On 7 January 1967 Jackson Browne booked some time in the studio to make some demos of his songs for Nina Music, with the label's idea being to showcase his songs to various artists on the Elektra roster. For some reason, Nina Music pressed thirty of Jackson's songs, along with ten of fellow musician Steven Noonan's, onto two LP's, although only about 2/3 of the songs were from the 1967 recording session at Jaycino Studio in New York, with the rest coming from a Columbia session from October of the previous year. One hundred copies of this unorthodox showcase LP, packed in plain white jackets, were distributed around the music community, and for fans of the singer these records, which came to be known collectively as 'The Nina Demos', are a treasure. Comprising virtually every demo-able song in Browne's repertoire at the time, they tell an enlightening tale of an eighteen-year-old doing his conscientious best to pin down his life as well as his art. The songs don't stray too far from Browne's own experience, with a favorite, and convincing, theme being that of the earnest, motivated and optimistic young man on the threshold of discovery and growth. From the 1967 sessions we have 'Holding', where he writes of holding his door open to the wind, while 'Love Me, Lovely' advises his girl in tried-and-true folk-song style to make the most of today with him because tomorrow he's out that door. The eighteen-year-old Browne was not shy about making his points, and the best is yet to come, he informs his going-through-the-motions friend in 'You've Forgotten', while a youthful preachiness pervades 'Someday Morning', and 'Somewhere There's A Feather' reads like a teen Sermon on the Mount with its exhortation to live, learn, and love. In sharp contrast to these songs are 'Melissa' and 'It's Been Raining Here In Long Beach', the fruit of Jackson's brief stint as a ragtime writer. For this second of the two posts I've used the 1967 recordings, with this second post being a bit longer than the 1966 one, so just one extra track, being another co-write with Greg Copeland, later covered to fine effect by Nico on her 'Chelsea Girl' album. As mentioned before, this is mostly just Jackson and his guitar, so will probably appeal more to his committed fanbase rather then the casual listener, but the sound quality is excellent for the year and circumstances of recording, so it's perfect for when you're in the mood for some gentle acoustic singer/songwriting from a budding star in the making.
01 Holding (Browne)
02 Somewhere There's A Feather (Browne)
03 I've Been Out Walking (Browne)
04 Funny You Should Ask (Browne)
05 Love Me, Lovely (Browne)
06 You've Forgotten (Browne)
07 Someday Morning (Browne)
08 Cast Off All My Fears (Browne)
09 In My Time (Browne)
10 Melissa (Browne)
11 It's Been Raining Here In Long Beach (Browne)
12 You'll Get It In The Mail Today (Browne)
13 Shadow Dream Song (Browne)
14 The Light From Your Smile (Browne)
15 The Fairest Of The Seasons (Browne/Copeland)
Comments on the songs taken from 'The Story Of A Hold Out' by Rich Wiseman;
Dolphin Books.
Thank you very much.
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