Friday, July 1, 2022

Belinda Carlisle - Private Lives (1987)

Belinda Carlisle's first venture into music was in 1977 as drummer for the punk rock band The Germs, under the name Dottie Danger, after she was recruited into the band by Lorna Doom, whom she had met in an art class while a student at Newbury Park High School. Her time in the band was short owing to her contracting mononucleosis, and she never recorded or performed live with the band, but according to Germs guitarist Pat Smear (who later played in Nirvana and Foo Fighters), when she quit she introduced her friend, Donna Rhia, who became her replacement. Soon after leaving The Germs, she co-founded The Misfits with friends and fellow musicians Margot Olavarria, Elissa Bello, and Jane Wiedlin, later changing their name to The Go-Gos. Olavarria and Bello were soon out of the group and the new line-up included bassist-turned-guitarist Charlotte Caffey, guitarist-turned-bassist Kathy Valentine, and drummer Gina Schock. The band went on to become one of the most successful American groups of the 1980's, helping usher new wave music into popular American radio, and becoming the first and only all-female band that wrote their own music and played their own instruments to ever achieve a No. 1 album with their 'Beauty And The Beat', which featured the hits 'We Got The Beat' and 'Our Lips Are Sealed'. Two more albums followed on I.R.S. Records, including 1982's 'Vacation', which went gold, before they disbanded in 1985. Carlisle and Wiedlin both embarked on successful solo careers, and Carlisle's first solo album 'Belinda' was released in 1986, achieving Gold status in the United States and Platinum in Canada. Hit singles soon followed, with 'Mad About You' peaking at No. 3 in the United States, while Charoltte Caffey's Motown-influenced 'I Feel The Magic' and a cover of the Freda Payne classic 'Band Of Gold' also did well for her. The Lindsay Buckingham co-write 'Since You've Gone' was used only for promotion, while Susanna Hoffs co-wrote the single 'I Need A Disguise', on which she sang back-up vocals alongside Jane Wiedlin. During this time Carlisle also had songs featured on movie soundtracks, notably 'In My Wildest Dreams' from the movie 'Mannequin', 'Shot In The Dark' from the Anthony Michael Hall thriller 'Out Of Bounds', as well as 'Dancing In The City' from the Whoopi Goldberg movie 'Burglar'. In 1987 she began work on her follow-up album, and recorded demos of a number of new songs, some of which were later re-recorded for inclusion on the 'Heaven On Earth' album, while a number of them remain unreleased to this day. The album's first single, 'Heaven Is A Place On Earth', topped the single charts in the United States and the UK, and is perhaps her most famous song, while the Diane Warren-penned 'I Get Weak' peaked at No. 2 in the United States and No. 10 in the UK. The third single from the album was 'Circle In The Sand', another Top 10 hit in the United States, the UK, and Germany. Following the success of the album, Carlisle embarked on the Good Heavens world tour, which sold out Wembley Arena in London. As this was a pivotal point in her solo career, I've collected together those demo recordings, and also added in a couple of the songs from the movie soundtracks of the same period, to give an idea of how she polished these early versions of her songs to perfect what would become the album that broke her into the mainstream. The cover of Donovan's 'Wear Your Love Like Heaven' had a serious drop-out which I've managed to patch, so hopefully that isn't too noticable.   



Track listing

01 Private Lives
02 Some Hearts
03 Out Of My Hands
04 Circle In The Sand
05 Wear Your Love Like Heaven
06 Love Never Dies
07 In My Wildest Dream
08 World Without You
09 Waiting For A Star To Fall
10 Should I Let You In
11 Dancing In The City

2 comments:

  1. Thanks for all your recent girl-posts. Never heard these demos before, have a soft spot for Belinda.

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  2. Thank you. I was a Carlisle fan back in the day and a film expert today (as a job!), but I wasn't aware of these songs. Well, it's been decades since I've watched Bruglar of Mannquin...

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