McKinlay Sisters - That Lonely Feeling (1972)

Sheila and Jeanette McKinlay were born and brought up in the Little France district of Edinburgh, and first began performing in their early teens, touring the clubs around the city and the Lothians. In 1963, they embarked on a Scottish tour with Glasgow band The Fabulous Falcons, and they were signed to Iver Music in London as a duo called The McKinleys (note the change in spelling of their name) in 1964, which led to a contract with EMI Columbia. Although they toured with the Beatles, appeared on Ready Steady Go!, and had a number one hit in Germany, none of their four single releases were a hit in the UK. Listening to them now you do wonder why, and their first single, 'Someone Cares For Me', has a Phil Spector-ish wall of sound, but with hard-to-disguise Scots inflection, and was written by the hit machine of John Carter and Ken Lewis. The follow-up was 'When He Comes Along', written by another prolific songwriter – and founder of the New Vaudeville Band – Geoff Stephens, with Carter/Lewis making another appearance on the b-side with their 'Then I'll Know It's Love'. The first two singles were released on the Swan label in the US where they performed better in some regional charts than they did in the UK, possibly because the label's name was known in North America from the fact that Brian Epstein had leased The Beatles' 'She Loves You' to them in 1964. Their third single was yet another Carter/Lewis song, but this time their band Carter-Lewis And the Southerners had released their own version of it in 1963, so The KcKinlays was a cover of 'Sweet And Tender Romance', and was released a year later. It was a fine record, with its deep murky sound and the vocals soaring over the fast backbeat, and it includes a lacerating guitar solo from Jimmy Page. 

'That Lonely Feeling' on the flip is Carter/Lewis again, but this time it's a slower track, with gentle, sometimes harsh, harmonies, and it was later covered by Dean Ford and The Gaylords in 1965, before they morphed into The Marmalade. Their final single is possibly their best, with 'Give Him My Love' being a Donovan co-write, and the sisters move into folk-rock territory for this record, which has a more mature sound. With success in the UK continuing to elude them they left Columbia and finally found some success in Europe, particularly in Germany, as the McKinlay Sisters. They released a number of singles in Europe in 1967 and 1968, some in English and some in German, and continued to be successful there until 1968, when they went their separate ways. Sheila joined The Les Humphries Singers, and Jeanette paired up with Peter Petrel to form the duo Windows, who were put together by Golden 12 Records in Germany purely to release a version of 'How Do You Do' in 1972 before the Dutch group Mouth & MacNeal could release their own version of it. They did record an album 'Meet The Windows' in 1972, but Jeanette left in 1974, and was replaced by Tina Wulff. Sheila, on the other hand, embarked on a solo career in 1971 with a couple of Les Humphries-penned singles, followed by a German-language version of 'If Not For You', before recording her final single 'Ringel Rangel Rosen' in 1972, backed with a German-language cover of Middle Of The Road's 'Sacramento'. Sheila, who was married to Howie Casey, saxophonist and band leader of Howie Casey and the Seniors, died from cancer on 16 December 2012, aged 71, and is survived by Jeanette. I hope that this collection of the sister's work is a fitting tribute to both girls, who really should have had more success than they did with those first four singles. 

Track listing

The McKinleys
01 Someone Cares For Me (single 1964)
02 A Million Miles Away (b-side of 'Someone Cares For Me')
03 When He Comes Along (single 1964)
04 Then I'll Know It's Love (b-side of 'When He Comes Along')
05 Sweet And Tender Romance (single 1964)
06 That Lonely Feeling (b-side of 'Sweet And Tender Romance')
07 Give Him My Love (single 1965)
08 Once More (b-side of 'Give Him My Love')
The McKinlay Sisters
09 I Want You (German single 1966)
10 Was Kann Ich Dafür (How Can I Explain) (b-side of 'Bye Bye Bye' German single 1967)
11 Wer Nicht Hören Will Muß Fühlen (German single 1967)
12 All Night Girl (b-side of 'Wer Nicht Hören Will Muß Fühlen')

Windows, featuring Jeanette McKinlay

13 How Do You Do (single 1972 - English version)

14 Nobody's Baby (b-side of 'How Do You Do')

15 Jeder Tag (b-side of the German issue of 'How Do You Do')
Sheila McKinlay
16 And When The War Is Over (Australian single 1971)
17 Listen To Little Children (b-side of 'And When The War Is Over')
18 I Remember (German single 1971)
19 Sunday Night School Girl (b-side of 'I Remember')
20 Ich Geh Mit Dir (If Not For You) (German single 1971)
21 Ringel Rangel Rosen (Ring A Ring Of Roses) (Dutch single 1972)
22 Sacramento (b-side of 'Ringel Rangel Rosen')  

Kate Bush - Something Like A Song (1973) **UPGRADE**

Fresh from providing us with the excellent Pink Floyd album 'Bedlam And Breakfast', Geof has sent me some more of his work, which is a complete upgrade of the demos that Kate Bush recorded in 1973. He's remixed them to give the vocals some reverb and presence, as well as trying to make the piano sound better, and with the vocals more upfront they do sound much improved. I've replaced the folder in Soulseek, but have kept the old version in the download pdf just in case anyone wants to get both copies and compare them. 

Track listing

01 It Hurts Me   

02 Come Closer To Me Babe

03 Frightened Eyes 

04 Something Like A Song

05 Rinfy The Gypsy  

06 Where Are The Lionhearts 

07 Oh To Be In Love

08 Camilla   

09 The Gay Farewell  

10 Organic Acid

11 Pick The Rare Flower  

12 On Fire Inside A Snowball 

13 Dali   

14 While Davy Dozed 

15 Stranded At The Moonbase 

16 So Soft  

17 The Disbelieving Angel 

18 Nevertheless You'll Do

19 The Craft Of Life 

The Beatles - Magical Mystery Tour (Mike's Mix) (1967)

Time for another Beatles album pulled apart and put back together by Mike. This time he's stayed in 1967 and performed his magic on their 'Magical Mystery Tour' EP, later expanded to a full album. 

Here’s my track by track detailed look at each cut (the order by the way is based of the original EP… not the album). Note - 'Strawberry Fields Forever' and 'Penny Lane' were included on 'Sgt. Pepper...' as they started the whole psychedelic era of The Beatles. 

01 Magical Mystery Tour - I’m cheating already LOL. I didn’t pick the album version but the rarer soundtrack version because I loved all the extra different sound effects. Like 'Sgt. Pepper...', this whole album has so much fun hidden away that I really enjoyed making every one of these cuts, except to be honest 'Baby You’re A Rich Man' which took freakin’ forever to mix! 

02 Your Mother Should Know -  Great backing vocals brought to the forefront on this one. I reduced the drums to almost nil… they were hiding too much fun stuff! 

03 I Am The Walrus -  This took a while to mix but is so much fun. Possibly my favorite mix on the album! There's so much going on in this song that it was hard to pick what to focus on at any given time. But that just made it extra fun to mix. I changed up the beginning and the end a bit to make it more fun! Everybody smoke pot, Everybody smoke pot!!

04 The Fool On The Hill -  Another fudge here. This is an earlier take with many different vocals and a very cool completely different arrangement. 

05 Flying -  The only song in all their albums to have all four lads singing LEAD vocal! And one of only 2 songs whose writing was credited to all four. (Can you name the other??) I added a bit of fun at the end! 

06 Blue Jay Way -  My strangest mix. A tribute to George, mysticism, psychedelia and of course the backwards message! 

07 Hello Goodbye -  Get rid of the drums and wow…the song just opens up. Fun bass line! I added one extra note at the end. Ha! Sue Me! 

08 Baby You're A Rich Man -  I don’t know why this one was so hard to mix…just a lot of parts to juggle (I mangled about 3 different versions to Frankenstein this one together) and I got sick in the middle of doing it… so it took 2 weeks to mix. Ack! But it turned out pretty cool. 

09 All You Need Is Love -  Lovely orchestra and horn tracks. Make sure you check out my bonus track of George trying to overdub a violin onto this one. He had never played a violin before…and it shows! “A” for Effort even though it’s an “F” for actual playing. I never knew John sang a lyric from 'Yesterday' at the end… I thought there was only Paul singing 'She Loves You'! The things you find when you start digging around in these songs always amazes me!! That ends the official EP…but here are some cool bonus cuts from roughly the same time period. I just couldn’t stop mixing LOL 

10 Lady Madonna -  The piano is so prominent in the released version of this song… so it had to go! LOL. Great bass and sax solo! 

11 The Inner Light -  Setting the drums free did amazing things for this track. Such a different feel. Tribal almost!! One of my favorite George tracks…so beautiful. 

12 Hey Bulldog -  They had such a fun time recording this…just check out the video on YouTube! Great bass line from Paul and since I love the ending… I brought up the vocals during that part! 

13  All You Need Is Love (excerpt) - George's Violin Attempt (aka -This Tape will (and SHOULD) self destruct in 5 seconds!) Nuff said! 

14 It’s All Too Much -  A tough song to mix as almost every instrument is on the same track as the dirge like single tone drone that runs through the whole darn thing… and it’s the extended version to boot…this was a challenge to make interesting. 

15 Across The Universe -  My other favorite track in this collection to close us out. I once again used about 3 different versions to cobble this together… but the focus remains on the beautiful melody and stunning guitar work from John. I decided to make this mostly an instrumental take…to let the lovely tune shine forth! Created my own ending while I was at it, …and I love the deep breath at the very end! 

That’s it for this one…hope you enjoyed it and as always… please tell me what you think of it …I LIVE FOR FEEDBACK.

Michael 'Rubber' Solof

Track listing

01 Magical Mystery Tour 

02 Your Mother Should Know

03 I Am The Walrus

04 The Fool On The Hill

05 Flying

06 Blue Jay Way

07 Hello Goodbye

08 Baby You're A Rich Man

09 All You Need Is Love

10 Lady Madonna

11 The Inner Light

12 Hey Bulldog

13  All You Need Is Love (excerpt) - George's Violin Attempt (aka -This Tape will 

                                                                            (and SHOULD) self destruct in 5 seconds!)

14 It’s All Too Much

15 Across The Universe

Various Artists - The Hitmakers Sing Laura Nyro (2007)

In the mid-60's, Laura Nyro's mother Louis Nigro's work brought her into contact with record company executive Artie Mogull and his partner Paul Barry, who auditioned Nyro in 1966 and became her first managers, with Mogull negotiating a recording and management contract for her. On 13 July 1966, Nyro recorded 'Stoney End' and 'Wedding Bell Blues', as well as an early version of 'Time And Love', at Bell Sounds Studios in Manhattan, for possible inclusion on her debut album. About a month later, she sold 'And When I Die' to Peter, Paul And Mary for $5,000, and on 17 September 1966, Verve Folkways released 'Wedding Bell Blues'/'Stoney End' as a single under her own name. 'Wedding Bell Blues' became a minor hit, especially on the West Coast, and she completed her debut album in New York on 29 November 1966. In February 1967, Verve Folkways released 'More Than A New Discovery', with songs from the record later becoming hits for The 5th Dimension, Blood, Sweat & Tears, and Barbra Streisand. On 17 June 1967, Nyro appeared at the Monterey Pop Festival, and although some accounts described her performance as a fiasco that culminated in her being booed off the stage, recordings later made publicly available contradict this version of events. Over the next few years more songs from 'More Than A New Discovery' were noticed by other artists and covered on their records, particularly The 5th Dimension, who had a couple of hit singles with her songs. Peter, Paul And Mary turned their investment in 'And When I Die' into a hit, and Barbara Streisand followed them with 'Stoney End'. By 1971 nearly every song on the album had been covered, and so here are some of the best of them, reinterpreting Laura Nyro's first steps into the music business.  

Track listing

01 Goodbye Joe (Carmen McRae 1970)  
02 Billy's Blues (B. J. Ward 1970)  
03 And When I Die (Blood Sweat And Tears 1968)
04 Stoney End (Linda Ronstadt & The Stone Poneys 1968)
05 Lazy Susan (Amy London 2007)   
06 Hands Off The Man (The Sunshower 1970)
07 Wedding Bell Blues (Bobbie Gentry 1970)
08 Buy And Sell (Chris Connor 1971)
09 He's A Runner (Mama Cass 1969)
10 Blowin' Away (The 5th Dimension 1969)
11 I Never Meant To Hurt You (Barbara Streisand 1971)
12 California Shoe-Shine Boys (Karen Wyman 1970)

Thanks to Ergon3 for supplying the Amy London track.

Jesse McCartney - Have It All (2010)

Jesse McCartney was born on 9 April 1987 in Ardsley, Westchester, New York, and started acting at a very young age, performing in local community musicals at the age of seven, and then debuting his role in 'Oliver!', before joining the national tour of 'The King And I' at the age of ten. In 1999 he joined the American pop boy band Dream Street, and was a member until 2002, describing the experience as a good stepping stone for his solo career. Following the release of his first solo three-track EP in July 2003, he issued his debut album 'Beautiful Soul' in September 2004 in the United States, and over a year later in Europe. It reached number number 15 on the Billboard 200, and he toured the US, Australia and Europe promoting it throughout 2005. His second album featured all self-penned songs bar one, and 'Right Where You Want Me' was more mature than his debut, reflecting his musical and personal growth since he recorded his debut album at age 15. It was released by Hollywood Records in September 2006, and reached number 14 on the Billboard 200. In the fall of 2007, McCartney co-wrote the hit song 'Bleeding Love' with Ryan Tedder of OneRepublic, but gave it away to British singer Leona Lewis for her debut album 'Spirit', and when it was released as a single it topped both the UK and US charts. He released his third album, 'Departure', in May 2008 in the United States and Canada, and musically it was a departure from his early works, showcasing more mature themes, and once again it reached number 14 on the Billboard 200. 'Departure' was re-released in April 2009 as 'Departure: Recharged', with four new songs, and a remix of 'How Do You Sleep?' with rapper-actor Ludacris. 

On 16 August 2010, McCartney announced the release of 'Shake', the first single from his upcoming fourth studio album, would be released after Labor Day. 'Shake' was sent out to radio stations on 8 September 2010 and was released digitally on 21 September 2010, and it peaked at number 54 on the Hot 100. On 18 October 2010, it was announced that 'Have It All' would be released in January 2011, but then in November it was revealed that the album launch would be brought forward to 28 December 2010, the Tuesday following Christmas. However, on 3 December he announced through his Facebook page that he had pushed the release date for the album back to early 2011. In April 2011 McCartney responded to a question on his Twitter page about the delay, saying "the release of 'Have It All' has been put on hold until we hear about the outcome of Locke & Key", the television series in which he had a lead role. At the end of the year he said via his WhoSay page that 2012 was still the magic year for the record to finally come out, although his mother posted on Twitter that the replacement of the President of his label, Hollywood Records in January 2012 was delaying its release. In an exclusive interview in the March 2013 issue of Glamouholic magazine, he confirmed that the release of his anticipated fourth studio album would happen within this year, but 'Have It All' would never receive an official release, with only a limited number of promo albums as evidence that it ever existed. He did eventually release his official fourth studio album 'In Technicolor' in 2014, but if you want to hear 'Have It All' then just grab it from here. 

Track listing

01 Shake
02 One Night
03 The Writer
04 Club Hop
05 I Think She Likes Me (feat. Aimeé Proal)
06 Tonight Is Your Night
07 I Don't Normally Do This (feat. Tyga and Jazmine "Jazzy" Bailey)
08 Undo
09 Have It All
10 Mrs. Mistake
11 Seasons (My Love Will Never Change)

Pink Floyd - Bedlam And Breakfast (1974)

Time for another guest post, and this one is from Geof Moody, who has put together a rather interesting Pink Floyd album. 

Following the release and subsequent global success of 'Dark Side Of The Moon' in 1973, Pink Floyd started to think about how they were going to follow it. During 1974, the band sketched out three new compositions, 'Raving And Drooling', 'You Gotta Be Crazy' and 'Shine On You Crazy Diamond', and these were performed during a series of concerts in France and England, culminating in a concert at Trentham Gardens, Stoke-On-Trent in November, which was recorded for the superb 'British Winter Tour 74' bootleg. This was required listening for a Floyd fan at the time, containing as it did not only brand new material which had never been heard before, but in some of the best sound quality that had been heard at that time. When the band eventually went back into the studio to start recording their next album in January 1975, the three new compositions from 1974's tour were at least a starting point, and 'Shine On You Crazy Diamond' seemed a reasonable choice as a centrepiece for the new work. Mostly an instrumental 20-minute-plus piece similar to 'Echoes', the opening four-note guitar phrase reminded Waters of the lingering ghost of former band-member Syd Barrett. He wanted to split 'Shine On You Crazy Diamond', and sandwich two new songs between its two halves, but although David Gilmour disagreed, he was outvoted three to one, and so with 'Welcome To The Machine' and 'Have A Cigar' being barely veiled attacks on the music business, their lyrics worked neatly with 'Shine On...' to provide an apt summary of the rise and fall of Barrett. 'Raving And Drooling' and 'You Gotta Be Crazy' had no place in the new concept, however, and so were set aside until they were re-worked for the 'Animals' album two years later. But what if, in another timeline, the band had decided that those two songs were good enough for their next album, and had recorded them in the studio as they had been performed onstage, then the follow-up to 'Dark Side...' would have been a very different record indeed. The recording of their gig at the Empire Pool, Wembley is such good sound quality that Geof has taken those recordings and removed as much audience noise as possible, and replaced it with a few sound effects and overheard conversations, such as was evident on 'Dark Side Of The Moon'. In a homage to 'Shine On..., he's split 'You Gotta Be Crazy' in two to bookend the album, although mostly it was to even out the running time of what would have been the two sides of a vinyl album of 28 minutes each. He's titled it 'Bedlam And Breakfast', as there is a definite theme of madness running through the three songs, even to the point of the inclusion of words like 'raving' and 'crazy' in the song titles. So here is what could have been Pink Floyd's 1974 album if they'd decided to stick with the music that they'd already written, and many thanks to Geof for putting it all together.

Track listing
  
01 You Gotta Be Crazy
02 Raving And Drooling
03 Shine On You Crazy Diamond
04 You Gotta Be Crazy (Reprise)

Additions to the music are:

Tracks 1 & 4 - general chatter and mumbling, experts from The Avengers episode 'The Hour That Never Was'.

Track 2 - extracts from a Youtube video simulation of Paranoid Schizophrenia, vocal sound and scream from 'Live In Pompeii'.

Track 3 - general thunderstorm, running water, seagulls.

Various Artists - The Hitmakers Sing Elton John (2018)

In 1967 Reginald Dwight (as he then was) answered an advertisement in the British music paper New Musical Express, placed by the A&R manager for Liberty Records Ray Williams, looking for prospective song-writers. At their first meeting, Williams gave him an unopened envelope of lyrics written by Bernie Taupin, who had answered the same ad, and so he wrote music for the lyrics and then sent them to Taupin, beginning a partnership that still continues. When the two first met in 1967, they recorded the first John/Taupin song, 'Scarecrow', and six months later, Dwight began going by the name Elton John, in homage to two members of his old band Bluesology: saxophonist Elton Dean and vocalist Long John Baldry. The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu. Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly. For two years they wrote easy-listening tunes for James to peddle to singers, and their early output included a song for Lulu's entry for the UK in the Eurovision Song Contest 1969, called 'I Can't Go On (Living Without You)', but it came sixth of the six songs up for consideration. 

On the advice of music publisher Steve Brown, John and Taupin began writing more complex songs for John to record for DJM, with the first being the single 'I've Been Loving You', produced by Caleb Quaye, Bluesology's former guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, 'Lady Samantha', and his debut album, 'Empty Sky'. For their follow-up album, 'Elton John', John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger, and the record was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the US. It established the formula for subsequent albums: gospel-chorded rockers and poignant ballads, and the album's first single, 'Border Song', peaked at 92 on the Billboard Hot 100. The second, 'Your Song', reached the top ten in both the UK and US, becoming John's first hit single as a singer, while the album soon became his first long-playing success, reaching number four on the US Billboard 200 and number five on the UK Albums Chart. With the success of the singles and album, it wasn't long before other artists began to take notice of this new talent, and wanted to cover his songs, with big names like Three Dog Night, The Lettermen and The 5th Dimension giving us their versions. Before long nearly every track on the album had a cover version out there, even rare singles and obscure b-sides, and so here are the best of those artists re-interpreting Elton John's classic 1970 album, with just The Band Perry post-1975, covering the flip to Elton's 1970 stand-alone single 'Rock And Roll Madonna'.   

Track listing

01 Your Song (Three Dog Night 1970)

02 I Need You To Turn To (Euson 1971)

03 Take Me To The Pilot (The Orange Bicycle 1970)

04 Mijn Eerste Kiefde (First Episode At Hienton) (Connie Vandenbos 1975)

05 Sixty Years On (Hayden Wood 1970)

06 Border Song (The 5th Dimension 1972)

07 The Greatest Discovery (The Lettermen 1971)

08 The Cage (Brainchild 1970)

09 Bad Side Of The Moon (Toe Fat 1970)

10 Friends (The Square Set 1972)

11 Grey Seal (The Band Perry 2014)

Bacon Fat - Juicy Harmonica (1970)

Following the breakup of the Dirty Blues Band in 1968, Rod Piazza and George "Harmonica" Smith formed the Southside Blues Band, touring with Big Mama Thornton and, in 1969, releasing 'George Smith Of The Blues' as George "Harmonica" Smith & His Blues Band. Smith’s 'Juicy Harmonica' from this album is regarded as a chromatic harmonica classic, and the line-up for the album, featuring Smith and "Lightnin'" Rod Piazza on harmonicas, was very unusual at the time. Shortly after the release of '...Of The Blues', British producer Mike Vernon persuaded the band to move to Blue Horizon and to change their name, calling themselves Bacon Fat, after the title of an Andre Williams recording. The line-up of the band at this time, in addition to Smith and Piazza, was Buddy Reed and Gregg Schaefer on guitars, Jerry Smith on bass, Dick Innes on drums, and J. D. Nicholson on piano, and for their first recording Vernon decided to tape an already-scheduled gig opening for, and backing, Pee Wee Crayton. The tracks recorded at the November 1969 gig at the Bar Paradise A Go Go in South-Central L.A. were subsequently released in 1986 by Blue Moon as 'Live at Small’s Paradise'. The following day was spent at the Eldorado Recording Studio in Hollywood, recording tracks for Bacon Fat’s first album 'Grease One For Me', although Smith only appeared on one track as he was also recording a solo album 'No Time For Jive' at the same time, together with Bacon Fat (less Piazza), Pee Wee Crayton and Marshall Hooks. Although Vernon maintains that the segregation of Smith and Piazza on these releases was coincidence, it does mean that the dual-harp format that had made Southside/Bacon Fat successful in the first place was nowhere in evidence on either album. A tour of Europe to promote both albums took the band to the UK in November 1970, and while there Bacon Fat recorded the tracks for their second album, but the sale of the Blue Horizon label to Polydor by CBS delayed the release of 'Tough Dude' until March 1971, allowing the excitement generated by the tour to fade, and ultimately leading to the break-up of the band. They released one single in 1970, but there were also a number of out-takes and live recordings which have only recently surfaced, and so I've collected them all together into one last album by this innovative blues band. 

Track listing

01 Evil (single 1970)
02 Mellow Down Easy (previously unreleased)
03 Ah'w Baby (previously unreleased)
04 Tight Dress (previously unreleased)
05 Blues Feeling (b-side of 'Evil')
06 My Babe (Part 1) (previously unreleased)
07 Hamps' Boogie Woogie (previously unreleased by George Smith)
08 I've Had My Fun (previously unreleased)
09 Help Me (previously unreleased)
10 Off The Wall (previously unreleased)
11 Blues With A Feeling (previously unreleased by George Smith)

Black Buddafly - Black Buddafly (2007)

Black Buddafly are an R&B duo comprising Aminata "Amina" Schmahl, and her twin sister Safietou "Jazz" Schmahl, both born in 1983 to a German mother and a Senegalese father. There are two other sisters and a brother in the family, and together with older sister Sophie, the three girls put the band together in Los Angeles, but launched their career in Germany under the name of Choyce. The twin sisters were still in their teens when Choyce signed a contract with Germany's RCA, and while touring in 2004 they changed their name to Black Buddafly. Around this time they met and impressed Russell Simmons, who signed them to his RSMG label, and they began work on their debut album. Their first Def Jam single, 'Rock-A-Bye', was released in 2005, and a year later, the label released the 'Bad Girl' single featuring rapper Fabolous, after which the departure of Sophie reduced the band to a duo, although this new line-up would not get around to releasing any new material. A mixtape compilation 'Worst Of.... Black Buddafly: The Forgotten MP3s' arrived in 2011, and in 2013 Amina left the group and joined the cast of VH1's television series 'Love and Hip-Hop', before launching a solo career. The Def Jam album was therefore consigned to the vaults, never to be heard, but copies have leaked, and so here is the lost 2007 debut album from Black Buddafly, which is completely new material, and does not feature any of the songs from the 'Worst Of...' mixtape. 

Track listing

01 First Date
02 For The DJ's
03 Badd Girl
04 Ridin' Clean (feat. Chamilionaire)
05 Sexy Back
06 Sugar Buddy
07 Sheets & Pillows
08 Rock-A-Bye
09 Half As Good (feat. Trae)
10 Tonight
11 Make A Change
12 If I Ever
13 Just Good
14 Ohh Boy
15 Anything At All
16 Lucky Night
17 Freestyle (Outro)

Download update

Just a reminder that the link for the pdf is now in the comments of the most recent post, and then those Frenchies can't find it.  

pj

Ariana Grande - This One's For You (2019)

Ariana Grande-Butera was born on 26 June 1993, and began her music career at age 15 in the 2008 Broadway musical '13'. She rose to fame for playing Cat Valentine in the Nickelodeon television series 'Victorious' between 2010 and 2013, and then 'Sam & Cat' for the next two years. She signed with Republic Records in 2011 after label executives viewed YouTube videos of her covering songs, and her 1950's doo-wop-influenced pop and R&B debut album, 'Yours Truly', was released in 2013, topping the US Billboard 200, while it's lead single 'The Way' reached the top ten of the US Billboard Hot 100. She continued to explore pop and R&B on her second studio album, 'My Everything' in 2014, experimenting with EDM, and achieving global success with its singles 'Problem', 'Break Free' and 'Bang Bang'. Two years later, 'Dangerous Woman' became her first of four consecutive number-one albums in the UK. Personal struggles influenced her trap-infused fourth and fifth studio albums, 'Sweetener' in 2018, and 'Thank U, Next' in 2019, both of which were critical and commercial successes, with 'Sweetener' winning the Grammy Award for Best Pop Vocal Album, and 'Thank U, Next' breaking the record for the largest streaming week for a pop album. The singles 'Thank U, Next', '7 Rings', and 'Break Up With Your Girlfriend, I'm Bored' made her the first solo artist to hold the top three spots on the Hot 100 simultaneously, and the first woman to succeed herself at the top of the UK Singles Chart. During the recording sessions for her albums, some songs were recorded but left off the finished record, and she also joined up with Mac Miller, Bia, and Ed Sheeran to record songs which remain unreleased, and so by collecting those offcuts and collaborations we have enough unheard and rare material to make up an enjoyable album from the singer. 

  
Track listing

01 Baby Love (Intro) (out-take from 'Dangerous Woman' 2016)
02 Boyfriend Material (out-take from 'Yours Truly' 2013)
03 Pink Champagne (out-take from 'Yours Truly' 2013)
04 Don't Be Gone Too Long (feat. Chris Brown) (from 'X' by Chris Brown 2014)
05 Stick Around (feat. Graham Phillips) (out-take from 'Yours Truly' 2013)
06 Talk To Me (feat. Mac Miller) (unreleased 2016) 
07 Knew Better Part 2 (out-take from 'Yours Truly' 2013)
08 Nobody Does It Better (out-take from 'Yours Truly' 2013)
09 This One's For You (feat. Davis Guetta) (demo 2016)
10 No Love For The Lonely (feat. Ed Sheeran) (unreleased 2019)
11 On Top Of Everything (out-take from 'Sweetener' 2018)
12 Ridiculous (out-take from 'My Everything' 2014)
13 Esta Noche (feat. Bia) (unreleased 2016)

Various Artists - The Hitmakers Sing Carole King (1973)

In the late 1950's Carole King attended Queens College, where she met Gerry Goffin, who was later to become her song-writing partner. When she was 17, they married in a Jewish ceremony on Long Island in August 1959, after King became pregnant with her first daughter, Louise. After they quit college they took day jobs, with Goffin working as an assistant chemist and King as a secretary, writing songs together in the evening, and after writing the Shirelles' Billboard Hot 100 number 1 hit 'Will You Love Me Tomorrow', they gave up their daytime jobs to concentrate on the song-writing. In the 1960's, with King composing the music and Goffin writing the lyrics, the two wrote a string of classic songs for a variety of artists, including 'Chains' (later recorded by the Beatles), 'The Loco-Motion' and 'Keep Your Hands Off My Baby' (both for their babysitter Little Eva), and 'It Might As Well Rain Until September', which King recorded herself in 1962, charting at number 22 in the US and number 3 in the UK. Other songs from her early period, up to 1967, included 'Half Way To Paradise' for Billy Fury, 'Take Good Care Of My Baby' for Bobby Vee, 'Up On The Roof' for the Drifters, 'I'm Into Something Good' for Earl-Jean (later recorded by Herman's Hermits), 'One Fine Day' for the Chiffons, and 'Pleasant Valley Sunday' for the Monkees. By 1968, Goffin and King were divorced and were starting to lose contact, and King moved to Laurel Canyon in Los Angeles with her two daughters. There she reactivated her recording career by forming 'The City', a music trio consisting of Charles Larkey, her future husband, on bass, Danny Kortchmar on guitar and vocals, and King on piano and vocals. The group produced one album, 'Now That Everything's Been Said', in 1968, but King's reluctance to perform live meant sales were slow, and the group disbanded in 1969. While in Laurel Canyon, she met James Taylor and Joni Mitchell, as well as Toni Stern, with whom she collaborated on songs, and when  King made her first solo album, 'Writer', in 1970, Taylor played acoustic guitar and provided backing vocals. It peaked at number 84 in the Billboard Top 200, and was followed the next year by 'Tapestry', which featured new compositions as well as reinterpretations of 'Will You Love Me Tomorrow' and '(You Make Me Feel Like) A Natural Woman'. 'Tapestry' was an instant success, with numerous hit singles, including a Billboard No.1 with 'It's Too Late', and every song on it has since become a classic. It's therefore no surprise that they have all been covered by a huge variety of artists, and so here are the best of them, reinterpreting this classic album of the 70's.

Track listing

01 I Feel The Earth Move (Design 1973)
02 So Far Away (Marlena Shaw 1972)
03 It's Too Late (The Sandpipers 1971)
04 Home Again (Kate Taylor 1971)
05 Beautiful (Petula Clark 1971)
06 Way Over Yonder (Cornelia 1972)
07 You've Got A Friend (James Taylor 1971)
08 Where You Lead (Barbara Streisand 1971)
09 Will You Love Me Tomorrow? (Roberta Flack 1971)
10 Smackwater Jack (Quincy Jones 1971)
11 Tapestry (Alice Babs 1973)
12 (You Make Me Feel Like) A Natural Woman (Aretha Franklin 1967)

Flaming Hands - Wake Up Screaming (1984)

Flaming Hands were one of the great inner-city Sydney bands of the early 80's, led by singer Julie Mostyn and astute songwriter/guitarist Jeff Sullivan. Their intense yet tuneful blend of 60's soul, R&B and psychedelic pop attracted a loyal following, leading them to sign to the Phantom Records label and to issue the promising 'I Belong To Nobody' single in September 1980, featuring soul covers originally recorded by The Marvelettes and Soul Incorporated. By the time the first single was released, Paul 'Sluggo' Maheno had joined on sax, and this new line-up issued the Lobby Loyde-produced 'Wake Up Screaming' single in March 1981, which coincided with another line-up change, with Sullivan, Mostyn and Sluggo being joined by newcomers Grant Conner on bass, Peter Bull on keyboards, and Alan Brown on drums. This new line-up supported The Clash at their epic seven-night stand at Sydney's Capitol Theatre during February 1982, during which time The Clash’s manager Bernie Rhodes became something of a Flaming Hands fan. The band's next single 'It’s Just That I Miss You' was issued a month later, but by the end of the year Sullivan and Mostyn had grown dissatisfied with their lack of progress and inability to gain a major record deal, and they broke up the band. Bull later joined Paul Kelly and The Coloured Girls, while Sullivan and Mostyn started to put together a new band called Tunnels And Trains, but a year later they'd reverted to Flaming Hands, and they finally signed to Big Time (through EMI) and prepared to record an album. With the help of INXS members Andrew Farriss and Garry Beers, Sullivan and Mostyn recorded the 12" single 'Cast My Love', which came out in October 1983, followed by the 7" single 'The Edge' in March 1984. By this time Flaming Hands consisted of just Sullivan, Mostyn and Sluggo, but with assistance from session players they completed their self-titled debut album, which also spawned two more singles, 'Break Down And Cry' and 'Out Of Our Hands'. By mid-year the band had returned to the live arena with a line-up of Sullivan, Mostyn, Sluggo, Tim Leitch (keyboards), DC Robertson (bass) and Michael Prowse (drums), but at the end of 1985, with still only a cult following to show for five years of perseverance, Sullivan and Mostyn finally laid Flaming Hands to rest. Despite their lack of commercial success they were a pretty good band, as can be heard from this collection of singles, b-sides, demos and live recordings, none of which appeared on their album. 

Track listing 

01 I Belong To Nobody ‎(single 1980)
02 The Stranger (b-side of 'I Belong To Nobody')
03 Wake Up Screaming ‎(single 1980)
04 Sweet Revenge (b-side of 'Wake Up Screaming')
05 It's Just That I Miss You ‎(single 1981)
06 Go Or Stay (b-side of 'It's Just That I Miss You')
07 Falling Apart At The Seams (demo 1981)
08 What Is Love (live 1982)
09 Seek And Find (from 'Paths Of Pain To Jewels Of Glory' compilation 1983)
10 Kismet (b-side of 'Cast My Love' 1983)
11 Love Execution (live 1983)
12 Sacrifice (b-side of 'The Edge' 1984)
13 Hold Tight (demo 1984)
14 Open Windows (b-side of 'Breakdown And Cry' 1984)