Last Exit - Savage Beast (1976)

Following their triumphant return to the UK from Spain, Last Exit were considering a move south to help secure that all important record deal, but during the autumn of 1975, John Hedley's enthusiasm was waning and he left the band. The seeds of punk were being sown, and he - correctly, as it turned out - suspected that even with a move to London, the band would still struggle to build a following. November 1975 saw them release their only piece of vinyl, a 7" single of two Gerry Richardson tracks featuring Sting vocals, 'Whispering Voices' and 'Evensong', on the Wudwink label, and the disc was once again recorded by Dave Wood back at Impulse Studios. In late 1975 the band were hired again for a follow-up to their previous rock opera 'Rock Nativity', with 'Hellfire' consisting of the Bible set to rock music. Further sessions at Impulse in 1976 were completed which resulted in new recordings of Sting's 'Carrion Prince', Richardson's 'Whispering Voices', a cover of Neil Young's 'Don't Let It Bring You Down', and another Sting track, 'Everyday's Just The Same'. On May 1st 1976 Sting and Frances married at Our Lady and St Oswin's Chapel, Tynemouth, and in July Sting handed in his notice to the school where he taught. That summer Frances made appointments in London to showcase the band's demo tape around various A&R men, whilst leaving Sting to fend for himself back in Newcastle. Eventually Virgin showed interest and promised to watch the band, and that Autumn they kept their promise and came to check out the band when they supported fellow Geordie Alan Price at Newcastle City Hall. Virgin were not impressed but music publisher Carol Wilson was persistent, and although the band didn't get a recording contract, a publishing deal was offered to Sting - one he accepted and later came to regret, and which resulted in a court battle to win back the rights to all his early material. Carol remained enthusiastic, and she arranged for the band to come to London for an A&R gig at Dingwalls supporting Isaac Guillory, and to spend three days at Pathways studio with Virgin picking up the tab. The time wasn't right, though, with every bunch of snot-nosed kids with ripped jeans being signed up, so the band returned to Newcastle, and they slipped back into their usual routine of regular gigs at local venues. 

Just before Christmas 1976, Curved Air played Newcastle City Hall, and afterwards Stewart Copeland asked local journalist Phil Sutcliffe to take him to see a local band. A long time champion of Last Exit, Sutcliffe took Copeland to see them at St. Mary's Teacher Training College, and although Copeland took an instant dislike to the group, he saw enough in the singer to be impressed, and the first seeds of what would become The Police were sown. In January 1977, Last Exit played their farewell to Newcastle gig at the University Theatre, and considered heading for London once again. Sting went there to meet his publisher and to sort out the move of Last Exit from Newcastle to the capital, and as he didn't know that many people in London he met up with Copeland, who had his heart set on Sting joining him in a new band, and within a few days the two of them started rehearsing with Henri Padovani. Last Exit followed Sting down to London and in January and February secured a few dates, and for a short period, Sting was rehearsing with both Copeland and Padovani, getting ready to record the 'Fall Out' single, and also playing gigs with Last Exit. Sadly, Last Exit failed to get the reviews and attention they needed to retain their enthusiasm, and at the end of February 1977 they decided to disband. On 1st March 1977 the Police played their first paying gig in Monmouth, Wales, and the rest as they say, is history. This second cassette from the band contains the b-side of their 1975 single, plus most of their 1976 demo sessions from Impulse Studios, which include reworkings of some of the songs from the first tape, alongside some newly-written material. 

Track listing

01 Evensong (b-side of 'Whispering Voices' 1975)
Impulse Studio Demos I (1976)
02 Every Day's Just The Same   
03 Don't Let It Bring You Down 
Impulse Studio Demos II (1976)
04 I Burn For You 
05 Untitled (Instrumental I) 
06 Fool In Love 
07 I'm On This Train (Alternate Version)  
08 Don't You Look At Me 
09 Savage Beast (Alternate Version) 
10 Untitled (Instrumental II) 
11 Soul Music 
12 Night In The Grand Hotel 

The complete history of Last Exit by Dave & Wendy can be found on https://www.sting.com/discography/album/319/Albums

Last Exit - First From Last Exit (1975)

In autumn 1971 Gordon Sumner enrolled at Northern Counties Teacher Training College in Newcastle, where he met and befriended Gerry Richardson who was in the year ahead. Richardson saw him playing, and although not initially impressed, his interest picked up when he learned that Sumner knew a drummer, Paul Elliot, who had access to both a van and a PA, and it didn't take long before the three got together with a female singer to form 'Earthrise', and started rehearsing at the Wheatsheaf pub. Richardson was involved with local bands, including the Phoenix Trad Jazz Band where he filled in on bass, and when he left the band his place was taken by Sumner, and it was at this time that he was given the nickname Sting, because of the black and yellow stripey jumpers that he used to wear. When Richardson finished his stint at Teacher Training College he left for Bristol, but within a year he found himself back in Newcastle, just as Sting finished his spell at college, and at this point they decide to put together a band with John Hedley and Ronnie 'Armour' Pearson, naming themselves Last Exit, after Hubert Selby's cult book 'Last Exit From Brooklyn'. By December 1974 Last Exit, augmented by Derek Lunn on drums and Iwan Williams on keyboards, had secured the job of house band for the 'Rock Nativity' show at Newcastle University Theatre, which is where Sting met his future wife Frances Tomelty. By now Richardson and Sting were starting to write their own material, and by 1975 they were regular visitors to Impulse Sound Studios in Wallsend to record demo tracks. 
The band secured a booking at the 1975 San Sebastian festival in Spain, and the thought of the trip spurred the band into yet more recording activity, and it was decided at short notice to cobble together the demos they'd recorded to produce an album that they could sell at the festival. 'First From Last Exit' is one of the rarest collectibles in the Sting world, containing some of his earliest material, and reworked versions of some songs would later feature on Police albums. The nine track collection, produced by Dave Wood, features the three original Last Exit members along with one track by semi-occasional guest guitarist, Terry Ellis, who was later to replace John Hedley full time. With their 100 demo cassettes ready to be (hopefully) snapped up by eager fans, Last Exit arrived in Spain on 16 July, and played well enough to win the award for best amateur band. In return for accommodation and food the band played another festival on 2 August 1975, and with some additional club dates hastily arranged in Bilbao, the band secured enough money to book places on the ferry back home to Britain. So, graced with some new artwork, here is the first album that Sting put his name to.  

Track listing

01 We Got Something (Sumner) 
02 Truth Kills (Sumner)
03 Whispering Voices (Richardson)   
04 Carrion Prince (Sumner)
05 Savage Beast (Sumner) 
06 I Got It Made (Richardson)  
07 I'm On This Train (Sumner) 
08 Oh My God (Sumner)
09 A Bit Of Peace (Ellis)