Friday, July 26, 2024

Various Artists - The Hitmakers Sing J. J. Cale (2021)

John Weldon (J.J.) Cale was born on 5 December 1938 in Oklahoma City, Oklahoma, and was raised in Tulsa, Oklahoma, graduating from Tulsa Central High School in 1956. As well as learning to play the guitar, he began studying the principles of sound engineering while still living with his parents in Tulsa, where he built himself a recording studio. After graduation he was drafted into military service, studying at the Air Force Air Training Command in Rantoul, Illinois, where he learned a little bit about electronics, which he later used to create the distinctive sound of his studio albums. Along with a number of other young Tulsa musicians, Cale moved to Los Angeles in late 1964, where he found employment as a studio engineer, as well as playing in bars and clubs. He first tasted success that year when singer Mel McDaniel scored a regional hit with his song 'Lazy Me', and the following year he managed to land a regular gig at the increasingly popular Whisky a Go Go. It was the club's co-owner Elmer Valentine who rechristened Cale as J.J. Cale, to avoid confusion with the John Cale of the Velvet Underground, who had started to gain a reputation on the scene. 
In 1966 he cut a demo single with Liberty Records of his songs 'After Midnight' and 'Slow Motion', which they released as a single, and Cale distributed copies of it to his Tulsa musician friends living in Los Angeles, many of whom were successfully finding work as session musicians. In 1967 he returned to Tulsa, as he'd found little success as a recording artist in Los Angeles, and he couldn't make enough money as a studio engineer, so had to sell his guitar. In 1970 it came to his attention that Eric Clapton had recorded 'After Midnight' on his debut album after hearing it being played on his radio, and he finally started to make some money from his music. It was suggested to Cale that he should take advantage of this publicity and cut a record of his own, and his first album, 'Naturally', was released in October 1971, and it immediately established his style, described by Los Angeles Times writer Richard Cromelin as a "unique hybrid of blues, folk and jazz, marked by relaxed grooves and Cale's fluid guitar and iconic vocals". His biggest U.S. hit single was 'Crazy Mama', which peaked at No. 22 on the U.S. Billboard Hot 100 chart in 1972, and this was later covered by Johnny Rivers, who had appeared at the Whiskey A Go Go at the same time as Cale. Over the next few years other tracks were covered by Lynyrd Skynyrd, Poco and Kansas, with the rest following over the years, until by 2021 every song from the album had a cover version, and here is a collection of the best of them.



Track listing

01 Call Me The Breeze (Lynyrd Skynyrd 1974)
02 Call The Doctor (John Faulk 2021) 
03 Don't Go To Strangers (Ali Claudi & Friends 1975) 
04 Woman I Love (Janos Huba Group 2014) 
05 Magnolia (Poco 1974)
06 Clyde (Dr. Hook 1978)
07 Crazy Mama (Johnny Rivers 1972)  
08 Nowhere To Run (Bo Fortin 2021) 
09 After Midnight (Eric Clapton 1970)
10 River Runs Deep (Romuald Slawinski 2016)
11 Bringing It Back (Kansas 1974)
12 Crying Eyes (Steve Gunn 2009)

And so ends this series, as I've exhausted the supply of suitable singer/songwriter's albums where every track has received a cover version. I really enjoyed putting them together, so if anyone has a suggestion for someone that I've missed then just let me know. The criteria is one album with all, or most, of the songs written by the artist, and with a large majority of them being covered by other artists. 

5 comments:

  1. How about "The Hitmakers Sing Badfinger" ???

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    1. ...Sing Pete Ham might have been a possibility, but although 16 of his songs have been covered, they are scattered over four or five albums, so it wouldn't really work. That is an idea, though, if all the songs on an album were written by one person, and they've all been covered then I could introduce groups into the series.

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  2. amazing compilation ! thanks a lot!

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  3. thanks for putting these together!

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  4. Thank you for these! I'm not surprised that you've come to a dead end on this concept, given the self-imposed limits. I am surprised that you came up with so many.

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