Various Artists - The Hitmakers Sing Gordon Lightfoot's 'Did She Mention My Name?' (2023)

Gordon Lightfoot's second album 'The Way I Feel' was released in 1967, and to kick off Canada's Centennial year, the CBC commissioned Lightfoot to write the 'Canadian Railroad Trilogy' for a special broadcast on January 1, 1967. This was the centre-piece of his new album, which was generally well-received, if perceived as slightly inferior to its predecessor, and 'Did She Mention My Name?' followed in 1968, being his first to feature orchestration, and it included 'Black Day In July', about the 1967 Detroit riot. Weeks later, following the assassination of Martin Luther King Jr. on April 4, radio stations in 30 states pulled the song for "fanning the flames", even though it was actually a plea for racial harmony. Lightfoot's reputation as a songwriter of note was still in evidence, confirmed by the fact that nearly every track on the album had been attempted by other artists by 1970, and so here are some of the best versions of the songs from Gordon Lightfoot's third studio album from 1968, with two songs from the same era added to the end to make up for 'May I' and 'Boss Man' not having available cover versions.    

Track listing

01 The Wherefore And The Why (The Johnstons 1968)
02 The Last Time I Saw Her (Glen Campbell 1971)
03 Black Day In July (The Tragically Hip 2003)
04 Magnificent Outpouring (The Triban 1969)  
05 Does Your Mother Know (The Sandalwood Candle 1970)
06 The Mountain And Maryann (Kenny Rankin 1969)
07 Pussywillows, Cat-tails (Pat Hervey 1970) 
08 I Want To Hear It From You (Lou Rawls 1968)
09 Something Very Special (Dylan Bell 2023)
10 Did She Mention My Name (George Hamilton IV 1968) 
11 Bitter Green (The Idle Race 1971)
12 The Gypsy (Petula Clark 1974)

Justin Bieber - JB6 (2021)

After releasing his fifth studio album, 'Changes' in 2020, Justin Bieber was interviewed by Apple Music DJ Zane Lowe, and said that he wanted his next record to reflect the things that he had learned about commitment and building trust. In the early months of the COVID-19 pandemic, when Bieber was in quarantine at his house in Toronto, he was sent a plethora of demos submitted to his management team by songwriters, managers, publishers and producers. He recorded the songs he liked in his home studio and sent them back to his inner circle, and work on what was to become the 'Justice' album intensified once he got back to Los Angeles a couple of months later. While his last album was R&B oriented, for this record nothing was off limits, and by December 2020 he had amassed at least an albums worth of material, and so by January 2021 he was able to announce on Twitter that he was going over the track listing for the album. He finally announced the release of the album on 26 February 2021, and along with that announcement, an EP titled 'JB6' was released for digital download and streaming. The EP includes the original versions of three of the already-released singles -  'Holy' (featuring Chance The Rapper), 'Lonely' (with Benny Blanco) and 'Anyone', as well as acoustic versions of the former two. 'Justice' dropped on 19 March 2021, and was a decent addition to Bieber's catalogue, seeing a return to his pop roots, and being distinguished by a variety of modes that includes vaporous synth-rock and strumming acoustic ballads, hip hop gospel and bedroom EDM, and sun-dazed R&B and contemporary Afrobeat. Since the release of the album, a number of unreleased songs have surfaced, with some of them carrying on the R&B sound of 'Changes', while others sound more like out-takes from 'Justice', so I've gathered up the best of them, and added in a couple of out-takes/rarities from a few years earlier if it felt like they fitted, to make up a companion album to 'Justice', named after, and featuring two acoustic tracks from, the 'JB6' EP.    

Track listing

01 Hit The Ground
02 Double Negative
03 Holy (Acoustic) (feat. Chance The Rapper)
04 No Pain
05 Long Way Home
06 Over & Over
07 Swag Mean
08 You And Me (feat. will.i.am)
09 Lonely (Acoustic)
10 Change The Weather
11 No One

12 Unconditional
13 I Wanna Be (feat. Nasri)
14 We Were Born For This

I'm no Bieber expert, but I did later discover that a few Youtube posts were not actually him, such as 'Raise The Bar' (actually 'My Reasons' by 3in) and 'Letter To A Broken Heart' by Zion Foster, so if any of these are not really Bieber then can you let me know.  

Catch - Victim Support (1997)

Catch were an English indie pop band consisting of singer and keyboardist Toby Slater, bassist Wayne Murray and guitarist Ben Etchells, and evolved from Slater's first band Brattish, who were active in 1994–95. That band featured bass guitarist and backing vocalist Matthew Harding, who was briefly a member of Catch, but reputedly left when Slater refused to give him a writing credit. Brattish rehearsed the Catch material extensively, paid for by interested A&R men, but never gigged, and after the name change they released their debut single 'Bingo' in 1997, which saw them appearing on Top of the Pops, Light Lunch, The Paul Ross Show (performing three songs live), The Jack Docherty Show and various Saturday morning UK TV shows. The band's debut album was rush released in Indonesia due to their sudden popularity there, and they visited Jakarta for a promotional tour and performed acoustically for fans, but the UK release was delayed due to Slater being unhappy with it at the time. Before any remedial work could be done on the record, Catch split up, and Slater moved to Los Angeles to pursue a solo career. This led to the album being denied a release in any form in the UK, and the tentatively titled 'Victim Support' was cancelled by Virgin. When Slater returned to the UK he formed a group featuring former members of the UK band Salamanda, and began recording and gigging under his own name. The Toby Slater Band released one single, 'Consumption', and some other songs were made available online via Slater's own website, but fans of the 'Bingo' single really want to hear the record that should have followed it, and so here is that shelved album by indie-poppers Catch from 1997. 

Track listing

01 Dive In 
02 Bingo 
03 Half The World Away 
04 Don't Wait Up 
05 Pity The Man 
06 Expensive Kiss 
07 Start Of Something 
08 Over Again 
09 Maybe Tonight 
10 My Burst Balloon 
11 A New Soul 
12 Goodbye

Azealia Banks - Fantasea II: The Second Wave (2018)

Following the release of her debut studio album 'Broke With Expensive Taste' in 2014, Azealia Banks' next project was a follow-up to her first mixtape 'Fantasea'. 'Fantasea II: The Second Wave' had been worked on alongside the recording of 'Broke With Expensive Taste', and had been intended to be released in July 2014, following the 2013 single 'Count Contessa', but it was eventually put on hold so that Banks could concentrate on her studio album. In 2017 she released the second promotional single 'Escapades' in support of the upcoming album, and in 2018 she signed to eOne Music and released the singles 'Anna Wintour' and 'Treasure Island', as well as the promotional single 'Movin' On Up (Coco's Song, Love Beats Rhymes)' in anticipation for the album. In mid-2018 she cancelled the project, although she carried on working on it, and in August it was announced that it would still be released someday. In June 2019 she took to her Instagram to say she would never release a full body of work as she felt the world was not deserving of her music, but a few days later she posted pictures working in a studio with Russian producers. In the same month, she shared a snippet of 'Icy Pisces', and said that she was looking for a singer to feature on it, thus proving the album was still in development, and in April 2021 she told fans that it would be released in the summer. However, to date it has still not appeared, and so I've collected up all the tracks that are available to put something together to tide us over until it does eventually appear. 

Track listing

01 Along The Coast
02 Taste's State (feat. Busta Rhymes)
03 Treasure Island
04 Anna Wintour
05 Count Contessa
06 Pyrex Princess
07 Escapades
08 Venus
09 Movin' On Up (Coco's Song, Love Beats Rhymes)
10 Playhouse
11 Blossom
12 In Excelsis
13 Chi Chi

The Beach Boys - SMiLE (1967)

For visitors to blogs like this one, Albums That Never Were, Albums That Should Exist, or Albums Reconstructed etc, the holy grail of unreleased albums has to be The Beach Boys' 'SMiLE'. Originally planned as a follow-up to 'Pet Sounds', the 1967 recording sessions collapsed under the weight of Brian Wilson's perfectionism, mental instability and drug use. The Beach Boys shelved the project and released the simplified 'Smiley Smile' in 1967, and since then there have been many, many fan reconstructions of the record posted on blogs the world over. In fact, the very first CD that I ever bought was a 'SMiLE' bootleg - yes, I bought a bootleg CD before I'd even tested out my new CD player on an actual album. Since then audio editing has become much more accessible for the amateur enthusiast, and so, for instance, soniclovenoise over at Albums That Never Were has posted four versions of the album, and there are many, many reconstructions of varying quality available on Youtube. Not only that, but the sessions have been officially released, and Brian Wilson has even played it live, so what more can possibly be said about it. Well, how about a remix where AI has been trained to sing like Brian, using a recent singing voice conversion model, and then to add his 1967 vocals to the tracks where Brian himself never sang. It took over 100 hours of work, and he was prepared for a backlash from fervent purists who would class this as sacrilege, but Dae Lims has now posted his completely remixed version of 'SMiLE' on Youtube, and as the download link keeps being deleted then I'm posting it here so that BB fans can at least hear it once to make up their own mind. I'm not yet convinced about whether AI is a saviour or a menace to the arts, but when you hear what it can do in the right hands then I start to think that it could be a part of the future of music if used ethically. Give this a listen and decide for yourself if it's the best ever version of 'SMiLE', or if it's a complete and utter abomination. 

Track listing

01 Our Prayer
02 You're Welcome
03 Heroes And Villains
04 I'm In Great Shape
05 Barnyard
06 Do You Like Worms
07 Cabinessence
08 The Old Master Painter/You Are My Sunshine
09 Wonderful
10 Fire/I Wanna Be Around 
11 Vega-Tables
12 Wind Chimes
13 Child Is Father Of The Man
14 I Love To Say Dada/In Blue Hawaii
15 Surf's Up

All songs remixed using AI de-mixing technology.
Tracks 3,4,5,6,8,9,10,12,13,14,15 contain new AI vocals.
Tracks 3,4,7,9,10,12 contain AI enhanced vocals.
'Do You Like Worms' contains new melodies, partially based on 'Little Pad' by The Beach Boys.
'Child Is Father Of The Man' contains new lyrics and melodies, inspired by the original and 2004 versions of the song.

The Rolling Stones - Trouble's A-Coming (1979)

There is currently a quite superb Rolling Stones bootleg doing the rounds, with the self-explanatory title of 'Fully Finished Studio Outtakes', and it does exactly what it says on the tin. Over the course of three CDs it collects some of the best quality Stones left-overs that I've ever heard, spanning most of their career from 1967 through to 1998, with a couple of 2002 jams added on at the end of CD3. If there's just one criticism, it's that some of the recording dates seem to be the result of guesswork rather than research, and so I've used the expertise of the Zen Archer's Aural Surfing Odyssey blog to work out the correct chronology, so that I can re-order them into a set of four themed posts. As the three earliest takes are one-offs from 1967, 1968 (which is included on my earlier 'Hillside Blues' post), and 1969, I've skipped them and gone straight for the first track from 1970 to begin one whole album of outstanding outtakes from the 70's, starting with 'Walk With Me Wendy' from 1970 and ending with 1979's 'Trouble's A-Coming'. As this timeframe includes the 'Some Girls' period, a couple of the tracks have already appeared on my 'Some More Girls' post, and so I've omitted 'You Win Again', and 'Fiji Jim' to avoid duplication, but that still leaves a great 55-minute album to start the series. With each post I'm going to add Zen Archer's notes as to why they changed the recording date (following the title), and also because they are quite informative. For instance, they mention that a couple of tracks have the vocals low in the mix, and although 'Fast Talking Slow Walking' from this set wasn't one of them, I thought that they were and so I've boosted them to sound clearer, along with those on 'Trouble's A-Coming'. 
01 Walk With Me Wendy (1974)
A 'Dog Shit' style track but replacing the horns with electric piano. Jagger bellows over the head of it all. Most likely 1970.
02 Tell Her Now It Is (1971)
OK, you'll hit the first few notes of this very well known bootleg placement (otherwise known as 'Potted Shrimp'), it's upgraded – not by a million miles, accepted, but it’ll be an upgrade, that’s good enough, surely? No! 0.17 in – vocals! Much like the 'Exile' tracks that got us stoked on the deluxe treatment of a few years earlier, this track is now replete with an extra pinch of Jagger salt and he sounds crazed! The vocals are of the fact that they sound vintage enough to be of the time – the beauty of looking after your voice for the past 60 years, I guess – we could ponder the fact that they could also have been recorded for the reissue but this stuff is better than we could have imagined. Sounds more 1970 than 1971.
03 Living In The Heart Of Love (1974)
Very easily a mid-70’s production, it’s a close brother to 'Silver Train' and 'Brown Sugar', a repeated refrain starts the track before blossoming in to a broader chorus. Correct year.
04 Fast Talking Slow Walking (1972)
A woozy, swooning bar-room lament with a joyous piano undercurrent underneath the spacey guitar lines and pattering, jazzy drum beats. An exceptional piece of work. Generally agreed to be a 'Goat's Head Soup' outtake from 1974.
05 Scarlet (1975)
So we remember the debacle of this piece on the GHS reissue – none of the Stones or Jimmy Page (apparently) remember sneaking in to the studio in the prime of their careers and putting this to tape – over two nights, granted, but maybe that's how you measure time when you're a rock star. The suns up or it's not. Some of the overdubs present on the CV seem to be missing here from half way, so this may be one of the tracks that was laid down the first night, maybe? It's far too good to be forgotten, far too good to be erased. Maybe if it had lingered for much longer the full session tape might have made it out .. it'd be nice to think. Probably 1974, as GHS is mentioned. 
06 Built That Way (1984)
Something rather different here – A 'Heatwave' style swing with a Queenish guitar line occasionally popping up through the background. I wouldn't have been at all surprised if this was a Style Council cover in all honesty. It's really very different but cruisingly good. However, 1975 rather than 1984.
07 Every Time I Break Her Heart (1977)
A space-effect country lilt, the kind that the Stones seem to have perfected through the years.  Remains unreleased and hasn't appeared on any other bootleg before. Correct year. 
08 Not The Way To Go (1977)
A punky, ramshackle, 50's surf romp with a lean line in lyrics (Jagger seems to give up part way through and riffs on the title instead). This version fades out quicker than previous versions in 'The Harder They Come' (Idol Mind) or Yellow Cat's 'From Paris To LA'. Probably one year later at 1978.
09 Never Make You Cry (1977)
Another of those late, rain soaked Saturday ballads, spiked with a little rock . Blissfully dreamy, warm and regretful, it's perfect. It's also cleaner sounding that previously booted versions. Correct year. 
10 Covered In Bruises (vocal Ronnie Wood / Mick Jagger 1981)
A split combination of force between the Glimmer Twins recorded at the Pathé Marconi sessions – Barrel big and chunky with a fat bass line that drives. It’s an odd amalgam of a track but it really, really works. The Pathé Marconi sessions were in 1977.
11 It's A Lie (1978)
Another left over from the Paris Match sessions and also recently released on the 'Foxes In The Boxes' collection. Part Stones template, slide guitar and muted piano line. Should be 1979.
12 Trouble's A-Coming (1972)
Not 1972, surely but from much later in the decade - 1979? An incredible, insistent groove with a solid march – the chorus is fantastic in and of it's own! Jagger's vocals are mixed much lower in the mix than they should be so assume this to be an earlier rehearsal/working take that never came to fruition. 

Track listing

01 Walk With Me Wendy 
02 Tell Her Now It Is 
03 Living In The Heart Of Love
04 Fast Talking Slow Walking
05 Scarlet
06 Built That Way
07 Every Time I Break Her Heart
08 Not The Way To Go
09 Never Make You Cry
10 Covered In Bruises 
11 It's A Lie
12 Trouble's A Coming 

Daryl Hall, Robert Fripp & Guests - Sacred Songs Live From Daryl's House (2023)

Time for another guest spot from Mike Solof, featuring music from one of his favourite albums.

Welcome back to a sequel of sorts. A while back in August of 2022, I posted a set called Robert Fripp - 'Triple Exposure' which took the trifecta of all the solo albums that he produced in (roughly) 1979 for himself, Daryl Hall, and Peter Gabriel and gave you the highlights along with many bonus and alternate cuts. Over the past seventeen years, since way back in 2007, Daryl Hall has presented an online music series called 'Live From Daryl's House', (simply known as 'Daryl's House' and often abbreviated as 'LFDH'), which sees the singer-songwriter performing with his band and various guest artists at his home in Millerton, New York. It provides a performance space that is an alternative to live concerts and studio sessions for popular artists, and allows the artists to "have fun and be creatively spontaneous". The majority of shows include a segment in which Hall and the guest artist prepare food from different cuisines for everyone to eat, and then they play songs of their choosing, which are often covers of Hall's own songs from his long career. I'm pleased to report that for Episode 87, recorded in November 2023, Robert Fripp got back together with Hall after 44 years, and they played together for the first time since making those original albums (fun nit-pick fact: Hall was just the vocalist on Fripp's 'Exposure' album, so they never actually "played together" before this "reunion"!) The results were stunning! Fripp himself said it was the best day of his life except for the day he married his wife! I'm pleased to present tracks from those sessions plus some cool bonus recordings, as I could have just left it at the Hall/Fripp cuts, but I love Hall's original Fripp-produced solo album so much, and he so rarely (if ever!) plays cuts from it, that I had to fill the album up with bonus cuts. These are taken from performances that Hall recorded with other artists on his radio show, and feature non-Fripp versions of more songs from Hall's 'Sacred Songs' album. Each guest added their own spin to the original version and I dig that!
Here's a track by track breakdown of what is included:
01 Sacred Songs - Daryl Hall with Kitty, Daisy & Lewis Durham.
02 Babs And Babs - Daryl Hall with Robert Fripp. A song Hall wrote for his first solo album. Fun Fact #2: Babs and Babs are what Hall calls the right and left side of his brain!
03 NYCNY - Daryl Hall with Robert Fripp. Another song written by Hall and Fripp, this one was done on both Fripp's solo and Hall's first solo albums which, by the way, was recorded in 1977 but not released until 1980.
04 The Further Away I Am - Daryl Hall with Robert Fripp. Another cut from Hall's first album.
05 Why Was It So Easy - Daryl Hall with Butch Walker.
06 Don't Leave Me Alone With Her - Daryl Hall with Ben Folds.
07 Survive - Daryl Hall with Charlie Starr.
08 You Burn Me Up I'm A Cigarette - Daryl Hall with Robert Fripp. This was originally presented on Fripp's 1979 debut solo album 'Exposure'. A song written by Hall and Fripp.
09 Heroes - Daryl Hall with Robert Fripp. A song Fripp originally recorded with David Bowie for his 1977 release of the same name. Fripp asked Hall if they could play it during these sessions.
10 North Star - Daryl Hall with Monte Mongomery, on a track from Fripp's 'Exposure'
11 Red - Daryl Hall with Robert Fripp. A song Fripp wrote and recorded in 1974, from the King Crimson album of the same name. Hall's house band did not rehearse this (or anything they recorded that day for the sessions). Fripp was amazed because it took three days of rehearsals for King Crimson to learn all the intricate chord changes for the song every time they played it. IT'S A BEAST!!
I hope you enjoy this selection of great musicians playing mostly unrehearsed (so the pressure was on to impress Hall with their playing) songs, that never, if ever, see the light of day!
Until next time...
Michael

Track listing

01 Sacred Songs
02 Babs And Babs
03 NYCNY
04 The Further Away I Am
05 Why Was It So Easy
06 Don't Leave Me Alone With Her
07 Survive
08 You Burn Me Up I'm A Cigarette
09 Heroes
10 North Star
11 Red

Tracks 1-7 from 'Sacred Songs' by Daryl Hall

Tracks 8 and 10 from 'Exposure' by Robert Fripp

Track 9 from 'Heroes' by David Bowie

Track 11 from 'Red' by King Crimson

Eden xo - Dirty Blonde (2016)

Following her stint in Shut Up Stella in 2007, and an attempt at a solo career in 2008, Jessica Eden Malakouti formed Jessie And The Toy Boys in 2011, which was actually more of a solo project, with the Toy Boys being mannequins. She said in a 2011 interview that she wanted plastic bandmates that could not get in the way of her creative vision, and under that name she independently released the 'Show Me Your Tan Lines' five-song EP. 'Push It (feat. Yelawolf)' hit the Top 10 on the Billboard dance charts, and during the summer of 2011 she opened for Britney Spears and Nicki Minaj on the North American leg of the Femme Fatale tour. The band's debut album, 'This Is How Rumours Start', should have followed, but it was pushed back to summer 2012, and despite some of the songs appearing as videos on Youtube, the album itself has failed to materialise. In May 2013 she released 'White Girl Wasted' under her own name, and this sparked rumours that she would no longer be releasing music under the name Jessie And The Toy Boys. This was confirmed when she announced that she'd signed to Virgin, changed her name to her middle name of Eden, followed by xo, and released her first single under this name with 'Too Cool To Dance'. It hit the Top 40 on the Billboard chart and the Top 20 on the club charts, and in 2014 it was featured on 'So You Think You Can Dance' to mark National Dance Day. 'The Weekend' was another hit single, as was a remix of the track that featured Lil Jon, and she also recorded a version of the Thompson Twins song 'Hold Me Now' in 2015. Her next release was intended to be an EP titled 'Dirty Blonde', but due to label problems she ended up being dropped by Virgin and the project was shelved. During her time at Virgin Records she had sessions with Ron Fair, Toby Gad, Fred Falke, Sean Paul, and Jesse Shatkin, and had enough songs for an album at the time that the EP was cancelled, and so if she hadn't left the label in 2017 then she could have expanded the EP into her debut album. As she didn't do that then I have, and so here is Eden xo's first and only album, which should have come out around 2016.

 
Track listing

01 Dirty Blonde  
02 Too Cool To Dance  
03 Drips Gold (feat. Raja Kumari) 
04 Finger
05 All Day Every Day 
06 Sideline (feat. Swick)
07 Torn (Don't Stop Believing) 
08 Cinematic Goodbye
09 Say That Again (feat. Travis Mills)  
10 El Barrio 
11 Hold Me Now  
12 Color Me In (feat. The Hot Damns) 
13 The Weekend 

Various Artists - The Hitmakers Sing Donovan (2014)

By 1966, Donovan had shed the Dylan/Guthrie influences and become one of the first British pop musicians to adopt flower power, immersing himself in jazz, blues, Eastern music, and the new generation of counterculture-era US West Coast bands such as Jefferson Airplane and the Grateful Dead. He was entering his most creative phase as a songwriter and recording artist, working with Mickie Most and with arranger, musician, and jazz fan John Cameron, and their collaboration on Sunshine Superman was one of the first psychedelic pop records. Donovan's rise stalled in December 1965 when Billboard broke news of the impending production deal between Klein, Most, and Donovan, and then reported that Donovan was to sign with Epic Records in the US. Despite Kozak's denials, Pye Records dropped the single and a contract dispute ensued, because Pye had a US licensing arrangement with Warner Bros. Records. As a result, the UK release of the Sunshine Superman album was delayed for months, robbing it of the impact it would have had off the back of the hit single. Another outcome was that the UK and US versions of this and later albums differed, with three of his Epic LPs not being released in the UK, while 'Sunshine Superman' was issued in a different form in each country. By spring 1966 the American contract problems had been resolved, with Donovan signing a $100,000 deal with Epic Records, and he and Most went to CBS Studios in Los Angeles, where they recorded tracks for an album, much of which was composed during the preceding year. 

Although folk elements were prominent, the songs showed increasing influence of jazz, American west coast psychedelia and folk rock, especially from The Byrds. 'Sunshine Superman' was released in the US as a single in June, and reached No. 1 on the Billboard chart, and later number 2 in the UK. The US version of the album features instruments including acoustic bass, sitar, saxophone, tablas and congas, harpsichord, strings and oboe, and highlights include the swinging 'The Fat Angel', written for Cass Elliot of the Mamas & the Papas, 'Bert's Blues' (a tribute to Bert Jansch), 'Guinevere', and 'Legend Of A Girl Child Linda'. The driving, jazzy 'The Trip' was named after a Los Angeles club, and chronicled an LSD trip during his time in L.A., and is loaded with references to his sojourn on the West Coast. Because of the earlier contractual problems, the UK version of 'Sunshine Superman' was not released for another nine months, and as Donovan had released another record in the US by this time, the UK version was a compilation of tracks from the US 'Sunshine Superman', and its follow-up 'Mellow Yellow'. I think most of the better tracks on the UK version come from the US 'Sunshine Superman' album, so for this post I've used that as a basis, and every track has received a superlative cover version, all of which are included on this reimagining of arguably Donovan's best album. 

Track listing

01 Sunshine Superman (Mike Vickers 1967)
02 Legend Of A Girl Child Linda (Joan Baez, Judy Collins & Mimi Farina 1967)
03 Three King Fishers (Gabor Szabo 1968)
04 Ferris Wheel (Rick Wooley 1980)
05 Bert's Blues (Burnt Branch 2014)
06 Season Of The Witch (Brian Auger, Julie Driscoll & The Trinity 1967)
07 The Trip (Ryan Green 2013)
08 Guinevere (Paul Roland 1992)
09 The Fat Angel (Jefferson Airplane 1969)
10 Celeste (Scott McKenzie 1967)

Joyce Harris - I Cheated (1965)

Joyce Harris was born in Kentucky in 1939 and moved to New Orleans with her family when she was 13 years old. She learned to play guitar and write songs, and was soon performing duets with her younger sister Judy, as Joyce And Judy, releasing three singles – 'He's The One'/'Hey Pretty Baby', 'Washboard Sam'/'Nursery Rock (Beedle De Bop)' and 'Hey Little Baby'/'Rock And Roll Kittens' – all in 1958, until Judy got married and left the group. Joyce spent a year as part of a big band singing in restaurants in Mexico, and she released her first solo single 'It's You'/'The Boy In School' on New York’s U.T. Records at the end of 1959. A talent spotter saw her in Mexico and was impressed enough to secure her an audition with the Texas-based Domino label, and she was soon in the studio with Tommy Kaspar and Don Burch of Domino’s vocal quartet, The Slades. She wrote a lot of her own material, and her first single for the new label was an answer record to their local hit 'You Cheated', which she wrote overnight and recorded with The Slades. Her 'I Cheated'/'Do You Know What It's Like To Be Lonesome?' was released in October 1960, followed by 'No Way Out'/'Dreamer' in January 1961, which sold strongly enough to be licensed to Infinity Records. In 1963 Harris released the gospel-inspired 'Don't Knock It' under the pseudonym Sinner Strong (Strong was a family name, and the first name was a mis-hearing of her name Cina), and then a couple of years later she released her final single under her own name, with 'Baby, Baby, Baby' appearing in 1965. This was a more soulful recording and is now highly sought after on the Northern Soul circuit. In 1997 two previously unheard tracks recorded with the Daylighters surfaced on Ace Records' 'The Domino Records Story', and I can't leave those off as they are both prime slices of R&B, meaning that we now have everything that Joyce Harris recorded in her short career.   

Track listing

As Judy & Joyce
01 He's The One (single 1958)
02 Hey Pretty Baby (b-side of 'He's The One')
03 Washboard Sam (single 1958)
04 Nursery Rock (b-side of 'Washboard Sam')
05 Rock And Roll Kittens (b-side of 'Hey Pretty Baby' re-issue 1959)
As Joyce Harris
06 The Boy In School (single 1959)
07 It's You (b-side of 'The Boy In School')
08 I Cheated (single 1961, with The Slades)
09 Do You Know What It's Like To Be Lonesome (b-side of 'I Cheated')
10 No Way Out (single 1961)
11 Dreamer (b-side of 'No Way Out')
12 I Got My Mojo Working (previously unreleased, with The Daylighters)
13 Your Kind Of Woman (previously unreleased, with The Daylighters)
14 Baby, Baby, Baby (single 1965)
15 How Long (Can I Hold Back My Tears) (b-side of 'Baby, Baby, Baby')
As Sinner Strong
16 Don't Knock It (single 1963)
17 Nobody But Me (b-side of 'Don't Knock It')

Dwight Twilley Band - Fire (1975)

As I mentioned in the recent Dwight Twilley post for his 'Blueprint' album, the Dwight Twilley Band's first self-produced single 'I'm On Fire' became something of an unexpected hit, reaching #16 on the Billboard charts in 1975 with relatively little promotion. This was actually because just before it came out, Twilley and musical partner Phil Seymour had departed for England to record tracks for their first album, tentatively called 'Fire', with producer Robin Cable at Trident Studios. However, the success of the single prompted co-owner of Shelter Records Leon Russell to recall the band back to the US and to offer them the use of his 40-track home studio to record their debut album, and he also gave them the services of engineer Roger Linn, who contributed lead guitars and bass to some of the tracks. All the songs that they had recorded in England were put to one side, and new material written at Russell's studio, although the old songs were not completely junked, but were kept for use on a possible follow-up record, provisionally called 'The B Album'. In 1989 both Dwight Twilley Band albums were reissued on CD, complete with bonus tracks, by the audiophile DCC Compact Classics label, and they re-issued them again in 1990 with different bonus songs. In 1993, shortly before Phil Seymour's death, Twilley released 'The Great Lost Twilley Album', which collected a fraction of the hundreds of early unreleased songs Twilley and Seymour had recorded for Shelter, including several tracks from 'The B Album' and 'Blueprint', as well as a few alternate versions of released songs, and fans were at last able to piece together those two unreleased albums. To follow the recent 'Blueprint' post, here is the earlier 'B Album' otherwise known as 'Fire', from 1975, and you may notice that 'Dancer' features on both albums, but as it was included on the track listings for each record, I was torn about which album to remove it from, so in the end I left it on both. 

Track listing

01 I'm On Fire
02 England
03 Look Like An Angel
04 I Don't Know My Name
05 Lovin' Me
06 Rock Yourself, Son
07 Sky Blue
08 Shark (In The Dark)
09 Miserable Lady
10 You Were So Warm
11 No Resistance
12 Dancer
13 Please Say Please

Jessie Malakouti - Pretty & Gritty (2008)

While she was still a member of Shut Up Stella between 2007 and 2008, Jessie Malakouti was thinking ahead to a solo career, if and when the band broke up, and she was writing and recording her own songs. After Shut Up Stella was dropped from Epic Records, she flew to Sweden to work with production team Money&Stuff and other producers such as Arnthor Birgisson, Justin Trugman, Lester Mendez, Matt Rowe and Wayne Rodrigues, with the intention of producing her debut solo album, which was to be titled 'Pretty & Gritty'. The record was due to be released in 2008, but it was never completed, and so she uploaded some songs to her MySpace page, while others were consigned to the vaults, although two of her songs, 'Trash Me' and 'Outsider', appeared in episodes of MTV's 'The Hills', as well as being independently self-released as music videos and digital downloads. In December 2008 she signed a publishing deal with EMI, and the next two years were spent in London working on dance music with Fred Falke, as well as writing for UK production house Xenomania. In 2010 she formed Jessie And The Toy Boys, launching them with the  single 'Push It' in February 2011, and so all thoughts of a solo career had by then faded away. To fill in the gap between the cancelled 'Shut Up Stella' album and the cancelled' 'This Is How Rumors Start' by Jessie And The Toy Boys (can you see a pattern emerging here?), we have the cancelled 'Pretty & Gritty' by a solo Jessie Malakouti.  

Track listing

01 Trash Me 
02 Eyes Closed 
03 Bad Guy 
04 Check 'n Out 
05 I Need Love
06 Big Booty 
07 Commitment Issues
08 PS 
09 Upside Down 304
10 Lately 
11 Outsider 
12 Crash Bang Baby
13 You're My Viagra 
14 Things

The Big Reveal - Part 2

I hope that yesterday's post didn't come across as sounding a bit too needy, but I am genuinely interested in hearing what people think of what I post here, so that I know whether to keep posting that kind of thing or to scale it back. This was borne out by the reply from Anotherone Bitthe Dust, who mentioned that I seem to be posting a lot more pop stuff recently, and it would be nice to go back to the more rockier stuff. I entirely agree, as rock is my first love, but it just happens to be the case that the pop scene of the 2000's/2010's was very volatile, with artists having all their hard work dumped by their labels if just one single wasn't a huge hit, of if the labels were amalgamated and their rostas trimmed, and so I've discovered a huge stash of unreleased albums from that period, and they all seem to be pop/R&B stuff. I wouldn't say that I'm a huge fan of the genre, and don't know who most of them are, but I listen to them and read the comments on Youtube to see if they have a fanbase, and if I vaguely like what I hear then I assume actual fans of the artists would like to hear it as well, so I'm working my way through them. However, rest assured that I will try to post at least one or two 'rock' albums a week, as long as I can keep finding them, and there are a few crackers coming up. 

I'm also glad to hear that the Hitmaker series is fairly popular. That all started as a one-off post for a Tony Hazzard album, where nearly every track had been a hit single for another artist, so 'Hitmakers' was a valid title, but when it then became a series, not all of the covers have been hits, but it was too late to change the title. I admit that I sometimes have to trawl Youtube to find that elusive final cover, so some albums could include up to half the covers by completely unknown artists, but when this happened to the recent Bruce Springsteen one I thought that even though I didn't know the artists, their covers were excellent, so hits or not I still really enjoyed listening to them.   
And finally, I'm curious to know how many people who heard the 'Oasis' album actually thought that I'd discovered a stash of rare demos, as even I have to admit that they were very convincing.   

 
pj