Kristoffer Kristofferson was born on 22 June 1936 in Brownsville, Texas, to Mary Ann and Lars Henry Kristofferson, a U.S. Army Air Corps officer. Because of his father's military service the family moved around frequently, but they eventually settled in San Mateo, California. An aspiring writer, he immediately enrolled in Pomona College, and his early writing included prize-winning essays, with 'The Rock' and 'Gone Are The Days' being published in The Atlantic Monthly. In 1958 he won a Rhodes Scholarship to Oxford University, studying at Merton College, and while there he was awarded a Blue for boxing, played rugby for his college, and began writing songs, and with the help of his manager, Larry Parnes, he recorded for Top Rank Records under the name Kris Carson. Parnes was working to sell Kristofferson as "a Yank at Oxford" to the British public, and Kristofferson was willing to accept that promotional approach if it helped his singing career, which he hoped would enable him to progress toward his goal of becoming a novelist. In the early 1960's, under pressure from his family, he joined the U.S. Army and was commissioned as a second lieutenant, later attaining the rank of captain. He became a helicopter pilot after receiving flight training at Fort Rucker, Alabama, but while stationed in West Germany as a member of the 8th Infantry Division he resumed his music career and formed a band. After leaving the army in 1965 he decided to pursue a career in songwriting, resulting in his family disowning him. He got a job sweeping floors at Columbia Recording Studios in Nashville, where he met June Carter, and he asked her to give Johnny Cash a tape of his. She did, but Cash put it on a large pile with others and didn't listen to it, but as Kristofferson was also working as a commercial helicopter pilot for south Louisiana firm Petroleum Helicopters International (PHI) at the same time, he landed a helicopter in Cash's front yard, and gained his full attention.
Although he now considers it an invasion of Cash's privacy, it did work, and Cash recorded his 'Sunday Mornin' Comin' Down', winning Kristofferson Songwriter of the Year for the song at the Country Music Association Awards. In 1967 he signed to Epic Records and released a single, 'Golden Idol'/'Killing Time', and although this was not successful, his songs were hitting the charts by other artists, such as Roy Drusky with 'Jody And The Kid', Ray Stevens with a cover of 'Sunday Mornin' Comin' Down', Faron Young with 'Your Time's Comin'', and Roger Miller with 'Me And Bobby McGee', 'Best Of All Possible Worlds', and 'Darby's Castle'. Kristofferson signed with Monument Records as a recording artist, and his debut album for the label was 1970's 'Kristofferson', which included a few new songs as well as many of his previous hits. Sales were poor, although they would improve when it was re-released under the title 'Me & Bobby McGee' the following year. Kristofferson's compositions were still in demand, with Ray Price recording 'For The Good Times', both Gladys Knight & The Pips and Sammi Smith taking 'Help Me Make It Through The Night' into the charts, and Waylon Jennings and Bobby Bare recording successful versions of his songs in the early 1970's. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with 'Me And Bobby McGee' from her posthumous album 'Pearl', which was probably the biggest success the he had with one of his songs, staying at the number-one spot on the charts for weeks. As so many of his songs were recorded by other artists both before and after his debut album release, it's a perfect contender for inclusion in this series, and so here are some of the best versions of the songs that made up Kris Kristofferson's first record.
01 Blame It On The Stones (Fred Foster 2021)
02 To Beat The Devil (Waylon Jennings 1972)
03 Me And Bobby McGee (Janis Joplin 1971)
04 The Best Of All Possible Worlds (Roger Miller 1969)
05 Help Me Make It Through The Night (Jeannie C. Riley 1971)
06 The Law Is For Protection Of The People (Bobby Bare 1969)
07 Casey's Last Ride (John Denver 1971)
08 Just The Other Side Of Nowhere (George Hamilton IV 1970)
09 Darby's Castle (The Country Gentlemen 1980)
10 For The Good Times (Kenny Rogers And The First Edition 1971)
02 To Beat The Devil (Waylon Jennings 1972)
03 Me And Bobby McGee (Janis Joplin 1971)
04 The Best Of All Possible Worlds (Roger Miller 1969)
05 Help Me Make It Through The Night (Jeannie C. Riley 1971)
06 The Law Is For Protection Of The People (Bobby Bare 1969)
07 Casey's Last Ride (John Denver 1971)
08 Just The Other Side Of Nowhere (George Hamilton IV 1970)
09 Darby's Castle (The Country Gentlemen 1980)
10 For The Good Times (Kenny Rogers And The First Edition 1971)
11 Duvalier's Dream (Hank Beukema 2014)
12 Sunday Mornin' Comin' Down (R. Dean Taylor 1970)
12 Sunday Mornin' Comin' Down (R. Dean Taylor 1970)
https://mega.nz/file/z7IklYwC#vMHgGs_GE_C34WUROP_NYGhTGfhuyZ9-VbxjJuI0fI0
ReplyDeleteThanks for another awesome post to The Hitmakers Sing series.
ReplyDeleteanother great Kris Kristofferson cover is Graham Bells version of Epitaph although he calls it So Back and So Blue you can here it at https://www.youtube.com/watch?v=Alfadicrss8&t=2349s
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