Friday, January 29, 2021
Little Quirks - Devil's Ivy (2020)
Johnny Winter - ...and on guitar (1977)
Track listing
01 She Moves Me (from 'Taking Care Of Business' by James Cotton Blues Band 1970)
02 Tobacco Road (from 'Entrance' by Edgar Winter 1970)
03 I've Got News For You (from 'Edgar Winter's White Trash' by Edgar Winter's White Trash 1971)
04 Funny Boy (from 'The Second Coming' by Jerry LaCroix 1974)
05 Skyscraper Blues (from 'Spring Fever' by Rick Derringer 1975)
06 King Tut Strut (from 'Temple Of Birth' by Jeremy Steig 1975)
07 Reggae Rock & Roll (from 'Hit It Again' by Tornader 1977)
08 Mannish Boy (from 'Hard Again' by Muddy Waters 1977)
Mick Jagger & The Red Devils - Red Devil Blues (1993)
The Red Devils were a Los Angeles-based blues rock band who were active from 1988 to 1994. With their no-frills approach and singer Lester Butler's convincing Chicago-style blues harp, they were a popular fixture on the Los Angeles club scene and toured the U.S. and Europe. By early 1991, the Blue Shadows (as they were then known) came to the attention of producers Rick Rubin and George Drakoulias of Def American Recordings, and the band hoped that Drakoulias would work with them, but it became clear that Rubin wanted to produce their debut album. One of his first orders of business was a name change, so the Blue Shadows became the Red Devils, and then Rubin decided that their debut album was going to be a live album, a one-take, no-overdubs release, titled simply 'King King', for which he chose the songs and the cover art. The album was recorded at the King King club during three or four of their regular Monday-night performances in 1991, and featured a mix of songs by blues figures such as Little Walter, Sonny Boy Williamson II, Howlin' Wolf, and Willie Dixon along with some band originals. Mick Jagger became interested in the Red Devils following a recommendation by Rick Rubin, who was producing Jagger's third solo album, and after scouting the band at King King, Jagger joined them on stage in May 1992 and performed Bo Diddley's 'Who Do You Love?' and Little Walter's version of 'Blues With A Feeling'. A month later, the Red Devils were invited to record some blues standards with Jagger, presumably for his upcoming solo album, and during one thirteen-hour recording session at Ocean Way Recording in Hollywood, Jagger and the band recorded thirteen songs, mostly completed in three or fewer takes, with no overdubs, as Jagger wanted to recreate the spontaneous, rough-and-tumble quality of his favorite early Chicago blues. When Jagger's 'Wandering Spirit' was released in 1993, it didn't include any of the songs recorded with the Red Devils, and the sessions passed into legend until bootlegs started to appears some years later. On listening to these recordings you can hear that Jagger and the band are having a ball, and while the production is rough and ready, that's what they wanted, and so it really is an authentic r'n'b/blues album by an artist trying to re-connect to his roots.
01 Mean Old World
02 Blues With A Feeling
03 I Got My Eyes On You
04 Still A Fool
05 Checkin' Up On My Baby
06 One Way Out
07 Talk To Me Baby
08 Evil
09 Ain't Your Business
10 Shake 'M On Down
11 Somebody Loves Me
12 Dream Girl Blues
13 40 Days 40 Nights
Xero - Xero (1996)
Tuesday, January 26, 2021
The Waterboys - Medicine Jack (1985)
'This Is the Sea' was released in 1985, and is the last of their 'Big Music' albums, with the band going back to their folk roots for their next release. Considered by critics to be the finest album of their early rock-oriented sound, it was the first Waterboys album to enter the UK charts, peaking at number 37. Steve Wickham made his Waterboys recording debut playing violin on 'The Pan Within' and subsequently joined the band, although this would be the last appearance of Karl Wallinger, who left the group after the album was released to form his own band, World Party. It was one of Scott's personal favourites, describing it as "the record on which I achieved all my youthful musical ambitions, the final, fully realised expression of the early Waterboys sound". After completing the album, Scott felt that he'd finished with that kind of music, achieving whatever it was he was trying to achieve, and didn't need to do it anymore, resulting in the complete change of direction for 'Fisherman's Blues'. As with all the band's previous records, much more material was recorded than was needed, and so we can make up yet another album just from the out-takes and the extended version of one of their b-sides, none of which deserved to be consigned to the vaults at the time.
Saturday, January 23, 2021
George Benson - ...and on guitar (1971)
George Washington Benson was born on March 22, 1943, and as a child prodigy he first played the ukulele in a corner drug store, for which he was paid a few dollars, then at the age of eight he was playing guitar in an unlicensed nightclub on Friday and Saturday nights, before the police closed the club down. At the age of nine he cut his first recordings, and of the four sides he recorded, two were released as the 1954 'She Makes Me Mad'/'It Should Have Been Me' single on RCA Victor in New York. He first came to prominence in the early 1960's, starting his professional career at age 19 by playing soul jazz with Jack McDuff, and at the age of 21 he recorded his first album as leader, with 'The New Boss Guitar' featuring McDuff on organ. He followed this with more albums as leader of The George Benson Quartet, with 'It's Uptown' in 1966 and 'The George Benson Cookbook' the following year. At the same time as having his own band, he was also playing in other groups, with such jazz luminaries as Hank Mobley, Jimmy Smith, Larry Young, and Stanley Turrentine, and he was even employed by Miles Davis to add guitar on 'Paraphernalia' from Davis' 1968 Columbia release 'Miles In The Sky'. Benson then signed with Creed Taylor's jazz label CTI Records, where he recorded several albums with some jazz heavyweights guesting on them, and his solo career really began to take off, culminating in him signing to Warner Brothers Records for his Grammy Award-winning breakthrough album 'Breezin''. This collection showcases some of his best work from the early 60's to early 70's on other artist's albums, and fans of his later smooth-jazz output might be astounded to hear what an excellent straight jazz guitarist he was in the early part of his career. It's a double disc set, as some of these tracks are quite lengthy, but I just couldn't bear to edit them down, so we end up with an hour and a half of superb mid-60's jazz.
Disc One
01 This Can't Be Love (from 'Cookin' Together' by Red Holloway 1964)
02 It Ain't Necessarily So (from 'Live!' by Brother Jack McDuff 1963)
03 Alligator Bogaloo (from 'Alligator Bogaloo' by Lou Donaldson 1967)
04 Sideman (from 'Finger-Lickin' Good' by Lonnie Smith 1967)
05 Music To Watch Girls By (from 'Jaki Byard With Strings!' by Jaki Byard 1968)
06 Paraphernalia (from 'Miles In The Sky' by Miles Davis 1968)
07 Up, Over, And Out (from 'Reach Out' by Hank Mobley 1968)
08 Some Of My Best Friends Are Blues (from 'The Boss' by Jimmy Smith 1968)
Disc Two
01 The Infant (from 'Heaven On Earth' by Larry Young 1969)
02 Mellow Blues (from 'Mellow Blues' by Willis Jackson 1970)
03 How Long Will It Be (from 'Crying Song' by Hubert Laws 1970)
04 Sunshine Alley (from 'Sugar' by Stanley Turrentine 1970)
05 Straight Life (from 'Straight Life' by Freddie Hubbard 1971)
Sandy Coast - And Their Name Is... Sandy Coast (1968)
Hans Vermeulen formed the band in 1961 as Sandy Coast Skiffle Group, with his bass-playing brother Jan, and on the latter's insistence they became Sandy Coast Rockers. The name was eventually abbreviated to Sandy Coast, and in 1965 they won a recording contract with Delta Records and released their debut-single 'Being In Love'. It wasn't until their fourth single, a 1966 cover-version of Vera Lynn's 'We'll Meet Again', that they achieved any chart success, and they followed that with 'I See Your Face Again', which broke the Dutch top 20 in the spring of 1968. The band soon traded beat for psychedelic rock, and 'Capital Punishment' became another top 20 hit in early 1969, the same year they signed to Page One Records for their next three singles, and their third album 'Shipwreck'. Despite now being regarded as the better album, it failed to be as successful as its predecessor 'From The Workshop', and when Page One folded following a row between Larry Page and Dick James, their contract was held to be still valid, and they were unable to issue any new material for two years. In 1971 they signed to Polydor and released 'True Love (That's A Wonder)' and 'Just A Friend', and in 1972 had a couple more chart hits with 'Just Two Little Creatures' and 'Summertrain' in 1972, but after one more album the band broke up in 1974. Although a lot of Dutch bands of the 60's and 70's concentrated on the singles market, Sandy Coast also put a lot of work into their albums, and their first three from 1968 to 1971 are all fine examples of psychedelic/progressive rock, and are rightly regarded as being some of the best Dutch rock music of the period. This collection charts their progress to making that first album in 1968, and comprises all their singles and b-sides from that first disc in 1965, up to their last non-album single in 1968.
01 Being In Love (single 1965)
02 I Want You For My Own (b-side of 'Being In Love')
03 Subject Of My Thoughts (Single 1966)
04 I'm A Fool (b-side of 'Subject Of My Thoughts)
05 That Girl Was Mine (single 1966)
06 I Lost A Dream (b-side of 'That Girl Was Mine')
07 We'll Meet Again (single 1966)
08 Coming Home (b-side of 'We'll Meet Again')
09 Sorry She's Mine (single 1966)
10 Make Me Belong To You (b-side of 'Sorry She's Mine')
11 A Girl Like You (single 1967)
12 Sing Before Breakfast (b-side of A Girl Like You')
13 Milk And Tranquilizers (single 1967)
14 I'm Working My Way Back To You (b-side of 'Milk And Tranquilizers')
15 And Her Name is... Amy (single 1967)
16 Anyway You Want Me (b-side of 'And Her Name Is... Amy')
17 I See Your Face Again (single 1968)
18 Goodbye Don't Cry (b-side of 'I See Your Face Again')
Friday, January 22, 2021
Jekyll - Midnight Swim (2020)
Cliff Richard - Nine Times Out Of Ten (1962)
01 A Voice In The Wilderness (single 1960)
02 Don't Be Mad At Me (b-side of 'A Voice In The Wilderness')
03 Please Don't Tease (single 1960)
04 Where Is My Heart (b-side of 'Please Don't Tease')
05 Fall In Love with You (single 1960)
06 Willie And The Hand Jive (b-side of 'Fall In Love With You')
07 Nine Times Out of Ten (single 1960)
08 Thinking Of Our Love (b-side of 'Nine Times Out Of Ten')
09 I Love You (single 1960)
10 'D' In Love (b-side of 'I Love You')
11 Theme For A Dream (single 1961)
12 Mumblin' Mosie (b-side of 'Theme For A Dream')
13 A Girl Like You (single 1961)
14 Now's The Time To Fall In Love (b-side of 'A Girl Like You')
15 I'm Lookin' Out The Window (single 1962)
16 Since I Lost You (b-side of 'It'll Be Me' 1962)
17 Do You Want To Dance (b-side of 'I'm Lookin' Out The Window')
Tuesday, January 19, 2021
The Waterboys - Another Kind Of Circus (1984)
01 Something Fantastic (previously unreleased)
02 Ready For The Monkeyhouse (b-side of 'A Boy Called Johnny' 12" single)
03 Another Kind Of Circus (previously unreleased)
04 A Boy In Black Leather (previously unreleased)
05 Jack Of Diamonds (previously unreleased)
06 Some Of My Best Friends Are Trains (previously unreleased)
07 The Late Train To Heaven (previously unreleased)
08 Love That Kills (previously unreleased)
09 The Madness Is Here Again (previously unreleased)
10 Cathy (previously unreleased)
11 Down Through The Dark Streets (previously unreleased)
Friday, January 15, 2021
Frank Zappa - ...and on guitar (1978)
During the late 1960's, Zappa continued to develop the business sides of his career, and he and Herb Cohen formed the Bizarre Records and Straight Records labels, distributed by Warner Bros. Records, releasing albums by Alice Cooper, The Persuasions, and Wild Man Fischer, on whose record he also played guitar. In 1970 Zappa helped out former band-mate Jeff Simmons by producing and playing on his first proper solo album (following a collaborative film soundtrack with Randy Sterling), and the same year he composed the music for Jean-Luc Ponty's 'King Kong' album, as well as playing on the record, and afterwards asked the violinist to join The Mothers Of Invention as a permanent member. In 1971 he and the Mothers were part of John Lennon's live performance at the Fillmore East in New York City on 6 June 1971, which was taped and released the following year on John Lennon & Yoko Ono's 'Some Time In New York City' album. In 1968 The Mothers Of Invention had released a pastiche of 50's doo-wop music under the title of 'Cruising With Reuben & The Jet's', and four years later a Los Angeles band named themselves after the album, producing two records of their own, the first of which was produced by Zappa, as well on him contributing one song to it, and playing guitar on another. In 1974 he helped out former Mothers' keyboardist George Duke on his own album 'Feel', and in 1976 he managed to reform Grand Funk Railroad, who had just broken up, by telling then that he wanted to produce them, which he did on their 'Good Singin', Good Playin'' album, on which he played guitar on one track. In 1976 Zappa was in Montreal for a concert, and was asked by Robert Charlebois to participate in the recording of a track on his new album. Zappa accepted and showed up the next day in a Montreal Studio to record the solo on 'Petroleum', not only playing the end solo, but also participating in the arrangements, but then Charlebois sat on the tapes for over a year before the album eventually appeared in 1977. After Grand Funk Railroad broke up in 1976, band members Don Brewer, Mel Schacher, and Craig Frost formed the group Flint and released their self titled album in 1978, and because of his connection with the members from their 'Good Singin', Good Playin'' album, Zappa offered to play guitar on a couple of tracks. Obviously this is a very concise biography of Frank Vincent Zappa, just concentrating on his collaborations with other artists, but he has lived the most fascinating life, and the 'radium up the nose' story is fairly typical of the sort of thing that happened to him, so do check out his Wikipedia page while you are listening to this diverse collection of music that he's been involved with throughout the 60's and 70's.
01 All Night Long (from 'Animalism' by The Animals 1966)
02 Friday Night City (single by Tommy Flanders 1967)
03 Carry On (single by Barry Goldberg 1967)
04 The Circle (from 'An Evening With Wild Man Fischer' by Wild Man Fischer 1968)
05 How Would You Like To Have A Head Like That? (from 'King Kong' by Jean-Luc Ponty 1970)
06 Raye (from 'Lucille Has Messed My Mind Up' by Jeff Simmons 1970)
07 Well (Baby Please Don’t Go) (from 'Some Time In New York City' by Lennon/Ono 1972)
08 Dedicated To The One I Love (from 'For Real!' by Ruben And The Jets 1973)
09 Old Slippers (from 'Feel' by George Duke 1974)
10 Out To Get You (from 'Good Singin' Good Playin'' by Grand Funk Railroad 1976)
11 Petroleum (from 'Swing Charlebois Swing' by Robert Charlebois 1977)
12 You'll Never Be The Same (from 'Flint' by Flint 1978)
Cliff Richard - Constantly (1965)
Track listing
01 Lucky Lips (single 1963)
02 I Wonder (b-side of 'Lucky Lips')
03 It's All in the Game (single 1963)
04 Your Eyes Tell On You (b-side of 'It's All In The Game')
05 Don't Talk to Him (single 1963)
06 Say You're Mine (b-side of 'Don't Talk To Him')
07 I'm the Lonely One (single 1964)
08 Watch What You Do With My Baby (b-side of 'I'm The Lonely One')
09 I Only Have Eyes For You (Australian single 1964)
10 Constantly (L'Edera) (single 1964)
11 True, True Lovin' (b-side of 'Constantly')
12 The Twelfth of Never (single 1964)
13 I'm Afraid To Go Home (b-side of 'The Twelfth Of Never')
14 The Minute You're Gone (single 1965)
15 Just Another Guy (b-side of 'The Minute You're Gone')
16 On My Word (single 1965)
17 Just A Little Bit Too Late (b-side of 'On My Word')
Big Brother & The Holding Company - Misery (1968)
In September 1966, Big Brother signed a contract with Mainstream Records, and recorded four of the songs for the album 'Big Brother & the Holding Company', with the remainder of the songs being recorded in Los Angeles later in the year. Mainstream was known for its jazz records, and Big Brother was the first rock band to appear on the label, and this may have influenced the final result, since the album sounded very different from what the band expected, being acoustic and folky instead of heavy acid rock. The band's historic performance at the Monterey Pop Festival in June 1967 attracted national and international attention, and they signed a contract with Columbia Records which was able to buy out their contract from Mainstream. The band's first album for Columbia was due to be recorded during the spring and summer of 1968, and released later that year, and was eagerly anticipated after the first record had been largely ignored. Initially it was planned as a live album, with the band recording two concerts at the Grande Ballroom in Detroit, but the results were considering not good enough, and so the live album was scrapped and Columbia decided to re-record most of the songs in the studio. The album was initially named 'Sex, Dope and Cheap Thrills', but Columbia asked them to shorten it to just 'Cheap Thrills', and the group was photographed by Richard Avedon for the cover, but the pictures were not used. Dave Getz suggested that the band hire underground comic-book artist R. Crumb whom he knew through a mutual friend, and what was originally meant to be the back cover art became the classic front cover of the album. Crumb's first effort was a picture just of Joplin, but this was also rejected, and so I've resurrected it for this album. Sessions for the record produced way more material than was needed, and although some of the songs have since surfaced, they've been scattered over various posthumous Joplin anthologies, but they were finally released in one place on the deluxe 'Cheap Thrills' re-issue, and by extracting the best takes we can construct a companion record to 'Cheap Thrills' which contains some superb songs in excellent sound quality.
01 Catch Me Daddy
02 Farewell Song
03 Flower In The Sun
04 Magic Of Love
05 Roadblock
06 Harry
07 Misery'n
08 Easy Once You Know How
09 It's A Deal
10 How Many Times