Friday, January 29, 2021

Xero - Xero (1996)

Xero formed in 1996, and consisted of three Californian high school friends, Mike Shinoda, Brad Delson and Rob Bourdon. After graduating from high school, they began to take their musical interests more seriously, recruiting Joe Hahn, Dave "Phoenix" Farrell, and Mark Wakefield to perform in the band. Though limited in resources, they began recording and producing songs in Shinoda’s makeshift bedroom studio in 1996, resulting in a four-track demo tape, entitled 'Xero'. However, tensions and frustration within the band grew after they failed to land a record deal, and this prompted Wakefield, at that time the band's vocalist, to leave in search of other projects, followed by Farrell shortly afterwards. After spending a considerable time searching for Wakefield's replacement, Xero recruited Arizona vocalist Chester Bennington, formerly of post-grunge outfit Grey Daze, and the band then agreed to change their name from Xero to Hybrid Theory. The band still struggled to sign a record deal, and they were eventually helped by Jeff Blue, who had recommended Bennington to the group, and he managed to get them a deal with Warner Brothers as developing artists in 1999. As part of the deal, the label advised them to change their name to avoid confusion with the band Hybrid, and so after considering calling themselves Plear and Platinum Lotus Foundation, they finally settled on Linkin Park. The demo tape surfaced some years ago, with two different covers, one being the baby, and the other a shopping cart, but the shopping cart cover was scrapped after Shinoda and Hahn collaborated on the final artwork.


 
Track Listing

01 Rhinestone
02 Reading My Eyes
03 Fuse
04 Stick 'n' Move

Suggested by 'The Greatest Albums You'll Never Hear' by Bruno MacDonald

Tuesday, January 26, 2021

The Waterboys - Medicine Jack (1985)

'This Is the Sea' was released in 1985, and is the last of their 'Big Music' albums, with the band going back to their folk roots for their next release. Considered by critics to be the finest album of their early rock-oriented sound, it was the first Waterboys album to enter the UK charts, peaking at number 37. Steve Wickham made his Waterboys recording debut playing violin on 'The Pan Within' and subsequently joined the band, although this would be the last appearance of Karl Wallinger, who left the group after the album was released to form his own band, World Party. It was one of Scott's personal favourites, describing it as "the record on which I achieved all my youthful musical ambitions, the final, fully realised expression of the early Waterboys sound". After completing the album, Scott felt that he'd finished with that kind of music, achieving whatever it was he was trying to achieve, and didn't need to do it anymore, resulting in the complete change of direction for 'Fisherman's Blues'. As with all the band's previous records, much more material was recorded than was needed, and so we can make up yet another album just from the out-takes and the extended version of one of their b-sides, none of which deserved to be consigned to the vaults at the time.



Track listing

01 Beverley Penn (previously unreleased)
02 Medicine Jack (previously unreleased full length version)
03 Sleek White Schooner (previously unreleased)
04 Even The Trees Are Dancing (previously unreleased)
05 High Far Soon (b-side of re-issue of 'The Whole Of The Moon' 12" single 1991)
06 Then You Hold Me (previously unreleased)
07 Spirit (full length version on b-side of 'The Whole Of The Moon' 12" single 1985)
08 Towers Open Fire (previously unreleased)
09 Miracle (previously unreleased)
10 The Waves (previously unreleased)
11 Sweet Thing (Van Morrison) (previously unreleased) 

 and as a bonus here's a track that you can use as your answer-phone message

12 I Am Not Here

Saturday, January 23, 2021

George Benson - ...and on guitar (1971)

George Washington Benson was born on March 22, 1943, and as a child prodigy he first played the ukulele in a corner drug store, for which he was paid a few dollars, then at the age of eight he was playing guitar in an unlicensed nightclub on Friday and Saturday nights, before the police closed the club down. At the age of nine he cut his first recordings, and of the four sides he recorded, two were released as the 1954 'She Makes Me Mad'/'It Should Have Been Me' single on RCA Victor in New York. He first came to prominence in the early 1960's, starting his professional career at age 19 by playing soul jazz with Jack McDuff, and at the age of 21 he recorded his first album as leader, with 'The New Boss Guitar' featuring McDuff on organ. He followed this with more albums as leader of The George Benson Quartet, with 'It's Uptown' in 1966 and 'The George Benson Cookbook' the following year. At the same time as having his own band, he was also playing in other groups, with such jazz luminaries as Hank Mobley, Jimmy Smith, Larry Young, and Stanley Turrentine, and he was even employed by Miles Davis to add guitar on 'Paraphernalia' from Davis' 1968 Columbia release 'Miles In The Sky'. Benson then signed with Creed Taylor's jazz label CTI Records, where he recorded several albums with some jazz heavyweights guesting on them, and his solo career really began to take off, culminating in him signing to Warner Brothers Records for his Grammy Award-winning breakthrough album 'Breezin''. This collection showcases some of his best work from the early 60's to early 70's on other artist's albums, and fans of his later smooth-jazz output might be astounded to hear what an excellent straight jazz guitarist he was in the early part of his career. It's a double disc set, as some of these tracks are quite lengthy, but I just couldn't bear to edit them down, so we end up with an hour and a half of superb mid-60's jazz.  



Track listing

Disc One
01 This Can't Be Love (from 'Cookin' Together' by Red Holloway 1964)
02 It Ain't Necessarily So (from 'Live!' by Brother Jack McDuff 1963)
03 Alligator Bogaloo (from 'Alligator Bogaloo' by Lou Donaldson 1967)
04 Sideman (from 'Finger-Lickin' Good' by Lonnie Smith 1967)
05 Music To Watch Girls By (from 'Jaki Byard With Strings!' by Jaki Byard 1968)
06 Paraphernalia (from 'Miles In The Sky' by Miles Davis 1968)
07 Up, Over, And Out (from 'Reach Out' by Hank Mobley 1968)
08 Some Of My Best Friends Are Blues (from 'The Boss' by Jimmy Smith 1968)

Disc Two
01 The Infant (from 'Heaven On Earth' by Larry Young 1969)
02 Mellow Blues (from 'Mellow Blues' by Willis Jackson 1970)
03 How Long Will It Be (from 'Crying Song' by Hubert Laws 1970) 
04 Sunshine Alley (from 'Sugar' by Stanley Turrentine 1970)
05 Straight Life (from 'Straight Life' by Freddie Hubbard 1971) 

Sandy Coast - And Their Name Is... Sandy Coast (1968)

Hans Vermeulen formed the band in 1961 as Sandy Coast Skiffle Group, with his bass-playing brother Jan, and on the latter's insistence they became Sandy Coast Rockers. The name was eventually abbreviated to Sandy Coast, and in 1965 they won a recording contract with Delta Records and released their debut-single 'Being In Love'. It wasn't until their fourth single, a 1966 cover-version of Vera Lynn's 'We'll Meet Again', that they achieved any chart success, and they followed that with 'I See Your Face Again', which broke the Dutch top 20 in the spring of 1968. The band soon traded beat for psychedelic rock, and 'Capital Punishment' became another top 20 hit in early 1969, the same year they signed to Page One Records for their next three singles, and their third album 'Shipwreck'. Despite now being regarded as the better album, it failed to be as successful as its predecessor 'From The Workshop', and when Page One folded following a row between Larry Page and Dick James, their contract was held to be still valid, and they were unable to issue any new material for two years. In 1971 they signed to Polydor and released 'True Love (That's A Wonder)' and 'Just A Friend', and in 1972 had a couple more chart hits with 'Just Two Little Creatures' and 'Summertrain' in 1972, but after one more album the band broke up in 1974. Although a lot of Dutch bands of the 60's and 70's concentrated on the singles market, Sandy Coast also put a lot of work into their albums, and their first three from 1968 to 1971 are all fine examples of psychedelic/progressive rock, and are rightly regarded as being some of the best Dutch rock music of the period. This collection charts their progress to making that first album in 1968, and comprises all their singles and b-sides from that first disc in 1965, up to their last non-album single in 1968. 



Track listing

01 Being In Love (single 1965)
02 I Want You For My Own (b-side of 'Being In Love')
03 Subject Of My Thoughts (Single 1966)
04 I'm A Fool (b-side of 'Subject Of My Thoughts)
05 That Girl Was Mine (single 1966)
06 I Lost A Dream (b-side of 'That Girl Was Mine')
07 We'll Meet Again (single 1966)
08 Coming Home (b-side of 'We'll Meet Again')
09 Sorry She's Mine (single 1966)
10 Make Me Belong To You (b-side of 'Sorry She's Mine')
11 A Girl Like You (single 1967)
12 Sing Before Breakfast (b-side of A Girl Like You')
13 Milk And Tranquilizers (single 1967)
14 I'm Working My Way Back To You (b-side of 'Milk And Tranquilizers')
15 And Her Name is... Amy (single 1967)
16 Anyway You Want Me (b-side of 'And Her Name Is... Amy')
17 I See Your Face Again (single 1968)
18 Goodbye Don't Cry (b-side of 'I See Your Face Again')

Friday, January 22, 2021

Jekyll - Midnight Swim (2020)

As I was piecing back together my other blog The Amplified Review, which was also deleted over Christmas, I realised that Blackpool alternative rockers were the only band to feature twice in the New Band Specials, and so I thought it must be about time that an album is due from them. After putting out a couple of tracks on Soundcloud in 2015, they released an eponymous EP on Fierce Panda in 2018, and followed this two years later with their 'Whispering Gallery' EP, but so far that's all we've had from them. In their early days a track like 'Cramp' displayed more than a nod to Muse, but by the time they released their EP's they'd developed a sound of their own, with shredding solos, sharp falsettos and bitter sweet tones between blistering instrumentation. They show their shoegaze swagger through  tracks like ‘Echoes’, with crashing razor sharp guitars which  lacerate through a buoyant backdrop, while ‘Midnight Swim’ is a delicate number which shows they're not all bluster. As I can't wait for the album I've put together my own from all the tracks they've issued so far, and if you end up loving them as much as I do then the album proper can't come soon enough. In the meantime check out a couple of Youtube videos they've uploaded, covering songs by Japan and Echo & The Bunnymen.



Track listing

01 Cramp
02 Unspoken
03 Plan A
04 Othello
05 The Wounds We've Ignored
06 Mania
07 I Do What I Can
08 Midnight Swim
09 So Wrong
10 The Escapist
11 Marionette
12 Echoes


Cliff Richard - Nine Times Out Of Ten (1962)

For the final collection of Cliff singles and b-sides we arrive at the beginning of the 60's, and start with a couple of songs which later appeared on the 'Expresso Bongo' EP, albeit with different recordings, and then we work our way through some big and not so big hits from 1960 to 1962, along with their b-sides. At this point in his career he was still billed as Cliff Richard and The Shadows, and the band's distinctive sound can be heard on a number of these songs, although towards the end of the album the backing was more session musicians and orchestral arrangements. I'd never really paid much attention to Cliff's recorded output of the 60's and 70's, and assumed that most of his singles were taken from his albums, and so was astonished to find that he'd released over a hundred non-album tracks in the twenty years between 1960 and 1979, and if you'd bought all his albums as they came out in the 60's and 70's you'd have very few of the songs featured on these six collections.  



Track listing

01 A Voice In The Wilderness (single 1960) 
02 Don't Be Mad At Me (b-side of 'A Voice In The Wilderness')
03 Please Don't Tease (single 1960)
04 Where Is My Heart (b-side of 'Please Don't Tease')
05 Fall In Love with You (single 1960)
06 Willie And The Hand Jive (b-side of 'Fall In Love With You')
07 Nine Times Out of Ten (single 1960)
08 Thinking Of Our Love (b-side of 'Nine Times Out Of Ten')
09 I Love You (single 1960)
10 'D' In Love (b-side of 'I Love You')
11 Theme For A Dream (single 1961)
12 Mumblin' Mosie (b-side of 'Theme For A Dream')
13 A Girl Like You (single 1961) 
14 Now's The Time To Fall In Love (b-side of 'A Girl Like You')
15 I'm Lookin' Out The Window (single 1962)
16 Since I Lost You (b-side of 'It'll Be Me' 1962)
17 Do You Want To Dance (b-side of 'I'm Lookin' Out The Window')

I've found this site http://www.cliffrichardsongs.com/cliffuksingles/index.htm invaluable in helping to compile these albums, and if you're a Cliff fan then you need to check it out as there's a wealth of information on there that you'll find fascinating.

Tuesday, January 19, 2021

The Waterboys - Another Kind Of Circus (1984)

In 1981 Mike Scott was working in the punk rock band Funhouse, who had recently changed their name from Another Pretty Face, and after signing to Ensign Records the group moved to London to record their music. Scott had been unsatisfied with the group's sound and so in December 1981 decided to use Redshop Studio to record some of his own songs solo, after prompting from Ensign Records to consider a solo career. With the help of a drum machine, Scott sang and played the piano and guitar on five of his songs, and the quality of the session convinced him to leave Funhouse and make further recordings at Redshop in early 1982. In spite of his label's advice of embarking on a solo career, Scott began forming a new band to work with, and recruited Anthony Thistlethwaite for the new project, which became The Waterboys, soon adding Kevin Wilkinson as drummer. In the Spring of 1982 the band recorded 'A Girl Called Johnny' which became their first single, and which was included on the following year's eponymous debut album. Tracks for the album were selected from the London recordings following aborted sessions in New York with Lenny Kaye as producer, and the songs that didn't make the cut were later added to the expanded re-issue of the album in 2019. Recording of the follow-up to 'The Waterboys' was begun before either the band's first single 'A Girl Called Johnny', or the album had been released, and comprised two recording sessions. The first was in November 1982 at Redshop Studio in London, involved Mike Scott, Anthony Thistlethwaite and Kevin Wilkinson, and the second was held in September 1983 at Rockfield Studio in Wales, included contributions from Karl Wallinger, who had joined the band that year. 'A Pagan Place' was released in June 1984, sharing a title with the book 'A Pagan Place' by Irish novelist Edna O'Brien, although Scott insists that he'd never read the book. The album was greeted with much acclaim from critics and fans alike, and when 'The Big Music' was released as a single it became a descriptor of the sound of the band's music. As with their first album, a number of songs did not make it to the final track-listing, and were added to the 2019 re-issue, so this album collects all the out-takes from the sessions for both albums, along with a b-side to the 'A Girl Called Johnny' 12" single, so settle back and enjoy some 'big music'. 



Track listing

01 Something Fantastic (previously unreleased)
02 Ready For The Monkeyhouse (b-side of 'A Boy Called Johnny' 12" single)
03 Another Kind Of Circus (previously unreleased)
04 A Boy In Black Leather (previously unreleased)
05 Jack Of Diamonds (previously unreleased)
06 Some Of My Best Friends Are Trains (previously unreleased)
07 The Late Train To Heaven (previously unreleased)
08 Love That Kills (previously unreleased)
09 The Madness Is Here Again (previously unreleased)
10 Cathy (previously unreleased)
11 Down Through The Dark Streets (previously unreleased)

Friday, January 15, 2021

Frank Zappa - ...and on guitar (1978)

Frank Vincent Zappa was born on 21 December 21 1940, in Baltimore, Maryland, and was often sick as a child, suffering from asthma, earaches and sinus problems. A doctor treated his sinusitis by inserting a pellet of radium into each of his nostrils, as at the time little was known about the potential dangers of even small amounts of therapeutic radiation, and that might explain why nasal imagery and references appear in his music and lyrics, as well as in the collage album covers created by his long-time collaborator Cal Schenkel. Zappa joined his first band at Mission Bay High School in San Diego as the drummer, and he was interested in sounds for their own sake, particularly the sounds of drums and other percussion instruments. At Antelope Valley High School, Zappa met Don Glen Vliet (who later changed his name to Don Van Vliet and adopted the stage name Captain Beefheart), and he played drums in local band the Blackouts, but he also started to develop an interest in the guitar, and in 1957 he was given his first instrument. Zappa's interest in composing and arranging flourished in his last high-school years, and by his final year he was writing, arranging and conducting avant-garde performance pieces for the school orchestra, and after he left high school he attempted to earn a living as a musician and composer. During the early 1960's, Zappa wrote and produced songs for other local artists, and in 1964 he moved into the Pal studio and began routinely working 12 hours or more per day recording and experimenting with overdubbing and audio tape manipulation. Aided by his income from film composing, Zappa took over the studio from Paul Buff, and renamed it Studio Z, although it was rarely booked for recordings by other musicians, and following a brief prison sentence for recording alleged pornographic mateiral there, he could no longer afford to pay the rent on the studio and was evicted, with the building being torm down in 1966. That was also the year that Zappa formed The Mothers, and recorded the classic 'Freak Out' album, which was to put him on the path to being one of the most influential musicians in the world. In July of that year he was asked to produce some tracks for The Animals, one of which was his own composition 'All Night Long'. The following year he played guitar on both sides of a 7" single by Tommy Flanders, and on the A-side of Barry Goldberg's 'Carry On' single. 
During the late 1960's, Zappa continued to develop the business sides of his career, and he and Herb Cohen formed the Bizarre Records and Straight Records labels, distributed by Warner Bros. Records, releasing albums by Alice Cooper, The Persuasions, and Wild Man Fischer, on whose record he also played guitar. In 1970 Zappa helped out former band-mate Jeff Simmons by producing and playing on his first proper solo album (following a collaborative film soundtrack with Randy Sterling), and the same year he composed the music for Jean-Luc Ponty's 'King Kong' album, as well as playing on the record, and afterwards asked the violinist to join The Mothers Of Invention as a permanent member. In 1971 he and the Mothers were part of John Lennon's live performance at the Fillmore East in New York City on 6 June 1971, which was taped and released the following year on John Lennon & Yoko Ono's 'Some Time In New York City' album. In 1968 The Mothers Of Invention had released a pastiche of 50's doo-wop music under the title of 'Cruising With Reuben & The Jet's', and four years later a Los Angeles band named themselves after the album, producing two records of their own, the first of which was produced by Zappa, as well on him contributing one song to it, and playing guitar on another. In 1974 he helped out former Mothers' keyboardist George Duke on his own album 'Feel', and in 1976 he managed to reform Grand Funk Railroad, who had just broken up, by telling then that he wanted to produce them, which he did on their 'Good Singin', Good Playin'' album, on which he played guitar on one track. In 1976 Zappa was in Montreal for a concert, and was asked by Robert Charlebois to participate in the recording of a track on his new album. Zappa accepted and showed up the next day in a Montreal Studio to record the solo on 'Petroleum', not only playing the end solo, but also participating in the arrangements, but then  Charlebois sat on the tapes for over a year before the album eventually appeared in 1977. After Grand Funk Railroad  broke up in 1976, band members Don Brewer, Mel Schacher, and Craig Frost formed the group Flint and released their self titled album in 1978, and because of his connection with the members from their 'Good Singin', Good Playin'' album, Zappa offered to play guitar on a couple of tracks. Obviously this is a very concise biography of Frank Vincent Zappa, just concentrating on his collaborations with other artists, but he has lived the most fascinating life, and the 'radium up the nose' story is fairly typical of the sort of thing that happened to him, so do check out his Wikipedia page while you are listening to this diverse collection of music that he's been involved with throughout the 60's and 70's.   



Track listing

01 All Night Long (from 'Animalism' by The Animals 1966)
02 Friday Night City (single by Tommy Flanders 1967)
03 Carry On (single by Barry Goldberg 1967)
04 The Circle (from 'An Evening With Wild Man Fischer' by Wild Man Fischer 1968)
05 How Would You Like To Have A Head Like That? (from 'King Kong' by Jean-Luc Ponty 1970)
06 Raye (from 'Lucille Has Messed My Mind Up' by Jeff Simmons 1970)
07 Well (Baby Please Don’t Go) (from 'Some Time In New York City' by Lennon/Ono 1972)
08 Dedicated To The One I Love (from 'For Real!' by Ruben And The Jets 1973)
09 Old Slippers (from 'Feel' by George Duke 1974)
10 Out To Get You (from 'Good Singin' Good Playin'' by Grand Funk Railroad 1976)
11 Petroleum (from 'Swing Charlebois Swing' by Robert Charlebois 1977)
12 You'll Never Be The Same (from 'Flint' by Flint 1978)

Cliff Richard - Constantly (1965)

Moving further back towards the start of his career, we have another solid collection of non-album singles and b-sides from Cliff, spanning the years 1963-1965. The one includes a rare Australian single from 1964, plus a good selection of well-known and lesser-known hits, and their flips, making for another fine album showcasing songs that could easily be overlooked.  


Track listing

01 Lucky Lips (single 1963) 
02 I Wonder (b-side of 'Lucky Lips')
03 It's All in the Game (single 1963)
04 Your Eyes Tell On You (b-side of 'It's All In The Game')
05 Don't Talk to Him (single 1963)
06 Say You're Mine (b-side of 'Don't Talk To Him')
07 I'm the Lonely One (single 1964)
08 Watch What You Do With My Baby (b-side of 'I'm The Lonely One')
09 I Only Have Eyes For You (Australian single 1964)
10 Constantly (L'Edera) (single 1964)
11 True, True Lovin' (b-side of 'Constantly')
12 The Twelfth of Never (single 1964)
13 I'm Afraid To Go Home (b-side of 'The Twelfth Of Never')
14 The Minute You're Gone (single 1965)
15 Just Another Guy (b-side of 'The Minute You're Gone')
16 On My Word (single 1965)
17 Just A Little Bit Too Late (b-side of 'On My Word')

Big Brother & The Holding Company - Misery (1968)

In September 1966, Big Brother signed a contract with Mainstream Records, and recorded four of the songs for the album 'Big Brother & the Holding Company', with the remainder of the songs being recorded in Los Angeles later in the year. Mainstream was known for its jazz records, and Big Brother was the first rock band to appear on the label, and this may have influenced the final result, since the album sounded very different from what the band expected, being acoustic and folky instead of heavy acid rock. The band's historic performance at the Monterey Pop Festival in June 1967 attracted national and international attention, and they signed a contract with Columbia Records which was able to buy out their contract from Mainstream. The band's first album for Columbia was due to be recorded during the spring and summer of 1968, and released later that year, and was eagerly anticipated after the first record had been largely ignored. Initially it was planned as a live album, with the band recording two concerts at the Grande Ballroom in Detroit, but the results were considering not good enough, and so the live album was scrapped and Columbia decided to re-record most of the songs in the studio. The album was initially named 'Sex, Dope and Cheap Thrills', but Columbia asked them to shorten it to just 'Cheap Thrills', and the group was photographed by Richard Avedon for the cover, but the pictures were not used. Dave Getz suggested that the band hire underground comic-book artist R. Crumb whom he knew through a mutual friend, and what was originally meant to be the back cover art became the classic front cover of the album. Crumb's first effort was a picture just of Joplin, but this was also rejected, and so I've resurrected it for this album. Sessions for the record produced way more material than was needed, and although some of the songs have since surfaced, they've been scattered over various posthumous Joplin anthologies, but they were finally released in one place on the deluxe 'Cheap Thrills' re-issue, and by extracting the best takes we can construct a companion record to 'Cheap Thrills' which contains some superb songs in excellent sound quality.



Track listing

01 Catch Me Daddy
02 Farewell Song
03 Flower In The Sun
04 Magic Of Love
05 Roadblock
06 Harry
07 Misery'n
08 Easy Once You Know How
09 It's A Deal
10 How Many Times

search big brother aiwe

Cheap Trick - Fan Club (1988)

In 1967, Rick Nielsen formed Fuse with Tom Peterson (later known as Tom Petersson), and when Bun E. Carlos joined on drums in 1971 they moved to Philadelphia, calling themselves Sick Man Of Europe. After a European tour in 1973 without Carlos, Nielsen and Petersson returned to Rockford and reunited with him, recruiting Randy 'Xeno' Hogan on vocals, and re-naming themselves Cheap Trick. Hogan left the band shortly after its formation and was replaced by Robin Zander, and in 1975 the band recorded a demo, and also played in warehouses, bowling alleys, and various other venues around the mid-western United States. They were signed to Epic Records in 1976, and released their eponymous debut album in early 1977, which garnered critically favourable reviews which were not reflected in its sales. Their second album 'In Color' was released later that year, and although singles 'I Want You To Want Me' and 'Southern Girls' failed to chart, the album itself had since been ranked in Rolling Stone magazine's list of the 500 greatest albums of all time. When the band toured in Japan for the first time in April 1978, they were received with a frenzy reminiscent of Beatlemania, and during the tour they recorded two concerts at the Nippon Budokan, from which ten tracks were chosen and compiled for live album entitled 'Cheap Trick At Budokan', and which was to be exclusive to Japan. The band's third studio album 'Heaven Tonight' was released in May 1978, and its first single 'Surrender' was their first US chart success, peaking at No. 62. Demand for 'Cheap Trick At Budokan' became so great that Epic Records finally released the album in the U.S., launching the band to international stardom, with the album going triple platinum in the United States. The first single from the album was the live version of 'I Want You to Want Me', which had originally flopped when extracted from the 'In Color' album in 1977, this time reaching number 7 on the Billboard Hot 100, and becoming the band's best-selling single to date. 
Their next studio album 'Dream Police' was released in 1979, with the title track and 'Voices' becoming hit singles. By 1980 Cheap Trick were an arena band, and later that year Petersson left the group to record a solo album with his wife Dagmar, being replaced by Jon Brant. In July 1981, CBS Inc. sued Cheap Trick and their manager Ken Adamany for $10 million, alleging they were attempting to coerce CBS into re-negotiating their contract and had refused to record any new material for the label since October 1980. The lawsuit was settled in early 1982 and work commenced on the next album 'One On One', followed by 'Next Position Please' in 1983, and 'Standing On The Edge' in 1985, with this last record being called their "best collection of bubblegum bazooka rock in years". Petersson rejoined the group in 1987 and helped record 1988's 'Lap Of Luxury', but the recording was a fraught time for the band, as due to the their commercial decline, Epic Records insisted that they collaborate with professional songwriters on the album. However, when 'The Flame' was issued as a single from the album it became the band's first-ever No. 1 hit, and the four following singles from the album also charted. 'Lap Of Luxury' went platinum and became recognized as the band's comeback album, with Billboard commenting that "after a long hit-less streak, Cheap Trick brings it all back home. This is the quartet's punchiest effort since its mid-'70s heyday." The band consolidated this success on subsequent albums, with their most recent being 'We're All Alright!' in 2017. This collection of b-sides, demos, out-takes and soundtrack recordings covers their most fruitful period from 1977 to 1988, and even on these left-overs you can still hear why they've been cited as one of the best power-pop bands of the 70's and 80's.  



Track listing

01 Lovin' Money (out-take 1977)
02 Fan Club (demo 1977)
03 I Was A Fool (demo 1980) 
04 Everything Works If You Let It (alternate take 1980) 
05 I Need Love (demo 1980)
06 I'm The Man (from the soundtrack of the film 'Rock & Rule' 1981)
07 Born To Raise Hell (from the soundtrack of the film 'Rock & Rule' 1981)
09 Don't Make Our Love A Crime (demo 1982)
10 All I Really Want (b-side of 'She's Tight' 1982)
11 Twisted Heart (out-take 1983)
12 A Place In France (out-take 1985)
13 Funk #9 (demo 1986)
14 Money Is The Route Of All Fun (out-take 1986)
15 Fortune Cookie (demo 1986)
16 You Want It (from the soundtrack of the film 'Say Anything' 1988)  
17 Through The Night (b-side of 'The Flame' 1988)

Tuesday, January 12, 2021

The Waterboys - Blues For A Fisherman (1988)

The Waterboys are a British/Irish folk rock band formed in Edinburgh in 1983 by Scottish musician Mike Scott, who has remained as the only constant member throughout the band's career. They have explored a number of different styles, but their music is mainly a mix of folk music and rock and roll. The early Waterboys sound became known as 'The Big Music' after a song on their second album 'A Pagan Place', being defined as an anthemic sound which was 'a metaphor for seeing God's signature in the world'. Before forming The Waterboys, Scott made a number of solo recordings in late 1981 and early 1982 while a member of Another Pretty Face, and during the same period he also formed the short-lived band The Red And The Black, with saxophone player Anthony Thistlethwaite. In 1983, Scott was expected to deliver a solo album to his record label Ensign Records, but he decided to start a new band, naming them The Waterboys after a line in the Lou Reed song 'The Kids', and their first released recording under that name was the single 'A Girl Called Johnny', which was a tribute to Patti Smith. The eponymous debut album followed shortly afterwards, and was compared by critics to Van Morrison and U2 in its cinematic sweep. A second album 'A Pagan Place' came out in June 1984, and 'This Is The Sea' followed in 1985, including the hit single, and their best-known song, 'The Whole Of The Moon'. 
In 1986, at the invitation of new member Steve Wickham, Scott moved to Dublin and quickly became influenced by the traditional Irish music there as well as by country and gospel, and the band's line-up changed to include Scott, Wickham and Thistlethwaite, plus Trevor Hutchinson on bass and Peter McKinney on drums. This new band spent 1986 and 1987 recording in Dublin and touring the UK, Ireland, Europe and Israel, and in 1988 Scott took the band to Spiddal in the west of Ireland where they set up a recording studio in Spiddal House to finish recording their new album. 'Fisherman's Blues' was released in October 1988, and showcased many guest musicians that had played with the band in Dublin and Spiddal. Critics and fans were split between those embracing the new influence of Irish and Scottish folk music, with others being disappointed that it wasn't a continuation of the style of 'This Is the Sea', although over the years it has been re-evaluated and become one of the band's best-loved albums. Owing to the large number of tracks that were recorded in the three years between 'This Is the Sea' and 'Fisherman's Blues', the band released a second album of songs from those sessions, with 'Too Close To Heaven' coming out in 2001, and yet even after releasing two records made up of songs from those extensive sessions, there are still enough unreleased tracks for a third album, and so here it is. I've loved the band through all their incarnations, so to me this is a perfect companion to 'Fisherman's Blues', carrying on their 'Raggle Taggle' sound for a little bit longer, but rest assured that there will be more to come from earlier periods of the band in the future. 



Track listing

01 Carolan's Welcome
02 Killing My Heart
03 You In The Sky
04 When Will I Be Married
05 Nobody 'Cept You
06 Girl Of The North Country
07 Lonesome And A Long Way From Home
08 If I Can't Have You
09 Rattle My Bones And Shiver My Soul
10 Let Me Feel Holy Again
11 Meet Me At The Station
12 The Good Ship Sirius
13 Soon As I Get Home


Friday, January 8, 2021

Jerry Garcia - ...and on guitar (1974)

Jerry Garcia's musical career is inevitably closely intertwined with The Grateful Dead, but he also spent a lot of time in the recording studio helping out fellow musician friends in session work, often adding guitar, vocals, pedal steel, sometimes banjo and piano and even producing. Artists who sought his help included the likes of Jefferson Airplane (most notably 'Surrealistic Pillow', where he was listed as their 'spiritual advisor'), and where he also played uncredited guitar on 'Today', 'Plastic Fantastic Lover' and 'Comin' Back to Me'. He also added guitar to 'The Farm' from their 'Volunteers' album, as well as helping out Tom Fogerty, David Bromberg, Robert Hunter, Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Pete Sears, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan, It's a Beautiful Day, and many more. He played pedal steel guitar for fellow-San Francisco musicians New Riders Of The Purple Sage from their initial dates in 1969 through to October 1971, when increased commitments with the Dead forced him to opt out of the group, but he does appear as a band member on their debut album 'New Riders Of The Purple Sage', and produced 'Home, Home On The Road'. He contributed pedal steel guitar to the enduring hit 'Teach Your Children' by Crosby, Stills, Nash, & Young, and also played it on Brewer & Shipley's 1970 album 'Tarkio', and despite considering himself a novice on the pedal steel, he routinely ranked high in player polls. This album is just a snapshot of the many artists that he's appeared with, covering just the years 1969 to 1974, and yet it still had to be a double album. 



Track listing 

Disc One
01 The Farm (from 'Volunteers' by Jefferson Airplane 1969)
02 Oh Mommy (from 'Tarkio' by Brewer & Shipley 1970)
03 Teach Your Children (from 'Déjà vu' by Crosby, Stills, Nash & Young 1970)
04 Starship (from 'Blows Against The Empire' by Paul Kantner/Jefferson Starship 1970)
05 Soul Fever (from 'Papa John Creach' by Papa John Creach 1971)
06 What Are Their Names (from 'If I Could Only Remember My Name' by David Crosby 1971)
07 Man In The Mirror (from 'Songs For Beginners' by Graham Nash 1971)
08 Change Partners (from 'Stephen Stills 2' by Stephen Stills 1971)
09 When I Was A Boy I Watched The Wolves (from 'Sunfighter' by Kantner/Slick
 1971)
10 Hickory Day (from 'Rowan Brothers' by Rowan Brothers 1972)
11 Sick And Tired (from 'Excalibur' by Tom Fogerty 1972)
12 Southbound Train (from 'Graham Nash - David Crosby' by Crosby & Nash 1972)

Disc Two
01 Looks Like Rain (from 'Ace' by Bob Weir 1972)
02 Deep, Wide And Frequent (from 'Rolling Thunder' by Mickey Hart 1972)
03 Venutian Lady (from 'New Train' by Paul Pena 1973)
04 Expressway (To Your Heart) (from 'Fire Up' by Merl Saunders 1973)
05 Walkin' (from 'Baron von Tollbooth & The Chrome Nun' by Kantner/Slick/Freiberg 1973)
06 Down In The Willow Garden (from 'Angel Clare' by Art Garfunkel 1973)
07 Tuscon, Arizona (from 'Be What You Want To' by Link Wray 1973)
08 Someone Else's Blues (from 'Wanted Dead Or Alive' by David Bromberg 1974)
09 Standing At Your Door (from 'Tales Of The Great Rum Runners' by Robert Hunter 1974)