Dolly Rebecca Parton was born on 9 January 1946 in Pittman Center, Tennessee, and is the fourth of twelve children. For six or seven years, Parton and her family lived in their rustic, one-bedroom cabin on their small subsistence farm on Locust Ridge, and music played an important role in her early life. Her earliest public performances were in the church, beginning at age six, and by seven she'd started playing a homemade guitar. When she was eight, her uncle bought her first real guitar and she began singing on local radio and television programs in the East Tennessee area. By ten, she was appearing on The Cas Walker Show on both WIVK Radio and WBIR-TV in Knoxville, Tennessee, and at 13, she recorded a single 'Puppy Love' on a small Louisiana label, Goldband Records. After graduating from Sevier County High School in 1964, she moved to Nashville the next day, where her initial success came as a songwriter, having signed with Combine Publishing shortly after her arrival. With her frequent songwriting partner, her uncle Bill Owens, she wrote several charting singles during this time, including two Top 10 hits for Bill Phillips, with 'Put It Off Until Tomorrow' and 'The Company You Keep', and one for Skeeter Davis with 'Fuel To The Flame'.
Her songs were recorded by many other artists during this period, including Kitty Wells and Hank Williams Jr., but when she was signed to Monument Records in 1965, she initially was pitched as a bubblegum pop singer. She released a string of singles, but the only one that charted, 'Happy, Happy Birthday Baby', did not crack the Billboard Hot 100. Although she expressed a desire to record country material, Monument resisted, thinking her unique, high soprano voice was not suited to the genre. After her composition 'Put It Off Until Tomorrow', was recorded by Bill Phillips and went to number six on the country chart in 1966, the label relented and allowed her to record country music. Her first country single was 'Dumb Blonde' (composed by Curly Putman, and one of the few songs during this era that she didn't write), which reached number 24 on the country chart in 1967, followed by 'Something Fishy', which went to number 17, and both songs appeared on her debut album 'Hello, I'm Dolly' in 1967. In order to showcase her song-writing talents, she recorded her own versions of the Bill Phillips and Skeeter Davis singles for inclusion on the record, and other songs from it were soon picked up and covered by other country artists. Only two tracks from the album were not self-penned, but because 'Dumb Blonde' is so associated with her I've included it on this collection anyway, and to flesh out a rather short album I've included a few tracks written during the same time-frame, which all go to show what a talented song-writer she was even in her teens.
01 Dumb Blonde (Liz Anderson 1968)
02 Your Ole Handy Man (Priscilla Mitchell 1967)
03 I Don't Wanna Throw Rice (Ursula West 2002)
04 Put It Off Until Tomorrow (Loretta Lynn 1966)
05 I Wasted My Tears (The Traditional Grass 1993)
06 Something Fishy (Marie Strong 1968)
07 Fuel To The Flame (Skeeter Davis 1967)
08 I'm In No Condition (Hank Williams Jr. 1967)
09 The Company You Keep (Bill Phillips 1966)
10 You're Gonna Be Sorry (The Stonemans 1968)
11 Just Because I'm A Woman (Jeannie Seely 1968)
12 Why Why Why (Tracy Nelson 1969)
13 As Long As I Love You (Dottie West 1970)