lindisfarne with 'Electric Night'. They graduated from gigs in youth clubs and village halls to playing in the US as the support act for Fleetwood Mac, Billy Joel, Styx and Linda Ronstadt, and this paid off when 1976's 'Too Many Crooks' presented a superior set of Ken Baker songs of the calibre of 'Disco Dancer', 'No Way Out Of Here' and the title track, and Dave Gilmour liked 'No Way Out Of Here' so much that he covered it on his first solo album in 1978. One final album was released in 1997, with 'One More Tomorrow' being the final release from the band before the broke up after the emergence of punk rock spelled the kiss of death for their soft/country-rock sound. A recent retrospective has unearthed some previously unheard songs, so I've added a few non-album singles and b-sides for a collection from this criminally under-rated band.

Track listing

01 Going Back Home (b-side of 'P. F. Sloan' single 1971)
02 Cosmic Kid (single 1973)
03 All We Really Want To Do (b-side of 'Cosmic Kid')
04 Volcano (previously unreleased)
05 The Ballad Of John And Julie (BBC session recording 1974)
06 Bogtrotter (b-side of 'Ooh! Mother' single 1974)
07 I'll Believe in You (The Hymn) (single 1975)
08 Take It Easy (b-side of 'I'll Believe In You (The Hymn)')
09 So Far Away (previously unreleased)
10 Give And Take (b-side of 'Slow Dancing' single 1977)
11 Nothing I Wouldn't Do (b-side of 'Have You Ever Seen The Rain' single 1977)
12 In The Mood (demo)

Dave Gilmour - ...and on guitar (1985)

Dave Gilmour joined Pink Floyd in 1967, and has been an integral part of the band ever since, appearing on all of their classic albums throughout their long and spectacularly successful career. In between recording and touring with Floyd, he has found time to add his distinctive guitar-work to songs by a number of friends and acquaintances, some that you expect, and some which are something of a surprise. 
In 1973 Unicorn were playing at the wedding reception of Ricky Hopper, who was a friend from Transatlantic days, and Gilmour was also a guest at the wedding. At the end of the evening he got up to Jam with Unicorn, and afterwards expressed an affection for country rock, which came as a considerable surprise to the band. A week later Gilmour invited them to try out his new home studio, and they recorded three songs there, with Gilmour adding guitar to them. He then offered to put up the money to record an album with them, which was recorded at Olympic Studios in London with Gilmour producing and playing electric and slide guitar. This was the beginning of a friendship with the band, which bore fruit later that year when he was given a demo tape of a very young Kathy Bush by Ricky Hopper (from the wedding), and he offered to let her record some of her songs at his studio. He called in Unicorn to act as the backing band, and one of the songs later turned up on the b-side to her 1980 single 'Army Dreamers'. In 1975 he added his guitar to Leo Sayer's friend and collaborator David Courtney's only record 'David Courtney's First Day', and also played pedal steel guitar on Scottish folkies The Sutherland Brothers & Quiver's 'Ain't Too Proud' single. 1976 was a quiet year for Gilmour, but when he offered his services in 1977 it was to the extremely obscure French artist Rachid Bahri, playing on one song on his 'Il Sirvivra' album, alongside Nick Mason on drums. Considering that I had never heard of Bahri before, and the album is impossible to track down, it was astounding to find that it also featured Tim Renwick, Rick Wills, Kenney Jones, Gaspar Lawal, and Stevie Winwood. 
Another two years passed and he was invited to contribute to Paul McCartney's new record, adding guitar to songs destined for the 'Back To The Egg' album, and the following year he appeared on Roy Harper's 'The Unknown Soldier'. Gilmour had known Harper since 1968, and Harper famously sang 'Have A Cigar' on Floyd's 'Wish You Were Here' in 1975, and in return Gilmour played on three of Harper's 1970's album, co-writing five songs on 1975's 'HQ'. In 1983 Atomic Rooster were on their third line-up, and for their 'Headline News' album they managed to persuade Gilmour to play on four of the songs, and while it's not really that great an album, 'Hold Your Fire' is an excellent track. Paul McCartney called on Gilmour again in 1984 to add his guitar to a re-recording of the hit single 'No More Lonely Nights', done in a ballad style, which was eventually added to the expanded re-issue of 'Give My Regards To Broad Street', and the following year he appeared on Bryan Ferry's 'Boys And Girls' album, alongside other guests Mark Knopfler and Nile Rodgers. To close the album we have a track from the Duran Duran spin-off band Arcadia, with Gilmour and Sting both featuring on one song, 'The Promise', from their sole album 'So Red The Rose'. Like many of his contemporaries who have guested on others artist's album, Gilmour has never stuck to one style of music, covering country rock, pop, heavy rock, folk, and ballads, and it's a testament to his skill as a guitarist that he can pull them all off effortlessly.       

Track listing

01 The Farmer (from 'Blue Pine Trees' by Unicorn 1974)
02 When Your Life Is Your Own (from 'David Courtney's First Day' by David Courtney 1975)
03 Ain't Too Proud (from 'Reach For The Sky' by The Sutherland Brothers & Quiver 1975)
04 Il Survivra (from 'Il Sirvivra' by Rachid Bahri 1977)
05 So Glad To See You Here (from 'Back To The Egg' by Wings 1979)
06 True Story (from 'The Unknown Soldier' by Roy Harper 1980)
07 Passing Through Air (b-side of 'Army Dreamers' single by Kate Bush 1980)
08 Hold Your Fire (from 'Headline News' by Atomic Rooster 1983)
09 No More Lonely Nights (Ballad) (from 'Give My Regards To Broad Street' by Paul
                                                                                                                      McCartney 1984)
10 Boys And Girls (from 'Boys And Girls' by Bryan Ferry 1985)
11 The Promise (from 'So Red The Rose' by  Arcadia 1985)