Squeeze - Blood From A Stone (1986)

As a follow-up to the recent b-sides collection from Squeeze, here is an album full of unreleased tracks and demos that I discovered along the way while putting that one together. It starts with a track left off their debut album from 1978, and then goes on to include songs from the sessions of all their albums from 1979 to 1982, plus their contribution to the 1986 film 'When The Wind Blows', and as a little bonus at the end we have their theme tune for the 1985 TV series 'Girls On Top'. Being from the pens of Difford and Tilbrook, all of these tracks could easily have been included on their parent albums, but lack of space meant they had to be shelved, so here they all are together in one place for your enjoyment, and despite the eight year timespan, this really does hang together just like a lost Squeeze album.       

Track listing

01 Heartbreak (previously unreleased 1978)
02 Blood And Guts (previously unreleased 1979)
03 I Must Go (previously unreleased 1979)
04 Ain't It Sad (previously unreleased 1979)
05 Funny How It Goes (previously unreleased 1980)
06 Go (previously unreleased 1980)
07 Library Girl (demo 1980)
08 The Axe Has Now Fallen (previously unreleased 1981)
09 Looking For A Love (previously unreleased 1981)
10 I Can't Get Up Anymore (previously unreleased 1982)
11 When Love Goes To Sleep (previously unreleased 1982)
12 Love's A Four Letter Word (previously unreleased 1985)
13 What Have They Done? (from the soundtrack of the 1986 film 'When The Wind Blows')

14 Girls On Top (theme to the 1985 TV series)

The Woodentops - Ombooshi Plum (1991)

As mentioned in the last Woodentops post, in 1989 the band stopped working together, although they didn't actually split up, but as their record company fell apart around them, this triggered the collapse of the whole band. Everybody agreed it was time to do something different, as the original members had worked through their entire twenties for the Woodentops and they all felt individual desires to do something else, and so a final concert took place at Subterrania in London in 1992. Rolo McGinty had become heavily involved in the dance/rave scene, and so he linked up with Les Lawrence and Benny Staples to provide rhythm tracks, while guitars were courtesy of Simon Mawby, Skip Macdonald, and McGinty himself, who also added the bass, while reggae singer Bim Sherman was invited to provide backing vocals. Along with producer Ian Tregoning, this collective had allegedly been working on a double album in the early 1990's, but this never saw the light of day, although there were some white label techno crossover 12" records released around this time, with 'Conehead' becoming a hit on the northern techno scene, and 'Tainted World' being popular on NYC radio. While the other members of The Woodentops started to do different things, McGinty was releasing dance music under the name Pluto, and also as Dogs Deluxe with Rob Miller, although the rumoured double album remained elusive. Various recordings have since leaked, and so by adding these to the 'Conehead' and 'Tainted World' singles we can actually make up a double album of McGinty's dance/club recordings, which I've housed in a sleeve based on a painting by Woodentops' resident artist Panni Bharti, and which I've titled after a deliberately(?) mis-named Japanese fruit. Just because you love the Woodentops won't necessarily mean that you'll like this music, as it is a real departure from their trade-marked hypno-beat, but it's still from the pen of Rolo McGinty, and it's great in its own way, so do give it a try. 

Track listing

Disc One
01 Smokin'
02 You Could Be Happy
03 Because Of You/Dub
04 Ombooshi Plum
05 Children Of Today
06 Pleasure
07 Tainted World

Disc Two
01 Conehead
02 I'd Love You Again
03 Zoom Zoom
04 Don't
05 Back To Work 2
06 Stay Out Of The Light

Clearlake - We All Die Alone (2006)

Back in 1998 John Peel played a new single by the intriguingly named Not Bit Of Wood that I liked so much so I bought it the next week. Fast forward to 2002 and I read some rave reviews of an album titled 'Cedars' by a group I'd not heard of before called Clearlake, so I took a chance and discovered my new favourite band. The album was brilliant, and it didn't take long to back-track and get their debut 'Lido', which was every bit as good. What I'd never realised until researching this post was that Not Bit Of Wood and Clearlake were in fact the same band, with a name change imposed on them by their record company. The band came together in Brighton in 1998, and comprised Jason Pegg on guitar and vocals, David Woodward on bass, James Bancieri on drums, and James Lewis on keyboards, and they recorded and released their first single under the name Not Bit Of Wood in 1998, with 'Bad Hair Day'/'Perfect Setting' picking up a lot of airplay on the John Peel Show. They also recorded an album called 'Musikland', which included both sides of the single, plus another eight songs, two of which would later be re-recorded for inclusion on the first Clearlake album. 'Musikland' was pressed up on CD but it never received an official release, so I'm including tracks from it on this post. Not Bit Of Wood signed to Domino Records subsidiary Dusty Records in 2000, but the label asked them to change their name from Not Bit Of Wood to something a bit less 'odd-ball', hence Clearlake. With the signing to the label came a line-up change, with Sam Hewitt replacing James Lewis on keyboards, and they released a re-working of 'Winterlight' from the 'Musikland' album as their first single in January 2000. The limited edition release was awarded Single of the Week in a number of music publications, and it gained airplay on Radio 1 as Mark and Lard's record of the week, resulting in it selling out within a fortnight, and breaking into the Top 100 of the UK singles chart.

They followed 'Winterlight' with the much-acclaimed singles 'Don't Let The Cold In' and 'Something To Look Forward To', and their debut album 'Lido' was released in April 2001 to mainly rave reviews in the U.K. music press, with NME proclaiming that "in terms of sheer charm and lustre, Clearlake leave their contemporaries out in the cold". The album included another re-recording from 'Musikland', this time of 'I Want To Live In A Dream', and after a slot on 'Later... with Jools Holland', the single 'Let Go' followed, with an affectionate cover of Neil Young's 'Cinnamon Girl' on the flip. The band then started work on their second album, with 'Cedars' being released in February 2003, and like 'Lido' before it, it was greeted with almost universal acclaim, and this is when I first heard them. Bancieri left at the end of their U.K. tour supporting 'Cedars', with drummer Toby May stepping in as his replacement. Having now discovered this great new band, I had to wait three years for their next album, with 'Amber' coming out in 2005, produced by frontman Jason Pegg, but with founding member Sam Hewitt leaving the band just as the album was being completed. After that things went a bit quieter, although the band were still writing and gigging, and they played their only show of 2007 at The Brunswick, Hove, in September of that year, where they debuted seven new songs. 2008 was a far more active year for Clearlake, recording new track 'One Of A Kind', which was released as a web-only single on 9 May via their website, while a further single, 'Dark Blue', was recorded in the same way in August 2008 and released the following month. The band started 2009 by releasing one final single from the new album 'The Credit Or The Blame', but to date the album from which those singles were supposed to be taken has never been released. As an epitaph to a brilliant but much under-rated band, here is a collection of rare tracks, including their single and exclusive recordings as Not Bit Of Wood, plus non-album b-sides from Clearlake, while they were still signed to Domino Records. If you like what you hear then do check out 'Cedars', as it really is an excellent album. 

Track listing

01 Bad Hair Day (single by Not Bit Of Wood 1998)
02 Perfect Setting (b-side of 'Bad Hair Day')
03 Change In The Weather (from the 'Musikland' album by Not Bit Of Wood 1998)
04 Ice Cream (from the 'Musikland' album by Not Bit Of Wood 1998)
05 Lie In (from the 'Musikland' album by Not Bit Of Wood 1998)
06 I'll Kill Myself (from the 'Musikland' album by Not Bit Of Wood 1998)
07 The Weekend Is Nigh (from the 'Musikland' album by Not Bit Of Wood 1998)
08 Let's Get Out Of Here (b-side of 'Something To Look Forward To' 2000)
09 Daybreak (b-side of 'Something To Look Forward To' 2000)
10 Don't Lie To Yourself (b-side of 'Let Go' 2001)
11 Cinnamon Girl (b-side of 'Let Go' 2001)
12 We All Die Alone (b-side of 'Can't Feel A Thing' 2003)
13 I Want To Walk (b-side of 'Can't Feel A Thing' 2003)
14 What's It Like Where You Are (b-side of 'Neon' 2006)
15 How Long (b-side of 'Neon' 2006)
16 Chemically Free (b-side of 'It's Getting Light Outside' 2006)

Lana Del Rey - Hundred Dollar Bill (2009)

By the time that she released her debut album, Lana Del Rey had recorded over 100 songs, and when they eventually leaked online around 2014 the total had grown to over 200. Some of these, such as 'Serial Killer' and 'You Can Be The Boss', were performed live even though they could not be bought by her fans, and of those 200 songs, only eleven have later turned up on her albums, although she has also repurposed some of them for film soundtracks, including 'Elvis' for 'The King' in 2018, 'Life Is Beautiful' for 'The Age Of Adaline' in 2015, and 'I Can Fly' for 2014's 'Big Eyes'. Despite stating during a 2017 show that she intends to release a collection of 25 of her favourite leaked songs, this has so far failed to appear, so it has been up to the fans to put together playlists of her unreleased music. There have been many of these published on the Lanaboards forum over the years, and many of them have been compiled as concept album or themed collections, but for the rest of these posts I will be compiling them chronologically, starting with 15 tracks that were recorded in 2009, before the release of the 'Lana Del Ray' album, and which were probably out-takes from the sessions for that record that didn't make the final cut.

Track listing

01 Every Man Gets His Wish
02 Catch And Release
03 Motel 6 (Vicarage)
04 Hundred Dollar Bill
05 Daytona Meth
06 Maha Maha
07 Party Girl
08 Betty Boop Boop
09 Heavy Hitter
10 Greenwich
11 Put Your Lips Together
12 Spin Me Round
13 I Learned How To Make Love From The Movies
14 Wolf T-Shirt
15 Stoplight De-Lite

Dubversive featuring Boy George - Demographics (1997)

In 1995 Boy George released the rock-driven album 'Cheapness And Beauty', which moved away from the electronic sound of his previous records, and gave us some rock-oriented tracks with a glam-rock edge. One of the reasons he cited for this change in style was the fact that he was revisiting his teenage years while writing his autobiography, 'Take It Like A Man', which was released around the same time as the album. The record peaked at number 44 in the UK album chart, and the single taken from it, 'Same Thing In Reverse', became a Top 30 hit in the US. Having got that out of his system, in 1997 he started a new project, joining up with two long-time musicians, John Themis and Ritchie Stevens, and forming a group named Shallow, which was later changed to Dubversive. The original idea was to make music which incorporated trip-hop, dub and reggae, but despite one single released in 1998, which was a multi-mix version of the Junior Murvin classic 'Police And Thieves', and which featured Mica Paris, the project was not picked up by any major labels, and so it was quietly abandoned. Before that happened, however, the trio went into the studio and recorded an album's worth of material, which was then shelved, with some of the songs later being included on the 2002 Culture Club Box Set. The album is best known as the 'Dubversive' album, but the original title was to have been 'Demographics', and so that's what it's called for this post of an extremely obscure part of the Boy George discography. 

Track listing

01 Police & Thieves
02 Armageddon 
03 Hiroshima 
04 Shoreline 
05 Run Run Run
06 Children 
07 Righteousness 
08 I Could Be Someone 
09 Petrified 

Thotch - The Honeycomb Is Over (1976)

Thotch were a UK progressive rock band of the mid 70's, comprising Brian Pern on lead vocals, Pat Quid on guitar, Tony Pebblé (actually Pebble, but he added the accent himself) on keyboards, "John" on bass, Michael Philips on drums, and original member Bennet St. John, who left before their first recording session. They broke onto the scene with their song 'Black Christmas' in 1975, and followed this with their debut album, which was a live recording from the Rainbow Theatre, London. 'Onion Divorce' was their first studio album, following which Pern left the band in 1977, forcing them to hire American Lindsey Simon, who did so much cocaine that his nose fell off. When Simon left, the band recorded one more album, 'And Then There Were Four', before Quid renamed what was left of the group as Pat & The Patios, and they had a surprise hit single with 'Christmas In Me Car'. Quid released a solo album under his own name, with 'I Quid', and Pebblé recorded the concept album 'Periodic Tablé: A Symphony', while Pern decided to perform his unreleased rock opera 'The Day Of The Triffids', based on the book of the same name, at the summit of Mount Kilimanjaro. A warm-up show at Wembley Arena was scheduled for Friday 6 June 2014, with former James Bond actor Sir Roger Moore as the narrator, but unfortunately Moore was stuck in New Zealand filming, and so had to fulfil his role from his hotel room via Skype. Pern passed away in 2017 as the result of a "segway mistake", and as their albums are now impossible to find, here is a tribute to these neglected UK prog-rock pioneers, with a collection of some of their best work, both from Thotch and from Pern's solo career, including his 1985 duet with Carly Swan on 'Keep Trying'.  

Track listing 

01 The Honeycomb Is Over
02 Worm Equinox
03 Pound Land Polly
04 Eggless Planet
05 March Of The Triffids (demo)
06 Onion Divorce
07 Rock The Nation
08 The Honeycomb Is Over #2
09 Love Is Modern
10 Thotch
11 Keep Trying (with Carly Swan)
12 Maraca Man
13 Heaven Calling
14 The Honeycomb Is Over (Reprise)

Cyndi Lauper - Shine (2001)

By the year 2000, Cyndi Lauper had cultivated an extremely successful music career spanning nearly two decades, but that doesn't mean that she is exempt from the machinations of record labels, and 'Shine' is the perfect example, showing that no-one is safe, no matter how big they are. 'Shine' was to have been the eighth studio album by the American singer, and was all set for release in 2001 on Edel Records, but before it came out the label folded, and all future releases were cancelled. When this was announced, leaked tracks from promo discs quickly started to circulate on the internet, and by 2002 Lauper realized there was no point in trying to release the record in a widespread fashion. Two EPs were released instead, one of which was also called 'Shine', while the other was called 'Shine Remixes', and although the 'Shine EP' sold over 41,000 copies in the United States, that was well below her normal sales. The album would have expanded on the sound Lauper developed with her 1997 release 'Sisters Of Avalon', which was mostly pop songs, although it flirted with electronica and new wave, while incorporating traditional instruments like sitars and fiddles. The songs are not lyrically linked, and explore themes ranging from the Madonna/Whore Complex to celebrity life, and the track 'It's Hard To Be Me' was penned about Anna Nicole Smith, who unsuccessfully attempted to buy it as the theme song to her TV reality show. The album did make a belated appearance when it was released exclusively in Japan in 2004, so unless you are prepared to hunt out a Japanese copy then you are unlikely to be able to hear it, and to save you the trouble of having to do that, here it is.  

Track listing 

01 Shine
02 It's Hard To Be Me
03 Madonna Whore
04 Wide Open
05 Rather Be With You
06 Who Let In The Rain?
07 Comfort You
08 Eventually
09 Valentino
10 This Kind Of Love
11 Higher Plane
12 Water's Edge
13 I Miss My Baby

Lana Del Rey - The Lizzie Grant Album (2010)

With a new album just released, now is the perfect time to look back at the career of Lana Del Rey. Elizabeth Woolridge Grant was born on 21 June 1985, in Manhattan, New York City, and was the eldest of three children. When she was one year old, the family moved to Lake Placid, New York, and while attending St. Agnes School she began singing in her church choir, where she was the cantor. She had trouble making fiends during her teenage years, and this, combined with her obsession with death, caused her to drink to excess, and by the age of 14 she was an alcoholic. Her parents sent her to Kent School to get sober, and after graduating from Kent School, she spent a year living on Long Island with her aunt and uncle and working as a waitress. During this time her uncle taught her to play guitar, and she was soon writing songs and performing in nightclubs under various names such as Sparkle Jump Rope Queen and Lizzy Grant And The Phenomena. In 2004 she enrolled at Fordham University in The Bronx where she majored in philosophy, with an emphasis on metaphysics, and at the same time she was still writing, and even recorded an album called 'Sirens' under her stage name of May Jailer, which leaked onto the internet in mid-2012. At her first public performance in 2006, she met Van Wilson, an A&R representative for 5 Points Records, and the following year she submitted a demo tape of acoustic tracks to 5 Points, which offered her a recording contract for $10,000. She used the money to relocate to Manhattan Mobile Home Park, a trailer park in North Bergen, New Jersey, where she began working with producer David Kahne, with the plan of having a record ready to go right after she graduated from college. She graduated from Fordham with a Bachelor of Arts degree in philosophy in 2008, and immediately released the three-track EP 'Kill Kill' under the name Lizzy Grant as planned. It was at this time that she was thinking of changing her stage name, and as she was going to Miami quite a lot at the time, and speaking a lot of Spanish with her friends, she wanted an exotic Latin-sounding name. She therefore combined Lana from the actress Lana Turner with the Brazilian-produced Ford Del Rey sedan, and became Lana Del Rey, although initially she used the alternate spelling Lana Del Ray for her self-titled debut album, which was released in January 2010. However, after being available on iTunes for just four months it was withdrawn from sale, with Del Rey reported to have bought the rights back from 5 Points, as she wanted it out of circulation to "stifle future opportunities to distribute it". It has therefore become something of a rarity in her discography, and so as I've already posted the May Jailer record, the logical place to start these posts is with the 'Lana Del Ray' album, also subtitled 'a.k.a. Lizzy Grant', but which I've simply called 'The Lizzy Grant Album'.

Track listing

1 Kill Kill  
2 Queen Of The Gas Station  
3 Oh Say Can You See  
4 Gramma (Blue Ribbon Sparkler Trailer Heaven) 
5 For K Part 2  
6 Jump  
7 Mermaid Motel  
8 Raise Me Up (Mississippi South)  
9 Pawn Shop Blues  
10 Brite Lites  
11 Put Me In A Movie  
12 Smarty  
13 Yayo

Kenickie - Waste You (1998)

Schoolmates Lauren Laverne (vocals, guitar), Marie Du Stantiago (guitar) and Emmy-Kate Montroe (bass) formed Kenickie in August 1994, while they were studying in secondary school. All three were 16 years old, and they recruited Laverne's older brother Johnny X as the drummer, naming themselves Kenickie after John Travolta's sidekick from Grease. Over the next few months, they wrote a batch of songs, made a demo, and by late 1994 they had begun playing indie clubs. Creation Records' Alan McGee approached the band in February of 1995, but they rejected his offer, preferring to release a series of indie singles, and DJ John Peel played their demo 'Catsuit City' well before its April 1995 release by the Newcastle-based indie label Slampt. The seven-inch 'Catsuit City' EP created a buzz around Kenickie, but because of their studies and "A" level exams, they didn't release their second single, 'Come Out 2 Nite', until nearly a year later. The song was the lead track on their second EP, 'Skillex', which appeared on the hip Fierce Panda label in spring 1996. A few months later, the band had signed to Emidisc, a subsidiary of EMI headed by St. Etienne's Bob Stanley and Pete Wiggs, and in the latter half of 1996 they released two singles, with 'Punka' and 'Millionaire Sweeper' both making the lower reaches of the UK singles chart. Early in 1997 they had their first Top 40 hit with 'In Your Car', which reached number 24, and this was followed in April by the band's full-length debut, 'At The Club', which peaked at number 9 in the UK album chart. The follow-up record, 'Get In', appeared in 1998, and was once again well received in the music press, but it sold less well than their first. Johnny X, who now referred to himself as Pete X, moved to guitar, with the live band augmented by Graham Christie on drums and Dot Allen on keyboards, but in October 1998 Kenickie broke up at the close of their London Astoria gig. Laverne released one solo EP in 2000, but is more well-known today for presenting various radio and television shows, such as being a guest on early episodes of music quiz 'Never Mind The Buzzcocks', and hosting BBC 2's 'The Culture Show', as well as presenting BBC Radio 4's Desert Island Discs. Although they were only together for four years, they released a lot of music, and collections of their non-album songs alone would equal the number of albums than they released in their lifetime. So here they are in a two-volume set of abrasive punk/pop from a band that are credited as having inspired a wave of mainstream female guitar bands that emerged in the wake of their split. 

Track listing

Disc I - 1995-1996
01 Rama Lama Lama (from the 'Catsuit City' EP 1995)
02 Private Buchowski (from the 'Catsuit City' EP 1995)
03 Come In (from the 'Catsuit City' EP 1995)
04 Snakebite (from the 'Catsuit City' EP 1995)
05 My Nites Out (from the 'Catsuit City' EP 1995)
06 SK8BDN Song (from the 'Catsuit City' EP 1995)
07 Perfect Plan (from the 'Catsuit City' EP 1995)
08 Jellybean (from the 'Catsuit City' EP 1995)
09 Scared Of Spiders from the 'Skillex' EP 1996)
10 Drag Race (b-side of 'Punka' 1996) 
11 Walrus (b-side of 'Punka' 1996) 
12 Cowboy (b-side of 'Punka' 1996) 
13 Lights Out In A Provincial Town (b-side of 'Punka' 1996) 
14 Waste You (b-side of 'Punka' 1996) 
15 We Can Dream (b-side of 'Punka' 1996) 
16 Brighter Shade Of Blue (b-side of 'Punka' 1996) 
17 Kamikaze Annelids (b-side of 'Millionaire Sweeper' 1996)
18 Girl's Best Friend (b-side of 'Millionaire Sweeper' 1996)

Disc II - 1996-1998
01 Can I Take U 2 The Cinema (b-side of 'In Your Car' 1996)
02 I'm An Agent (b-side of 'In Your Car' 1996)
03 Killing Fantasy (b-side of 'In Your Car' 1996)
04 "J.P." (b-side of 'Nightlife' 1997)
05 Eat The Angel (b-side of 'Nightlife' 1997)
06 Kenix (b-side of 'Nightlife' 1997)
07 Skateboard Song (b-side of 'Nightlife' 1997)
08 Packed In (b-side of 'I Would Fix You' 1998)
09 Rough Boys & Modern Girls (b-side of 'I Would Fix You' 1998)
10 Xmas Disco On The Dole (hidden track on 'Get In' album 1998)
11 Hooray For Everything (b-side of 'Stay In The Sun' 1998)
12 Save Your Kisses For Me (b-side of 'Stay In The Sun' 1998)

Genesis - Silver Songs (1977)

While the band were at their peak in the early 70's, current and former members of Genesis were often active with solo projects, and they would sometimes call on their band-mates to help out. Founder member Anthony Phillips has released a number of solo albums over the years, and Mike Rutherford and Phil Collins were always happy to lend a hand, while Phillips joined Collins in recording a couple of demos with Peter Gabriel, and Hackett's own superlative 'Voyage Of The Acolyte' featured Collins and Rutherford on one track. Youtuber The Beatles Archeology & Other Subjects realised this and has complied a collection of these recordings, spanning the years from 1974 to 1977, and because a majority of the core group was present in the studio, it really does sound like a lost Genesis album from the mid-70's. I've added artwork by the same artist that designed the 'Selling England By The Pound' cover, and titled it after one of the tracks, so enjoy this mix of familiar and not so familiar recordings by the core members of the band. As the album was a little short, I have cheated a little and included a 1973 track by Peter Banks, as it does feature a rare guest appearance by Hackett, as well as Collins, but it actually slots in quite nicely, so I hope you'll forgive the slight artifice. 

   

Track listing

01 You Never Know [Peter Gabriel, Phil Collins, Anthony Phillips] (1974)
02 Only Your Love [Anthony Phillips, Phil Collins, Mike Rutherford] (1974)
03 Star Of Sirius [Steve Hackett, Phil Collins, Mike Rutherford] (1975)
04 Knights (Reprise) [Peter Banks, Phil Collins, Steve Hackett] (1973)
05 Firebirds [Peter Gabriel, Phil Collins, Anthony Phillips] (1975) 
06 Silver Song [Anthony Phillips, Phil Collins, Mike Rutherford] (1974)
07 God If I Saw Her Now [Anthony Phillips, Phil Collins, Mike Rutherford] (1977)
08 You Get What You Want [Peter Gabriel, Phil Collins, Anthony Phillips] (1974)
09 Which Way The Wind Blows [Anthony Phillips, Phil Collins, Mike Rutherford] (1977)

Thanks to The Beatles Archeology & Other Subjects for putting this together.

Inspiral Carpets - We Can Do Everything (2015)

Graham Lambert and Stephen Holt were friends from their school days, and formed Inspiral Carpets in 1983, originally as a garage-rock and punk-inspired band. Manchester drummer Chris Goodwin and bassist Tony Welsh helped the band record a demo and play live in and around the Oldham area, but due to Goodwin's commitments the band recruited 14-year-old drummer Craig Gill in 1986. Welsh also had other music commitments and departed later that year, leaving the group to muddle through with a succession of bass players (Rick Garage, Mark Hughes, Scott Carey) before Dave Swift joined on bass, and organist Clint Boon was recruited, with this new line-up releasing two albums of demos in the 1980s, 'Waiting For Ours' and 'Songs Of Shallow Intensity', which including songs that would later be re-recorded for their official albums. Inspiral Carpets were a major part of the Madchaetser scene of the late 90's, alongside The Stone Roses and Happy Mondays, and their first released recording was their song 'Garage Full Of Flowers', which was on a flexi-disc that was given away free with Manchester's Debris magazine in 1987. Their first proper release, the 'Cow' cassette, followed later that year, and in 1988 the 'Planecrash' EP on the Playtime label was their first vinyl release, receiving much airplay from DJ John Peel, who asked the band to record a session for his show. As the band's popularity grew, Playtime's distributor Red Rhino Records went bankrupt, leading Inspiral Carpets to form their own label, Cow Records, in March 1989. The label's first release was the 'Trainsurfing' EP, including the 16-minute 'Plane Crash', but with half of the first album written, Holt and Swift departed and formed the Rainkings. The band recruited Too Much Texas singer Tom Hingley and Martyn "Bungle" Walsh of The Next Step to replace them, with Walsh being the band's 13th bass player. 

After a handful of singles and EPs on their own label, with 'Move' nearly reaching the UK top 40, the band signed a deal with Mute Records, and soon gained their first top-40 chart success in the UK with 'This Is How It Feels'. Their debut album 'Life' was released in 1990, to critical and commercial approval, and reached number 2 in the UK albums chart. The following year's 'The Beast Inside', however, was less well received by critics, but still achieved a top-5 album chart ranking. The 'Caravan' and 'Please Be Cruel' singles only reached No. 30 and No. 50 respectively, and an attempt to crack the American market largely failed, although the band did gain a strong following in Portugal, Germany and Argentina. Their third album 'Revenge Of The Goldfish' became their most successful record, only peaking at number 17 in the UK, but spawning four UK hit singles. The next album, 1994's 'Devil Hopping', performed better, reaching number 10 in the album chart, and 'Saturn 5' and 'I Want You' were both top-20 hits. However, the next single 'Uniform' stalled at No. 51 and in 1995, after the release of a singles collection, the band were dropped by Mute and split up soon afterwards. Hingley formed a new band, the Lovers, along with Jerry Kelly of the Lotus Eaters, while Boon formed the Clint Boon Experience, releasing a string of singles on the Artful label. Gill also formed a new band, Hustler, who eventually changed their name to Proud Mary and signed to Noel Gallagher's Big Brother label some years later, while Walsh moved into production. Inspiral Carpets reunited in 2003, playing to sell-out crowds on tour and releasing 'Come Back Tomorrow', a song recorded in 1995, as a single. 

They gigged sporadically after that, with tours in 2007 and 2008, but in February 2011 it was revealed that Tom Hingley was no longer part of the group, with the circumstances of his departure being shrouded in mystery, and original singer Stephen Holt was brought back into the band. They recorded 'You're So Good For Me'/'Head For The Sun' as a 7" single for Record Store Day 2012, with the disc being sold and deleted on the same day, and for Record Store Day 2014 they re-released 'Dung 4' on vinyl and CD, which was previously a cassette-only collection of demos from 1987, and the tape of which remains a prized addition to my collection. In October 2014, they released an eponymous record on Cherry Red Records, being their first album in 20 years, and including a track featuring punk poet John Cooper Clarke. Inspiral Carpets are an important band in the whole Madchester scene, and released many non-album tracks over their career, which is pretty much split into two halves, with their first decade being the much more prolific, but with their re-union years also providing some excellent hidden gems. There are so many rarities from the group that this post is a four-disc set, but it's all well worth hearing, so dive in and enjoy some great music. And one piece of pub trivia that is often mentioned regarding the band is that two of their roadies enjoyed musical success themselves, with van driver Mark Collins joining the Charlatans in 1991, and drum technician Noel Gallagher later joining his brother's band Rain, and turning it into Oasis.

 
Track listing

Disc I - 1987-1989
01 Garage Full Of Flowers (split single with Metro-Trinity 1987)
02 Keep The Circle Around (from the 'Plane Crash' EP 1988)
03 Theme From Cow (from the 'Plane Crash' EP 1988)
04 Seeds Of Doubt (from the 'Plane Crash' EP 1988)
05 96 Tears (from the 'Plane Crash' EP 1988)
06 Joe (single 1989)
07 Commercial Mix (b-side of 'Joe')
08 Commercial Rain (b-side of 'Joe')
09 Butterfly (from the 'Trainsurfing' EP 1988)
10 Causeway (from the 'Trainsurfing' EP 1988)
11 You Can't Take The Truth (from the 'Trainsurfing' EP 1988)
12 Greek Wedding Song (from the 'Trainsurfing' EP 1988)
13 Find Out Why (single 1989)
14 So Far (b-side of 'Find Out Why')
15 Plane Crash (b-side of 'Find Out Why')

Disc II - 1989-1991
01 Out Of Time (b-side of 'Move' 1989)
02 Move In (b-side of 'Move' 1989)
03 Tune For A Family (b-side of 'This Is How It Feels' 1990)
04 Biggest Mountain (from the 'Island Head' EP 1990)
05 Gold Top (from the 'Island Head' EP 1990)
06 Weakness (from the 'Island Head' EP 1990)
07 I'll Keep It In Mind (from the 'Island Head' EP 1990)
08 Gimme Shelter (from the 'Peel Sessions' EP 1991)
09 Skidoo (b-side of 'Caravan' 1991)
10 St. Kilda (b-side of 'Please Be Cruel' 1991)
11 The Wind Is Calling Your Name (b-side of 'Please Be Cruel' 1991)

Disc III - 1992-1994
01 I Know I'm Losing You (b-side of 'Dragging Me Down' 1992)
02 Boomerang (b-side of 'Two Worlds Collide' 1992)
03 Generations (single 1992)
04 Lost In Space Again (b-side of 'Generations')
05 Tainted Love (b-side of 'Bitches Brew' 1992)
06 How It Should Be (single 1993)
07 It's Only A Paper Moon (b-side of 'How It Should Be')
08 I'm Alive (b-side of 'How It Should Be')
09 We Can Do Everything (b-side of 'I Want You' 1994)
10 Inside Of You (b-side of 'I Want You' 1994)

Disc IV - 1995-2015
01 Paranoid (b-side of 'Uniform' 1994)
02 Well Of Seven Heads (b-side of 'Saturn 5' 1994)
03 Two Cows (b-side of 'Saturn 5' 1994)
04 Going Down (b-side of 'Saturn 5' 1994)
05 Whiskey (b-side of 'Joe (acoustic)' 1995)
06 Come Back Tomorrow (single 2003)
07 Misbeliever (b-side of 'Come Back Tomorrow')
08 Breath To Sorrow (b-side of 'Come Back Tomorrow')
09 Head For The Sun (b-side of 'You're So Good For Me' 2012)
10 Fix Your Smile (single 2013)
11 Save Me (b-side of 'Fix Your Smile')
12 Controller (b-side of 'Spirfire' 2014)
13 It's A Good Job Baby (b-side of 'Let You Down' 2015)

Bronski Beat - Something Special (1986)

Bronski Beat formed in 1983 when Glasgow emigrees Jimmy Somerville and Steve Bronski moved to London and shared a three-bedroom flat with Larry Steinbachek from Southend, Essex. Steinbachek had heard Somerville singing during the making of the 1983 documentary film 'Framed Youth: The Revenge Of The Teenage Perverts', and he suggested they make some music, which was to be outspoken and political, as the trio were unhappy with the inoffensive nature of contemporary gay performers. After performing live only nine times, the band signed a recording contract with London Records in 1984, and released their debut single 'Smalltown Boy', about a gay teenager leaving his family and fleeing his home town. The song was a hit, peaking at No 3 in the UK Singles Chart, and topping charts in Belgium and the Netherlands, as well as peaking at number 48 in the U.S. charts. The follow-up single 'Why?' adopted a hi-NRG sound, and was more lyrically focused on anti-gay prejudice, reaching number 6 in the UK chart, and it was another Top 10 hit for the band in Australia, Switzerland, Germany, France and the Netherlands. At the end of 1984, the trio released their debut album 'The Age Of Consent', with the inner sleeve listing the varying ages of consent for consensual gay sex in different nations around the world. The album peaked at 4 in the UK Albums Chart, number 36 in the U.S., and number 12 in Australia. 

Their third single was a revival of 'It Ain't Necessarily So', the George and Ira Gershwin classic, which questions the accuracy of biblical tales, and it was released in time for Christmas 1984, when it broke into the UK Top 20. In 1985, the trio joined up with Marc Almond to record a version of Donna Summer's 'I Feel Love', with the full-length version also incorporating snippets of Summer's 'Love To Love You Baby' and John Leyton's 'Johnny Remember Me'. It was a big success, reaching 3 in the UK and equalling the chart achievement of 'Smalltown Boy'. In early 1985 the band and their producer Mike Thorne went back into the studio to record a new single 'Run From Love', but after PolyGram had pressed a number of promo singles and sent them to radio and record stores in the UK, the single was shelved as tensions in the band, both personal and political, resulted in Somerville leaving Bronski Beat in the summer of that year. Somerville went on to form the Communards with Richard Coles, while the remaining members of Bronski Beat searched for a new vocalist, with John Foster winning out, and featuring on their next single 'Hit That Perfect Beat', which was released in November 1985, once again reaching 3 in the UK. 

A second single, 'C'mon C'mon', also charted in the UK Top 20, and these were followed by the album 'Truthdare Doubledare', which appearwed in May 1986, and peaked at 18. The 1986 film 'Parting Glances' included Bronski Beat songs 'Love And Money', 'Smalltown Boy' and 'Why?', and during this period the band teamed up with producer Mark Cunningham on the first-ever BBC Children In Need single, a cover of David Bowie's "Heroes", released in 1986 under the name of The County Line. Foster left the band in 1987, and following his departure, Bronski and Steinbachek began work on their next album, 'Out And About', and toured the new material extensively to positive reviews, but the project was abandoned when the group was dropped by London Records. In 1989, Jonathan Hellyer was recruited as lead singer, and the band released a number iof singles, including a collaboration with Eartha Kitt on 'Cha Cha Heels', and three further singles on the Zomba record label. Larry Steinbachek died in December 2016, aged 56, after a short battle with cancer, while Steve Bronski died on 7 December 2021, at the age of 61, in a Central London flat fire. Bronski Beat were that rare thing, a highly political band who still managed to have hit singles, and in doing so they were able to get their message out to a much wider audience. The Somerville years were undoubtedly their most successful, but this collection of rare b-sides also covers the John Foster period, up to when they lost their record deal in 1987.   

Track listing 
   
01 Memories (b-side of 'Smalltown Boy' 1984)
02 Cadillac Car (b-side of 'Why' 1984)
03 Close To The Edge (b-side of 'It Ain't Necessarily So' 1984)
04 Red Dance (b-side of 'It Ain't Necessarily So' 1984)
05 Love To Love You Baby/I Feel Love/Johnnie Remember Me (single with Marc Almond 1985)
06 Puit D'Amour (b-side of 'I Feel Love' 1985)
07 The Potato Fields (b-side of 'I Feel Love' 1985)
08 Signs (And Wonders) (b-side of 'I Feel Love' 1985)
09 I Gave You Everything (b-side of 'Hit That Perfect Beat' 1985) 
10 Something Special (b-side of 'C'mon! C'mon!' 1986)
11 Drum Major (b-side of 'C'mon! C'mon!' 1986)
12 What Are You Going To Do About It (b-side of 'This Heart' promo 1986)

The cover is a painting entitled 'Bronski Beat' by Polish artist Romauld Mulk Musiolik, and although I'm not exactly sure why that's the title, I just liked it. 

Bananarama - I'm Waiting (1999)

Following the departure of Jacquie O'Sullivan from the group in 1991, Bananarama continued as a duo of Sara Dallin and Keren Woodward, and scored another hit single, with 'Movin' On' hitting the UK Top 30 as the first single from their 1993 album 'Please Yourself'. More singles were extracted from the record, with a cover of the 1976 Andrea True Connection song 'More, More, More' reaching number 24, after which they left London Records for a deal with Form Records. Their next offering was 1995's 'Ultra Violet', which was only released in some European countries, North America, Japan, and Australia, but not in Britain. In 1998, Dallin and Woodward asked Fahey to join them to record the ABBA track 'Waterloo' for the Eurovision celebration 'A Song For Eurotrash' on Channel 4, although Fahey made it clear that it was a one-off, and that she was not formally re-joining the group. In 2001, Dallin and Woodward recorded the album 'Exotica' for the French label M6 Interactions, which included a cover of George Michael's 'Careless Whisper', alongside reinterpreted versions of four of their earlier hits, and some Latin- and R&B-influenced dance songs. It was produced by Pascal Caubet and was only issued in France in 2001, with two promo-only singles being released from the album, although 'If' was abandoned shortly before release. The album was not a commercial or critical success, and the few copies of 'If' which made it to the French market have become one of the rarest items ever by the band, heavily sought after by fans and collectors. While recording with Caubet, the group taped a number of additional songs which were left off the final track-listing, some of which have circulated on the internet since they leaked, so I've gathered them all up (including a drastically reworked version of 'Boom!') and compiled a companion record to 'Exotica', which could have followed that album in 2002 or 2003, to tide the fans over until 'Drama' emerged in 2005. 

Track listing

01 I'm Waiting
02 You And I
03 Your Love Tastes So Sweet
04 Middle Of Nowhere
05 Blue Skies
06 Be My Lover Tonight
07 Boom!
08 Breathe
09 You Are Not Me (Above The Clouds)
10 I Like It
11 U R My Baby