Bob Dylan - The Hitmakers Sing 'Another Side Of Bob Dylan' (1993)

In February 1964, Bob Dylan embarked on a 20-day trip across the United States, riding in a station wagon with a few friends and heading towards California, with the primary motivation for the trip being to find enough inspiration to step beyond the folk-song form, if not in the bars, or from the miners, then by peering deep into himself. Dylan spent much time in the back of the station wagon, working on songs and possibly poetry on a typewriter, and it was during this trip that he composed 'Chimes Of Freedom'. With his commercial profile on the rise, Columbia was now urging him to release a steady stream of recordings, so on his return to New York, studio time was quickly scheduled, with Tom Wilson back as producer. The first, and only, recording session was held on 9 June at Columbia's Studio A, and while polishing off a couple of bottles of Beaujolais, he recorded fourteen original compositions, in a single three-hour session between 7pm and 10pm that night. Three were ultimately rejected, with 'Denise Denise', 'Mr. Tambourine Man', and 'Mama, You Been On My Mind' not being considered for the fourth album, although 'Mr. Tambourine Man' was revisited for his next album. As 'Another Side Of Bob Dylan' was being prepared for release, Dylan premiered his new songs at the Newport Folk Festival in July 1964, which was where he first met Johnny Cash. He was already an admirer of Cash's music, and vice versa, and the two spent a night jamming together in Joan Baez's room at the Viking Motor Inn. When the album was released, it was a step back commercially, failing to make the Top 40, and indicating that record consumers may have had a problem with the new music, just as critics had when they first heard the songs at Newport. Dylan soon defended his work, insisting that the songs were insanely honest, and that he and he alone wanted and needed to write them. Years later, mixed reactions over 'Another Side Of Bob Dylan' remained, but not for the same reasons, as critics later viewed it as a 'transitional' album, although contemporary artists could hear the quality of the songs, with nearly all of them being covered by 1968, and here are some of the best of them.  

Track listing

01 All I Really Want To Do (The Four Seasons 1965)
02 Black Crow Blues (The Silkie 1965)
03 Spanish Harlem Incident (The Pozo Seco Singers 1968)
04 Chimes Of Freedom (Julie Felix 1967)
05 I Shall Be Free No. 10 (Paul James 1990)
06 To Ramona (The Alan Price Set 1968)
07 Motorpsycho Nitemare (Strangelove 1993)
08 My Back Pages (The Byrds 1967)
09 I Don't Believe You (Ian & Sylvia 1967)
10 Ballad In Plain D (Michael Chapman 1977)
11 It Ain't Me Babe (The Turtles 1965)

Andy Latimer - ...and on guitar (2018)

Andrew Latimer was born on 17 May 1949 in Guildford, Surrey, and is best known as a founding member of the progressive rock band Camel, and is the only member who has been with the band since their formation. Formed in 1971, Latimer, drummer Andy Ward and bassist Doug Ferguson successfully auditioned for Phillip Goodhand-Tait, who was on the lookout for a tight-knit band to complement fresh songs for his 'I Think I’ll Write A Song' album. Subsequently combining forces with Brit-R&B veteran keyboardist Peter Bardens they played their inaugural gig as Camel in December 1971, supporting Wishbone Ash, and were signed to M.C.A. Records the following summer. Their eponymous debut album arrived in early 1973, and was received to mixed reviews, containing as it did jazz-inflected rock and off-tangent prog-improvisations, although there were highlights in Bardens' 'Mystic Queen' and Latimer's 'Never Let Go'. Probably on the strength of their side-long 'Greasy Truckers – Live At Dingwalls' Various Artists recording, 'God Of Light Revisited – Parts One, Two, Three' (see my previous Camel post), the band switched labels to Deram, and released 1974's 'Mirage'. The record was a vast improvement, and clearly marked out their own territory among the big boys of the progressive rock scene. Cosmic opener 'Freefall', the flute-led Focus-like 'Supertwister' and the lengthy 'Nimrodel' medley were exceptional in both texture and interplay, while side two's 12-minute 'Lady Fantasy' suite endeared them to the American market, where the album bubbled under the Top 100. Camel really came into their own with their conceptual interpretation of 'The Snow Goose', which was their British Top 30 breakthrough record, and in a way became the band's 'Dark Side Of The Moon'. Their fourth album 'Moodmadness' came out in 1976, and took them a stage further in their musical development, remaining one of my favourite albums of theirs. 

Following a couple of line-up changes, they followed this with 'Rain Dances' in 1977, which is another great album, and they continued to release records throughout the punk era and beyond, with their loyal fans always ready to buy them and follow the band on tour. 1977 was also the year that Latimer first started to offer his guitar skills to other artists, playing with Michael Chapman on his 'The Man Who Hated Mornings' record, and then a few years later playing with Francis Monkman on his 1981 solo release, but he was nowhere near as prolific as some other guitarists in doing this, and so there was a six year gap before he appeared on Asher Quinn's 'Open Secret' album. In 1992 Latimer was diagnosed with the progressive blood disorder polycythaemia vera, which had unexpectedly progressed to myelofibrosis, but this was kept private and was not officially announced until 2007, when he underwent a successful bone marrow transplant, and began a long road to full recovery. He was still managing to record and tour with Camel during this time, but he didn't appear on any other artist's album until 1998, when he helped out Camel band-mate Colin Bass on his solo album. A couple of collaborations with Dutch prog-rockers Kayak have yielded some nice recordings, and once he'd recovered sufficiently from his operation, he was more productive, making guest appearances on half a dozen albums between 2010 and 2018, often on lengthier progressive tracks. Because of this I've decided to make this a double disc set, with the first disc mostly the shorter tracks that he played on, and the second disc containing a couple of epic workouts among its six pieces. Whether it's a short, consise song or a longer prog-rock workout, his guitar-work is always instantly recognisable, and these tracks contain some superb, soaring guitar lines, underlining why he is citied as an influence by artists such as Steve Rothery of Marillion, Bryan Josh of Mostly Autumn, Bruce Soord of The Pineapple Thief, and The Porcupine Tree's Steven Wilson.   

Track listing

Disc One
01 I Think I'll Write A Song (from 'I Think I'll Write A Song' by Phillip Goodhand-Tait 1971)
02 The Man Who Hated Mornings (from 'The Man Who Hated Mornings' by Michael Chapman

                                                                                                                                            1977)
03 Learning To Live (from 'Dweller On The Threshold' by Francis Monkman 1981)
04 Soldier Of Love (from 'Open Secret' by Asher Quinn 1987)
05 As Far As I Can See (from 'An Outcast Of The Islands' by Colin Bass 1998) 
06 Full Circle (from 'Close To The Fire' by Kayak 2000)
07 Masquerade (from 'Random Acts Of Beauty' by David Minasian 2010)

Disc Two
01 Infinite Light (from 'Justify' by Nathan Mahl 2014)
02 Baby Good For You (from 'Emergency Love' by Andrew Cresswell Davis 2014)
03 At Wild End (from 'At Wild End' by Colin Bass 2015)
04 The Gypsy's Comin' Home (from 'Living On A Little Blue Dot' by Jan Schelhaas 2017)
05 Ripples On The Water (from 'Seventeen' by Kayak 2018)
06 Home Again (from 'Out Of Sinc' by Dave Sinclair 2018) 

Thanks to Stenn for the suggestion.