Bruce Springsteen - Murder Incorporated (1983)

The recording sessions for Bruce Springsteen's 'Born In The U.S.A.' album spanned a two year period, and produced the largest quantity of completed song recordings of any session of his career. The sessions took place in four phases, with the January thru May 1982 sessions featuring The E Street Band with Steve Van Zandt, the January thru late April 1983 sessions featuring Springsteen alone on multiple instruments, and the rest being with The E Street Band, but no Van Zandt. Between seventy and eighty songs were recorded over the entire period, and thanks to information from Sony's studio logs, we now have a far better understanding of the sheer scale of Springsteen's output at this time. Songs were recorded at the Power Station and the nearby Hit Factory over the course of the first half of 1982, but as we know, he was not happy with the way that some band versions of his acoustic demos turned out with E Street backing, and so by early April he began actively exploring the possibility of releasing some of these solo demos as an acoustic album. 'Nebraska' duly appeared in September 1982, and the band versions of those songs were then locked away until they surfaced this year on the 'Nebraska 82' box set. The May-July 1982 period saw the effective departure of Steve Van Zandt as a member of The E Street Band, and following his decision to release 'Nebraska' and stop recording with the band, Springsteen spent the summer of 1982 in New Jersey making numerous guest appearances, that became affectionately known as his '1982 Jersey Shore Bar Tour'. 

However, that came to an end in early October, soon after the release of 'Nebraska', and during November-December 1982 he had Mike Batlan install a home recording studio at his house in Los Angeles, where he recorded more than an album's worth of songs over the early months of 1983, playing all the instruments himself, except for a drum machine. Although none of these Los Angeles recordings ultimately ended up on the album, two of them - 'Shut Out The Light' and 'Johnny Bye Bye' - were issued as b-sides in 1984/85, while tracks such as 'The Klansman', 'Unsatisfied Heart' and 'Richfield Whistle' remain unreleased. At this point, brief consideration was given to releasing an album, tentatively entitled 'Murder Incorporated', and a document exists from around March 1983 revealing his then-selections for the record, as well as his choices for b-sides of the singles to be released from it. However, instead of settling on that song line-up, he opted for more sessions, and began a new round of recording with The E Street Band at The Hit Factory in New York in May 1983. Of the proposed track-listing for 'Murder Incorporated', only six songs eventually appeared on the 'Born In The U.S.A.' album, with ten of them being rejected, and so by replacing those six released tracks with the songs that he'd earmarked as b-sides, we can hear all of the otherwise unreleased recordings from his sessions up to May 1983, other than 'Johnny Bye Bye' and 'Shut Out The Light' which slipped out as a b-sides, but which I'm still including anyway. 

Track listing

01 Murder Incorporated
02 Sugarland
04 One Love
04 This Hard Land
05 My Love Will Not Let You Down
06 Johnny Bye Bye

07 Shut Out The Light
08 Don't Back Down
09 Frankie
10 Little Girl
11 Follow That Dream

Hard-Fi - Sick Of It All (2010)

Hard-Fi formed in 2003 in Staines-upon-Thames, Surrey, and consisted of Richard Archer (lead vocals and guitar), Ross Phillips (guitar and backing vocals), Kai Stephens (bass guitar and backing vocals) and Steve Kemp (drums and backing vocals). Archer had returned to his hometown of Staines, crushed by the lack of success of his former band Contempo, and by the death of his father from cancer. While Archer was making demos to produce an album, he went into the Staines hi-fi shop where Ross Phillips worked, simply so he could listen to his latest demos on the shop's better equipment. Philips apparently asked Archer who had played guitar on his demos and Archer said that it was himself. Phillips said it was "shit", and was therefore recruited to play guitar for the new group. Steve Kemp was already an old friend of Archer, while it took Kai Stephens little persuasion to leave his job as at Rentokil. The band were signed to newly formed independent label Necessary Records, and most of the album was recorded in a disused mini cab office, which cost them about £300, and is known to this day as the "Cherry Lips" Studio. 1,000 copies of this record were pressed, with only 500 going on public sale, and the initial plan was to sell 1000 each time. 

However, it quickly sold out, receiving critical acclaim and radio play, proving a lot more successful than the band had imagined. In 2004 the band were licensed to the major label Atlantic Records, and they were given the chance to re-record the album in the renowned Abbey Road Studios, but they went back to the cab office to maintain their sound. The band were one of the acts opening for Green Day on their two-day residency of the Milton Keynes Bowl in June 2005, having been booked as a last minute replacement for Simple Plan, who had cancelled only a few weeks before the show. The re-issue of the 'Stars Of CCTV' album re-entered the official UK album chart at No. 4 on 1 January 2006. two places higher than it originally went in on the week of its release, and it finally got to No. 1 on 22 January. The band's re-release of 'Cash Machine' entered the official Top 40 singles chart at No. 14 on 1 January, and 'Stars Of CCTV' was nominated for the 2005 Mercury Music Prize. The band expanded the Cherry Lips "studio", making more room for equipment after having searched fruitlessly for a space, and the first single from the new album was 'Suburban Knights', released on 20 August 2007. 

'Once Upon A Time In The West' was released two weeks later, and the album cover was an orange background with the album title at the top, and "NO COVER ART." written in large, white letters below, being described by art designer Peter Saville as "a 'White Album' for the digital culture". It went straight in at No. 1 on the UK Albums Chart, and received positive reviews, including five stars from The Observer Monthly, and four stars from Q Magazine. During the 2008 Christmas period, Hard-Fi  announced that they would be back in the new year with "a wicked new album", but by February 2011 only six of the eleven album tracks had been mixed. On 28 April, their latest single, 'Good For Nothing', was premiered on Zane Lowe's Radio 1 show, and this was followed by 'Fire In The House' on 7 August, preceding the 'Killer Sounds' album by a couple of weeks. In March 2012, Archer told Gigwise that Hard-Fi were hoping to release their next album in a shorter interval than the four years between 'Once Upon A Time In The West' and 'Killer Sounds', although no estimated release date was set, and the next release from them was a greatest hits compilation album called 'Hard-Fi: Best of 2004–2014', which appeared on 27 January 2014. 

Although they had released no new music since 2011, Archer insisted that the band had not broken up, but were on a hiatus, and in April 2022, posters appeared in various London underground stations featuring the band's trademark yellow and black camera logo, with the text "London 01.10.22", suggesting the band will be playing their first live show since 2014, and following that gig at London's O2 Forum on 1 October, the band announced their first tour in eleven years, playing at venues across England and Scotland during October 2023. They've released their first new single since 2011, with 'Don’t Go Making Plans' coming out in November 2024, and they are still touring, even though they have little new music to promote, so with the recent 20th anniversary re-issue of 'Stars Of CCTV', it seems the perfect time to tidy up their discography with a collection of their rare b-sides and oddities. 

Track listing

01 Sick Of It All (b-side of 'Cash Machine' 2005)
02 Seven Nation Army (b-side of 'Cash Machine' 2005)
03 Peaches (Radio 1 Live Version) (b-side of 'Living For The Weekend' 2005)
04 Stronger (b-side of 'Hard To Beat' 2005)
05 Polish Love Song (b-side of 'Better Do Better' 2006)
06 The Money Song (Hard-Fi vs. Red Hot Chili Peppers vs. Flying Lizards vs. Abba vs. Jay-Z 2006)
07 You And Me (b-side of 'Suburban Knights' 2007)
08 These Four Walls And I (b-side of 'Can't Get Along (Without You) 2007)
09 Pain In My Heart (b-side of 'I Shall Ovecome' 2008)
10 Empty Streets (b-side of 'I Shall Ovecome' 2008)
11 1969 (from the '1969 Key To Change' charity album 2010)

Soulseek update

I've tried port forwarding again but am getting nowhere, so I've bitten the bullet and completely uninstalled Soulseek and then downloaded the latest version. Luckily it didn't delete all my files, so anyone who hasn't managed to get it to work in the past few weeks can try again now and see what happens. 

pj

The Cleaners From Venus - A Picture Of Emmiline (2021)

If there's one band that I've wanted to post on the blog since ever I started it, it's The Cleaners From Venus, but they don't release singles and so I couldn't do a b-sides collection, and they release regular best of's and rarities collections themselves. Recently, after a few years away, they are back, and they've been issuing EP's and albums through Bandcamp since 2014, so I can finally post something from them. The Cleaners From Venus started in Wivenhoe, Essex,  in November 1980, recording their music on minimal equipment, using cheap or sometimes home-made instruments. Lol Elliott and Martin Newell, both in their 20s at that time, didn't expect much to come of their chaotic endeavours and weren't particularly concerned about the matter, but a year or so later, equipped with a new 4-track Portastudio, their second cassette album received minor attention in the music press of the time. In 1983 Elliott moved to Bath in the west of England, leaving Newell to continue on his own, with guest members dropping in occasionally to play on recordings. Despite primitive production methods, The Cleaners from Venus gradually became known for high-quality song-writing, which leaned towards mid-1960's pop influences, driven by punk energy. 

Newell realised at this time that even when given access to better studio facilities, he actually preferred recording on 4-track machinery, and this discovery became an important factor in the Cleaners musical style. In 1985, a German record label, Modell, persuaded Newell to let them release the Cleaners fifth cassette album, 'Under Wartime Conditions' as a vinyl record, and it became something of an indie hit in Germany, even receiving a couple of good reviews in the UK. The band, now joined by a young keyboard player, Giles Smith,  made a promotional video and began recording their sixth cassette album, 'Living With Victoria Grey'. In spring of 1986, because of an earlier association, Newell became lyricist for Captain Sensible, ex-guitarist for The Damned, who at that time was enjoying a solo pop career. This collaboration led to a deal with a London record company, Ammunition, for whom The Cleaners From Venus made two albums. In 1988, The Cleaners From Venus Mk 2 broke up, with Smith becoming a newspaper journalist, and Newell returning to work as a gardener in his home town. Within a few months, however, he'd formed an acoustic rock duo, The Brotherhood Of Lizards,  with another former Cleaner From Venus, Nelson 'Surfquake' Nice. 

The pair soon secured a record deal with a new indie label, Deltic, releasing an album, 'Lizardland', and famously, in autumn of 1989, they toured England by bicycle to promote the record, gaining much media attention in the process. In early 1990, after Nelson accepted an offer to join the band New Model Army, Newell left music for a while to become a performance poet and writer, and he was soon regularly contributing his work to national newspapers, as well as appearing on TV and radio shows. For the next few years, with several books of his poetry published, he toured as a spoken-word artist, performing at theatres, arts centres and literary festivals, and during one of these tours he visited my hometown of Norwich, and because Martin knew me from our correspondence when I was buying his tapes, he crashed at my flat after the gig. He hadn't abandoned music entirely, however, and between 1993 and 2007, Newell also made six solo albums: two for Humbug Records and four for Cherry Red. The best known of these, 1993's 'The Greatest Living Englishman', was produced by XTC's Andy Partridge, and was well-reviewed, especially in the USA, and is now regarded as something of a rock classic. In 2010, he was about to settle down to writing another book, when once again, the unexpected happened. 

Somewhat to his surprise, Newell learned that the old Cleaners From Venus cassette albums he'd made almost thirty years earlier had become cult items. Over many years, fans of his music had copied and then circulated the imperfect recordings among themselves, sometimes posting them on the internet, in order to keep the band's name alive. I was one of those who have championed the band for the last 40 years, and still have every cassette tape that they recorded, mentioning Newell's name as an undiscovered genius whenever I could. By now,  small record labels on both sides of the Atlantic were taking an interest in these recordings, and with the bemused Newell's permission, began reissuing the records in small runs; sometimes in their original cassette format. Within a couple of years, nearly the whole Cleaners From Venus 1980's catalogue had been re-released on vinyl and CD by a New York label, Captured Tracks, whom Newell had appointed as licensees. In 2012, he acquired a small 4-track digital recorder and returned to making Lo-fi recordings, with these new offerings being released by a UK micro-label, Soft Bodies. 

Eight years and eight albums later, The Cleaners From Venus are better-known globally than they've ever been. In August 2019, 'Upstairs Planet', a film made by Graham Bendel about Newell's life, enjoyed its premiere in London's West End at the Regent Street Cinema. It was well-received, and a new documentary, 'The Jangling Man', was planned for a later release. Newell has been releasing albums and EP's through Bandcamp since 2014, and currently has 58 records for sale on the site. Some of these are EP's, featuring one or two tracks from an album, with a couple of unreleased songs filling them out, so this post collects the non-album songs from six of these EP's, spanning 2019 to 2021. A few of them are Christmas-themed, so it's perfect timing, and if you enjoy this music then I urge you to check out their back-catalogue, and discover one of the indie music scene's best-kept secrets of the past 40 years.   

Track listing

01 Clarendon Lane
02 Rudy Moon
03 A Picture Of Emmiline
04 Springtown
05 Could Be Christmas Eve
06 She's Mad About You
07 Queen Of The Green

08 Autumn's Doorstep
09 Flowers Of December (Down River Mix)
10 A Kitchen Porter's Tale
11 King Inglorious
12 Christabel's Party
13 Symphony In Cellophane
14 Love Shine A Light

Rell - The Remedy (2002)

Wilbur Gerrell Gaddis, better known by his stage name Rell, was born on 22 July 1976 in Bowman, South Carolina. He signed to Roc-A-Fella Records in 1997, being the first male R&B singer to sign to New York City-based label, and he began work on his debut album which was tentatively titled, 'Medicine'. Rell got his break in 1998, appearing in Jay-Z's rap cult flick 'Streets Is Watching', and contributing the club banger 'Love For Free' to the movie's soundtrack. Within the latter part of 1998, he renamed his debut 'The Remedy', and re-released 'Love For Free' as the lead single. In 1999, two other singles, 'When Will U See' and 'Darlin'', were released as radio buzz singles for the album, but within the first quarter of that year 'The Remedy' was shelved due to the failed charting of the singles. Still signed to the Roc-A-Fella, he went on to sing hooks for nearly every one of the label's MC;s since, including Freeway's 'Victim Of The Ghetto' and appearing on 'The Message' featuring Mary J. Blige, from Dr. Dre's '2001'. In 2001, he met agreeable terms with Jay-Z, and began retooling his cancelled debut, and the project spawned a new and official lead single titled, 'If That's My Baby'. While the album was scheduled for a September release, after a second single, 'It's Obvious' was released, the album was re-scheduled to be released in spring 2002, but in early 2002 the reworked version of 'The Remedy' was shelved again. 

In 2004, Rell began work on yet another project, titled 'Long Time Coming', and for a promotion of the album, he released several leftover tracks from the cancelled 'The Remedy' project on numerous mixtapes and limited Roc-a-Fella EP samplers. In 2005 Rell released 'Real Love' as the lead single for 'Long Time Coming', but in the midst of the release, he was moved from the Roc-A-Fella label to Dame Dash Music Group, and under the new label, 'Long Time Coming' was scheduled to be released in May 2006. Unfortunately disagreements and lack of promotion from the new label ended up with Rell's second album being shelved, and he initially split from the label. In 2007, he appeared on collaborations with Latin reggaeton artists Don Omar and Zion, and he also wrote the title track for Usher's 2008 album 'Here I Stand'. In 2009, he teamed with Tre Williams to form 'The Revelations', who released their debut album, 'The Bleeding Edge', in October 2009, but Rell has yet to release an album under his own name, so to "remedy" that, here is the first of his shelved albums.

Track listing

01 If That's My Baby

02 Bring It On Home

03 Cloud 9

04 Get Up

05 Ghetto Stash

06 Never Knew A Love

07 Never Stop

08 Serious

09 Say It Ain't So

10 It's Obvious

11 The Reason

12 U And Me

13 When Will You See

14 Next Train

The Kingsbury Manx - Pelz Komet - The Best Of The Kingsbury Manx (2013)

The Kingsbury Manx emerged in 1999 from the same North Carolina indie rock scene that spawned the Archers Of Loaf and Superchunk before them. Band members Ken Stephenson (guitar/vocals), Bill Taylor (guitar/vocals), Ryan Richardson (drums/vocals), and Scott Myers (bass/keyboards) attended middle school together in Greensboro before going separate ways during their college years. Stephenson and Myers enrolled in creative writing studies at Wilmington while Taylor and Richardson both landed at UNC, Chapel Hill, but during visits back home, the quartet began writing and recording music for a demo. Their break came when Overcoat Recordings owner (and former Thrill Jockey employee) Howard Greynolds heard the tape and agreed to fund their debut. 'The Kingsbury Manx' was released by the label in 1999 to so little fanfare that it ended up creating a small amount of mystery. Managing to stay independent from any particular scene, the band cultivated a sound simultaneously derivative and original, with influences from such timeless artists as early Pink Floyd, Simon & Garfunkel, The Beach Boys, and The Byrds, but they were handled with such loving care and attention to detail that they were rendered largely insignificant. The album became one of the underground indie successes of 2000, landing in the year-end polls of NME (Top 50) and Magnet ("Ten Great Albums Buried in 2000"), and a short tour of the U.S. followed in support of Elliott Smith. 'Let You Down' followed in 2001, with it's Japanese issue including two bonus tracks in 'Dirt And Grime' and 'My Shaky Hand'. Their next release was an EP entitled 'Afternoon Owls', which arrived in late 2003, and the band toured in support of it with The Sea And Cake. Additional shows with Gorky's Zygotic Mynci coincided with the release of the band's third album, 'Aztec Discipline', later that year, and this was the first to include new band members Paul Finn on keyboards and bassist/drummer Clarque Blomquist, who took over from the departing Stephenson and Myers. In 2004, The Kingsbury Manx started working on tunes for their next album at their practice space (Pine Manor) in Chapel Hill, travelling up to Michigan to record the songs at the Key Club studios, and in early 2005 they left longtime label Overcoat Recordings to sign with local North Carolina label Yep Roc Records. The band took the Key Club tapes to Chicago, where Wilco member Mikael Jorgensen mixed the album, and the result was their 2005 release, 'The Fast Rise And Fall Of The South'. After taking a long break, the band returned in 2009 with the simpler, folkier 'Ascenseur Ouvert!', which was released on Finn's Odessa label, and working at a leisurely pace again, their sixth record, 'Bronze Age', came out in 2013. The band never officially broke up, but just drifted apart as they grew older, and so as an introduction to one of my favourite band's of the early-to-mid 00's, here is a collection of some of their best work. 

Track listing

01 And What Fallout! (from 'The Fast Rise And Fall Of The South' 2005)
02 Pageant Square (from 'The Kingsbury Manx' 1999)
03 Pelz Komet (from 'Aztec Discipline' 2003)
04 Glass Eye (from 'Bronze Age' 2013)
05 Grape To Grain (from 'Aztec Discipline' 2003)
06 Walk On Water (from 'Ascenseur Ouvert!' 2009)
07 Piss Diary (from 'The Kingsbury Manx' 1999)
08 Custer's Last (from 'Bronze Age' 2013)
09 Well, Whatever (from 'Ascenseur Ouvert!' 2009)
10 Whether Or Not It Matters (from 'The Kingsbury Manx' 1999)
11 Greenland (from 'The Fast Rise And Fall Of The South' 2005)
12 Courtyard Waltz (from 'Let You Down' 2001)
13 Harness And Wheel (from 'The Fast Rise And Fall Of The South' 2005)
14 Rustic Stairs (from 'Let You Down' 2001)
15 Half Man (from the 'Afternoon Owls' EP 2003)
16 How Cruel (from 'The Kingsbury Manx' 1999)

Blondie Chaplin - The Fragile Thread (2001)

Terrence William "Blondie" Chaplin was born on 7 July 1951, in Durban, South Africa, and both Chaplin and drummer Ricky Fataar were members of Durban-based rock band the Flames, which they joined at ages 13 and 9, respectively. Their 1968 album 'Soulfire' produced a hit in South Africa, with the band's cover of 'For Your Precious Love' being No. 1 on white South African radio for thirteen weeks. Beach Boy Carl Wilson heard the Flames while the band was performing in London, and he signed them to the Beach Boys' Brother Records label, and produced their album 'The Flame' (changed from Flames, to avoid confusion with the Famous Flames who were backup singers with James Brown), which featured soulful rock-pop songs in the vein of the Beach Boys and Badfinger. Chaplin, along with Fataar, joined the Beach Boys when original drummer Dennis Wilson suffered a hand injury that left him unable to play the drums for almost two years. For the Beach Boys, it was a period in which long-time member Bruce Johnston had departed the band, and one-time leader Brian Wilson's participation in the group was very limited. As a result, Chaplin and Fataar joined as full-fledged members and not merely as backing musicians. Chaplin sang lead on various Beach Boys songs from two studio albums, 'Carl And The Passions – "So Tough"' and 'Holland', and plays on the live album 'The Beach Boys In Concert', and 'Sail On, Sailor' from 'Holland' is considered his signature song. 

Chaplin left the group in 1973 after a dispute with the Beach Boys' management, and Fataar left the following year. Following his time with the Beach Boys, Chaplin recorded a self-titled album, released on Asylum Records in 1977, and he also performed on Rick Danko's self-titled début album, as well as producing David Johansen's third solo album 'Here Comes The Night', on which he played guitar and sang backing vocals, and co-authored seven tracks. During the 1980's, he toured as guitarist and vocalist with a band featuring Rick Danko and Paul Butterfield, as well as contributing a tune as songwriter on Butterfield's last studio album in 1986, 'The Legendary Paul Butterfield Rides Again'. His own solo discography has been fairly sparse, with only three albums appearing between 1977 and 2023, but in 2001 it was announced that his new solo album was nearing completion, with the title being 'The Fragile Thread'. The performing credits included Anton Fig on drums and Keith Lentin on bass, as well as guest appearances from Keith Richards, Ron Wood, Chuck Leavell, and Morris Goldberg. Two songs were mentioned in particular, with 'Don't Ask Me' featuring a haunting pipe melody, and 'Stop The Rain' being a medium tempo driving song with great drumming, but in end the album was shelved, and it was to be a further five years before he released the 'Between Us' album in 2006, with 'The Fragile Thread' remaining unreleased.  

Track listing

01 Don't Ask 
02 Where I Should Always Be
03 Buteh Hey! 
04 When I'm Walking 
05 We Hurt 
06 Fish Out Of Water
07 52 Letters 
08 Cry For Help 
09 You Got The Magic 
10 Stop The Rain 
11 Semolina 
12 When We Break 
13 Love You 'Til I Die 
14 Follow Your Heart 

The cover is based on the painting 'A Fragile Thread' by Catherine Sperling Dreyer.

The Final Solution - Misty Mind (1966)

Earth Mother And The Final Solution, later shortened to The Final Solution, were formed in 1965, and featured Ernie Fosselius on lead guitar, John Yager on lead vocals and rhythm guitar, John Chance on drums, and Bob Knickerbocker on bass guitar. Regarding the group's potentially offensive name, which have been taken as a reference to Nazo Germany's genocide of the Jews in World War Two, the band insisted it referred to the phrase "There is no final solution", a cryptic but otherwise meaningless statement, and music historian Alec Palao later explained "With their solidly middle-class backgrounds, none of the group had any idea of the slogan's implications". Stylistically, the band bore the closest similarity to the Great Society, with raga rock influences and minor-keyed melodies, although in other aspects they made a concerted effort to remain apart from their San Franciscan contemporaries, performing downbeat material penned by Fosselius and Knickerbocker, and dressing in a way that did not exhibit the hippie vibe of the city. They opened for several bands in San Francisco, in venues such as the Matrix and the Fillmore Auditorium ,throughout 1965 and 1966, completing approximately 50 live performances during their existence, and they were also the house band at the Red Dog Saloon for a month in 1966. 

Despite never recording during their existence, The Final Solution have gained the attention of fans of psychedelic rock after a bootleg circulated of a 1966 gig at The Matrix, which was later officially released by High Moon Records. This performance was almost not recorded as the group was a last-minute replacement for The Great Society, who had been forced to cancel the gig, and Peter Abram was running his tape deck that night and so captured a dynamic set that shows the band's diversity and musical chops. Rehearsal tapes have also surfaced of some of their songs, but despite recording demos for Mainstream Records in San Francisco, the band never managed to secure a recording contract, despite their live set showing that they were the equal of many other SF bands of the time. Had they managed to get a label interested, and laid down some of their songs in 1966, then their debut album could have sounded very much like this mix of live and rehearsal takes of some of their songs. As the guitar was buried so far in the mix at the rehearsals (and on 'Blacklist') that you could hardly hear it, I've brought it to the front so that we can clearly hear the acid-fried guitar solos.  

Track listing

01 If You Want
02 Tell Me Again
03 Just Like Gold
04 So Long Goodbye
05 The Time Is Here And Now
06 Bleeding Roses
07 You Say That You Love Me
08 Misty Mind
09 Nothing To Fear
10 Backlash

The Delines - The Drowning Life (2023)

Now that my recent post of 'The Best Of The Delines' has been up for a few weeks, I'm hoping that I've introduced the band to a raft of new fans, and so for them, as well as people who already knew of this superb group, here is a collection of their rare singles, b-sides and bonus tracks from throughout their career. 

Track listing

01 Walking Alone (b-side of 'The Oil Rigs At Night' 2014)
02 Slim And Margy (b-side of 'The Oil Rigs At Night' 2014)
03 What One Bottle Can Do (from the 'Colfax Bonus Tracks' EP 2014)
04 Eight Floors Up (single 2019)
05 Wait For Me (b-side of 'Eight Floors Up')
06 A Room On The 10th Floor (single 2019)
07 The Drowning Life (b-side of 'A Room On The 10th Floor')
08 Myrna And McCaughey (b-side of 'Little Earl' 2021)
09 The Movies (from 'The Imperial Sessions' EP 2019)
10 I Missed You So Bad I Thought My Heart Would Stop (from 'The Imperial Sessions' EP 2019)
11 Roll Back My Life (Version No. 2) (from 'The Imperial Sessions' EP 2019)
12 Pretty Perdita (flexi-disc included with Southwest Review magazine 2022)
13 The Golden State (from 'The Lost Duets' 2022)
14 My Blood Bleeds The Darkest Blue (from 'The Lost Duets' 2022)
15 Christmas In Atlantis (single 2023)
16 Waiting On A Bus Out Of Dallas (b-side of 'Christmas In Atlantis')
17 San Leandro Lament (b-side of 'Christmas In Atlantis')

Barry White - White Gold (1970)

Barry White was born Barry Eugene Carter on 12 September 1944, in Galveston, Texas, and grew up listening to his mother's classical music collection, first taking up the piano to emulate what he heard on the records. He attended Jacob A. Riis High School, an all-boys academy in southeast Los Angeles, and when he was 13 or 14 his his voice suddenly deepened almost overnight, which was something of a shock for his mother. At aged 16 he was jailed for four months for stealing $30,000 worth of Cadillac tires (equivalent to about $320,000 now), and while in jail he listened to Elvis Presley singing 'It's Now or Never' on the radio, an experience he later credited with changing the course of his life. After his release from jail, White left gang life and began a musical career at the beginning of the 1960's in singing groups. His first release was 'Too Far to Turn Around' in 1960 as part of the Upfronts, before working for various small independent labels in Los Angeles. He also recorded several singles with The Atlantics (for the Rampart and Faro labels) and The Majestics (for the Linda and Jordan labels). In 1965 he released one side of a split single with The Essence, under his birth name of Gene Carter, and he also produced 'Feel Aw Right' by the Bel Cantos, released on Downey Records, and the label also released his debut solo single, 'Man Ain't Nothin''/'I Don't Need It', under the name Lee Barry in 1966. 

In the mid-'60s, Bob Keane of Del-Fi Records hired him as an A&R man for his new Bronco Records imprint, and White started working with the label's artists, including Viola Wills and The Bobby Fuller Four, as a songwriter, session musician, and arranger. He discovered singer Felice Taylor and arranged her song 'I Feel Love Comin' On', and Bronco also issued one of White's first singles under his new name, 1967's 'All In The Run Of A Day'. In 1969, he was signed by Forward Records of Los Angeles, a division of Transcontinental Entertainment Corporation, as a producer, and as one final parting shot he released a cover of 'In The Ghetto' under the name Gene West in 1970. Two years later, White got his big break producing a girl group he had discovered called Love Unlimited, and after honing their talents for two years, they were signed to  Uni Records, and music industry businessman Larry Nunes helped to finance their album. After it was recorded, Nunes took the recording to Russ Regan, who was the head of the Uni label owned by MCA, and the resulting record, 1972's 'From A Girl's Point of View We Give to You... Love Unlimited', became the first of White's string of long-titled albums and singles. From this point his career took off, with a strings of hit singles and albums under his own name, as well as with Love Unlimited, and the Love Unlimited Orchestra, but everyone has to start somewhere, and this post charts Barry White's early years in the music industry up until that big break.  

Track listing

01 Too Far To Turn Around (The Upfronts 1960)
02 Married Jive (The Upfronts 1960)
03 Boo-Hoo-Hoo (The Atlantics 1961)
04 Remember The Night (The Atlantics 1962)
05 Flame Of Love (The Atlantics 1962)
06 Home On The Range (The Atlantics 1963)
07 Let Me Call You Sweetheart (The Atlantics 1963)
08 Strange World (The Majestics 1963) 
09 Everything Is Gonna Be Alright (The Majestics 1963)
10 It Took Time (It Took You) (The Upfronts 1963)
11 Baby, For Your Love (The Upfronts 1963)
12 Tracy (All I Have Is You) (Barry White And The Atlantics 1964)
13 Ring Around My Rosie (as Gene Carter 1965)
14 Man Ain't Nothin' (as Lee Barry 1966)
15 I Don't Need It (as Lee Barry 1966)
16 All In The Run Of A Day (as Barry White 1967)
17 Don't Take Your Love From Me (as Barry White 1967)
18 In The Ghetto (as Gene West 1970)
19 Little Girl (as Gene West 1970)

The Cooper Temple Clause - Not Quite Enough (2007)

The Cooper Temple Clause were an English alternative rock band, formed in Wokingham, Berkshire in 1998 by Ben Gautrey (vocals), Tom Bellamy (guitar, synthesizer, bass), Daniel Fisher (guitar, bass), Jon Harper (drums), and Didz Hammond (bass). Naming themselves after the Cowper-Temple clause, which was inserted into the Elementary Education Act 1870 (33 & 34 Vict. c. 75), and which was a compromise on the nature of religious education in the state elementary schools set up in England and Wales by the Act. During many of their early interviews, the band would make up various stories related to the origin of their name to wind up the journalists. After signing to Morning Records in 2001, and releasing two EPs, the band's debut album, 'See This Through And Leave', was released on 11 February 2002, spawning three singles in 'Let's Kill Music', the double-A side 'Film-Maker // Been Training Dogs', and 'Who Needs Enemies?'. The album was  well received by critics and reached number 27 in the UK Albums Chart. Nineteen months after 'See This Through And Leave', the band released their second album, 'Kick Up The Fire, And Let The Flames Break Loose', in 2003, which saw the band record for the first time at their own studios Bleak House, and which had a different style, increasingly incorporating electronic sounds into tracks. 

Its two singles, 'Promises, Promises' and 'Blind Pilots', gave the band international recognition, with 'Promises, Promises' reaching number 19 on the UK Singles Chart. The album was hailed by fans and critics alike, and reached number 5 in the UK Albums Chart, the highest position the band would ever achieve. In September 2005, bassist Didz Hammond left the band to join ex-Libertine Carl Barât in the band Dirty Pretty Things, although he did play on a couple of tracks for the band's next album before he left. After many setbacks, including a change in record label, and the loss of Hammond, the band's third album was significantly delayed, and was finally released on 22 January 2007. 'Make This Your Own' included the singles 'Damage', 'Homo Sapiens', 'Waiting Game' and 'Head', and it saw Fisher and Bellamy having a greater role in vocals, as well as featuring fewer electronic influences than the previous album. In late April 2007 the band announced they had split up, following Fisher's decision to leave, and this led to the cancellation of proposed appearances at Underworld and Dingwalls as part of the Camden Crawl. During their decade together they released many exclusive tracks as the b-sides to their singles, and this album collects them all in one place for you remember and re-assess an under-rated, but none-the-less innovative, indie rock band.  

Track listing

Disc I - 2001
01 Devil Walks In The Sand (Acoustic) (promo 7" single 2001)
02 Girl Ink Age (b-side of 'Let's Kill MUsic' 2001)
03 My Darling (Nasty Angel) (b-side of 'Let's Kill MUsic' 2001)
04 Safe Enough Distance Away (b-side of 'Film-Maker' 2001)
05 Screwdriver Song (b-side of 'Film-Maker' 2001)
06 The Devil Walks In The Sand (from 'The Hardware' EP 2001)
07 Solitude (from 'The Hardware' EP 2001)
08 Way Out West (from 'The Hardware' EP 2001)
09 Sister Soul (from 'The Hardware' EP 2001)
10 I'll Still Write (from 'The Warfare' EP 2001)
11 Mansell (from 'The Warfare' EP 2001)

Disc II - 2002-2003
01 Before The Moor (from 'Who Needs Enemies' 2002)
02 One Quick Fix (from 'Who Needs Enemies' 2002)
03 Lapitu (Bedtime Story) (from 'Who Needs Enemies' 2002)
04 Not Quite Enough (from 'Who Needs Enemies' 2002)
05 Jesus, You Smoke Too (from 'Who Needs Enemies' 2002)
06 Our Eyes Are Bright (b-side of 'Promises Promises' 2002)
07 On.Off.On (b-side of 'Promises Promises' 2003)
08 I Know (b-side of 'Promises Promises' 2003)
09 Resident Writer (b-side of 'Promises Promises' 2003)
10 Habit Of A Lifetime (b-side of 'Blind Pilots' 2003)
11 Derelict (b-side of 'Blind Pilots' 2003)
12 I Want You To Think I Could Be (b-side of 'Blind Pilots' 2003)

Disc III - 2006-2007
01 Haunted By You (b-side of 'Homo Sapiens' 2006)
02 Pins And Needles (b-side of 'Homo Sapiens' 2006)
03 The Clan (b-side of 'Homo Sapiens' 2006)
04 Talking To Pylons (b-side of 'Homo Sapiens' 2006)
05 Last Line Of Defence (b-side of 'Waiting Game' 2007)
06 Pulling Shapes (b-side of 'Waiting Game' 2007)
07 For The Last Time (b-side of 'Waiting Game' 2007)
08 Sleeping In A Different Room (from the 'Head' EP 2007)
09 Zoology (from the 'Head' EP 2007)
10 Theme From Mayhem (from the 'Head' EP 2007)

The Popguns - A Way To Convince You (2023)

The Popguns were formed in 1986 in Brighton, East Sussex, by vocalist Wendy Morgan, guitarists Simon Pickles and Greg Dixon plus bassist Pat Walkington, and were joined by Shaun Charman, the former drummer for The Wedding Present in 1988. Their first release, 'Where Do You Go?', came in the form of a split flexi disc with How Many Beans Make Five?, given away free with an issue of a local fanzine in 1988. After signing to Medium Cool Records, they released the single 'Landslide' in 1989, which reached number 20 on the UK Indie Chart, and made it to No. 46 on DJ John Peel's Festive Fifty list for that year. Midnight Music picked up the band from Medium Cool in 1989, and the singles 'Waiting For The Winter' that same year, and 1990's 'Someone You Love' both featured on their debut album for the label, 'Eugenie', with every track on the album being included on those three singles. In 1991, the single 'Still A World Away' preceded second album 'Snog', which was followed by the EPs 'XXX' and 'Crazy', finishing off a busy year for the band. Charman then left the group, leaving them on a brief hiatus which saw them lose a significant amount of their media coverage, and it was three years before they reappeared with the 'Star' single on new label, 3rd Stone, who followed that with their third album, 'Love Junky' in 1995. 

The final release of their early years was the 1996 compilation 'A Plus de Cent' on Tall Poppy Records, including the French language version of their last single, 'Harley Davidson'. After another lengthy break, 2012 saw the band resume live performances with six gigs in that year and a further two in 2013, and at least four new songs were included in these performances, three of which later turned up on a three-track 7" single, 'Lovejunky', released in late 2014. A new album, 'Pop Fiction', followed on yet another label, Matinée Recordings, with the 'Still Waiting For The Winter' single being taken from it. The band have continued to tour and record new material, and in 2017 they released 'So Long' as a taster for their new album 'Sugar Kisses', and they've continued to record singles and EPs since then, with the 'Carrying The Fire' EP appearing in 2019, and the 'Popism' single being released as recently as 2023. This post collects together all the non-album singles and b-sides recorded by this under-rated 1990's indie-pop group, right through to their re-emergence in the 2000's and beyond.   

Track listing

Disc I - 1988-1994
01 Where Do You Go (split flexi disc with How Many Beans Make Five 1988)
02 I'm Spoiling Everything (b-side of 'Still A World Away' 1991)
03 A Way To Convince You (b-side of 'Still A World Away' 1991)
04 Living In Sin (from the 'XXX' EP 1991)
05 Can't Ignore The Rain (from the 'XXX' EP 1991)
06 Really Gone (from the 'XXX' EP 1991)
07 Crazy (single 1991)
08 Gesture (b-side of 'Crazy')
09 Stay Alive (b-side of 'Star' 1994)
10 Daybreak (b-side of 'Get Out' 1994)
11 What Are You Waiting For (b-side of 'Get Out' 1994)
12 Can I Kick It? (b-side of 'Get Out' 1994)

Disc II - 1996-2023
01 Harley Davidson (single 1996)
02 Crushed (previously unreleased 1996)
03 So Amazing (previously unreleased 1996)
04 Long Way To Fall (b-side of 'Lovejunky' 2014)
05 Home Late (b-side of 'Lovejunky' 2014)
06 Red White And Blue (single 2014)
07 BN3 (from the 'Still Waiting For The Winter' EP 2015)
08 Why You Fell In Love With Me (from the 'Still Waiting For The Winter' EP 2015)
09 Diane's Song (from the 'Still Waiting For The Winter' EP 2015)
10 Beat Me Up (from the 'C88 Demos' EP 2017)
11 12 Days Of Christmas (from the WIAIWYA Christmas advent calendar album '24' 2021)
12 Caesar (from the 'Popism' EP 2023)
13 Dirty London (from the 'Popism' EP 2023)
14 Red Cocoon (from the 'Popism' EP 2023)
15 Indie Rock Goddess (from the 'Popism' EP 2023)

Thanks to jman for the suggestion.

LovHer - To Know Her Is To LovHer (2002)

LovHer was an American R&B girl group, and was the first female group on the Def Soul label. The group was formed in 1999 by Sisqó, lead singer of R&B group Dru Hill, who wanted to put together a girl group that would present a raw, "street" appeal. Like Dru Hill, LovHer's members are known by hip hop nicknames: Talia "Chinky" Burgess, Marthea "Buttah" Jackson, Samerrah "Serenade" Terrell, and Kienji Hakeem. In 1999, LovHer made their first appearance in Sisqó's 'Got to Get It' music video, and performed vocals on his 1999 album 'Unleash The Dragon', and its follow-up, 2001's 'Return Of Dragon'. In 2002, their song 'How It's Gonna Be' was released as a single from the 2001 'Rush Hour 2' soundtrack, peaking at number 60 on the Billboard Hot R&B/Hip-Hop Songs chart, and the group was nominated for the Soul Train Lady of Soul award for Best R&B/Soul or Rap New Artist. After a second single, 'Girlfriend', failed to repeat the success of the first one, the group was dropped by Def Soul, and the album that they'd recorded was eventually shelved. In 2007, Kienji left the group, and after a brief attempt at continuing as a trio, the remaining members of the group split up. As so often happened in the late 90's and early 2000's, labels only had an eye on the dollar, and if a group wasn't instantly successful then they were unceremoniously dumped, and fine albums like this one were destined never to be heard...until now.   

Track listing

01 Intro 
02 How It's Gonna Be
03 Your Man 
04 Girls Gonna Do
05 Girlfriend (Interlude) 
06 Girlfriend 
07 Love 
08 Do You Know Me 
09 Don't Leave
10 I Don't Want Your Man 
11 What Could've Been 
12 Commitment
13 Club (Interlude)
14 You Don't Know Me (feat. Sisqo)
15 Happy Days
16 Black Butterfly