Tuesday, October 31, 2023

Pink Floyd - Bedlam And Breakfast (1974)

Time for another guest post, and this one is from Geof Moody, who has put together a rather interesting Pink Floyd album. 
Following the release and subsequent global success of 'Dark Side Of The Moon' in 1973, Pink Floyd started to think about how they were going to follow it. During 1974, the band sketched out three new compositions, 'Raving And Drooling', 'You Gotta Be Crazy' and 'Shine On You Crazy Diamond', and these were performed during a series of concerts in France and England, culminating in a concert at Trentham Gardens, Stoke-On-Trent in November, which was recorded for the superb 'British Winter Tour 74' bootleg. This was required listening for a Floyd fan at the time, containing as it did not only brand new material which had never been heard before, but in some of the best sound quality that had been heard at that time. When the band eventually went back into the studio to start recording their next album in January 1975, the three new compositions from 1974's tour were at least a starting point, and 'Shine On You Crazy Diamond' seemed a reasonable choice as a centrepiece for the new work. Mostly an instrumental 20-minute-plus piece similar to 'Echoes', the opening four-note guitar phrase reminded Waters of the lingering ghost of former band-member Syd Barrett. He wanted to split 'Shine On You Crazy Diamond', and sandwich two new songs between its two halves, but although David Gilmour disagreed, he was outvoted three to one, and so with 'Welcome To The Machine' and 'Have A Cigar' being barely veiled attacks on the music business, their lyrics worked neatly with 'Shine On...' to provide an apt summary of the rise and fall of Barrett. 'Raving And Drooling' and 'You Gotta Be Crazy' had no place in the new concept, however, and so were set aside until they were re-worked for the 'Animals' album two years later. But what if, in another timeline, the band had decided that those two songs were good enough for their next album, and had recorded them in the studio as they had been performed onstage, then the follow-up to 'Dark Side...' would have been a very different record indeed. The recording of their gig at the Empire Pool, Wembley is such good sound quality that Geof has taken those recordings and removed as much audience noise as possible, and replaced it with a few sound effects and overheard conversations, such as was evident on 'Dark Side Of The Moon'. In a homage to 'Shine On..., he's split 'You Gotta Be Crazy' in two to bookend the album, although mostly it was to even out the running time of what would have been the two sides of a vinyl album of 28 minutes each. He's titled it 'Bedlam And Breakfast', as there is a definite theme of madness running through the three songs, even to the point of the inclusion of words like 'raving' and 'crazy' in the song titles. So here is what could have been Pink Floyd's 1974 album if they'd decided to stick with the music that they'd already written, and many thanks to Geof for putting it all together.



Track listing
  
01 You Gotta Be Crazy
02 Raving And Drooling
03 Shine On You Crazy Diamond
04 You Gotta Be Crazy (Reprise)

Additions to the music are:
Tracks 1 & 4 - general chatter and mumbling, experts from The Avengers episode 'The Hour That Never Was'.
Track 2 - extracts from a Youtube video simulation of Paranoid Schizophrenia, vocal sound and scream from 'Live In Pompeii'.
Track 3 - general thunderstorm, running water, seagulls.

22 comments:

  1. https://mega.nz/file/inZ2FJhA#hhZAULqoqwxWHoLUg9yzHzT5wSiOd5RcPOMFWnoW_GU

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  2. Looking forward to hearing this! Welcome Geof!

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  3. Listened to this last night. Beautiful job sir! What an enjoyable listen and great mixing job! I have had the boot this was based on for a while but never in this stellar quality and you special effects fit right in snug as a bug without being overbearing or seemingly out of place. I think Pink would have approved! Great Job!

    If you are a Floyd fan...download this NOW...you won't regret it!

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  4. Thanks, when I did it I thought this sounds like a studio album, both sound wise and its consistency. Additionally the thre tracks are all different from their final versions on WYWH and Animals.

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  5. Geof, what was the source that you used… it was so much better than the best boot I could find… maybe might need a bit of a boast in the treble on the drums but all the other instruments and vocals were spot on!

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  6. ahhh... That explains a lot. I misunderstood the write up...I thought PJ said you used British Winter Tour 74 as the basis... the Wembley is the best version out there! I know I always have to redo my stuff for him as MP'3s...but do you have a Flac version available... I'm not super picky...just checking.

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  7. Oh...and can I share your version (giving you total credit of course!)? I have a few sites that I deal with that I think would really dig your work on this one!

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  8. By the way...It's Mike Solof...I don't know why it labeled me as Anonymous! LOL

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  9. Firefox seems to be stopping me signing in these days, if I lower the security, then I get floods of ads.

    And in answer to shareing, Yes, feel free.

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  10. Do you have them in flac... i'm not picky but some of my sites are lol!

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    1. Sorry, I downloaded the wembley in MP3 so I don't have a flac version.

      I will try rebuild again from a FLAC download.

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  11. Please repost. Can't wait to hear this!

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  12. Link is now always in the comments of the most recent post.

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  13. I've always wanted to put together a theoretical album with You Gotta Be Crazy and Raving And Drooling but wanted to try using the studio versions that are floating around the web, but they were not of the ideal quality to have satisfactory results. I am curious as to whether there are ways to clean up those versions for a proper studio album of decent quality sound. Either way, thanks for this one. This will surely be among the regular rotations.

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  14. Did it meat your expectations?

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  15. Exceeded them! Thank you for your hard work.

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